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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 188 231 it is the complementary color RGB 45 67 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 188 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 188 231 shade: RGB 215 188 226, RGB 232 206 245, RGB 249 224 255 and RGB 255 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 188 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 188 231 shade: RGB 210 188 231, RGB 193 170 212, RGB 176 152 193, RGB 159 134 174 and RGB 142 116 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 188 231 shade: RGB 209 187 230, RGB 221 187 230, RGB 230 187 228, RGB 230 187 216 and RGB 230 187 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 188 231 shade: RGB 209 187 230, RGB 197 187 230 and RGB 187 187 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 188 231 shade matches the following richer shades: RGB 209 187 230, RGB 209 180 238, RGB 209 172 245 and RGB 210 165 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 188 231 shade: RGB 209 187 230, RGB 209 194 223, RGB 209 202 215, RGB 209 209 208 and RGB 208 217 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 188 231 shade: RGB 187 188 230, RGB 197 187 230, RGB 209 187 230, RGB 220 187 230 and RGB 230 187 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 188 231 shade: RGB 168 126 208, RGB 189 157 219, RGB 209 187 230, RGB 230 217 241 and RGB 250 248 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 188 231 shade: RGB 210 188 231, RGB 230 187 200 and RGB 187 230 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 188 231 shade: RGB 210 188 231, RGB 230 209 187 and RGB 187 230 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 188 231 shade: RGB 210 188 231, RGB 230 187 200, RGB 209 230 187 and RGB 187 230 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 188 231 shade: RGB 210 188 231, RGB 230 187 187, RGB 209 230 187 and RGB 187 230 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

Complementary color

CMYK 33 / 0 / 64 / 74

HEX #2D4318

RGB 45 67 24

HSL 90.7, 0.47%, 0.18%

LAB 25.68, -17.29, 23

 

CMYK 5 / 17 / 0 / 11

HEX #D7BCE2

RGB 215 188 226

HSL 282.63, 0.4%, 0.81%

LAB 79.56, 16.39, -15.41

 

CMYK 5 / 16 / 0 / 4

HEX #E8CEF5

RGB 232 206 245

HSL 280, 0.66%, 0.88%

LAB 85.95, 15.99, -15.8

 

CMYK 2 / 12 / 0 / 0

HEX #F9E0FF

RGB 249 224 255

HSL 288.39, 1%, 0.94%

LAB 91.99, 13.94, -11.89

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

CMYK 9 / 20 / 0 / 17

HEX #C1AAD4

RGB 193 170 212

HSL 272.86, 0.33%, 0.75%

LAB 72.79, 16.16, -18.21

 

CMYK 9 / 21 / 0 / 24

HEX #B098C1

RGB 176 152 193

HSL 275.12, 0.25%, 0.68%

LAB 66.16, 16.62, -17.88

 

CMYK 9 / 23 / 0 / 32

HEX #9F86AE

RGB 159 134 174

HSL 277.5, 0.2%, 0.6%

LAB 59.41, 17.12, -17.55

 

CMYK 8 / 25 / 0 / 39

HEX #8E749B

RGB 142 116 155

HSL 280, 0.16%, 0.53%

LAB 52.52, 17.67, -17.23

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 4 / 19 / 0 / 10

HEX #DDBBE6

RGB 221 187 230

HSL 287.44, 0.46%, 0.82%

LAB 79.97, 19.67, -16.89

 

CMYK 0 / 19 / 1 / 10

HEX #E6BBE4

RGB 230 187 228

HSL 302.79, 0.46%, 0.82%

LAB 80.72, 22.28, -14.61

 

CMYK 0 / 19 / 6 / 10

HEX #E6BBD8

RGB 230 187 216

HSL 319.53, 0.46%, 0.82%

LAB 80.36, 20.14, -8.68

 

CMYK 0 / 19 / 11 / 10

HEX #E6BBCD

RGB 230 187 205

HSL 334.88, 0.46%, 0.82%

LAB 80.05, 18.27, -3.21

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 14 / 19 / 0 / 10

HEX #C5BBE6

RGB 197 187 230

HSL 253.95, 0.46%, 0.82%

LAB 77.95, 11.91, -20.14

 

CMYK 19 / 19 / 0 / 10

HEX #BBBBE6

RGB 187 187 230

HSL 240, 0.46%, 0.82%

LAB 77.17, 8.76, -21.39

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 12 / 24 / 0 / 7

HEX #D1B4EE

RGB 209 180 238

HSL 270, 0.63%, 0.82%

LAB 77.5, 21.19, -25.04

 

CMYK 15 / 30 / 0 / 4

HEX #D1ACF5

RGB 209 172 245

HSL 270.41, 0.78%, 0.82%

LAB 75.86, 27.02, -31.35

 

