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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 186 211 it is the complementary color RGB 46 69 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 186 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 186 211 shade: RGB 214 186 206, RGB 231 204 225, RGB 248 222 244 and RGB 255 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 186 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 192 168 192, RGB 175 150 173, RGB 158 132 154 and RGB 141 114 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 211 186 206, RGB 211 186 199, RGB 211 186 193 and RGB 211 186 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 202 186 211, RGB 195 186 211, RGB 189 186 211 and RGB 186 186 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 186 211 shade matches the following richer shades: RGB 209 186 211, RGB 216 177 220, RGB 224 168 229, RGB 232 159 238 and RGB 239 150 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 201 195 202, RGB 194 204 193, RGB 186 213 184 and RGB 178 222 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 186 211 shade: RGB 196 186 211, RGB 202 186 211, RGB 209 186 211, RGB 211 186 206 and RGB 211 186 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 186 211 shade: RGB 175 136 179, RGB 192 161 195, RGB 209 186 211, RGB 226 211 227 and RGB 242 236 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 211 189 186 and RGB 186 211 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 211 209 186 and RGB 186 211 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 211 189 186, RGB 188 211 186 and RGB 186 208 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 186 211 shade: RGB 209 186 211, RGB 211 196 186, RGB 188 211 186 and RGB 186 200 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

Complementary color

CMYK 33 / 0 / 36 / 73

HEX #2E452C

RGB 46 69 44

HSL 115.2, 0.22%, 0.22%

LAB 26.79, -14.83, 12.34

 

CMYK 0 / 13 / 4 / 16

HEX #D6BACE

RGB 214 186 206

HSL 317.14, 0.25%, 0.78%

LAB 78.39, 13.4, -6.37

 

CMYK 0 / 12 / 3 / 9

HEX #E7CCE1

RGB 231 204 225

HSL 313.33, 0.36%, 0.85%

LAB 84.8, 13.02, -6.91

 

CMYK 0 / 10 / 2 / 3

HEX #F8DEF4

RGB 248 222 244

HSL 309.23, 0.65%, 0.92%

LAB 91.11, 12.67, -7.44

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 13 / 0 / 25

HEX #C0A8C0

RGB 192 168 192

HSL 300, 0.16%, 0.71%

LAB 71.57, 12.99, -9.06

 

CMYK 0 / 14 / 1 / 31

HEX #AF96AD

RGB 175 150 173

HSL 304.8, 0.14%, 0.64%

LAB 64.92, 13.41, -8.55

 

CMYK 0 / 16 / 3 / 38

HEX #9E849A

RGB 158 132 154

HSL 309.23, 0.12%, 0.57%

LAB 58.14, 13.87, -8.03

 

CMYK 0 / 19 / 4 / 45

HEX #8D7287

RGB 141 114 135

HSL 313.33, 0.11%, 0.5%

LAB 51.21, 14.38, -7.49

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 12 / 2 / 17

HEX #D3BACE

RGB 211 186 206

HSL 312, 0.22%, 0.78%

LAB 78.12, 12.37, -6.79

 

CMYK 0 / 12 / 6 / 17

HEX #D3BAC7

RGB 211 186 199

HSL 328.8, 0.22%, 0.78%

LAB 77.93, 11.11, -3.28

 

CMYK 0 / 12 / 9 / 17

HEX #D3BAC1

RGB 211 186 193

HSL 343.2, 0.22%, 0.78%

LAB 77.77, 10.07, -0.27

 

CMYK 0 / 12 / 12 / 17

HEX #D3BABA

RGB 211 186 186

HSL 0, 0.22%, 0.78%

LAB 77.59, 8.89, 3.26

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 4 / 12 / 0 / 17

HEX #CABAD3

RGB 202 186 211

HSL 278.4, 0.22%, 0.78%

LAB 77.51, 10.24, -10.5

 

CMYK 8 / 12 / 0 / 17

HEX #C3BAD3

RGB 195 186 211

HSL 261.6, 0.22%, 0.78%

LAB 76.93, 7.89, -11.41

 

CMYK 10 / 12 / 0 / 17

HEX #BDBAD3

RGB 189 186 211

HSL 247.2, 0.22%, 0.78%

LAB 76.46, 5.91, -12.17

 

CMYK 12 / 12 / 0 / 17

HEX #BABAD3

RGB 186 186 211

HSL 240, 0.22%, 0.78%

LAB 76.23, 4.92, -12.54

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 2 / 20 / 0 / 14

HEX #D8B1DC

RGB 216 177 220

HSL 294.42, 0.38%, 0.78%

LAB 76.81, 21.52, -16.3

 

CMYK 2 / 27 / 0 / 10

HEX #E0A8E5

RGB 224 168 229

HSL 295.08, 0.54%, 0.78%

LAB 75.77, 30.7, -22.69

 

