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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 168 186 it is the complementary color RGB 46 87 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 168 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 168 186 shade: RGB 214 168 181, RGB 231 186 200, RGB 248 204 219, RGB 255 222 238 and RGB 255 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 168 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 192 150 167, RGB 175 132 148, RGB 158 114 129 and RGB 141 96 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 209 168 175 and RGB 209 168 168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 209 168 197, RGB 209 168 208, RGB 199 168 209 and RGB 187 168 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 168 186 shade matches the following richer shades: RGB 209 168 186, RGB 219 157 184, RGB 230 146 183, RGB 241 135 182 and RGB 252 125 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 198 178 187, RGB 187 189 188, RGB 177 200 190 and RGB 166 211 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 168 186 shade: RGB 209 168 208, RGB 209 168 197, RGB 209 168 186, RGB 209 168 175 and RGB 209 171 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 168 186 shade: RGB 180 114 143, RGB 195 141 164, RGB 209 168 186, RGB 223 195 207 and RGB 237 222 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 209 198 168 and RGB 168 203 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 186 209 168 and RGB 168 186 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 209 198 168, RGB 168 209 190 and RGB 168 178 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 168 186 shade: RGB 209 168 186, RGB 207 209 168, RGB 168 209 190 and RGB 170 168 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

Complementary color

CMYK 47 / 0 / 21 / 66

HEX #2E5745

RGB 46 87 69

HSL 153.66, 0.31%, 0.26%

LAB 33.62, -19.21, 6.03

 

CMYK 0 / 21 / 15 / 16

HEX #D6A8B5

RGB 214 168 181

HSL 343.04, 0.36%, 0.75%

LAB 73.31, 18.87, -0.2

 

CMYK 0 / 19 / 13 / 9

HEX #E7BAC8

RGB 231 186 200

HSL 341.33, 0.48%, 0.82%

LAB 79.77, 18.34, -0.91

 

CMYK 0 / 18 / 12 / 3

HEX #F8CCDB

RGB 248 204 219

HSL 339.55, 0.76%, 0.89%

LAB 86.13, 17.85, -1.58

 

CMYK 0 / 13 / 7 / 0

HEX #FFDEEE

RGB 255 222 238

HSL 330.91, 1%, 0.94%

LAB 91.54, 13.99, -3.6

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 22 / 13 / 25

HEX #C096A7

RGB 192 150 167

HSL 335.71, 0.25%, 0.67%

LAB 66.37, 18.44, -2.85

 

CMYK 0 / 25 / 15 / 31

HEX #AF8494

RGB 175 132 148

HSL 337.67, 0.21%, 0.6%

LAB 59.67, 19.04, -2.13

 

CMYK 0 / 28 / 18 / 38

HEX #9E7281

RGB 158 114 129

HSL 339.55, 0.18%, 0.53%

LAB 52.83, 19.71, -1.35

 

CMYK 0 / 32 / 22 / 45

HEX #8D606E

RGB 141 96 110

HSL 341.33, 0.19%, 0.46%

LAB 45.84, 20.46, -0.49

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 20 / 16 / 18

HEX #D1A8AF

RGB 209 168 175

HSL 349.76, 0.31%, 0.74%

LAB 72.66, 16.09, 2.1

 

CMYK 0 / 20 / 20 / 18

HEX #D1A8A8

RGB 209 168 168

HSL 0, 0.31%, 0.74%

LAB 72.49, 15, 5.7

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 20 / 6 / 18

HEX #D1A8C5

RGB 209 168 197

HSL 317.56, 0.31%, 0.74%

LAB 73.28, 19.81, -9.09

 

CMYK 0 / 20 / 0 / 18

HEX #D1A8D0

RGB 209 168 208

HSL 301.46, 0.31%, 0.74%

LAB 73.62, 21.81, -14.62

 

CMYK 5 / 20 / 0 / 18

HEX #C7A8D1

RGB 199 168 209

HSL 285.37, 0.31%, 0.74%

LAB 72.73, 18.65, -16.6

 

CMYK 11 / 20 / 0 / 18

HEX #BBA8D1

RGB 187 168 209

HSL 267.8, 0.31%, 0.74%

LAB 71.67, 14.68, -18.3

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 28 / 16 / 14

HEX #DB9DB8

RGB 219 157 184

HSL 333.87, 0.46%, 0.74%

LAB 71.31, 27.1, -4.74

 

CMYK 0 / 37 / 20 / 10

HEX #E692B7

RGB 230 146 183

HSL 333.57, 0.63%, 0.74%

LAB 70.04, 36.67, -5.93

 

