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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 21 107 it is the complementary color RGB 235 234 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 21 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 21 107 shade: RGB 25 21 102, RGB 42 39 121, RGB 59 57 140, RGB 76 75 159 and RGB 93 93 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 21 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 21 107 shade: RGB 20 21 107, RGB 3 3 88, RGB 0 0 69, RGB 0 0 50 and RGB 0 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 21 107 shade: RGB 19 20 107, RGB 42 19 107, RGB 66 19 107, RGB 89 19 107 and RGB 107 19 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 21 107 shade: RGB 19 20 107 and RGB 19 19 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 21 107 shade matches the following richer shades: RGB 19 20 107 and RGB 9 10 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 21 107 shade: RGB 19 20 107, RGB 30 30 97, RGB 40 40 87, RGB 50 51 76 and RGB 61 61 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 21 107 shade: RGB 19 68 107, RGB 19 44 107, RGB 19 21 107, RGB 41 19 107 and RGB 65 19 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 21 107 shade: RGB 6 7 38, RGB 13 14 72, RGB 19 20 107, RGB 26 27 142 and RGB 32 34 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 21 107 shade: RGB 20 21 107, RGB 107 19 91 and RGB 56 107 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 21 107 shade: RGB 20 21 107, RGB 107 19 21 and RGB 21 107 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 21 107 shade: RGB 20 21 107, RGB 107 19 91, RGB 107 106 19 and RGB 19 107 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 21 107 shade: RGB 20 21 107, RGB 107 19 65, RGB 107 106 19 and RGB 19 107 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

Complementary color

CMYK 0 / 0 / 37 / 8

HEX #EBEA94

RGB 235 234 148

HSL 59.31, 0.69%, 0.75%

LAB 91.07, -12.09, 41.9

 

CMYK 75 / 79 / 0 / 60

HEX #191566

RGB 25 21 102

HSL 242.96, 0.66%, 0.24%

LAB 13.84, 30.57, -46.37

 

CMYK 65 / 68 / 0 / 53

HEX #2A2779

RGB 42 39 121

HSL 242.2, 0.51%, 0.31%

LAB 21.3, 28.22, -46.39

 

CMYK 58 / 59 / 0 / 45

HEX #3B398C

RGB 59 57 140

HSL 241.45, 0.42%, 0.39%

LAB 28.77, 26.15, -46.09

 

CMYK 52 / 53 / 0 / 38

HEX #4C4B9F

RGB 76 75 159

HSL 240.71, 0.36%, 0.46%

LAB 36.12, 24.45, -45.73

 

CMYK 48 / 48 / 0 / 30

HEX #5D5DB2

RGB 93 93 178

HSL 240, 0.36%, 0.53%

LAB 43.32, 23.05, -45.41

 

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

CMYK 97 / 97 / 0 / 65

HEX #030358

RGB 3 3 88

HSL 240, 0.93%, 0.18%

LAB 7.13, 34.36, -48.17

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 82 / 81 / 0 / 58

HEX #13146B

RGB 19 20 107

HSL 239.32, 0.7%, 0.25%

LAB 13.83, 32.42, -49.69

 

CMYK 61 / 82 / 0 / 58

HEX #2A136B

RGB 42 19 107

HSL 255.68, 0.7%, 0.25%

LAB 15.59, 35.43, -46.71

 

CMYK 38 / 82 / 0 / 58

HEX #42136B

RGB 66 19 107

HSL 272.05, 0.7%, 0.25%

LAB 18.74, 39.27, -41.43

 

CMYK 17 / 82 / 0 / 58

HEX #59136B

RGB 89 19 107

HSL 287.73, 0.7%, 0.25%

LAB 22.48, 43.77, -35.18

 

CMYK 0 / 82 / 6 / 58

HEX #6B1365

RGB 107 19 101

HSL 304.09, 0.7%, 0.25%

LAB 25.35, 46.61, -26.5

 

CMYK 82 / 81 / 0 / 58

HEX #13146B

RGB 19 20 107

HSL 239.32, 0.7%, 0.25%

LAB 13.83, 32.42, -49.69

 

CMYK 82 / 82 / 0 / 58

HEX #13136B

RGB 19 19 107

HSL 240, 0.7%, 0.25%

LAB 13.63, 33, -50.02

 

CMYK 82 / 81 / 0 / 58

HEX #13146B

RGB 19 20 107

HSL 239.32, 0.7%, 0.25%

LAB 13.83, 32.42, -49.69

 

CMYK 92 / 92 / 0 / 54

HEX #090A76

RGB 9 10 118

HSL 239.45, 0.86%, 0.25%

LAB 13.13, 40.66, -58.02

 

CMYK 82 / 81 / 0 / 58

HEX #13146B

RGB 19 20 107

HSL 239.32, 0.7%, 0.25%

LAB 13.83, 32.42, -49.69

 

