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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 233 134 it is the complementary color RGB 235 22 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 233 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 233 134 shade: RGB 25 233 129, RGB 42 251 148, RGB 59 255 167, RGB 76 255 186 and RGB 93 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 233 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 233 134 shade: RGB 20 233 134, RGB 3 215 115, RGB 0 197 96, RGB 0 179 77 and RGB 0 161 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 233 134 shade: RGB 20 234 135, RGB 20 234 77, RGB 21 234 20, RGB 79 234 20 and RGB 136 234 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 233 134 shade: RGB 20 234 135, RGB 20 234 192, RGB 20 218 234, RGB 20 160 234 and RGB 20 103 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 233 134 shade matches the following richer shades: RGB 20 234 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 233 134 shade: RGB 20 234 135, RGB 41 213 133, RGB 61 193 132, RGB 82 172 130 and RGB 102 152 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 233 134 shade: RGB 20 234 20, RGB 20 234 77, RGB 20 234 134, RGB 20 234 191 and RGB 20 220 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 233 134 shade: RGB 13 158 91, RGB 17 196 113, RGB 20 234 135, RGB 58 237 154 and RGB 96 241 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 233 134 shade: RGB 20 233 134, RGB 20 77 234 and RGB 234 48 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 233 134 shade: RGB 20 233 134, RGB 134 20 234 and RGB 234 134 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 233 134 shade: RGB 20 233 134, RGB 20 77 234, RGB 234 20 120 and RGB 234 177 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 233 134 shade: RGB 20 233 134, RGB 27 20 234, RGB 234 20 120 and RGB 227 234 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

Complementary color

CMYK 0 / 91 / 49 / 8

HEX #EB1679

RGB 235 22 121

HSL 332.11, 0.84%, 0.5%

LAB 51.4, 77.82, 2.76

 

CMYK 89 / 0 / 45 / 9

HEX #19E981

RGB 25 233 129

HSL 150, 0.83%, 0.51%

LAB 81.88, -68.68, 37.75

 

CMYK 83 / 0 / 41 / 2

HEX #2AFB94

RGB 42 251 148

HSL 150.43, 0.96%, 0.57%

LAB 87.79, -70.19, 36.07

 

CMYK 77 / 0 / 35 / 0

HEX #3BFFA7

RGB 59 255 167

HSL 153.06, 1%, 0.62%

LAB 89.51, -66.4, 28.92

 

CMYK 70 / 0 / 27 / 0

HEX #4CFFBA

RGB 76 255 186

HSL 156.87, 1%, 0.65%

LAB 90.14, -60.42, 20.19

 

CMYK 64 / 0 / 20 / 0

HEX #5DFFCD

RGB 93 255 205

HSL 161.48, 1%, 0.68%

LAB 90.9, -53.68, 11.56

 

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

CMYK 99 / 0 / 47 / 16

HEX #03D773

RGB 3 215 115

HSL 151.7, 0.97%, 0.43%

LAB 75.98, -66.04, 37.11

 

CMYK 100 / 0 / 51 / 23

HEX #00C560

RGB 0 197 96

HSL 149.24, 1%, 0.39%

LAB 70.02, -63.42, 39.01

 

CMYK 100 / 0 / 57 / 30

HEX #00B34D

RGB 0 179 77

HSL 145.81, 1%, 0.35%

LAB 63.98, -60.51, 40.88

 

CMYK 100 / 0 / 64 / 37

HEX #00A13A

RGB 0 161 58

HSL 141.61, 1%, 0.32%

LAB 57.84, -57.35, 42.62

 

CMYK 91 / 0 / 42 / 8

HEX #14EA87

RGB 20 234 135

HSL 152.24, 0.84%, 0.5%

LAB 82.24, -68.22, 35.24

 

CMYK 91 / 0 / 67 / 8

HEX #14EA4D

RGB 20 234 77

HSL 135.98, 0.84%, 0.5%

LAB 81.58, -76.25, 60.82

 

CMYK 91 / 0 / 91 / 8

HEX #15EA14

RGB 21 234 20

HSL 119.72, 0.84%, 0.5%

LAB 81.32, -79.6, 76.12

 

CMYK 66 / 0 / 91 / 8

HEX #4FEA14

RGB 79 234 20

HSL 103.46, 0.84%, 0.5%

LAB 82.14, -72.4, 77.14

 

CMYK 42 / 0 / 91 / 8

HEX #88EA14

RGB 136 234 20

HSL 87.48, 0.84%, 0.5%

LAB 84.03, -57.42, 79.47

 

CMYK 91 / 0 / 42 / 8

HEX #14EA87

RGB 20 234 135

HSL 152.24, 0.84%, 0.5%

LAB 82.24, -68.22, 35.24

 

CMYK 91 / 0 / 18 / 8

HEX #14EAC0

RGB 20 234 192

HSL 168.22, 0.84%, 0.5%

LAB 83.34, -55.92, 7.37

 

CMYK 91 / 7 / 0 / 8

HEX #14DAEA

RGB 20 218 234

HSL 184.49, 0.84%, 0.5%

LAB 79.75, -37.34, -20.21

 

CMYK 91 / 32 / 0 / 8

HEX #14A0EA

RGB 20 160 234

HSL 200.75, 0.84%, 0.5%

LAB 62.7, -7.69, -46.57

 

CMYK 91 / 56 / 0 / 8

HEX #1467EA

RGB 20 103 234

HSL 216.73, 0.84%, 0.5%

LAB 46.7, 27.1, -72.25

 

