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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 71 179 it is the complementary color RGB 46 184 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 71 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 71 179 shade: RGB 214 71 174, RGB 231 89 193, RGB 248 107 212, RGB 255 125 231 and RGB 255 143 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 71 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 192 53 160, RGB 175 35 141, RGB 158 17 122 and RGB 141 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 209 71 142, RGB 209 71 104 and RGB 209 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 201 71 209, RGB 164 71 209, RGB 127 71 209 and RGB 90 71 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 71 179 shade matches the following richer shades: RGB 209 71 179, RGB 227 52 189 and RGB 246 34 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 190 89 168, RGB 171 108 158, RGB 153 127 147 and RGB 134 145 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 71 179 shade: RGB 165 71 209, RGB 202 71 209, RGB 209 71 179, RGB 209 71 142 and RGB 209 71 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 71 179 shade: RGB 158 39 132, RGB 191 47 160, RGB 209 71 179, RGB 217 104 192 and RGB 225 137 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 209 128 71 and RGB 71 209 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 179 209 71 and RGB 71 179 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 209 128 71, RGB 71 209 101 and RGB 71 151 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 71 179 shade: RGB 209 71 179, RGB 209 170 71, RGB 71 209 101 and RGB 71 110 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

Complementary color

CMYK 75 / 0 / 59 / 28

HEX #2EB84C

RGB 46 184 76

HSL 133.04, 0.6%, 0.45%

LAB 66.05, -58.39, 43.91

 

CMYK 0 / 67 / 19 / 16

HEX #D647AE

RGB 214 71 174

HSL 316.78, 0.64%, 0.56%

LAB 53.88, 65.93, -25.43

 

CMYK 0 / 61 / 16 / 9

HEX #E759C1

RGB 231 89 193

HSL 316.06, 0.75%, 0.63%

LAB 59.87, 65.95, -26.92

 

CMYK 0 / 57 / 15 / 3

HEX #F86BD4

RGB 248 107 212

HSL 315.32, 0.91%, 0.7%

LAB 65.92, 65.68, -28.14

 

CMYK 0 / 51 / 9 / 0

HEX #FF7DE7

RGB 255 125 231

HSL 311.08, 1%, 0.75%

LAB 70.66, 62.4, -31.3

 

CMYK 0 / 44 / 2 / 0

HEX #FF8FFA

RGB 255 143 250

HSL 302.68, 1%, 0.78%

LAB 74.7, 56.93, -35.44

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 72 / 17 / 25

HEX #C035A0

RGB 192 53 160

HSL 313.81, 0.57%, 0.48%

LAB 47.35, 64.9, -27.58

 

CMYK 0 / 80 / 19 / 31

HEX #AF238D

RGB 175 35 141

HSL 314.57, 0.67%, 0.41%

LAB 41.59, 63.73, -25.33

 

CMYK 0 / 89 / 23 / 38

HEX #9E117A

RGB 158 17 122

HSL 315.32, 0.81%, 0.34%

LAB 36.13, 61.45, -22.32

 

CMYK 0 / 100 / 27 / 45

HEX #8D0067

RGB 141 0 103

HSL 316.17, 1%, 0.28%

LAB 30.98, 57.95, -18.5

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 66 / 32 / 18

HEX #D1478E

RGB 209 71 142

HSL 329.13, 0.6%, 0.55%

LAB 51.85, 60.47, -9.73

 

CMYK 0 / 66 / 50 / 18

HEX #D14768

RGB 209 71 104

HSL 345.65, 0.6%, 0.55%

LAB 50.76, 56.59, 11.49

 

CMYK 0 / 66 / 66 / 18

HEX #D14747

RGB 209 71 71

HSL 0, 0.6%, 0.55%

LAB 50.12, 54.25, 30.33

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 4 / 66 / 0 / 18

HEX #C947D1

RGB 201 71 209

HSL 296.52, 0.6%, 0.55%

LAB 53.52, 68.19, -46.33

 

CMYK 22 / 66 / 0 / 18

HEX #A447D1

RGB 164 71 209

HSL 280.43, 0.6%, 0.55%

LAB 48.26, 59.89, -55.04

 

CMYK 39 / 66 / 0 / 18

HEX #7F47D1

RGB 127 71 209

HSL 264.35, 0.6%, 0.55%

LAB 43.69, 52.1, -62.65

 

CMYK 57 / 66 / 0 / 18

HEX #5A47D1

RGB 90 71 209

HSL 248.26, 0.6%, 0.55%

LAB 40.05, 45.4, -68.73

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 77 / 17 / 11

HEX #E334BD

RGB 227 52 189

HSL 313.03, 0.76%, 0.55%

LAB 54.51, 77.18, -32.99

 