CMYK 69 / 69 / 0 / 62

HEX #1E1E61

RGB 30 30 97

HSL 240, 0.53%, 0.25%

LAB 15.84, 23.5, -39.76

 

CMYK 54 / 54 / 0 / 66

HEX #282857

RGB 40 40 87

HSL 240, 0.37%, 0.25%

LAB 18.61, 14.81, -28.57

 

CMYK 34 / 33 / 0 / 70

HEX #32334C

RGB 50 51 76

HSL 237.69, 0.21%, 0.25%

LAB 22.19, 6.43, -15.5

 

CMYK 8 / 8 / 0 / 74

HEX #3D3D42

RGB 61 61 66

HSL 240, 0.04%, 0.25%

LAB 25.93, 1.17, -3.06

 

CMYK 82 / 36 / 0 / 58

HEX #13446B

RGB 19 68 107

HSL 206.59, 0.7%, 0.25%

LAB 27.67, -1, -27.26

 

CMYK 82 / 59 / 0 / 58

HEX #132C6B

RGB 19 44 107

HSL 222.95, 0.7%, 0.25%

LAB 20.05, 15.93, -39.48

 

CMYK 82 / 80 / 0 / 58

HEX #13156B

RGB 19 21 107

HSL 238.64, 0.7%, 0.25%

LAB 14.04, 31.82, -49.34

 

CMYK 62 / 82 / 0 / 58

HEX #29136B

RGB 41 19 107

HSL 255, 0.7%, 0.25%

LAB 15.48, 35.3, -46.9

 

CMYK 39 / 82 / 0 / 58

HEX #41136B

RGB 65 19 107

HSL 271.36, 0.7%, 0.25%

LAB 18.59, 39.09, -41.68

 

CMYK 84 / 82 / 0 / 85

HEX #060726

RGB 6 7 38

HSL 238.13, 0.73%, 0.09%

LAB 2.99, 7.65, -18.88

 

CMYK 82 / 81 / 0 / 72

HEX #0D0E48

RGB 13 14 72

HSL 238.98, 0.69%, 0.17%

LAB 7.84, 22.47, -35.93

 

CMYK 82 / 81 / 0 / 58

HEX #13146B

RGB 19 20 107

HSL 239.32, 0.7%, 0.25%

LAB 13.83, 32.42, -49.69

 

CMYK 82 / 81 / 0 / 44

HEX #1A1B8E

RGB 26 27 142

HSL 239.48, 0.69%, 0.33%

LAB 19.87, 41.11, -62.02

 

CMYK 82 / 81 / 0 / 31

HEX #2022B1

RGB 32 34 177

HSL 239.17, 0.69%, 0.41%

LAB 25.64, 49.28, -73.8

 

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

CMYK 0 / 82 / 15 / 58

HEX #6B135B

RGB 107 19 91

HSL 310.91, 0.7%, 0.25%

LAB 24.79, 44.99, -20.82

 

CMYK 48 / 0 / 82 / 58

HEX #386B13

RGB 56 107 19

HSL 94.77, 0.7%, 0.25%

LAB 40.25, -32.82, 40.54

 

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

CMYK 0 / 82 / 80 / 58

HEX #6B1315

RGB 107 19 21

HSL 358.64, 0.7%, 0.25%

LAB 22.46, 37.96, 23.42

 

CMYK 80 / 0 / 82 / 58

HEX #156B13

RGB 21 107 19

HSL 118.64, 0.7%, 0.25%

LAB 39.11, -42, 39.05

 

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

CMYK 0 / 82 / 15 / 58

HEX #6B135B

RGB 107 19 91

HSL 310.91, 0.7%, 0.25%

LAB 24.79, 44.99, -20.82

 

CMYK 0 / 1 / 82 / 58

HEX #6B6A13

RGB 107 106 19

HSL 59.32, 0.7%, 0.25%

LAB 43.48, -10.26, 44.8

 

CMYK 82 / 0 / 67 / 58

HEX #136B23

RGB 19 107 35

HSL 130.91, 0.7%, 0.25%

LAB 39.2, -40.74, 32.42

 

CMYK 81 / 80 / 0 / 58

HEX #14156B

RGB 20 21 107

HSL 239.31, 0.69%, 0.25%

LAB 14.1, 31.9, -49.24

 

CMYK 0 / 82 / 39 / 58

HEX #6B1341

RGB 107 19 65

HSL 328.64, 0.7%, 0.25%

LAB 23.58, 41.44, -5.17

 

CMYK 0 / 1 / 82 / 58

HEX #6B6A13

RGB 107 106 19

HSL 59.32, 0.7%, 0.25%

LAB 43.48, -10.26, 44.8

 

CMYK 82 / 0 / 42 / 58

HEX #136B3E

RGB 19 107 62

HSL 149.32, 0.7%, 0.25%

LAB 39.58, -36.21, 18.3

 

Description

Color code: RGB 20 21 107 | qconv.com Color code: RGB 20 21 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 21 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 21 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 80 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 80% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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