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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 131 34 it is the complementary color RGB 235 124 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 131 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 131 34 shade: RGB 25 131 29, RGB 42 149 48, RGB 59 167 67, RGB 76 185 86 and RGB 93 203 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 131 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 131 34 shade: RGB 20 131 34, RGB 3 113 15, RGB 0 95 0, RGB 0 77 0 and RGB 0 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 131 34 shade: RGB 19 133 34, RGB 36 133 19, RGB 66 133 19, RGB 97 133 19 and RGB 127 133 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 131 34 shade: RGB 19 133 34, RGB 19 133 64, RGB 19 133 95, RGB 19 133 125 and RGB 19 109 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 131 34 shade matches the following richer shades: RGB 19 133 34 and RGB 7 145 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 131 34 shade: RGB 19 133 34, RGB 32 120 43, RGB 44 108 52, RGB 57 95 61 and RGB 69 83 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 131 34 shade: RGB 67 133 19, RGB 36 133 19, RGB 19 133 33, RGB 19 133 63 and RGB 19 133 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 131 34 shade: RGB 9 61 15, RGB 14 97 24, RGB 19 133 34, RGB 25 169 43 and RGB 30 204 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 131 34 shade: RGB 20 131 34, RGB 19 97 133 and RGB 133 19 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 131 34 shade: RGB 20 131 34, RGB 33 19 133 and RGB 133 33 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 131 34 shade: RGB 20 131 34, RGB 19 97 133, RGB 133 19 119 and RGB 133 55 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 131 34 shade: RGB 20 131 34, RGB 19 63 133, RGB 133 19 119 and RGB 133 89 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

Complementary color

CMYK 0 / 47 / 6 / 8

HEX #EB7CDD

RGB 235 124 221

HSL 307.57, 0.74%, 0.7%

LAB 67.5, 55.53, -30.87

 

CMYK 81 / 0 / 78 / 49

HEX #19831D

RGB 25 131 29

HSL 122.26, 0.68%, 0.31%

LAB 47.66, -48.72, 43.88

 

CMYK 72 / 0 / 68 / 42

HEX #2A9530

RGB 42 149 48

HSL 123.36, 0.56%, 0.37%

LAB 54.24, -50.29, 43.19

 

CMYK 65 / 0 / 60 / 35

HEX #3BA743

RGB 59 167 67

HSL 124.44, 0.48%, 0.44%

LAB 60.76, -51.17, 42.03

 

CMYK 59 / 0 / 54 / 27

HEX #4CB956

RGB 76 185 86

HSL 125.5, 0.44%, 0.51%

LAB 67.21, -51.61, 40.7

 

CMYK 54 / 0 / 48 / 20

HEX #5DCB69

RGB 93 203 105

HSL 126.55, 0.51%, 0.58%

LAB 73.58, -51.79, 39.35

 

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

CMYK 97 / 0 / 87 / 56

HEX #03710F

RGB 3 113 15

HSL 126.55, 0.95%, 0.23%

LAB 41, -46.28, 42.01

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 86 / 0 / 74 / 48

HEX #138522

RGB 19 133 34

HSL 127.89, 0.75%, 0.3%

LAB 48.3, -49.71, 42.6

 

CMYK 73 / 0 / 86 / 48

HEX #248513

RGB 36 133 19

HSL 111.05, 0.75%, 0.3%

LAB 48.51, -48.21, 47.94

 

CMYK 50 / 0 / 86 / 48

HEX #428513

RGB 66 133 19

HSL 95.26, 0.75%, 0.3%

LAB 49.47, -40.39, 49.17

 

CMYK 27 / 0 / 86 / 48

HEX #618513

RGB 97 133 19

HSL 78.95, 0.75%, 0.3%

LAB 51.11, -28.81, 51.25

 

CMYK 5 / 0 / 86 / 48

HEX #7F8513

RGB 127 133 19

HSL 63.16, 0.75%, 0.3%

LAB 53.31, -15.64, 54.01

 

CMYK 86 / 0 / 74 / 48

HEX #138522

RGB 19 133 34

HSL 127.89, 0.75%, 0.3%

LAB 48.3, -49.71, 42.6

 

CMYK 86 / 0 / 52 / 48

HEX #138540

RGB 19 133 64

HSL 143.68, 0.75%, 0.3%

LAB 48.62, -45.81, 28.77

 

CMYK 86 / 0 / 29 / 48

HEX #13855F

RGB 19 133 95

HSL 160, 0.75%, 0.3%

LAB 49.18, -39.35, 12.19

 

CMYK 86 / 0 / 6 / 48

HEX #13857D

RGB 19 133 125

HSL 175.79, 0.75%, 0.3%

LAB 49.97, -31.06, -4.15

 

CMYK 86 / 18 / 0 / 48

HEX #136D85

RGB 19 109 133

HSL 192.63, 0.75%, 0.3%

LAB 42.41, -15.97, -20.32

 

CMYK 86 / 0 / 74 / 48

HEX #138522

RGB 19 133 34

HSL 127.89, 0.75%, 0.3%

LAB 48.3, -49.71, 42.6

 

