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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 239 113 it is the complementary color RGB 235 16 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 239 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 239 113 shade: RGB 25 239 108, RGB 42 255 127, RGB 59 255 146, RGB 76 255 165 and RGB 93 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 239 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 239 113 shade: RGB 20 239 113, RGB 3 221 94, RGB 0 203 75, RGB 0 185 56 and RGB 0 167 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 239 113 shade: RGB 21 238 113, RGB 21 238 55, RGB 46 238 21, RGB 104 238 21 and RGB 163 238 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 239 113 shade: RGB 21 238 113, RGB 21 238 172, RGB 21 238 230, RGB 21 187 238 and RGB 21 129 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 239 113 shade matches the following richer shades: RGB 21 238 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 239 113 shade: RGB 21 238 113, RGB 41 218 116, RGB 61 198 119, RGB 81 178 122 and RGB 102 157 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 239 113 shade: RGB 46 238 21, RGB 21 238 53, RGB 21 238 111, RGB 21 238 169 and RGB 21 238 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 239 113 shade: RGB 11 166 77, RGB 14 204 95, RGB 21 238 113, RGB 59 241 137 and RGB 98 244 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 239 113 shade: RGB 20 239 113, RGB 21 104 238 and RGB 238 24 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 239 113 shade: RGB 20 239 113, RGB 111 21 238 and RGB 238 111 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 239 113 shade: RGB 20 239 113, RGB 21 104 238, RGB 238 21 148 and RGB 238 155 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 239 113 shade: RGB 20 239 113, RGB 21 39 238, RGB 238 21 148 and RGB 238 220 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

Complementary color

CMYK 0 / 93 / 40 / 8

HEX #EB108E

RGB 235 16 142

HSL 325.48, 0.87%, 0.49%

LAB 51.82, 80.25, -9.3

 

CMYK 90 / 0 / 55 / 6

HEX #19EF6C

RGB 25 239 108

HSL 143.27, 0.87%, 0.52%

LAB 83.45, -73.84, 49.73

 

CMYK 84 / 0 / 50 / 0

HEX #2AFF7F

RGB 42 255 127

HSL 143.94, 1%, 0.58%

LAB 88.71, -74.93, 47.37

 

CMYK 77 / 0 / 43 / 0

HEX #3BFF92

RGB 59 255 146

HSL 146.63, 1%, 0.62%

LAB 89.17, -70.22, 38.9

 

CMYK 70 / 0 / 35 / 0

HEX #4CFFA5

RGB 76 255 165

HSL 149.83, 1%, 0.65%

LAB 89.75, -64.61, 30.31

 

CMYK 64 / 0 / 28 / 0

HEX #5DFFB8

RGB 93 255 184

HSL 153.7, 1%, 0.68%

LAB 90.46, -58.18, 21.72

 

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

CMYK 99 / 0 / 57 / 13

HEX #03DD5E

RGB 3 221 94

HSL 145.05, 0.97%, 0.44%

LAB 77.6, -71.11, 49.12

 

CMYK 100 / 0 / 63 / 20

HEX #00CB4B

RGB 0 203 75

HSL 142.17, 1%, 0.4%

LAB 71.7, -68.15, 50.74

 

CMYK 100 / 0 / 70 / 27

HEX #00B938

RGB 0 185 56

HSL 138.16, 1%, 0.36%

LAB 65.74, -64.84, 52.09

 

CMYK 100 / 0 / 78 / 35

HEX #00A725

RGB 0 167 37

HSL 133.29, 1%, 0.33%

LAB 59.68, -61.2, 52.87

 

CMYK 91 / 0 / 53 / 7

HEX #15EE71

RGB 21 238 113

HSL 145.44, 0.86%, 0.51%

LAB 83.18, -73.03, 47.07

 

CMYK 91 / 0 / 77 / 7

HEX #15EE37

RGB 21 238 55

HSL 129.4, 0.86%, 0.51%

LAB 82.69, -79.11, 69.61

 

CMYK 81 / 0 / 91 / 7

HEX #2EEE15

RGB 46 238 21

HSL 113.09, 0.86%, 0.51%

LAB 82.8, -78.61, 77.32

 

CMYK 56 / 0 / 91 / 7

HEX #68EE15

RGB 104 238 21

HSL 97.05, 0.86%, 0.51%

LAB 84.04, -68.05, 78.86

 

CMYK 32 / 0 / 91 / 7

HEX #A3EE15

RGB 163 238 21

HSL 80.74, 0.86%, 0.51%

LAB 86.5, -49.77, 81.88

 

CMYK 91 / 0 / 53 / 7

HEX #15EE71

RGB 21 238 113

HSL 145.44, 0.86%, 0.51%

LAB 83.18, -73.03, 47.07

 

CMYK 91 / 0 / 28 / 7

HEX #15EEAC

RGB 21 238 172

HSL 161.75, 0.86%, 0.51%

LAB 84.12, -62.12, 18.91

 

CMYK 91 / 0 / 3 / 7

HEX #15EEE6

RGB 21 238 230

HSL 177.79, 0.86%, 0.51%

LAB 85.51, -47.39, -9.43

 

CMYK 91 / 21 / 0 / 7

HEX #15BBEE

RGB 21 187 238

HSL 194.1, 0.86%, 0.51%

LAB 70.78, -20.84, -36.11

 

CMYK 91 / 46 / 0 / 7

HEX #1581EE

RGB 21 129 238

HSL 210.14, 0.86%, 0.51%

LAB 54.06, 12.24, -62.56

 

