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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 136 170 it is the complementary color RGB 46 119 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 136 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 136 170 shade: RGB 214 136 165, RGB 231 154 184, RGB 248 172 203, RGB 255 190 222 and RGB 255 208 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 136 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 136 170 shade: RGB 209 136 170, RGB 192 118 151, RGB 175 100 132, RGB 158 82 113 and RGB 141 64 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 136 170 shade: RGB 209 137 170, RGB 209 137 151 and RGB 209 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 136 170 shade: RGB 209 137 170, RGB 209 137 190, RGB 208 137 209, RGB 189 137 209 and RGB 170 137 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 136 170 shade matches the following richer shades: RGB 209 137 170, RGB 222 124 170, RGB 235 111 169 and RGB 248 97 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 136 170 shade: RGB 209 137 170, RGB 196 150 171, RGB 182 163 172, RGB 169 177 173 and RGB 156 190 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 136 170 shade: RGB 209 137 209, RGB 209 137 190, RGB 209 137 171, RGB 209 137 151 and RGB 209 142 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 136 170 shade: RGB 186 78 128, RGB 197 107 149, RGB 209 137 170, RGB 220 167 192 and RGB 232 196 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 136 170 shade: RGB 209 136 170, RGB 209 190 137 and RGB 137 199 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 136 170 shade: RGB 209 136 170, RGB 171 209 137 and RGB 137 171 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 136 170 shade: RGB 209 136 170, RGB 209 190 137, RGB 137 209 175 and RGB 137 156 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 136 170 shade: RGB 209 136 170, RGB 206 209 137, RGB 137 209 175 and RGB 139 137 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

Complementary color

CMYK 61 / 0 / 29 / 53

HEX #2E7755

RGB 46 119 85

HSL 152.05, 0.44%, 0.32%

LAB 44.84, -31.34, 12.08

 

CMYK 0 / 36 / 23 / 16

HEX #D688A5

RGB 214 136 165

HSL 337.69, 0.49%, 0.69%

LAB 65.45, 33.72, -2.8

 

CMYK 0 / 33 / 20 / 9

HEX #E79AB8

RGB 231 154 184

HSL 336.62, 0.62%, 0.75%

LAB 71.93, 32.94, -3.66

 

CMYK 0 / 31 / 18 / 3

HEX #F8ACCB

RGB 248 172 203

HSL 335.53, 0.84%, 0.82%

LAB 78.33, 32.21, -4.45

 

CMYK 0 / 25 / 13 / 0

HEX #FFBEDE

RGB 255 190 222

HSL 330.46, 1%, 0.87%

LAB 83.63, 28.11, -6.79

 

CMYK 0 / 18 / 5 / 0

HEX #FFD0F1

RGB 255 208 241

HSL 317.87, 1%, 0.91%

LAB 88.32, 21.81, -9.94

 

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 0 / 39 / 21 / 25

HEX #C07697

RGB 192 118 151

HSL 333.24, 0.37%, 0.61%

LAB 58.41, 33.5, -5.49

 

CMYK 0 / 43 / 25 / 31

HEX #AF6484

RGB 175 100 132

HSL 334.4, 0.32%, 0.54%

LAB 51.72, 34.35, -4.52

 

CMYK 0 / 48 / 28 / 38

HEX #9E5271

RGB 158 82 113

HSL 335.53, 0.32%, 0.47%

LAB 44.94, 35.23, -3.39

 

CMYK 0 / 55 / 33 / 45

HEX #8D405E

RGB 141 64 94

HSL 336.62, 0.38%, 0.4%

LAB 38.09, 36.09, -2

 

CMYK 0 / 34 / 19 / 18

HEX #D189AA

RGB 209 137 170

HSL 332.5, 0.44%, 0.68%

LAB 65.24, 32.16, -6.01

 

CMYK 0 / 34 / 28 / 18

HEX #D18997

RGB 209 137 151

HSL 348.33, 0.44%, 0.68%

LAB 64.71, 29.37, 3.96

 

CMYK 0 / 34 / 34 / 18

HEX #D18989

RGB 209 137 137

HSL 0, 0.44%, 0.68%

LAB 64.37, 27.53, 11.39

 

CMYK 0 / 34 / 19 / 18

HEX #D189AA

RGB 209 137 170

HSL 332.5, 0.44%, 0.68%

LAB 65.24, 32.16, -6.01

 

CMYK 0 / 34 / 9 / 18

HEX #D189BE

RGB 209 137 190

HSL 315.83, 0.44%, 0.68%

LAB 65.88, 35.43, -16.31

 

CMYK 0 / 34 / 0 / 18

HEX #D089D1

RGB 208 137 209

HSL 299.17, 0.44%, 0.68%

LAB 66.45, 38.51, -26.08

 

CMYK 10 / 34 / 0 / 18

HEX #BD89D1

RGB 189 137 209

HSL 283.33, 0.44%, 0.68%

LAB 64.41, 32.53, -29.38

 

CMYK 19 / 34 / 0 / 18

HEX #AA89D1

RGB 170 137 209

HSL 267.5, 0.44%, 0.68%

LAB 62.54, 26.64, -32.43

 

CMYK 0 / 34 / 19 / 18

HEX #D189AA

RGB 209 137 170

HSL 332.5, 0.44%, 0.68%

LAB 65.24, 32.16, -6.01

 

CMYK 0 / 44 / 23 / 13

HEX #DE7CAA

RGB 222 124 170

HSL 331.84, 0.6%, 0.68%

LAB 64.04, 43.52, -7.62

 

