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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 137 182 it is the complementary color RGB 46 118 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 137 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 137 182 shade: RGB 214 137 177, RGB 231 155 196, RGB 248 173 215, RGB 255 191 234 and RGB 255 209 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 137 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 192 119 163, RGB 175 101 144, RGB 158 83 125 and RGB 141 65 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 209 137 163, RGB 209 137 143 and RGB 209 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 209 137 201, RGB 197 137 209, RGB 178 137 209 and RGB 158 137 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 137 182 shade matches the following richer shades: RGB 209 137 182, RGB 222 124 185, RGB 235 111 188 and RGB 248 97 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 196 150 179, RGB 182 163 175, RGB 169 177 172 and RGB 156 190 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 137 182 shade: RGB 197 137 209, RGB 209 137 202, RGB 209 137 182, RGB 209 137 163 and RGB 209 137 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 137 182 shade: RGB 186 78 145, RGB 197 107 164, RGB 209 137 182, RGB 220 167 200 and RGB 232 196 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 209 178 137 and RGB 137 209 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 182 209 137 and RGB 137 182 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 209 178 137, RGB 137 209 163 and RGB 137 168 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 137 182 shade: RGB 209 137 182, RGB 209 199 137, RGB 137 209 163 and RGB 137 147 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

Complementary color

CMYK 61 / 0 / 38 / 54

HEX #2E7649

RGB 46 118 73

HSL 142.5, 0.44%, 0.32%

LAB 44.26, -33.48, 18.27

 

CMYK 0 / 36 / 17 / 16

HEX #D689B1

RGB 214 137 177

HSL 328.83, 0.48%, 0.69%

LAB 66.03, 35, -8.72

 

CMYK 0 / 33 / 15 / 9

HEX #E79BC4

RGB 231 155 196

HSL 327.63, 0.61%, 0.76%

LAB 72.51, 34.25, -9.45

 

CMYK 0 / 30 / 13 / 3

HEX #F8ADD7

RGB 248 173 215

HSL 326.4, 0.84%, 0.83%

LAB 78.9, 33.55, -10.13

 

CMYK 0 / 25 / 8 / 0

HEX #FFBFEA

RGB 255 191 234

HSL 319.69, 1%, 0.87%

LAB 84.21, 29.54, -12.35

 

CMYK 0 / 18 / 1 / 0

HEX #FFD1FD

RGB 255 209 253

HSL 302.61, 1%, 0.91%

LAB 88.9, 23.39, -15.4

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 38 / 15 / 25

HEX #C077A3

RGB 192 119 163

HSL 323.84, 0.37%, 0.61%

LAB 59.02, 34.86, -11.51

 

CMYK 0 / 42 / 18 / 31

HEX #AF6590

RGB 175 101 144

HSL 325.14, 0.32%, 0.54%

LAB 52.33, 35.66, -10.71

 

CMYK 0 / 47 / 21 / 38

HEX #9E537D

RGB 158 83 125

HSL 326.4, 0.31%, 0.47%

LAB 45.55, 36.48, -9.77

 

CMYK 0 / 54 / 25 / 45

HEX #8D416A

RGB 141 65 106

HSL 327.63, 0.37%, 0.4%

LAB 38.7, 37.27, -8.63

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 34 / 22 / 18

HEX #D189A3

RGB 209 137 163

HSL 338.33, 0.44%, 0.68%

LAB 65.03, 31.1, -2.35

 

CMYK 0 / 34 / 32 / 18

HEX #D1898F

RGB 209 137 143

HSL 355, 0.44%, 0.68%

LAB 64.51, 28.3, 8.2

 

CMYK 0 / 34 / 34 / 18

HEX #D18989

RGB 209 137 137

HSL 0, 0.44%, 0.68%

LAB 64.37, 27.53, 11.39

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 34 / 4 / 18

HEX #D189C9

RGB 209 137 201

HSL 306.67, 0.44%, 0.68%

LAB 66.26, 37.37, -21.89

 

CMYK 6 / 34 / 0 / 18

HEX #C589D1

RGB 197 137 209

HSL 290, 0.44%, 0.68%

LAB 65.25, 35.04, -28.02

 

CMYK 15 / 34 / 0 / 18

HEX #B289D1

RGB 178 137 209

HSL 274.17, 0.44%, 0.68%

LAB 63.31, 29.1, -31.18

 

CMYK 24 / 34 / 0 / 18

HEX #9E89D1

RGB 158 137 209

HSL 257.5, 0.44%, 0.68%

LAB 61.45, 23.02, -34.21

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 44 / 17 / 13

HEX #DE7CB9

RGB 222 124 185

HSL 322.65, 0.6%, 0.68%

LAB 64.52, 45.74, -15.39

 