CMYK 95 / 0 / 83 / 43

HEX #079118

RGB 7 145 24

HSL 127.39, 0.91%, 0.3%

LAB 52.24, -55.18, 49.83

 

CMYK 86 / 0 / 74 / 48

HEX #138522

RGB 19 133 34

HSL 127.89, 0.75%, 0.3%

LAB 48.3, -49.71, 42.6

 

CMYK 73 / 0 / 64 / 53

HEX #20782B

RGB 32 120 43

HSL 127.5, 0.58%, 0.3%

LAB 44.11, -42.3, 34.17

 

CMYK 59 / 0 / 52 / 58

HEX #2C6C34

RGB 44 108 52

HSL 127.5, 0.42%, 0.3%

LAB 40.42, -33.41, 25.19

 

CMYK 40 / 0 / 36 / 63

HEX #395F3D

RGB 57 95 61

HSL 126.32, 0.25%, 0.3%

LAB 36.73, -21.53, 15.32

 

CMYK 17 / 0 / 14 / 67

HEX #455347

RGB 69 83 71

HSL 128.57, 0.09%, 0.3%

LAB 33.79, -8.21, 5.21

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 73 / 0 / 86 / 48

HEX #248513

RGB 36 133 19

HSL 111.05, 0.75%, 0.3%

LAB 48.51, -48.21, 47.94

 

CMYK 86 / 0 / 75 / 48

HEX #138521

RGB 19 133 33

HSL 127.37, 0.75%, 0.3%

LAB 48.29, -49.8, 42.98

 

CMYK 86 / 0 / 53 / 48

HEX #13853F

RGB 19 133 63

HSL 143.16, 0.75%, 0.3%

LAB 48.6, -45.98, 29.28

 

CMYK 86 / 0 / 30 / 48

HEX #13855D

RGB 19 133 93

HSL 158.95, 0.75%, 0.3%

LAB 49.13, -39.84, 13.28

 

CMYK 85 / 0 / 75 / 76

HEX #093D0F

RGB 9 61 15

HSL 126.92, 0.74%, 0.14%

LAB 21.69, -27.53, 22.88

 

CMYK 86 / 0 / 75 / 62

HEX #0E6118

RGB 14 97 24

HSL 127.23, 0.75%, 0.22%

LAB 35.42, -39.14, 33.35

 

CMYK 86 / 0 / 74 / 48

HEX #138522

RGB 19 133 34

HSL 127.89, 0.75%, 0.3%

LAB 48.3, -49.71, 42.6

 

CMYK 85 / 0 / 75 / 34

HEX #19A92B

RGB 25 169 43

HSL 127.5, 0.74%, 0.38%

LAB 60.57, -59.68, 51.72

 

CMYK 85 / 0 / 75 / 20

HEX #1ECC34

RGB 30 204 52

HSL 127.59, 0.74%, 0.46%

LAB 72.03, -69.02, 60.11

 

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

CMYK 86 / 27 / 0 / 48

HEX #136185

RGB 19 97 133

HSL 198.95, 0.75%, 0.3%

LAB 38.52, -8.99, -26.36

 

CMYK 0 / 86 / 62 / 48

HEX #851333

RGB 133 19 51

HSL 343.16, 0.75%, 0.3%

LAB 28.62, 47.61, 12.29

 

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

CMYK 75 / 86 / 0 / 48

HEX #211385

RGB 33 19 133

HSL 247.37, 0.75%, 0.3%

LAB 17.84, 42.65, -59.72

 

CMYK 0 / 75 / 86 / 48

HEX #852113

RGB 133 33 19

HSL 7.37, 0.75%, 0.3%

LAB 29.72, 41.59, 33.67

 

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

CMYK 86 / 27 / 0 / 48

HEX #136185

RGB 19 97 133

HSL 198.95, 0.75%, 0.3%

LAB 38.52, -8.99, -26.36

 

CMYK 0 / 86 / 11 / 48

HEX #851377

RGB 133 19 119

HSL 307.37, 0.75%, 0.3%

LAB 31.31, 55.24, -28.33

 

CMYK 0 / 59 / 86 / 48

HEX #853713

RGB 133 55 19

HSL 18.95, 0.75%, 0.3%

LAB 33.49, 31.49, 37.1

 

CMYK 85 / 0 / 74 / 49

HEX #148322

RGB 20 131 34

HSL 127.57, 0.74%, 0.3%

LAB 47.62, -48.94, 41.9

 

CMYK 86 / 53 / 0 / 48

HEX #133F85

RGB 19 63 133

HSL 216.84, 0.75%, 0.3%

LAB 27.81, 13.3, -43.4

 

CMYK 0 / 86 / 11 / 48

HEX #851377

RGB 133 19 119

HSL 307.37, 0.75%, 0.3%

LAB 31.31, 55.24, -28.33

 

CMYK 0 / 33 / 86 / 48

HEX #855913

RGB 133 89 19

HSL 36.84, 0.75%, 0.3%

LAB 41.5, 12.15, 44.15

 

Description

Color code: RGB 20 131 34 | qconv.com Color code: RGB 20 131 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 131 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 131 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 74 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 74% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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