CMYK 0 / 53 / 28 / 8

HEX #EB6FA9

RGB 235 111 169

HSL 331.94, 0.76%, 0.68%

LAB 63.26, 54.06, -8.02

 

CMYK 0 / 61 / 32 / 3

HEX #F861A8

RGB 248 97 168

HSL 331.79, 0.92%, 0.68%

LAB 62.79, 64.17, -7.94

 

CMYK 0 / 34 / 19 / 18

HEX #D189AA

RGB 209 137 170

HSL 332.5, 0.44%, 0.68%

LAB 65.24, 32.16, -6.01

 

CMYK 0 / 23 / 13 / 23

HEX #C496AB

RGB 196 150 171

HSL 332.61, 0.28%, 0.68%

LAB 66.89, 20.57, -4.28

 

CMYK 0 / 10 / 5 / 29

HEX #B6A3AC

RGB 182 163 172

HSL 331.58, 0.12%, 0.68%

LAB 68.84, 8.5, -2.13

 

CMYK 5 / 0 / 2 / 31

HEX #A9B1AD

RGB 169 177 173

HSL 150, 0.05%, 0.68%

LAB 71.48, -3.56, 1.06

 

CMYK 18 / 0 / 8 / 25

HEX #9CBEAE

RGB 156 190 174

HSL 151.76, 0.21%, 0.68%

LAB 74.16, -14.66, 4.28

 

CMYK 0 / 34 / 0 / 18

HEX #D189D1

RGB 209 137 209

HSL 300, 0.44%, 0.68%

LAB 66.56, 38.83, -25.9

 

CMYK 0 / 34 / 9 / 18

HEX #D189BE

RGB 209 137 190

HSL 315.83, 0.44%, 0.68%

LAB 65.88, 35.43, -16.31

 

CMYK 0 / 34 / 18 / 18

HEX #D189AB

RGB 209 137 171

HSL 331.67, 0.44%, 0.68%

LAB 65.27, 32.32, -6.53

 

CMYK 0 / 34 / 28 / 18

HEX #D18997

RGB 209 137 151

HSL 348.33, 0.44%, 0.68%

LAB 64.71, 29.37, 3.96

 

CMYK 0 / 32 / 34 / 18

HEX #D18E89

RGB 209 142 137

HSL 4.17, 0.44%, 0.68%

LAB 65.52, 24.82, 13.02

 

CMYK 0 / 58 / 31 / 27

HEX #BA4E80

RGB 186 78 128

HSL 332.22, 0.44%, 0.52%

LAB 48.82, 48.77, -6.26

 

CMYK 0 / 46 / 24 / 23

HEX #C56B95

RGB 197 107 149

HSL 332, 0.44%, 0.6%

LAB 56.64, 40.82, -6.89

 

CMYK 0 / 34 / 19 / 18

HEX #D189AA

RGB 209 137 170

HSL 332.5, 0.44%, 0.68%

LAB 65.24, 32.16, -6.01

 

CMYK 0 / 24 / 13 / 14

HEX #DCA7C0

RGB 220 167 192

HSL 331.7, 0.43%, 0.76%

LAB 73.97, 23.34, -5.2

 

CMYK 0 / 16 / 8 / 9

HEX #E8C4D5

RGB 232 196 213

HSL 331.67, 0.44%, 0.84%

LAB 82.61, 15.52, -3.72

RGB 232 196 213

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 0 / 9 / 34 / 18

HEX #D1BE89

RGB 209 190 137

HSL 44.17, 0.44%, 0.68%

LAB 77.39, -1.03, 29.24

 

CMYK 34 / 5 / 0 / 18

HEX #89C7D1

RGB 137 199 209

HSL 188.33, 0.44%, 0.68%

LAB 76.54, -17.29, -11.32

 

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 18 / 0 / 34 / 18

HEX #ABD189

RGB 171 209 137

HSL 91.67, 0.44%, 0.68%

LAB 79.65, -25.18, 31.72

 

CMYK 34 / 18 / 0 / 18

HEX #89ABD1

RGB 137 171 209

HSL 211.67, 0.44%, 0.68%

LAB 68.79, -2.4, -23.03

 

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 0 / 9 / 34 / 18

HEX #D1BE89

RGB 209 190 137

HSL 44.17, 0.44%, 0.68%

LAB 77.39, -1.03, 29.24

 

CMYK 34 / 0 / 16 / 18

HEX #89D1AF

RGB 137 209 175

HSL 151.67, 0.44%, 0.68%

LAB 78.47, -29.85, 9.79

 

CMYK 34 / 25 / 0 / 18

HEX #899CD1

RGB 137 156 209

HSL 224.17, 0.44%, 0.68%

LAB 64.72, 5.99, -29.27

 

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 1 / 0 / 34 / 18

HEX #CED189

RGB 206 209 137

HSL 62.5, 0.44%, 0.68%

LAB 82.12, -12.01, 35.43

 

CMYK 34 / 0 / 16 / 18

HEX #89D1AF

RGB 137 209 175

HSL 151.67, 0.44%, 0.68%

LAB 78.47, -29.85, 9.79

 

CMYK 33 / 34 / 0 / 18

HEX #8B89D1

RGB 139 137 209

HSL 241.67, 0.44%, 0.68%

LAB 59.87, 17.51, -36.79

 

Description

Color code: RGB 209 136 170 | qconv.com Color code: RGB 209 136 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 136 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 136 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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