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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 183 120 it is the complementary color RGB 45 72 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 183 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 183 120 shade: RGB 215 183 115, RGB 232 201 134, RGB 249 219 153, RGB 255 237 172 and RGB 255 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 183 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 183 120 shade: RGB 210 183 120, RGB 193 165 101, RGB 176 147 82, RGB 159 129 63 and RGB 142 111 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 183 120 shade: RGB 210 183 121, RGB 210 159 121, RGB 210 135 121 and RGB 210 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 183 120 shade: RGB 210 183 121, RGB 210 207 121, RGB 189 210 121, RGB 164 210 121 and RGB 140 210 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 183 120 shade matches the following richer shades: RGB 210 183 121, RGB 224 189 106, RGB 239 195 92 and RGB 253 200 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 183 120 shade: RGB 210 183 121, RGB 195 177 135, RGB 181 172 150, RGB 167 166 164 and RGB 152 160 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 183 120 shade: RGB 210 136 121, RGB 210 159 121, RGB 210 183 121, RGB 210 207 121 and RGB 189 210 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 183 120 shade: RGB 186 149 62, RGB 200 167 90, RGB 210 183 121, RGB 220 200 152 and RGB 231 216 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 183 120 shade: RGB 210 183 120, RGB 130 210 121 and RGB 147 121 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 183 120 shade: RGB 210 183 120, RGB 121 210 183 and RGB 183 121 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 183 120 shade: RGB 210 183 120, RGB 130 210 121, RGB 121 147 210 and RGB 201 121 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 183 120 shade: RGB 210 183 120, RGB 121 210 138, RGB 121 147 210 and RGB 210 121 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

Complementary color

CMYK 67 / 47 / 0 / 47

HEX #2D4887

RGB 45 72 135

HSL 222, 0.5%, 0.35%

LAB 31.67, 11.54, -38.37

 

CMYK 0 / 15 / 47 / 16

HEX #D7B773

RGB 215 183 115

HSL 40.8, 0.56%, 0.65%

LAB 75.79, 2.66, 38.72

 

CMYK 0 / 13 / 42 / 9

HEX #E8C986

RGB 232 201 134

HSL 41.02, 0.68%, 0.72%

LAB 82.19, 2, 37.47

 

CMYK 0 / 12 / 39 / 2

HEX #F9DB99

RGB 249 219 153

HSL 41.25, 0.89%, 0.79%

LAB 88.5, 1.44, 36.27

 

CMYK 0 / 7 / 33 / 0

HEX #FFEDAC

RGB 255 237 172

HSL 46.99, 1%, 0.84%

LAB 93.8, -3.22, 33.75

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

CMYK 0 / 15 / 48 / 24

HEX #C1A565

RGB 193 165 101

HSL 41.74, 0.43%, 0.58%

LAB 68.89, 1.79, 36.83

 

CMYK 0 / 16 / 53 / 31

HEX #B09352

RGB 176 147 82

HSL 41.49, 0.37%, 0.51%

LAB 62.26, 2.58, 38.15

 

CMYK 0 / 19 / 60 / 38

HEX #9F813F

RGB 159 129 63

HSL 41.25, 0.43%, 0.44%

LAB 55.51, 3.54, 39.49

 

CMYK 0 / 22 / 69 / 44

HEX #8E6F2C

RGB 142 111 44

HSL 41.02, 0.53%, 0.36%

LAB 48.64, 4.72, 40.74

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 24 / 42 / 18

HEX #D29F79

RGB 210 159 121

HSL 25.62, 0.5%, 0.65%

LAB 69.38, 14.1, 27.16

 

CMYK 0 / 36 / 42 / 18

HEX #D28779

RGB 210 135 121

HSL 9.44, 0.5%, 0.65%

LAB 63.68, 27.12, 19.48

 

CMYK 0 / 42 / 42 / 18

HEX #D27979

RGB 210 121 121

HSL 0, 0.5%, 0.65%

LAB 60.57, 34.62, 15.19

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 1 / 42 / 18

HEX #D2CF79

RGB 210 207 121

HSL 57.98, 0.5%, 0.65%

LAB 81.68, -11.2, 42.99

 

CMYK 10 / 0 / 42 / 18

HEX #BDD279

RGB 189 210 121

HSL 74.16, 0.5%, 0.65%

LAB 80.9, -20.94, 41.67

 

CMYK 22 / 0 / 42 / 18

HEX #A4D279

RGB 164 210 121

HSL 91.01, 0.5%, 0.65%

LAB 79.25, -30.31, 39.24

 

CMYK 33 / 0 / 42 / 18

HEX #8CD279

RGB 140 210 121

HSL 107.19, 0.5%, 0.65%

LAB 77.9, -38.65, 37.25

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 16 / 53 / 12

HEX #E0BD6A

RGB 224 189 106

HSL 42.2, 0.66%, 0.65%

LAB 78.04, 2.38, 46.21

 

CMYK 0 / 18 / 62 / 6

HEX #EFC35C

RGB 239 195 92

HSL 42.04, 0.82%, 0.65%

LAB 80.82, 4.41, 56.48

 

