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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 153 34 it is the complementary color RGB 235 102 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 153 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 153 34 shade: RGB 25 153 29, RGB 42 171 48, RGB 59 189 67, RGB 76 207 86 and RGB 93 225 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 153 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 153 34 shade: RGB 20 153 34, RGB 3 135 15, RGB 0 117 0, RGB 0 99 0 and RGB 0 81 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 153 34 shade: RGB 19 153 34, RGB 41 153 19, RGB 77 153 19, RGB 113 153 19 and RGB 149 153 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 153 34 shade: RGB 19 153 34, RGB 19 153 70, RGB 19 153 106, RGB 19 153 142 and RGB 19 128 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 153 34 shade matches the following richer shades: RGB 19 153 34 and RGB 5 167 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 153 34 shade: RGB 19 153 34, RGB 33 139 45, RGB 47 125 56, RGB 62 111 67 and RGB 76 97 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 153 34 shade: RGB 77 153 19, RGB 42 153 19, RGB 19 153 33, RGB 19 153 68 and RGB 19 153 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 153 34 shade: RGB 10 80 17, RGB 15 116 25, RGB 19 153 34, RGB 24 189 42 and RGB 30 225 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 153 34 shade: RGB 20 153 34, RGB 19 113 153 and RGB 153 19 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 153 34 shade: RGB 20 153 34, RGB 33 19 153 and RGB 153 33 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 153 34 shade: RGB 20 153 34, RGB 19 113 153, RGB 153 19 140 and RGB 153 59 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 153 34 shade: RGB 20 153 34, RGB 19 73 153, RGB 153 19 140 and RGB 153 100 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

Complementary color

CMYK 0 / 57 / 6 / 8

HEX #EB66DD

RGB 235 102 221

HSL 306.32, 0.77%, 0.66%

LAB 63.66, 65.74, -36.83

 

CMYK 84 / 0 / 81 / 40

HEX #19991D

RGB 25 153 29

HSL 121.88, 0.72%, 0.35%

LAB 55.15, -55.76, 51.13

 

CMYK 75 / 0 / 72 / 33

HEX #2AAB30

RGB 42 171 48

HSL 122.79, 0.61%, 0.42%

LAB 61.51, -57.72, 50.9

 

CMYK 69 / 0 / 65 / 26

HEX #3BBD43

RGB 59 189 67

HSL 123.69, 0.52%, 0.49%

LAB 67.82, -58.96, 50.02

 

CMYK 63 / 0 / 58 / 19

HEX #4CCF56

RGB 76 207 86

HSL 124.58, 0.58%, 0.55%

LAB 74.08, -59.72, 48.86

 

CMYK 59 / 0 / 53 / 12

HEX #5DE169

RGB 93 225 105

HSL 125.45, 0.69%, 0.62%

LAB 80.29, -60.15, 47.58

 

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

CMYK 98 / 0 / 89 / 47

HEX #03870F

RGB 3 135 15

HSL 125.45, 0.96%, 0.27%

LAB 48.74, -52.95, 48.99

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 88 / 0 / 78 / 40

HEX #139922

RGB 19 153 34

HSL 126.72, 0.78%, 0.34%

LAB 55.11, -56.03, 49.44

 

CMYK 73 / 0 / 88 / 40

HEX #299913

RGB 41 153 19

HSL 110.15, 0.78%, 0.34%

LAB 55.38, -53.93, 54.13

 

CMYK 50 / 0 / 88 / 40

HEX #4D9913

RGB 77 153 19

HSL 94.03, 0.78%, 0.34%

LAB 56.49, -44.88, 55.54

 

CMYK 26 / 0 / 88 / 40

HEX #719913

RGB 113 153 19

HSL 77.91, 0.78%, 0.34%

LAB 58.36, -31.69, 57.87

 

CMYK 3 / 0 / 88 / 40

HEX #959913

RGB 149 153 19

HSL 61.79, 0.78%, 0.34%

LAB 60.97, -16.18, 61.11

 

CMYK 88 / 0 / 78 / 40

HEX #139922

RGB 19 153 34

HSL 126.72, 0.78%, 0.34%

LAB 55.11, -56.03, 49.44

 

CMYK 88 / 0 / 54 / 40

HEX #139946

RGB 19 153 70

HSL 142.84, 0.78%, 0.34%

LAB 55.44, -51.89, 34.07

 

CMYK 88 / 0 / 31 / 40

HEX #13996A

RGB 19 153 106

HSL 158.96, 0.78%, 0.34%

LAB 56.05, -44.87, 15.46

 

CMYK 88 / 0 / 7 / 40

HEX #13998E

RGB 19 153 142

HSL 175.07, 0.78%, 0.34%

LAB 56.95, -35.29, -3.66

 

CMYK 88 / 16 / 0 / 40

HEX #138099

RGB 19 128 153

HSL 191.19, 0.78%, 0.34%

LAB 49.35, -19.27, -21.49

 

CMYK 88 / 0 / 78 / 40

HEX #139922

RGB 19 153 34

HSL 126.72, 0.78%, 0.34%

LAB 55.11, -56.03, 49.44

 

CMYK 97 / 0 / 87 / 35

HEX #05A716

RGB 5 167 22

HSL 126.3, 0.94%, 0.34%

LAB 59.64, -61.82, 57.06

 

