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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 170 75 it is the complementary color RGB 46 85 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 170 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 170 75 shade: RGB 214 170 70, RGB 231 188 89, RGB 248 206 108, RGB 255 224 127 and RGB 255 242 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 170 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 170 75 shade: RGB 209 170 75, RGB 192 152 56, RGB 175 134 37, RGB 158 116 18 and RGB 141 98 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 170 75 shade: RGB 208 170 76, RGB 208 134 76, RGB 208 99 76 and RGB 208 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 170 75 shade: RGB 208 170 76, RGB 208 206 76, RGB 176 208 76, RGB 140 208 76 and RGB 104 208 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 170 75 shade matches the following richer shades: RGB 208 170 76, RGB 227 178 58 and RGB 245 185 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 170 75 shade: RGB 208 170 76, RGB 190 162 94, RGB 172 155 112, RGB 154 147 131 and RGB 136 140 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 170 75 shade: RGB 208 98 76, RGB 208 133 76, RGB 208 169 76, RGB 208 204 76 and RGB 178 208 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 170 75 shade: RGB 161 126 41, RGB 194 152 50, RGB 208 170 76, RGB 217 186 109 and RGB 225 201 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 170 75 shade: RGB 209 170 75, RGB 89 208 76 and RGB 116 76 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 170 75 shade: RGB 209 170 75, RGB 76 208 169 and RGB 169 76 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 170 75 shade: RGB 209 170 75, RGB 89 208 76, RGB 76 116 208 and RGB 195 76 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 170 75 shade: RGB 209 170 75, RGB 76 208 103, RGB 76 116 208 and RGB 208 76 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

Complementary color

CMYK 74 / 53 / 0 / 29

HEX #2E55B4

RGB 46 85 180

HSL 222.54, 0.59%, 0.44%

LAB 38.5, 20.11, -54.47

 

CMYK 0 / 21 / 67 / 16

HEX #D6AA46

RGB 214 170 70

HSL 41.67, 0.64%, 0.56%

LAB 71.88, 5.65, 55.87

 

CMYK 0 / 19 / 61 / 9

HEX #E7BC59

RGB 231 188 89

HSL 41.83, 0.75%, 0.63%

LAB 78.27, 4.52, 54.78

 

CMYK 0 / 17 / 56 / 3

HEX #F8CE6C

RGB 248 206 108

HSL 42, 0.91%, 0.7%

LAB 84.58, 3.55, 53.57

 

CMYK 0 / 12 / 50 / 0

HEX #FFE07F

RGB 255 224 127

HSL 45.47, 1%, 0.75%

LAB 89.91, -1.28, 51.04

 

CMYK 0 / 5 / 43 / 0

HEX #FFF292

RGB 255 242 146

HSL 52.84, 1%, 0.79%

LAB 94.67, -8.55, 47.77

 

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

CMYK 0 / 21 / 71 / 25

HEX #C09838

RGB 192 152 56

HSL 42.35, 0.55%, 0.49%

LAB 64.92, 5.02, 53.98

 

CMYK 0 / 23 / 79 / 31

HEX #AF8625

RGB 175 134 37

HSL 42.17, 0.65%, 0.42%

LAB 58.32, 6.46, 54.53

 

CMYK 0 / 27 / 89 / 38

HEX #9E7412

RGB 158 116 18

HSL 42, 0.8%, 0.35%

LAB 51.61, 8.19, 54.12

 

CMYK 0 / 30 / 100 / 45

HEX #8D6200

RGB 141 98 0

HSL 41.7, 1%, 0.28%

LAB 44.8, 10.24, 52.32

 

CMYK 0 / 18 / 63 / 18

HEX #D0AA4C

RGB 208 170 76

HSL 42.73, 0.58%, 0.56%

LAB 71.34, 3.45, 52.41

 

CMYK 0 / 36 / 63 / 18

HEX #D0864C

RGB 208 134 76

HSL 26.36, 0.58%, 0.56%

LAB 62.49, 22.9, 42.39

 

CMYK 0 / 52 / 63 / 18

HEX #D0634C

RGB 208 99 76

HSL 10.45, 0.58%, 0.56%

LAB 54.92, 41.33, 33.35

 

CMYK 0 / 63 / 63 / 18

HEX #D04C4C

RGB 208 76 76

HSL 0, 0.58%, 0.56%

LAB 50.8, 52.11, 28.23

 

CMYK 0 / 18 / 63 / 18

HEX #D0AA4C

RGB 208 170 76

HSL 42.73, 0.58%, 0.56%

LAB 71.34, 3.45, 52.41

 

CMYK 0 / 1 / 63 / 18

HEX #D0CE4C

RGB 208 206 76

HSL 59.09, 0.58%, 0.56%

LAB 80.78, -15.18, 62.56

 

CMYK 15 / 0 / 63 / 18

HEX #B0D04C

RGB 176 208 76

HSL 74.55, 0.58%, 0.56%

LAB 78.96, -29.2, 59.92

 

CMYK 33 / 0 / 63 / 18

HEX #8CD04C

RGB 140 208 76

HSL 90.91, 0.58%, 0.56%

LAB 76.81, -42.75, 56.96

 

CMYK 50 / 0 / 63 / 18

HEX #68D04C

RGB 104 208 76

HSL 107.27, 0.58%, 0.56%

LAB 75.19, -54.25, 54.72

 

CMYK 0 / 18 / 63 / 18

HEX #D0AA4C

RGB 208 170 76

HSL 42.73, 0.58%, 0.56%

LAB 71.34, 3.45, 52.41

 