CMYK 0 / 21 / 70 / 1

HEX #FDC84D

RGB 253 200 77

HSL 41.93, 0.98%, 0.65%

LAB 83.3, 6.79, 66.03

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 9 / 31 / 24

HEX #C3B187

RGB 195 177 135

HSL 42, 0.33%, 0.65%

LAB 72.76, 0.07, 23.87

 

CMYK 0 / 5 / 17 / 29

HEX #B5AC96

RGB 181 172 150

HSL 42.58, 0.17%, 0.65%

LAB 70.55, -0.51, 12.48

 

CMYK 0 / 1 / 2 / 35

HEX #A7A6A4

RGB 167 166 164

HSL 40, 0.02%, 0.65%

LAB 68.14, -0.01, 1.15

 

CMYK 15 / 10 / 0 / 30

HEX #98A0B2

RGB 152 160 178

HSL 221.54, 0.14%, 0.65%

LAB 65.77, 0.91, -10.28

 

CMYK 0 / 35 / 42 / 18

HEX #D28879

RGB 210 136 121

HSL 10.11, 0.5%, 0.65%

LAB 63.91, 26.58, 19.79

 

CMYK 0 / 24 / 42 / 18

HEX #D29F79

RGB 210 159 121

HSL 25.62, 0.5%, 0.65%

LAB 69.38, 14.1, 27.16

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 1 / 42 / 18

HEX #D2CF79

RGB 210 207 121

HSL 57.98, 0.5%, 0.65%

LAB 81.68, -11.2, 42.99

 

CMYK 10 / 0 / 42 / 18

HEX #BDD279

RGB 189 210 121

HSL 74.16, 0.5%, 0.65%

LAB 80.9, -20.94, 41.67

 

CMYK 0 / 20 / 67 / 27

HEX #BA953E

RGB 186 149 62

HSL 42.1, 0.5%, 0.49%

LAB 63.58, 4.36, 49.73

 

CMYK 0 / 17 / 55 / 22

HEX #C8A75A

RGB 200 167 90

HSL 42, 0.5%, 0.57%

LAB 69.93, 2.67, 43.87

 

CMYK 0 / 13 / 42 / 18

HEX #D2B779

RGB 210 183 121

HSL 41.8, 0.5%, 0.65%

LAB 75.42, 1.23, 35.05

 

CMYK 0 / 9 / 31 / 14

HEX #DCC898

RGB 220 200 152

HSL 42.35, 0.49%, 0.73%

LAB 81.18, -0.11, 26.6

 

CMYK 0 / 6 / 21 / 9

HEX #E7D8B7

RGB 231 216 183

HSL 41.25, 0.5%, 0.81%

LAB 86.76, -0.04, 18.15

 

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

CMYK 38 / 0 / 42 / 18

HEX #82D279

RGB 130 210 121

HSL 113.93, 0.5%, 0.65%

LAB 77.41, -41.87, 36.52

 

CMYK 30 / 42 / 0 / 18

HEX #9379D2

RGB 147 121 210

HSL 257.53, 0.5%, 0.65%

LAB 56.62, 29.33, -42.42

 

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

CMYK 42 / 0 / 13 / 18

HEX #79D2B7

RGB 121 210 183

HSL 161.8, 0.5%, 0.65%

LAB 78.21, -33.04, 5.05

 

CMYK 13 / 42 / 0 / 18

HEX #B779D2

RGB 183 121 210

HSL 281.8, 0.5%, 0.65%

LAB 60.24, 39.7, -36.47

 

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

CMYK 38 / 0 / 42 / 18

HEX #82D279

RGB 130 210 121

HSL 113.93, 0.5%, 0.65%

LAB 77.41, -41.87, 36.52

 

CMYK 42 / 30 / 0 / 18

HEX #7993D2

RGB 121 147 210

HSL 222.47, 0.5%, 0.65%

LAB 61.29, 7.08, -35.23

 

CMYK 4 / 42 / 0 / 18

HEX #C979D2

RGB 201 121 210

HSL 293.93, 0.5%, 0.65%

LAB 62.29, 45.05, -33.13

 

CMYK 0 / 13 / 43 / 18

HEX #D2B778

RGB 210 183 120

HSL 42, 0.5%, 0.65%

LAB 75.4, 1.13, 35.55

 

CMYK 42 / 0 / 34 / 18

HEX #79D28A

RGB 121 210 138

HSL 131.46, 0.5%, 0.65%

LAB 77.28, -41.91, 27.56

 

CMYK 42 / 30 / 0 / 18

HEX #7993D2

RGB 121 147 210

HSL 222.47, 0.5%, 0.65%

LAB 61.29, 7.08, -35.23

 

CMYK 0 / 42 / 9 / 18

HEX #D279C0

RGB 210 121 192

HSL 312.13, 0.5%, 0.65%

LAB 62.66, 44.57, -22.32

 

Description

Color code: RGB 210 183 120 | qconv.com Color code: RGB 210 183 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 183 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 183 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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