CMYK 88 / 0 / 78 / 40

HEX #139922

RGB 19 153 34

HSL 126.72, 0.78%, 0.34%

LAB 55.11, -56.03, 49.44

 

CMYK 76 / 0 / 68 / 45

HEX #218B2D

RGB 33 139 45

HSL 126.79, 0.62%, 0.34%

LAB 50.66, -48.7, 40.55

 

CMYK 62 / 0 / 55 / 51

HEX #2F7D38

RGB 47 125 56

HSL 126.92, 0.45%, 0.34%

LAB 46.39, -39.18, 30.38

 

CMYK 44 / 0 / 40 / 56

HEX #3E6F43

RGB 62 111 67

HSL 126.12, 0.28%, 0.34%

LAB 42.46, -26.77, 19.46

 

CMYK 22 / 0 / 20 / 62

HEX #4C614E

RGB 76 97 78

HSL 125.71, 0.12%, 0.34%

LAB 38.96, -12.17, 8.27

 

CMYK 50 / 0 / 88 / 40

HEX #4D9913

RGB 77 153 19

HSL 94.03, 0.78%, 0.34%

LAB 56.49, -44.88, 55.54

 

CMYK 73 / 0 / 88 / 40

HEX #2A9913

RGB 42 153 19

HSL 109.7, 0.78%, 0.34%

LAB 55.4, -53.75, 54.16

 

CMYK 88 / 0 / 78 / 40

HEX #139921

RGB 19 153 33

HSL 126.27, 0.78%, 0.34%

LAB 55.1, -56.11, 49.77

 

CMYK 88 / 0 / 56 / 40

HEX #139944

RGB 19 153 68

HSL 141.94, 0.78%, 0.34%

LAB 55.42, -52.2, 35.04

 

CMYK 88 / 0 / 32 / 40

HEX #139968

RGB 19 153 104

HSL 158.06, 0.78%, 0.34%

LAB 56.01, -45.33, 16.53

 

CMYK 88 / 0 / 79 / 69

HEX #0A5011

RGB 10 80 17

HSL 126, 0.78%, 0.18%

LAB 29.01, -34.35, 29.72

 

CMYK 87 / 0 / 78 / 55

HEX #0F7419

RGB 15 116 25

HSL 125.94, 0.77%, 0.26%

LAB 42.25, -45.38, 39.92

 

CMYK 88 / 0 / 78 / 40

HEX #139922

RGB 19 153 34

HSL 126.72, 0.78%, 0.34%

LAB 55.11, -56.03, 49.44

 

CMYK 87 / 0 / 78 / 26

HEX #18BD2A

RGB 24 189 42

HSL 126.55, 0.77%, 0.42%

LAB 67.09, -65.85, 58.52

 

CMYK 87 / 0 / 78 / 12

HEX #1EE132

RGB 30 225 50

HSL 126.15, 0.76%, 0.5%

LAB 78.67, -75.22, 67.25

 

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

CMYK 88 / 26 / 0 / 40

HEX #137199

RGB 19 113 153

HSL 197.91, 0.78%, 0.34%

LAB 44.59, -10.85, -28.87

 

CMYK 0 / 88 / 61 / 40

HEX #99133B

RGB 153 19 59

HSL 342.09, 0.78%, 0.34%

LAB 33.04, 53.69, 13.65

 

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

CMYK 78 / 88 / 0 / 40

HEX #211399

RGB 33 19 153

HSL 246.27, 0.78%, 0.34%

LAB 20.4, 48.73, -67.94

 

CMYK 0 / 78 / 88 / 40

HEX #992113

RGB 153 33 19

HSL 6.27, 0.78%, 0.34%

LAB 33.79, 48.18, 38.82

 

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

CMYK 88 / 26 / 0 / 40

HEX #137199

RGB 19 113 153

HSL 197.91, 0.78%, 0.34%

LAB 44.59, -10.85, -28.87

 

CMYK 0 / 88 / 8 / 40

HEX #99138C

RGB 153 19 140

HSL 305.82, 0.78%, 0.34%

LAB 36.24, 62.52, -33.41

 

CMYK 0 / 61 / 88 / 40

HEX #993B13

RGB 153 59 19

HSL 17.91, 0.78%, 0.34%

LAB 37.75, 37.44, 42.15

 

CMYK 87 / 0 / 78 / 40

HEX #149922

RGB 20 153 34

HSL 126.32, 0.77%, 0.34%

LAB 55.12, -55.94, 49.45

 

CMYK 88 / 52 / 0 / 40

HEX #134999

RGB 19 73 153

HSL 215.82, 0.78%, 0.34%

LAB 32.27, 14.68, -48.48

 

CMYK 0 / 88 / 8 / 40

HEX #99138C

RGB 153 19 140

HSL 305.82, 0.78%, 0.34%

LAB 36.24, 62.52, -33.41

 

CMYK 0 / 35 / 88 / 40

HEX #996413

RGB 153 100 19

HSL 36.27, 0.78%, 0.34%

LAB 46.89, 15.06, 49.73

 

Description

Color code: RGB 20 153 34 | qconv.com Color code: RGB 20 153 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 153 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 153 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 78 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 78% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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