CMYK 0 / 44 / 24 / 5

HEX #F187B6

RGB 241 135 182

HSL 333.4, 0.79%, 0.74%

LAB 69.04, 45.96, -6.69

 

CMYK 0 / 50 / 29 / 1

HEX #FC7DB4

RGB 252 125 180

HSL 334.02, 0.95%, 0.74%

LAB 68.5, 54.22, -6.21

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 10 / 6 / 22

HEX #C6B2BB

RGB 198 178 187

HSL 333, 0.15%, 0.74%

LAB 74.47, 8.72, -1.97

 

CMYK 1 / 0 / 1 / 26

HEX #BBBDBC

RGB 187 189 188

HSL 150, 0.01%, 0.74%

LAB 76.43, -0.88, 0.25

 

CMYK 12 / 0 / 5 / 22

HEX #B1C8BE

RGB 177 200 190

HSL 153.91, 0.17%, 0.74%

LAB 78.68, -9.71, 2.36

 

CMYK 21 / 0 / 9 / 17

HEX #A6D3BF

RGB 166 211 191

HSL 153.33, 0.34%, 0.74%

LAB 80.99, -18.73, 5.08

 

CMYK 0 / 20 / 0 / 18

HEX #D1A8D0

RGB 209 168 208

HSL 301.46, 0.31%, 0.74%

LAB 73.62, 21.81, -14.62

 

CMYK 0 / 20 / 6 / 18

HEX #D1A8C5

RGB 209 168 197

HSL 317.56, 0.31%, 0.74%

LAB 73.28, 19.81, -9.09

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 20 / 16 / 18

HEX #D1A8AF

RGB 209 168 175

HSL 349.76, 0.31%, 0.74%

LAB 72.66, 16.09, 2.1

 

CMYK 0 / 18 / 20 / 18

HEX #D1ABA8

RGB 209 171 168

HSL 4.39, 0.31%, 0.74%

LAB 73.23, 13.37, 6.76

 

CMYK 0 / 37 / 21 / 29

HEX #B4728F

RGB 180 114 143

HSL 333.64, 0.31%, 0.58%

LAB 55.81, 30.15, -4.87

 

CMYK 0 / 28 / 16 / 24

HEX #C38DA4

RGB 195 141 164

HSL 334.44, 0.31%, 0.66%

LAB 64.43, 24.01, -3.99

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 13 / 7 / 13

HEX #DFC3CF

RGB 223 195 207

HSL 334.29, 0.3%, 0.82%

LAB 81.41, 11.89, -2.36

 

CMYK 0 / 6 / 3 / 7

HEX #EDDEE5

RGB 237 222 229

HSL 332, 0.29%, 0.9%

LAB 89.81, 6.33, -1.58

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 5 / 20 / 18

HEX #D1C6A8

RGB 209 198 168

HSL 43.9, 0.31%, 0.74%

LAB 80.05, -1.03, 16.43

 

CMYK 20 / 3 / 0 / 18

HEX #A8CBD1

RGB 168 203 209

HSL 188.78, 0.31%, 0.74%

LAB 79.41, -10.29, -6.86

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 11 / 0 / 20 / 18

HEX #BAD1A8

RGB 186 209 168

HSL 93.66, 0.31%, 0.74%

LAB 81.22, -15.1, 17.8

 

CMYK 20 / 11 / 0 / 18

HEX #A8BAD1

RGB 168 186 209

HSL 213.66, 0.31%, 0.74%

LAB 74.85, -1.29, -13.65

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 0 / 5 / 20 / 18

HEX #D1C6A8

RGB 209 198 168

HSL 43.9, 0.31%, 0.74%

LAB 80.05, -1.03, 16.43

 

CMYK 20 / 0 / 9 / 18

HEX #A8D1BE

RGB 168 209 190

HSL 152.2, 0.31%, 0.74%

LAB 80.54, -17.28, 4.98

 

CMYK 20 / 15 / 0 / 18

HEX #A8B2D1

RGB 168 178 209

HSL 225.37, 0.31%, 0.74%

LAB 72.74, 3.05, -16.83

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BA

RGB 209 168 186

HSL 333.66, 0.31%, 0.74%

LAB 72.96, 17.9, -3.52

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 20 / 0 / 9 / 18

HEX #A8D1BE

RGB 168 209 190

HSL 152.2, 0.31%, 0.74%

LAB 80.54, -17.28, 4.98

 

CMYK 19 / 20 / 0 / 18

HEX #AAA8D1

RGB 170 168 209

HSL 242.93, 0.31%, 0.74%

LAB 70.28, 9.19, -20.54

 

Description

Color code: RGB 209 168 186 | qconv.com Color code: RGB 209 168 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 168 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 168 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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