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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 179 243 it is the complementary color RGB 46 76 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 179 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 179 243 shade: RGB 214 179 238, RGB 231 197 255, RGB 248 215 255, RGB 255 233 255 and RGB 255 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 179 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 179 243 shade: RGB 209 179 243, RGB 192 161 224, RGB 175 143 205, RGB 158 125 186 and RGB 141 107 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 179 243 shade: RGB 209 180 243, RGB 226 180 243, RGB 243 180 242, RGB 243 180 225 and RGB 243 180 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 179 243 shade: RGB 209 180 243, RGB 192 180 243 and RGB 180 180 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 179 243 shade matches the following richer shades: RGB 209 180 243 and RGB 209 172 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 179 243 shade: RGB 209 180 243, RGB 210 187 236, RGB 210 194 229, RGB 210 201 222 and RGB 211 208 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 179 243 shade: RGB 180 184 243, RGB 192 180 243, RGB 209 180 243, RGB 226 180 243 and RGB 243 180 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 179 243 shade: RGB 166 108 232, RGB 188 144 237, RGB 209 180 243, RGB 231 215 248 and RGB 252 251 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 179 243 shade: RGB 209 179 243, RGB 243 180 201 and RGB 180 243 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 179 243 shade: RGB 209 179 243, RGB 243 209 180 and RGB 180 243 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 179 243 shade: RGB 209 179 243, RGB 243 180 201, RGB 213 243 180 and RGB 180 243 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 179 243 shade: RGB 209 179 243, RGB 243 180 182, RGB 213 243 180 and RGB 180 243 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

Complementary color

CMYK 39 / 0 / 84 / 70

HEX #2E4C0C

RGB 46 76 12

HSL 88.13, 0.73%, 0.17%

LAB 28.84, -22.65, 32.03

 

CMYK 10 / 25 / 0 / 7

HEX #D6B3EE

RGB 214 179 238

HSL 275.59, 0.63%, 0.82%

LAB 77.7, 23.31, -24.7

 

CMYK 9 / 23 / 0 / 0

HEX #E7C5FF

RGB 231 197 255

HSL 275.17, 1%, 0.89%

LAB 84.04, 22.41, -24.01

 

CMYK 3 / 16 / 0 / 0

HEX #F8D7FF

RGB 248 215 255

HSL 289.5, 1%, 0.92%

LAB 89.76, 18.32, -15.23

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

CMYK 14 / 28 / 0 / 12

HEX #C0A1E0

RGB 192 161 224

HSL 269.52, 0.5%, 0.75%

LAB 70.92, 23.32, -27.63

 

CMYK 15 / 30 / 0 / 20

HEX #AF8FCD

RGB 175 143 205

HSL 270.97, 0.38%, 0.68%

LAB 64.3, 23.92, -27.44

 

CMYK 15 / 33 / 0 / 27

HEX #9E7DBA

RGB 158 125 186

HSL 272.46, 0.31%, 0.61%

LAB 57.54, 24.56, -27.27

 

CMYK 16 / 36 / 0 / 35

HEX #8D6BA7

RGB 141 107 167

HSL 274, 0.25%, 0.54%

LAB 50.65, 25.27, -27.12

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 7 / 26 / 0 / 5

HEX #E2B4F3

RGB 226 180 243

HSL 283.81, 0.72%, 0.83%

LAB 79.2, 27.57, -25

 

CMYK 0 / 26 / 0 / 5

HEX #F3B4F2

RGB 243 180 242

HSL 300.95, 0.72%, 0.83%

LAB 80.8, 32.81, -21.89

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 26 / 14 / 5

HEX #F3B4D0

RGB 243 180 208

HSL 333.33, 0.72%, 0.83%

LAB 79.76, 27.02, -5.12

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 21 / 26 / 0 / 5

HEX #C0B4F3

RGB 192 180 243

HSL 251.43, 0.72%, 0.83%

LAB 76.27, 17.03, -29.76

 

CMYK 26 / 26 / 0 / 5

HEX #B4B4F3

RGB 180 180 243

HSL 240, 0.72%, 0.83%

LAB 75.34, 13.46, -31.26

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 16 / 31 / 0 / 2

HEX #D1ACFA

RGB 209 172 250

HSL 268.46, 0.89%, 0.83%

LAB 76.05, 28.08, -33.75

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 11 / 21 / 0 / 7

HEX #D2BBEC

RGB 210 187 236

HSL 268.16, 0.56%, 0.83%

LAB 79.21, 17.3, -21.35

 