CMYK 91 / 0 / 53 / 7

HEX #15EE71

RGB 21 238 113

HSL 145.44, 0.86%, 0.51%

LAB 83.18, -73.03, 47.07

 

CMYK 91 / 0 / 53 / 7

HEX #15EE71

RGB 21 238 113

HSL 145.44, 0.86%, 0.51%

LAB 83.18, -73.03, 47.07

 

CMYK 81 / 0 / 47 / 15

HEX #29DA74

RGB 41 218 116

HSL 145.42, 0.71%, 0.51%

LAB 77.21, -64.61, 38.23

 

CMYK 69 / 0 / 40 / 22

HEX #3DC677

RGB 61 198 119

HSL 145.4, 0.55%, 0.51%

LAB 71.36, -54.29, 29.21

 

CMYK 54 / 0 / 31 / 30

HEX #51B27A

RGB 81 178 122

HSL 145.36, 0.39%, 0.51%

LAB 65.74, -41.56, 20.19

 

CMYK 35 / 0 / 20 / 38

HEX #669D7D

RGB 102 157 125

HSL 145.09, 0.22%, 0.51%

LAB 60.27, -25.32, 11.07

 

CMYK 81 / 0 / 91 / 7

HEX #2EEE15

RGB 46 238 21

HSL 113.09, 0.86%, 0.51%

LAB 82.8, -78.61, 77.32

 

CMYK 91 / 0 / 78 / 7

HEX #15EE35

RGB 21 238 53

HSL 128.85, 0.86%, 0.51%

LAB 82.68, -79.24, 70.19

 

CMYK 91 / 0 / 53 / 7

HEX #15EE6F

RGB 21 238 111

HSL 144.88, 0.86%, 0.51%

LAB 83.16, -73.32, 47.98

 

CMYK 91 / 0 / 29 / 7

HEX #15EEA9

RGB 21 238 169

HSL 160.92, 0.86%, 0.51%

LAB 84.06, -62.79, 20.38

 

CMYK 91 / 0 / 5 / 7

HEX #15EEE3

RGB 21 238 227

HSL 176.96, 0.86%, 0.51%

LAB 85.43, -48.23, -7.98

 

CMYK 93 / 0 / 54 / 35

HEX #0BA64D

RGB 11 166 77

HSL 145.55, 0.88%, 0.35%

LAB 59.78, -55.75, 35.83

 

CMYK 93 / 0 / 53 / 20

HEX #0ECC5F

RGB 14 204 95

HSL 145.58, 0.87%, 0.43%

LAB 72.3, -65.27, 42.3

 

CMYK 91 / 0 / 53 / 7

HEX #15EE71

RGB 21 238 113

HSL 145.44, 0.86%, 0.51%

LAB 83.18, -73.03, 47.07

 

CMYK 76 / 0 / 43 / 5

HEX #3BF189

RGB 59 241 137

HSL 145.71, 0.87%, 0.59%

LAB 84.82, -66.94, 37.67

 

CMYK 60 / 0 / 34 / 4

HEX #62F4A0

RGB 98 244 160

HSL 145.48, 0.87%, 0.67%

LAB 86.92, -57.6, 29.1

 

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

CMYK 91 / 56 / 0 / 7

HEX #1568EE

RGB 21 104 238

HSL 217.05, 0.86%, 0.51%

LAB 47.28, 28.03, -73.55

 

CMYK 0 / 90 / 91 / 7

HEX #EE1815

RGB 238 24 21

HSL 0.83, 0.86%, 0.51%

LAB 50.55, 73.97, 58.11

 

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

CMYK 53 / 91 / 0 / 7

HEX #6F15EE

RGB 111 21 238

HSL 264.88, 0.86%, 0.51%

LAB 38, 75.42, -88.61

 

CMYK 0 / 53 / 91 / 7

HEX #EE6F15

RGB 238 111 21

HSL 24.88, 0.86%, 0.51%

LAB 61.31, 44.81, 65.4

 

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

CMYK 91 / 56 / 0 / 7

HEX #1568EE

RGB 21 104 238

HSL 217.05, 0.86%, 0.51%

LAB 47.28, 28.03, -73.55

 

CMYK 0 / 91 / 38 / 7

HEX #EE1594

RGB 238 21 148

HSL 324.88, 0.86%, 0.51%

LAB 52.79, 80.91, -11.38

 

CMYK 0 / 35 / 91 / 7

HEX #EE9B15

RGB 238 155 21

HSL 37.05, 0.86%, 0.51%

LAB 70.65, 22.24, 72.16

 

CMYK 92 / 0 / 53 / 6

HEX #14EF71

RGB 20 239 113

HSL 145.48, 0.87%, 0.51%

LAB 83.48, -73.39, 47.44

 

CMYK 91 / 84 / 0 / 7

HEX #1527EE

RGB 21 39 238

HSL 235.02, 0.86%, 0.51%

LAB 33.53, 65.26, -96.22

 

CMYK 0 / 91 / 38 / 7

HEX #EE1594

RGB 238 21 148

HSL 324.88, 0.86%, 0.51%

LAB 52.79, 80.91, -11.38

 

CMYK 0 / 8 / 91 / 7

HEX #EEDC15

RGB 238 220 21

HSL 55.02, 0.86%, 0.51%

LAB 86.71, -11.46, 84.24

 

Description

Color code: RGB 20 239 113 | qconv.com Color code: RGB 20 239 113 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 239 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 239 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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