CMYK 0 / 53 / 20 / 8

HEX #EB6FBC

RGB 235 111 188

HSL 322.74, 0.76%, 0.68%

LAB 63.89, 56.64, -17.89

 

CMYK 0 / 61 / 23 / 3

HEX #F861C0

RGB 248 97 192

HSL 322.25, 0.92%, 0.68%

LAB 63.6, 67.14, -20.42

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 23 / 9 / 23

HEX #C496B3

RGB 196 150 179

HSL 322.17, 0.28%, 0.68%

LAB 67.13, 21.94, -8.41

 

CMYK 0 / 10 / 4 / 29

HEX #B6A3AF

RGB 182 163 175

HSL 322.11, 0.12%, 0.68%

LAB 68.92, 9.05, -3.67

 

CMYK 5 / 0 / 3 / 31

HEX #A9B1AC

RGB 169 177 172

HSL 142.5, 0.05%, 0.68%

LAB 71.46, -3.75, 1.57

 

CMYK 18 / 0 / 11 / 25

HEX #9CBEA9

RGB 156 190 169

HSL 142.94, 0.21%, 0.68%

LAB 74.04, -15.64, 6.82

 

CMYK 6 / 34 / 0 / 18

HEX #C589D1

RGB 197 137 209

HSL 290, 0.44%, 0.68%

LAB 65.25, 35.04, -28.02

 

CMYK 0 / 34 / 3 / 18

HEX #D189CA

RGB 209 137 202

HSL 305.83, 0.44%, 0.68%

LAB 66.3, 37.55, -22.39

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 34 / 22 / 18

HEX #D189A3

RGB 209 137 163

HSL 338.33, 0.44%, 0.68%

LAB 65.03, 31.1, -2.35

 

CMYK 0 / 34 / 31 / 18

HEX #D18990

RGB 209 137 144

HSL 354.17, 0.44%, 0.68%

LAB 64.53, 28.43, 7.67

 

CMYK 0 / 58 / 22 / 27

HEX #BA4E91

RGB 186 78 145

HSL 322.78, 0.44%, 0.52%

LAB 49.41, 51.07, -15.55

 

CMYK 0 / 46 / 17 / 23

HEX #C56BA4

RGB 197 107 164

HSL 322, 0.44%, 0.6%

LAB 57.14, 43.07, -14.85

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 24 / 9 / 14

HEX #DCA7C8

RGB 220 167 200

HSL 322.64, 0.43%, 0.76%

LAB 74.2, 24.69, -9.25

 

CMYK 0 / 16 / 6 / 9

HEX #E8C4DB

RGB 232 196 219

HSL 321.67, 0.44%, 0.84%

LAB 82.78, 16.55, -6.69

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 15 / 34 / 18

HEX #D1B289

RGB 209 178 137

HSL 34.17, 0.44%, 0.68%

LAB 74.32, 5.32, 25.13

 

CMYK 34 / 0 / 1 / 18

HEX #89D1CE

RGB 137 209 206

HSL 177.5, 0.44%, 0.68%

LAB 79.26, -23.05, -5.66

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 13 / 0 / 34 / 18

HEX #B6D189

RGB 182 209 137

HSL 82.5, 0.44%, 0.68%

LAB 80.38, -21.14, 32.81

 

CMYK 34 / 13 / 0 / 18

HEX #89B6D1

RGB 137 182 209

HSL 202.5, 0.44%, 0.68%

LAB 71.81, -8.37, -18.43

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 15 / 34 / 18

HEX #D1B289

RGB 209 178 137

HSL 34.17, 0.44%, 0.68%

LAB 74.32, 5.32, 25.13

 

CMYK 34 / 0 / 22 / 18

HEX #89D1A3

RGB 137 209 163

HSL 141.67, 0.44%, 0.68%

LAB 78.21, -32.22, 15.81

 

CMYK 34 / 20 / 0 / 18

HEX #89A8D1

RGB 137 168 209

HSL 214.17, 0.44%, 0.68%

LAB 67.97, -0.74, -24.28

 

CMYK 0 / 34 / 13 / 18

HEX #D189B6

RGB 209 137 182

HSL 322.5, 0.44%, 0.68%

LAB 65.61, 34.09, -12.22

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 34 / 0 / 22 / 18

HEX #89D1A3

RGB 137 209 163

HSL 141.67, 0.44%, 0.68%

LAB 78.21, -32.22, 15.81

 

CMYK 34 / 30 / 0 / 18

HEX #8993D1

RGB 137 147 209

HSL 231.67, 0.44%, 0.68%

LAB 62.33, 11.14, -32.97

 

Description

Color code: RGB 209 137 182 | qconv.com Color code: RGB 209 137 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 137 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 137 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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