CMYK 17 / 35 / 0 / 1

HEX #D2A5FC

RGB 210 165 252

HSL 271.03, 0.94%, 0.82%

LAB 74.6, 32.63, -37.07

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 6 / 13 / 0 / 13

HEX #D1C2DF

RGB 209 194 223

HSL 271.03, 0.31%, 0.82%

LAB 80.44, 10.6, -12.52

 

CMYK 3 / 6 / 0 / 16

HEX #D1CAD7

RGB 209 202 215

HSL 272.31, 0.14%, 0.82%

LAB 82.22, 4.8, -5.59

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D0

RGB 209 209 208

HSL 60, 0.01%, 0.82%

LAB 83.81, -0.18, 0.49

 

CMYK 4 / 0 / 8 / 15

HEX #D0D9C8

RGB 208 217 200

HSL 91.76, 0.18%, 0.82%

LAB 85.61, -6.09, 7.31

 

CMYK 19 / 18 / 0 / 10

HEX #BBBCE6

RGB 187 188 230

HSL 238.6, 0.46%, 0.82%

LAB 77.43, 8.22, -21

 

CMYK 14 / 19 / 0 / 10

HEX #C5BBE6

RGB 197 187 230

HSL 253.95, 0.46%, 0.82%

LAB 77.95, 11.91, -20.14

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 4 / 19 / 0 / 10

HEX #DCBBE6

RGB 220 187 230

HSL 286.05, 0.46%, 0.82%

LAB 79.88, 19.35, -17.03

 

CMYK 0 / 19 / 0 / 10

HEX #E6BBE5

RGB 230 187 229

HSL 301.4, 0.46%, 0.82%

LAB 80.75, 22.46, -15.1

 

CMYK 19 / 39 / 0 / 18

HEX #A87ED0

RGB 168 126 208

HSL 270.73, 0.47%, 0.65%

LAB 59.71, 32.04, -36.3

 

CMYK 14 / 28 / 0 / 14

HEX #BD9DDB

RGB 189 157 219

HSL 270.97, 0.46%, 0.74%

LAB 69.5, 23.53, -27.09

 

CMYK 9 / 19 / 0 / 10

HEX #D1BBE6

RGB 209 187 230

HSL 270.7, 0.46%, 0.82%

LAB 78.93, 15.76, -18.56

 

CMYK 5 / 10 / 0 / 5

HEX #E6D9F1

RGB 230 217 241

HSL 272.5, 0.46%, 0.9%

LAB 88.35, 8.78, -10.12

 

CMYK 1 / 2 / 0 / 1

HEX #FAF8FC

RGB 250 248 252

HSL 270, 0.4%, 0.98%

LAB 97.83, 1.37, -1.69

 

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

CMYK 0 / 19 / 13 / 10

HEX #E6BBC8

RGB 230 187 200

HSL 341.86, 0.46%, 0.82%

LAB 79.92, 17.45, -0.71

 

CMYK 19 / 0 / 17 / 10

HEX #BBE6BF

RGB 187 230 191

HSL 125.58, 0.46%, 0.82%

LAB 87.45, -21.32, 14.47

 

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

CMYK 0 / 9 / 19 / 10

HEX #E6D1BB

RGB 230 209 187

HSL 30.7, 0.46%, 0.82%

LAB 85, 3.81, 13.56

 

CMYK 19 / 0 / 9 / 10

HEX #BBE6D1

RGB 187 230 209

HSL 150.7, 0.46%, 0.82%

LAB 87.85, -18.02, 5.63

 

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

CMYK 0 / 19 / 13 / 10

HEX #E6BBC8

RGB 230 187 200

HSL 341.86, 0.46%, 0.82%

LAB 79.92, 17.45, -0.71

 

CMYK 9 / 0 / 19 / 10

HEX #D1E6BB

RGB 209 230 187

HSL 89.3, 0.46%, 0.82%

LAB 88.8, -14.47, 18.66

 

CMYK 19 / 0 / 6 / 10

HEX #BBE6D9

RGB 187 230 217

HSL 161.86, 0.46%, 0.82%

LAB 88.05, -16.46, 1.72

 

CMYK 9 / 19 / 0 / 9

HEX #D2BCE7

RGB 210 188 231

HSL 270.7, 0.47%, 0.82%

LAB 79.29, 15.74, -18.54

 

CMYK 0 / 19 / 19 / 10

HEX #E6BBBB

RGB 230 187 187

HSL 0, 0.46%, 0.82%

LAB 79.59, 15.41, 5.83

 

CMYK 9 / 0 / 19 / 10

HEX #D1E6BB

RGB 209 230 187

HSL 89.3, 0.46%, 0.82%

LAB 88.8, -14.47, 18.66

 

CMYK 19 / 0 / 0 / 10

HEX #BBE6E6

RGB 187 230 230

HSL 180, 0.46%, 0.82%

LAB 88.39, -13.82, -4.61

 

Description

Color code: RGB 210 188 231 | qconv.com Color code: RGB 210 188 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 188 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 188 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 19 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 19% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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