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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 211 84 it is the complementary color RGB 47 44 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 211 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 211 84 shade: RGB 213 211 79, RGB 230 229 98, RGB 247 247 117, RGB 255 255 136 and RGB 255 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 211 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 191 193 65, RGB 174 175 46, RGB 157 157 27 and RGB 140 139 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 211 180 84, RGB 211 145 84, RGB 211 111 84 and RGB 211 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 174 211 84, RGB 139 211 84, RGB 105 211 84 and RGB 84 211 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 211 84 shade matches the following richer shades: RGB 208 211 84, RGB 224 228 67 and RGB 241 245 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 191 193 102, RGB 175 176 119, RGB 158 159 136 and RGB 142 141 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 211 84 shade: RGB 211 145 84, RGB 211 179 84, RGB 208 211 84, RGB 175 211 84 and RGB 141 211 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 211 84 shade: RGB 166 169 43, RGB 198 202 52, RGB 208 211 84, RGB 217 219 117 and RGB 226 228 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 84 211 112 and RGB 162 84 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 84 208 211 and RGB 211 84 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 84 211 112, RGB 86 84 211 and RGB 211 84 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 211 84 shade: RGB 208 211 84, RGB 84 211 150, RGB 86 84 211 and RGB 211 84 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

Complementary color

CMYK 73 / 74 / 0 / 33

HEX #2F2CAB

RGB 47 44 171

HSL 241.42, 0.59%, 0.42%

LAB 27.7, 43.06, -66.77

 

CMYK 0 / 1 / 63 / 16

HEX #D5D34F

RGB 213 211 79

HSL 59.1, 0.61%, 0.57%

LAB 82.54, -15.42, 63.31

 

CMYK 0 / 0 / 57 / 10

HEX #E6E562

RGB 230 229 98

HSL 59.55, 0.73%, 0.64%

LAB 88.8, -16.11, 62.49

 

CMYK 0 / 0 / 53 / 3

HEX #F7F775

RGB 247 247 117

HSL 60, 0.89%, 0.71%

LAB 94.98, -16.69, 61.51

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 1 / 0 / 66 / 24

HEX #BFC141

RGB 191 193 65

HSL 60.94, 0.51%, 0.51%

LAB 75.82, -16.43, 61.41

 

CMYK 1 / 0 / 74 / 31

HEX #AEAF2E

RGB 174 175 46

HSL 60.47, 0.58%, 0.43%

LAB 69.37, -15.55, 61.63

 

CMYK 0 / 0 / 83 / 38

HEX #9D9D1B

RGB 157 157 27

HSL 60, 0.71%, 0.36%

LAB 62.81, -14.47, 61.01

 

CMYK 0 / 1 / 94 / 45

HEX #8C8B08

RGB 140 139 8

HSL 59.55, 0.89%, 0.29%

LAB 56.15, -13.13, 58.95

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 0 / 15 / 60 / 17

HEX #D3B454

RGB 211 180 84

HSL 45.35, 0.59%, 0.58%

LAB 74.27, -0.03, 52.07

 

CMYK 0 / 31 / 60 / 17

HEX #D39154

RGB 211 145 84

HSL 28.82, 0.59%, 0.58%

LAB 65.55, 18.75, 41.96

 

CMYK 0 / 47 / 60 / 17

HEX #D36F54

RGB 211 111 84

HSL 12.76, 0.59%, 0.58%

LAB 57.9, 36.91, 32.66

 

CMYK 0 / 60 / 60 / 17

HEX #D35454

RGB 211 84 84

HSL 0, 0.59%, 0.58%

LAB 52.76, 50.12, 26.15

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 18 / 0 / 60 / 17

HEX #AED354

RGB 174 211 84

HSL 77.48, 0.59%, 0.58%

LAB 79.74, -30.79, 57.36

 

CMYK 34 / 0 / 60 / 17

HEX #8BD354

RGB 139 211 84

HSL 94.02, 0.59%, 0.58%

LAB 77.71, -43.69, 54.53

 

CMYK 50 / 0 / 60 / 17

HEX #69D354

RGB 105 211 84

HSL 110.08, 0.59%, 0.58%

LAB 76.21, -54.33, 52.43

 

CMYK 60 / 0 / 54 / 17

HEX #54D361

RGB 84 211 97

HSL 126.14, 0.59%, 0.58%

LAB 75.66, -58.06, 45.69

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 2 / 0 / 71 / 11

HEX #E0E443

RGB 224 228 67

HSL 61.49, 0.75%, 0.58%

LAB 87.84, -19.88, 73.45

 