CMYK 0 / 86 / 19 / 4

HEX #F622C8

RGB 246 34 200

HSL 313.02, 0.92%, 0.55%

LAB 56.98, 86.34, -35.23

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 53 / 12 / 25

HEX #BE59A8

RGB 190 89 168

HSL 313.07, 0.44%, 0.55%

LAB 52.86, 50.57, -23.8

 

CMYK 0 / 37 / 8 / 33

HEX #AB6C9E

RGB 171 108 158

HSL 312.38, 0.27%, 0.55%

LAB 53.87, 32.83, -16.63

 

CMYK 0 / 17 / 4 / 40

HEX #997F93

RGB 153 127 147

HSL 313.85, 0.11%, 0.55%

LAB 56.15, 13.57, -7.01

 

CMYK 8 / 0 / 6 / 43

HEX #869189

RGB 134 145 137

HSL 136.36, 0.05%, 0.55%

LAB 59.09, -5.58, 2.87

 

CMYK 21 / 66 / 0 / 18

HEX #A547D1

RGB 165 71 209

HSL 280.87, 0.6%, 0.55%

LAB 48.4, 60.11, -54.81

 

CMYK 3 / 66 / 0 / 18

HEX #CA47D1

RGB 202 71 209

HSL 296.96, 0.6%, 0.55%

LAB 53.67, 68.42, -46.09

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 66 / 32 / 18

HEX #D1478E

RGB 209 71 142

HSL 329.13, 0.6%, 0.55%

LAB 51.85, 60.47, -9.73

 

CMYK 0 / 66 / 50 / 18

HEX #D14769

RGB 209 71 105

HSL 345.22, 0.6%, 0.55%

LAB 50.78, 56.68, 10.92

 

CMYK 0 / 75 / 16 / 38

HEX #9E2784

RGB 158 39 132

HSL 313.11, 0.6%, 0.39%

LAB 38.53, 57.28, -24.81

 

CMYK 0 / 75 / 16 / 25

HEX #BF2FA0

RGB 191 47 160

HSL 312.92, 0.61%, 0.47%

LAB 46.51, 66.58, -28.91

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 52 / 12 / 15

HEX #D968C0

RGB 217 104 192

HSL 313.27, 0.6%, 0.63%

LAB 60.3, 55.19, -25.86

 

CMYK 0 / 39 / 8 / 12

HEX #E189CE

RGB 225 137 206

HSL 312.95, 0.59%, 0.71%

LAB 68.28, 43.38, -21.43

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 39 / 66 / 18

HEX #D18047

RGB 209 128 71

HSL 24.78, 0.6%, 0.55%

LAB 61.18, 26.24, 43.45

 

CMYK 66 / 0 / 12 / 18

HEX #47D1B7

RGB 71 209 183

HSL 168.7, 0.6%, 0.55%

LAB 76.29, -43.05, 2.06

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 66 / 14 / 0 / 18

HEX #47B3D1

RGB 71 179 209

HSL 193.04, 0.6%, 0.55%

LAB 68.16, -21.45, -24.25

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 39 / 66 / 18

HEX #D18047

RGB 209 128 71

HSL 24.78, 0.6%, 0.55%

LAB 61.18, 26.24, 43.45

 

CMYK 66 / 0 / 52 / 18

HEX #47D165

RGB 71 209 101

HSL 133.04, 0.6%, 0.55%

LAB 74.75, -59.47, 42.6

 

CMYK 66 / 28 / 0 / 18

HEX #4797D1

RGB 71 151 209

HSL 205.22, 0.6%, 0.55%

LAB 59.96, -6.3, -36.93

 

CMYK 0 / 66 / 14 / 18

HEX #D147B3

RGB 209 71 179

HSL 313.04, 0.6%, 0.55%

LAB 53.29, 65.36, -29.31

 

CMYK 0 / 19 / 66 / 18

HEX #D1AA47

RGB 209 170 71

HSL 43.04, 0.6%, 0.55%

LAB 71.39, 3.56, 54.76

 

CMYK 66 / 0 / 52 / 18

HEX #47D165

RGB 71 209 101

HSL 133.04, 0.6%, 0.55%

LAB 74.75, -59.47, 42.6

 

CMYK 66 / 47 / 0 / 18

HEX #476ED1

RGB 71 110 209

HSL 223.04, 0.6%, 0.55%

LAB 48.38, 18.32, -55.29

 

Description

Color code: RGB 209 71 179 | qconv.com Color code: RGB 209 71 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 71 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 71 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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