CMYK 3 / 33 / 0 / 7

HEX #E89FEE

RGB 232 159 238

HSL 295.44, 0.7%, 0.78%

LAB 74.9, 39.72, -28.83

 

CMYK 3 / 39 / 0 / 3

HEX #EF96F7

RGB 239 150 247

HSL 295.05, 0.86%, 0.78%

LAB 74.11, 48.21, -34.87

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 3 / 0 / 21

HEX #C9C3CA

RGB 201 195 202

HSL 291.43, 0.06%, 0.78%

LAB 79.45, 3.37, -2.77

 

CMYK 5 / 0 / 5 / 20

HEX #C2CCC1

RGB 194 204 193

HSL 114.55, 0.1%, 0.78%

LAB 81.02, -5.44, 4.29

 

CMYK 13 / 0 / 14 / 16

HEX #BAD5B8

RGB 186 213 184

HSL 115.86, 0.26%, 0.78%

LAB 82.64, -14.42, 11.33

 

CMYK 20 / 0 / 22 / 13

HEX #B2DEAE

RGB 178 222 174

HSL 115, 0.42%, 0.78%

LAB 84.36, -23.34, 18.95

 

CMYK 7 / 12 / 0 / 17

HEX #C4BAD3

RGB 196 186 211

HSL 264, 0.22%, 0.78%

LAB 77.02, 8.23, -11.28

 

CMYK 4 / 12 / 0 / 17

HEX #CABAD3

RGB 202 186 211

HSL 278.4, 0.22%, 0.78%

LAB 77.51, 10.24, -10.5

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 12 / 2 / 17

HEX #D3BACE

RGB 211 186 206

HSL 312, 0.22%, 0.78%

LAB 78.12, 12.37, -6.79

 

CMYK 0 / 12 / 5 / 17

HEX #D3BAC8

RGB 211 186 200

HSL 326.4, 0.22%, 0.78%

LAB 77.96, 11.29, -3.79

 

CMYK 2 / 24 / 0 / 30

HEX #AF88B3

RGB 175 136 179

HSL 294.42, 0.22%, 0.62%

LAB 61.63, 22.45, -16.88

 

CMYK 2 / 17 / 0 / 24

HEX #C0A1C3

RGB 192 161 195

HSL 294.71, 0.22%, 0.7%

LAB 69.92, 17.42, -13.18

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 7 / 0 / 11

HEX #E2D3E3

RGB 226 211 227

HSL 296.25, 0.22%, 0.86%

LAB 86.16, 8, -6.01

 

CMYK 0 / 3 / 0 / 5

HEX #F2ECF3

RGB 242 236 243

HSL 291.43, 0.23%, 0.94%

LAB 94.03, 3.25, -2.67

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 10 / 12 / 17

HEX #D3BDBA

RGB 211 189 186

HSL 7.2, 0.22%, 0.78%

LAB 78.34, 7.29, 4.35

 

CMYK 12 / 0 / 6 / 17

HEX #BAD3C7

RGB 186 211 199

HSL 151.2, 0.22%, 0.78%

LAB 82.46, -10.66, 3.1

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 1 / 12 / 17

HEX #D3D1BA

RGB 211 209 186

HSL 55.2, 0.22%, 0.78%

LAB 83.44, -3.24, 11.66

 

CMYK 12 / 0 / 1 / 17

HEX #BAD3D1

RGB 186 211 209

HSL 175.2, 0.22%, 0.78%

LAB 82.72, -8.71, -1.85

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 10 / 12 / 17

HEX #D3BDBA

RGB 211 189 186

HSL 7.2, 0.22%, 0.78%

LAB 78.34, 7.29, 4.35

 

CMYK 11 / 0 / 12 / 17

HEX #BCD3BA

RGB 188 211 186

HSL 115.2, 0.22%, 0.78%

LAB 82.28, -12.37, 9.78

 

CMYK 12 / 1 / 0 / 17

HEX #BAD0D3

RGB 186 208 211

HSL 187.2, 0.22%, 0.78%

LAB 81.98, -6.76, -4

 

CMYK 1 / 12 / 0 / 17

HEX #D1BAD3

RGB 209 186 211

HSL 295.2, 0.22%, 0.78%

LAB 78.1, 12.61, -9.55

 

CMYK 0 / 7 / 12 / 17

HEX #D3C4BA

RGB 211 196 186

HSL 24, 0.22%, 0.78%

LAB 80.11, 3.57, 6.9

 

CMYK 11 / 0 / 12 / 17

HEX #BCD3BA

RGB 188 211 186

HSL 115.2, 0.22%, 0.78%

LAB 82.28, -12.37, 9.78

 

CMYK 12 / 5 / 0 / 17

HEX #BAC8D3

RGB 186 200 211

HSL 206.4, 0.22%, 0.78%

LAB 79.87, -2.57, -7.11

 

Description

Color code: RGB 209 186 211 | qconv.com Color code: RGB 209 186 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 186 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 186 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 12 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 12% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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