CMYK 91 / 0 / 42 / 8

HEX #14EA87

RGB 20 234 135

HSL 152.24, 0.84%, 0.5%

LAB 82.24, -68.22, 35.24

 

CMYK 91 / 0 / 42 / 8

HEX #14EA87

RGB 20 234 135

HSL 152.24, 0.84%, 0.5%

LAB 82.24, -68.22, 35.24

 

CMYK 81 / 0 / 38 / 16

HEX #29D585

RGB 41 213 133

HSL 152.09, 0.68%, 0.5%

LAB 75.92, -59.81, 27.95

 

CMYK 68 / 0 / 32 / 24

HEX #3DC184

RGB 61 193 132

HSL 152.27, 0.52%, 0.5%

LAB 70.03, -49.8, 20.58

 

CMYK 52 / 0 / 24 / 33

HEX #52AC82

RGB 82 172 130

HSL 152, 0.35%, 0.5%

LAB 64.09, -37, 13.53

 

CMYK 33 / 0 / 15 / 40

HEX #669881

RGB 102 152 129

HSL 152.4, 0.2%, 0.5%

LAB 58.85, -21.95, 6.8

 

CMYK 91 / 0 / 91 / 8

HEX #14EA14

RGB 20 234 20

HSL 120, 0.84%, 0.5%

LAB 81.32, -79.65, 76.11

 

CMYK 91 / 0 / 67 / 8

HEX #14EA4D

RGB 20 234 77

HSL 135.98, 0.84%, 0.5%

LAB 81.58, -76.25, 60.82

 

CMYK 91 / 0 / 43 / 8

HEX #14EA86

RGB 20 234 134

HSL 151.96, 0.84%, 0.5%

LAB 82.23, -68.4, 35.72

 

CMYK 91 / 0 / 18 / 8

HEX #14EABF

RGB 20 234 191

HSL 167.94, 0.84%, 0.5%

LAB 83.31, -56.17, 7.86

 

CMYK 91 / 6 / 0 / 8

HEX #14DCEA

RGB 20 220 234

HSL 183.93, 0.84%, 0.5%

LAB 80.33, -38.27, -19.32

 

CMYK 92 / 0 / 42 / 38

HEX #0D9E5B

RGB 13 158 91

HSL 152.28, 0.85%, 0.34%

LAB 57.36, -50.4, 25.47

 

CMYK 91 / 0 / 42 / 23

HEX #11C471

RGB 17 196 113

HSL 152.18, 0.84%, 0.42%

LAB 70.03, -59.46, 30.46

 

CMYK 91 / 0 / 42 / 8

HEX #14EA87

RGB 20 234 135

HSL 152.24, 0.84%, 0.5%

LAB 82.24, -68.22, 35.24

 

CMYK 76 / 0 / 35 / 7

HEX #3AED9A

RGB 58 237 154

HSL 152.18, 0.83%, 0.58%

LAB 83.86, -62.54, 27.88

 

CMYK 60 / 0 / 28 / 5

HEX #60F1AD

RGB 96 241 173

HSL 151.86, 0.84%, 0.66%

LAB 86.21, -54.31, 21.49

 

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

CMYK 91 / 67 / 0 / 8

HEX #144DEA

RGB 20 77 234

HSL 224.02, 0.84%, 0.5%

LAB 40.24, 43.61, -82.83

 

CMYK 0 / 79 / 91 / 8

HEX #EA3014

RGB 234 48 20

HSL 7.85, 0.84%, 0.5%

LAB 51.45, 68.05, 58.66

 

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

CMYK 43 / 91 / 0 / 8

HEX #8614EA

RGB 134 20 234

HSL 271.96, 0.84%, 0.5%

LAB 40.43, 76.86, -82.24

 

CMYK 0 / 43 / 91 / 8

HEX #EA8614

RGB 234 134 20

HSL 31.96, 0.84%, 0.5%

LAB 65.43, 31.6, 68.33

 

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

CMYK 91 / 67 / 0 / 8

HEX #144DEA

RGB 20 77 234

HSL 224.02, 0.84%, 0.5%

LAB 40.24, 43.61, -82.83

 

CMYK 0 / 91 / 49 / 8

HEX #EA1478

RGB 234 20 120

HSL 331.96, 0.84%, 0.5%

LAB 51.09, 77.76, 2.9

 

CMYK 0 / 24 / 91 / 8

HEX #EAB114

RGB 234 177 20

HSL 44.02, 0.84%, 0.5%

LAB 75.44, 8.88, 75.7

 

CMYK 91 / 0 / 42 / 9

HEX #14E986

RGB 20 233 134

HSL 152.11, 0.84%, 0.5%

LAB 81.92, -68.07, 35.32

 

CMYK 88 / 91 / 0 / 8

HEX #1B14EA

RGB 27 20 234

HSL 241.96, 0.84%, 0.5%

LAB 31.05, 70.67, -98.07

 

CMYK 0 / 91 / 49 / 8

HEX #EA1478

RGB 234 20 120

HSL 331.96, 0.84%, 0.5%

LAB 51.09, 77.76, 2.9

 

CMYK 3 / 0 / 91 / 8

HEX #E3EA14

RGB 227 234 20

HSL 61.96, 0.84%, 0.5%

LAB 89.5, -22.91, 86.13

 

Description

Color code: RGB 20 233 134 | qconv.com Color code: RGB 20 233 134 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 233 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 233 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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