CMYK 8 / 15 / 0 / 10

HEX #D2C2E5

RGB 210 194 229

HSL 267.43, 0.4%, 0.83%

LAB 80.71, 12.11, -15.34

 

CMYK 5 / 9 / 0 / 13

HEX #D2C9DE

RGB 210 201 222

HSL 265.71, 0.24%, 0.83%

LAB 82.24, 7, -9.29

 

CMYK 2 / 3 / 0 / 16

HEX #D3D0D7

RGB 211 208 215

HSL 265.71, 0.08%, 0.83%

LAB 83.9, 2.31, -3.1

 

CMYK 26 / 24 / 0 / 5

HEX #B4B8F3

RGB 180 184 243

HSL 236.19, 0.72%, 0.83%

LAB 76.35, 11.26, -29.71

 

CMYK 21 / 26 / 0 / 5

HEX #C0B4F3

RGB 192 180 243

HSL 251.43, 0.72%, 0.83%

LAB 76.27, 17.03, -29.76

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 7 / 26 / 0 / 5

HEX #E2B4F3

RGB 226 180 243

HSL 283.81, 0.72%, 0.83%

LAB 79.2, 27.57, -25

 

CMYK 0 / 26 / 0 / 5

HEX #F3B4F3

RGB 243 180 243

HSL 300, 0.72%, 0.83%

LAB 80.83, 32.99, -22.37

 

CMYK 28 / 53 / 0 / 9

HEX #A66CE8

RGB 166 108 232

HSL 268.06, 0.73%, 0.67%

LAB 56.74, 47.06, -54.47

 

CMYK 21 / 39 / 0 / 7

HEX #BC90ED

RGB 188 144 237

HSL 268.39, 0.72%, 0.75%

LAB 67.09, 34.41, -40.74

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 7 / 13 / 0 / 3

HEX #E7D7F8

RGB 231 215 248

HSL 269.09, 0.7%, 0.91%

LAB 88.14, 11.49, -14.11

 

CMYK 1 / 1 / 0 / 0

HEX #FCFBFE

RGB 252 251 254

HSL 260, 0.6%, 0.99%

LAB 98.77, 0.86, -1.33

 

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

CMYK 0 / 26 / 17 / 5

HEX #F3B4C9

RGB 243 180 201

HSL 340, 0.72%, 0.83%

LAB 79.56, 25.93, -1.61

 

CMYK 26 / 0 / 24 / 5

HEX #B4F3B8

RGB 180 243 184

HSL 123.81, 0.72%, 0.83%

LAB 90.44, -31.03, 22.22

 

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

CMYK 0 / 14 / 26 / 5

HEX #F3D1B4

RGB 243 209 180

HSL 27.62, 0.72%, 0.83%

LAB 85.98, 7.62, 18.79

 

CMYK 26 / 0 / 14 / 5

HEX #B4F3D1

RGB 180 243 209

HSL 147.62, 0.72%, 0.83%

LAB 90.97, -26.54, 10.05

 

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

CMYK 0 / 26 / 17 / 5

HEX #F3B4C9

RGB 243 180 201

HSL 340, 0.72%, 0.83%

LAB 79.56, 25.93, -1.61

 

CMYK 12 / 0 / 26 / 5

HEX #D5F3B4

RGB 213 243 180

HSL 88.57, 0.72%, 0.83%

LAB 92.37, -20.53, 27.23

 

CMYK 26 / 0 / 9 / 5

HEX #B4F3DE

RGB 180 243 222

HSL 160, 0.72%, 0.83%

LAB 91.27, -23.99, 3.73

 

CMYK 14 / 26 / 0 / 5

HEX #D1B3F3

RGB 209 179 243

HSL 268.13, 0.73%, 0.83%

LAB 77.44, 22.78, -27.83

 

CMYK 0 / 26 / 25 / 5

HEX #F3B4B6

RGB 243 180 182

HSL 358.1, 0.72%, 0.83%

LAB 79.08, 23.15, 7.98

 

CMYK 12 / 0 / 26 / 5

HEX #D5F3B4

RGB 213 243 180

HSL 88.57, 0.72%, 0.83%

LAB 92.37, -20.53, 27.23

 

CMYK 26 / 0 / 1 / 5

HEX #B4F3F1

RGB 180 243 241

HSL 178.1, 0.72%, 0.83%

LAB 91.75, -20.02, -5.44

 

Description

Color code: RGB 209 179 243 | qconv.com Color code: RGB 209 179 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 179 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 179 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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