CMYK 0 / 22 / 74 / 11

HEX #E3B23A

RGB 227 178 58

HSL 42.6, 0.75%, 0.56%

LAB 75.12, 6.39, 64.5

 

CMYK 0 / 24 / 84 / 4

HEX #F5B928

RGB 245 185 40

HSL 42.44, 0.91%, 0.56%

LAB 78.62, 9.81, 74.23

 

CMYK 0 / 18 / 63 / 18

HEX #D0AA4C

RGB 208 170 76

HSL 42.73, 0.58%, 0.56%

LAB 71.34, 3.45, 52.41

 

CMYK 0 / 15 / 51 / 25

HEX #BEA25E

RGB 190 162 94

HSL 42.5, 0.42%, 0.56%

LAB 67.72, 1.48, 38.94

 

CMYK 0 / 10 / 35 / 33

HEX #AC9B70

RGB 172 155 112

HSL 43, 0.27%, 0.56%

LAB 64.47, -0.26, 24.85

 

CMYK 0 / 5 / 15 / 40

HEX #9A9383

RGB 154 147 131

HSL 41.74, 0.1%, 0.56%

LAB 61.11, -0.26, 9.39

 

CMYK 9 / 6 / 0 / 42

HEX #888C95

RGB 136 140 149

HSL 221.54, 0.06%, 0.56%

LAB 58.19, 0.39, -5.29

 

CMYK 0 / 53 / 63 / 18

HEX #D0624C

RGB 208 98 76

HSL 10, 0.58%, 0.56%

LAB 54.73, 41.83, 33.11

 

CMYK 0 / 36 / 63 / 18

HEX #D0854C

RGB 208 133 76

HSL 25.91, 0.58%, 0.56%

LAB 62.26, 23.45, 42.11

 

CMYK 0 / 19 / 63 / 18

HEX #D0A94C

RGB 208 169 76

HSL 42.27, 0.58%, 0.56%

LAB 71.08, 3.98, 52.13

 

CMYK 0 / 2 / 63 / 18

HEX #D0CC4C

RGB 208 204 76

HSL 58.18, 0.58%, 0.56%

LAB 80.25, -14.18, 62

 

CMYK 14 / 0 / 63 / 18

HEX #B2D04C

RGB 178 208 76

HSL 73.64, 0.58%, 0.56%

LAB 79.1, -28.4, 60.1

 

CMYK 0 / 22 / 75 / 37

HEX #A17E29

RGB 161 126 41

HSL 42.5, 0.59%, 0.4%

LAB 54.72, 4.75, 48.99

 

CMYK 0 / 22 / 74 / 24

HEX #C29832

RGB 194 152 50

HSL 42.5, 0.59%, 0.48%

LAB 65.09, 5.61, 56.69

 

CMYK 0 / 18 / 63 / 18

HEX #D0AA4C

RGB 208 170 76

HSL 42.73, 0.58%, 0.56%

LAB 71.34, 3.45, 52.41

 

CMYK 0 / 14 / 50 / 15

HEX #D9BA6D

RGB 217 186 109

HSL 42.78, 0.59%, 0.64%

LAB 76.66, 1.33, 42.89

 

CMYK 0 / 11 / 37 / 12

HEX #E1C98E

RGB 225 201 142

HSL 42.65, 0.58%, 0.72%

LAB 81.69, 0.11, 32.58

 

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

CMYK 57 / 0 / 63 / 18

HEX #59D04C

RGB 89 208 76

HSL 114.09, 0.58%, 0.56%

LAB 74.67, -58.21, 54.01

 

CMYK 44 / 63 / 0 / 18

HEX #744CD0

RGB 116 76 208

HSL 258.18, 0.58%, 0.56%

LAB 43.41, 47, -62.58

 

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

CMYK 63 / 0 / 19 / 18

HEX #4CD0A9

RGB 76 208 169

HSL 162.27, 0.58%, 0.56%

LAB 75.77, -45.21, 8.84

 

CMYK 19 / 63 / 0 / 18

HEX #A94CD0

RGB 169 76 208

HSL 282.27, 0.58%, 0.56%

LAB 49.69, 58.55, -52.14

 

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

CMYK 57 / 0 / 63 / 18

HEX #59D04C

RGB 89 208 76

HSL 114.09, 0.58%, 0.56%

LAB 74.67, -58.21, 54.01

 

CMYK 63 / 44 / 0 / 18

HEX #4C74D0

RGB 76 116 208

HSL 221.82, 0.58%, 0.56%

LAB 50.19, 15.08, -51.8

 

CMYK 6 / 63 / 0 / 18

HEX #C34CD0

RGB 195 76 208

HSL 294.09, 0.58%, 0.56%

LAB 53.3, 64.63, -46.16

 

CMYK 0 / 19 / 64 / 18

HEX #D1AA4B

RGB 209 170 75

HSL 42.54, 0.59%, 0.56%

LAB 71.43, 3.81, 52.99

 

CMYK 63 / 0 / 50 / 18

HEX #4CD067

RGB 76 208 103

HSL 132.27, 0.58%, 0.56%

LAB 74.59, -57.84, 41.47

 

CMYK 63 / 44 / 0 / 18

HEX #4C74D0

RGB 76 116 208

HSL 221.82, 0.58%, 0.56%

LAB 50.19, 15.08, -51.8

 

CMYK 0 / 63 / 13 / 18

HEX #D04CB6

RGB 208 76 182

HSL 311.82, 0.58%, 0.56%

LAB 53.98, 63.58, -30

 

Description

Color code: RGB 209 170 75 | qconv.com Color code: RGB 209 170 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 170 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 170 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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