CMYK 2 / 0 / 80 / 4

HEX #F1F532

RGB 241 245 50

HSL 61.23, 0.91%, 0.58%

LAB 93.55, -21.75, 84.2

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 1 / 0 / 47 / 24

HEX #BFC166

RGB 191 193 102

HSL 61.32, 0.42%, 0.58%

LAB 76.18, -13.61, 45.25

 

CMYK 1 / 0 / 32 / 31

HEX #AFB077

RGB 175 176 119

HSL 61.05, 0.27%, 0.58%

LAB 70.52, -9.4, 29.15

 

CMYK 1 / 0 / 14 / 38

HEX #9E9F88

RGB 158 159 136

HSL 62.61, 0.11%, 0.58%

LAB 64.84, -4.48, 11.9

 

CMYK 8 / 8 / 0 / 40

HEX #8E8D9A

RGB 142 141 154

HSL 244.62, 0.06%, 0.58%

LAB 59.1, 3, -6.75

 

CMYK 0 / 31 / 60 / 17

HEX #D39154

RGB 211 145 84

HSL 28.82, 0.59%, 0.58%

LAB 65.55, 18.75, 41.96

 

CMYK 0 / 15 / 60 / 17

HEX #D3B354

RGB 211 179 84

HSL 44.88, 0.59%, 0.58%

LAB 74.02, 0.49, 51.78

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 17 / 0 / 60 / 17

HEX #AFD354

RGB 175 211 84

HSL 77.01, 0.59%, 0.58%

LAB 79.81, -30.4, 57.45

 

CMYK 33 / 0 / 60 / 17

HEX #8DD354

RGB 141 211 84

HSL 93.07, 0.59%, 0.58%

LAB 77.81, -43, 54.67

 

CMYK 2 / 0 / 75 / 34

HEX #A6A92B

RGB 166 169 43

HSL 61.43, 0.59%, 0.42%

LAB 67.02, -16.09, 60.21

 

CMYK 2 / 0 / 74 / 21

HEX #C6CA34

RGB 198 202 52

HSL 61.6, 0.59%, 0.5%

LAB 78.75, -18.62, 69.11

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 1 / 0 / 47 / 14

HEX #D9DB75

RGB 217 219 117

HSL 61.18, 0.59%, 0.66%

LAB 85.35, -14.83, 49.57

 

CMYK 1 / 0 / 34 / 11

HEX #E2E496

RGB 226 228 150

HSL 61.54, 0.59%, 0.74%

LAB 88.86, -12.32, 37.9

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 60 / 0 / 47 / 17

HEX #54D370

RGB 84 211 112

HSL 133.23, 0.59%, 0.58%

LAB 75.85, -55.94, 38.67

 

CMYK 23 / 60 / 0 / 17

HEX #A254D3

RGB 162 84 211

HSL 276.85, 0.59%, 0.58%

LAB 50.36, 53.73, -52.82

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 60 / 1 / 0 / 17

HEX #54D0D3

RGB 84 208 211

HSL 181.42, 0.59%, 0.58%

LAB 77.1, -33.05, -11.77

 

CMYK 0 / 60 / 1 / 17

HEX #D354D0

RGB 211 84 208

HSL 301.42, 0.59%, 0.58%

LAB 56.82, 65.18, -40.45

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 60 / 0 / 47 / 17

HEX #54D370

RGB 84 211 112

HSL 133.23, 0.59%, 0.58%

LAB 75.85, -55.94, 38.67

 

CMYK 59 / 60 / 0 / 17

HEX #5654D3

RGB 86 84 211

HSL 240.94, 0.59%, 0.58%

LAB 42.8, 37.71, -65.42

 

CMYK 0 / 60 / 13 / 17

HEX #D354B7

RGB 211 84 183

HSL 313.23, 0.59%, 0.58%

LAB 55.69, 61.19, -27.89

 

CMYK 1 / 0 / 60 / 17

HEX #D0D354

RGB 208 211 84

HSL 61.42, 0.59%, 0.58%

LAB 82.18, -17.15, 60.73

 

CMYK 60 / 0 / 29 / 17

HEX #54D396

RGB 84 211 150

HSL 151.18, 0.59%, 0.58%

LAB 76.48, -49.15, 19.98

 

CMYK 59 / 60 / 0 / 17

HEX #5654D3

RGB 86 84 211

HSL 240.94, 0.59%, 0.58%

LAB 42.8, 37.71, -65.42

 

CMYK 0 / 60 / 31 / 17

HEX #D35491

RGB 211 84 145

HSL 331.18, 0.59%, 0.58%

LAB 54.27, 55.97, -7.85

 

Description

Color code: RGB 208 211 84 | qconv.com Color code: RGB 208 211 84 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 211 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 211 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 60 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 60% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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