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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 162 229 it is the complementary color RGB 45 93 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 162 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 162 229 shade: RGB 215 162 224, RGB 232 180 243, RGB 249 198 255, RGB 255 216 255 and RGB 255 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 162 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 162 229 shade: RGB 210 162 229, RGB 193 144 210, RGB 176 126 191, RGB 159 108 172 and RGB 142 90 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 162 229 shade: RGB 210 163 229, RGB 228 163 229, RGB 229 163 212, RGB 229 163 194 and RGB 229 163 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 162 229 shade: RGB 210 163 229, RGB 192 163 229, RGB 175 163 229 and RGB 163 163 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 162 229 shade matches the following richer shades: RGB 210 163 229, RGB 214 154 238 and RGB 218 144 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 162 229 shade: RGB 210 163 229, RGB 206 172 219, RGB 202 182 210, RGB 198 191 200 and RGB 194 201 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 162 229 shade: RGB 174 163 229, RGB 191 163 229, RGB 209 163 229, RGB 227 163 229 and RGB 229 163 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 162 229 shade: RGB 179 99 211, RGB 194 131 220, RGB 210 163 229, RGB 226 195 238 and RGB 241 227 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 162 229 shade: RGB 210 162 229, RGB 229 163 170 and RGB 163 229 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 162 229 shade: RGB 210 162 229, RGB 229 209 163 and RGB 163 229 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 162 229 shade: RGB 210 162 229, RGB 229 163 170, RGB 183 229 163 and RGB 163 229 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 162 229 shade: RGB 210 162 229, RGB 229 176 163, RGB 183 229 163 and RGB 163 216 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

Complementary color

CMYK 52 / 0 / 72 / 64

HEX #2D5D1A

RGB 45 93 26

HSL 102.99, 0.56%, 0.23%

LAB 34.93, -29.9, 32.22

 

CMYK 4 / 28 / 0 / 12

HEX #D7A2E0

RGB 215 162 224

HSL 291.29, 0.5%, 0.76%

LAB 73.33, 30.09, -23.76

 

CMYK 5 / 26 / 0 / 5

HEX #E8B4F3

RGB 232 180 243

HSL 289.52, 0.72%, 0.83%

LAB 79.77, 29.48, -24.09

 

CMYK 2 / 22 / 0 / 0

HEX #F9C6FF

RGB 249 198 255

HSL 293.68, 1%, 0.89%

LAB 85.88, 27.6, -21.06

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

CMYK 8 / 31 / 0 / 18

HEX #C190D2

RGB 193 144 210

HSL 284.55, 0.42%, 0.69%

LAB 66.47, 30.13, -26.74

 

CMYK 8 / 34 / 0 / 25

HEX #B07EBF

RGB 176 126 191

HSL 286.15, 0.34%, 0.62%

LAB 59.81, 30.82, -26.47

 

CMYK 8 / 37 / 0 / 33

HEX #9F6CAC

RGB 159 108 172

HSL 287.81, 0.28%, 0.55%

LAB 53.03, 31.57, -26.19

 

CMYK 7 / 41 / 0 / 40

HEX #8E5A99

RGB 142 90 153

HSL 289.52, 0.26%, 0.48%

LAB 46.13, 32.36, -25.88

 

CMYK 8 / 29 / 0 / 10

HEX #D2A3E5

RGB 210 163 229

HSL 282.73, 0.56%, 0.77%

LAB 73.25, 28.93, -26.65

 

CMYK 0 / 29 / 0 / 10

HEX #E4A3E5

RGB 228 163 229

HSL 299.09, 0.56%, 0.77%

LAB 75.04, 34.66, -23.76

 

CMYK 0 / 29 / 7 / 10

HEX #E5A3D4

RGB 229 163 212

HSL 315.45, 0.56%, 0.77%

LAB 74.58, 31.96, -15.17

 

CMYK 0 / 29 / 15 / 10

HEX #E5A3C2

RGB 229 163 194

HSL 331.82, 0.56%, 0.77%

LAB 74.03, 28.98, -6.11

 

CMYK 0 / 29 / 23 / 10

HEX #E5A3B0

RGB 229 163 176

HSL 348.18, 0.56%, 0.77%

LAB 73.54, 26.25, 3.07

 

CMYK 8 / 29 / 0 / 10

HEX #D2A3E5

RGB 210 163 229

HSL 282.73, 0.56%, 0.77%

LAB 73.25, 28.93, -26.65

 

CMYK 16 / 29 / 0 / 10

HEX #C0A3E5

RGB 192 163 229

HSL 266.36, 0.56%, 0.77%

LAB 71.59, 23.3, -29.34

 

CMYK 24 / 29 / 0 / 10

HEX #AFA3E5

RGB 175 163 229

HSL 250.91, 0.56%, 0.77%

LAB 70.15, 18.12, -31.68

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 8 / 29 / 0 / 10

HEX #D2A3E5

RGB 210 163 229

HSL 282.73, 0.56%, 0.77%

LAB 73.25, 28.93, -26.65

 

CMYK 10 / 35 / 0 / 7

HEX #D69AEE

RGB 214 154 238

HSL 282.86, 0.71%, 0.77%

LAB 71.95, 36.87, -33.54

 

CMYK 12 / 42 / 0 / 3

HEX #DA90F8

RGB 218 144 248

HSL 282.69, 0.88%, 0.77%

LAB 70.61, 45.4, -41.03

 

CMYK 8 / 29 / 0 / 10

HEX #D2A3E5

RGB 210 163 229

HSL 282.73, 0.56%, 0.77%

LAB 73.25, 28.93, -26.65

 

CMYK 6 / 21 / 0 / 14

HEX #CEACDB

RGB 206 172 219

HSL 283.4, 0.39%, 0.77%

LAB 74.66, 20.74, -19.08

 

CMYK 4 / 13 / 0 / 18

HEX #CAB6D2

RGB 202 182 210

HSL 282.86, 0.24%, 0.77%

LAB 76.48, 12.21, -11.49

 

CMYK 1 / 5 / 0 / 22

HEX #C6BFC8

RGB 198 191 200

HSL 286.67, 0.08%, 0.77%

LAB 78.13, 4.1, -3.65

 

CMYK 3 / 0 / 5 / 21

HEX #C2C9BF

RGB 194 201 191

HSL 102, 0.08%, 0.77%

LAB 80.18, -4.23, 4.15

 

CMYK 24 / 29 / 0 / 10

HEX #AEA3E5

RGB 174 163 229

HSL 250, 0.56%, 0.77%

LAB 70.07, 17.82, -31.82

 

CMYK 17 / 29 / 0 / 10

HEX #BFA3E5

RGB 191 163 229

HSL 265.45, 0.56%, 0.77%

LAB 71.51, 22.99, -29.48

 

CMYK 9 / 29 / 0 / 10

HEX #D1A3E5

RGB 209 163 229

HSL 281.82, 0.56%, 0.77%

LAB 73.16, 28.62, -26.8

 

CMYK 1 / 29 / 0 / 10

HEX #E3A3E5

RGB 227 163 229

HSL 298.18, 0.56%, 0.77%

LAB 74.94, 34.34, -23.92

 

CMYK 0 / 29 / 7 / 10

HEX #E5A3D5

RGB 229 163 213

HSL 314.55, 0.56%, 0.77%

LAB 74.61, 32.13, -15.67

 

CMYK 15 / 53 / 0 / 17

HEX #B363D3

RGB 179 99 211

HSL 282.86, 0.56%, 0.61%

LAB 55.29, 50.45, -44.86

 

CMYK 12 / 40 / 0 / 14

HEX #C283DC

RGB 194 131 220

HSL 282.47, 0.56%, 0.69%

LAB 64.05, 39.61, -36.03

 

CMYK 8 / 29 / 0 / 10

HEX #D2A3E5

RGB 210 163 229

HSL 282.73, 0.56%, 0.77%

LAB 73.25, 28.93, -26.65

 

CMYK 5 / 18 / 0 / 7

HEX #E2C3EE

RGB 226 195 238

HSL 283.26, 0.56%, 0.85%

LAB 82.58, 18.55, -17.2

 

CMYK 2 / 8 / 0 / 3

HEX #F1E3F7

RGB 241 227 247

HSL 282, 0.56%, 0.93%

LAB 91.84, 8.29, -7.99

 

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

CMYK 0 / 29 / 26 / 10

HEX #E5A3AA

RGB 229 163 170

HSL 353.64, 0.56%, 0.77%

LAB 73.39, 25.39, 6.15

 

CMYK 29 / 0 / 20 / 10

HEX #A3E5B7

RGB 163 229 183

HSL 138.18, 0.56%, 0.77%

LAB 85.63, -29.97, 15.88

 

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

CMYK 0 / 9 / 29 / 10

HEX #E5D1A3

RGB 229 209 163

HSL 41.82, 0.56%, 0.77%

LAB 84.43, 0.08, 25.38

 

CMYK 29 / 0 / 9 / 10

HEX #A3E5D1

RGB 163 229 209

HSL 161.82, 0.56%, 0.77%

LAB 86.22, -24.88, 3.1

 

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

CMYK 0 / 29 / 26 / 10

HEX #E5A3AA

RGB 229 163 170

HSL 353.64, 0.56%, 0.77%

LAB 73.39, 25.39, 6.15

 

CMYK 20 / 0 / 29 / 10

HEX #B7E5A3

RGB 183 229 163

HSL 101.82, 0.56%, 0.77%

LAB 86.38, -26.77, 27.47

 

CMYK 29 / 0 / 3 / 10

HEX #A3E5DE

RGB 163 229 222

HSL 173.64, 0.56%, 0.77%

LAB 86.55, -22.1, -3.26

 

CMYK 8 / 29 / 0 / 10

HEX #D2A2E5

RGB 210 162 229

HSL 282.99, 0.56%, 0.77%

LAB 73.02, 29.48, -27

 

CMYK 0 / 23 / 29 / 10

HEX #E5B0A3

RGB 229 176 163

HSL 11.82, 0.56%, 0.77%

LAB 76.29, 17.48, 14.1

 

CMYK 20 / 0 / 29 / 10

HEX #B7E5A3

RGB 183 229 163

HSL 101.82, 0.56%, 0.77%

LAB 86.38, -26.77, 27.47

 

CMYK 29 / 6 / 0 / 10

HEX #A3D8E5

RGB 163 216 229

HSL 191.82, 0.56%, 0.77%

LAB 83.21, -14.01, -11.92

 

Description

Color code: RGB 210 162 229 | qconv.com Color code: RGB 210 162 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 162 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 162 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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