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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 18 51 it is the complementary color RGB 45 237 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 18 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 18 51 shade: RGB 215 18 46, RGB 232 36 65, RGB 249 54 84, RGB 255 72 103 and RGB 255 90 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 18 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 18 51 shade: RGB 210 18 51, RGB 193 0 32, RGB 176 0 13, RGB 159 0 0 and RGB 142 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 18 51 shade: RGB 211 18 51 and RGB 211 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 18 51 shade: RGB 211 18 51, RGB 211 18 103, RGB 211 18 155, RGB 211 18 207 and RGB 162 18 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 18 51 shade matches the following richer shades: RGB 211 18 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 18 51 shade: RGB 211 18 51, RGB 192 36 63, RGB 174 55 75, RGB 155 74 88 and RGB 136 92 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 18 51 shade: RGB 211 18 156, RGB 211 18 105, RGB 211 18 53, RGB 211 34 18 and RGB 211 85 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 18 51 shade: RGB 135 11 32, RGB 173 15 42, RGB 211 18 51, RGB 235 34 69 and RGB 239 72 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 18 51 shade: RGB 210 18 51, RGB 207 211 18 and RGB 18 130 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 18 51 shade: RGB 210 18 51, RGB 53 211 18 and RGB 18 53 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 18 51 shade: RGB 210 18 51, RGB 207 211 18, RGB 18 211 175 and RGB 21 18 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 18 51 shade: RGB 210 18 51, RGB 150 211 18, RGB 18 211 175 and RGB 79 18 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

Complementary color

CMYK 81 / 0 / 14 / 7

HEX #2DEDCC

RGB 45 237 204

HSL 169.69, 0.84%, 0.55%

LAB 84.73, -52.56, 3.11

 

CMYK 0 / 92 / 79 / 16

HEX #D7122E

RGB 215 18 46

HSL 351.47, 0.85%, 0.46%

LAB 45.74, 69.46, 40.07

 

CMYK 0 / 84 / 72 / 9

HEX #E82441

RGB 232 36 65

HSL 351.12, 0.81%, 0.53%

LAB 50.45, 71.49, 35.25

 

CMYK 0 / 78 / 66 / 2

HEX #F93654

RGB 249 54 84

HSL 350.77, 0.94%, 0.59%

LAB 55.5, 72.6, 31

 

CMYK 0 / 72 / 60 / 0

HEX #FF4867

RGB 255 72 103

HSL 349.84, 1%, 0.64%

LAB 58.86, 69.92, 24.42

 

CMYK 0 / 65 / 52 / 0

HEX #FF5A7A

RGB 255 90 122

HSL 348.36, 1%, 0.68%

LAB 61.63, 64.67, 17.12

 

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

CMYK 0 / 100 / 83 / 24

HEX #C10020

RGB 193 0 32

HSL 350.05, 1%, 0.38%

LAB 40.31, 65.43, 41

 

CMYK 0 / 100 / 93 / 31

HEX #B0000D

RGB 176 0 13

HSL 355.57, 1%, 0.35%

LAB 36.48, 60.81, 45.72

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 91 / 76 / 17

HEX #D31233

RGB 211 18 51

HSL 349.74, 0.84%, 0.45%

LAB 44.97, 68.61, 36.1

 

CMYK 0 / 91 / 91 / 17

HEX #D31212

RGB 211 18 18

HSL 0, 0.84%, 0.45%

LAB 44.7, 67.83, 52.73

 

CMYK 0 / 91 / 76 / 17

HEX #D31233

RGB 211 18 51

HSL 349.74, 0.84%, 0.45%

LAB 44.97, 68.61, 36.1

 

CMYK 0 / 91 / 51 / 17

HEX #D31267

RGB 211 18 103

HSL 333.58, 0.84%, 0.45%

LAB 45.99, 71.44, 5.4

 

CMYK 0 / 91 / 27 / 17

HEX #D3129B

RGB 211 18 155

HSL 317.41, 0.84%, 0.45%

LAB 47.81, 76.35, -23.62

 

CMYK 0 / 91 / 2 / 17

HEX #D312CF

RGB 211 18 207

HSL 301.24, 0.84%, 0.45%

LAB 50.44, 83.08, -50

 

CMYK 23 / 91 / 0 / 17

HEX #A212D3

RGB 162 18 211

HSL 284.77, 0.84%, 0.45%

LAB 42.49, 76.08, -65.54

 

CMYK 0 / 91 / 76 / 17

HEX #D31233

RGB 211 18 51

HSL 349.74, 0.84%, 0.45%

LAB 44.97, 68.61, 36.1

 

CMYK 0 / 91 / 76 / 17

HEX #D31233

RGB 211 18 51

HSL 349.74, 0.84%, 0.45%

LAB 44.97, 68.61, 36.1

 

CMYK 0 / 81 / 67 / 25

HEX #C0243F

RGB 192 36 63

HSL 349.62, 0.68%, 0.45%

LAB 42.5, 60.61, 24.96

 

CMYK 0 / 68 / 57 / 32

HEX #AE374B

RGB 174 55 75

HSL 349.92, 0.52%, 0.45%

LAB 41.59, 49.6, 15.67

 

CMYK 0 / 52 / 43 / 39

HEX #9B4A58

RGB 155 74 88

HSL 349.63, 0.35%, 0.45%

LAB 42.11, 35.21, 7.82

 

CMYK 0 / 32 / 26 / 47

HEX #885C64

RGB 136 92 100

HSL 349.09, 0.19%, 0.45%

LAB 43.96, 19.25, 2.76

 

CMYK 0 / 91 / 26 / 17

HEX #D3129C

RGB 211 18 156

HSL 317.1, 0.84%, 0.45%

LAB 47.86, 76.47, -24.15

 

CMYK 0 / 91 / 50 / 17

HEX #D31269

RGB 211 18 105

HSL 332.95, 0.84%, 0.45%

LAB 46.04, 71.6, 4.24

 

CMYK 0 / 91 / 75 / 17

HEX #D31235

RGB 211 18 53

HSL 349.12, 0.84%, 0.45%

LAB 45, 68.68, 34.94

 

CMYK 0 / 84 / 91 / 17

HEX #D32212

RGB 211 34 18

HSL 4.97, 0.84%, 0.45%

LAB 45.68, 65, 53.38

 

CMYK 0 / 60 / 91 / 17

HEX #D35512

RGB 211 85 18

HSL 20.83, 0.84%, 0.45%

LAB 52.27, 46.98, 57.88

 

CMYK 0 / 92 / 76 / 47

HEX #870B20

RGB 135 11 32

HSL 349.84, 0.85%, 0.29%

LAB 28.1, 48.85, 24.34

 

CMYK 0 / 91 / 76 / 32

HEX #AD0F2A

RGB 173 15 42

HSL 349.75, 0.84%, 0.37%

LAB 36.73, 58.9, 30.08

 

CMYK 0 / 91 / 76 / 17

HEX #D31233

RGB 211 18 51

HSL 349.74, 0.84%, 0.45%

LAB 44.97, 68.61, 36.1

 

CMYK 0 / 86 / 71 / 8

HEX #EB2245

RGB 235 34 69

HSL 349.55, 0.83%, 0.53%

LAB 50.96, 72.82, 33.65

 

CMYK 0 / 70 / 58 / 6

HEX #EF4865

RGB 239 72 101

HSL 349.58, 0.84%, 0.61%

LAB 56.01, 65.11, 21.31

 

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

CMYK 2 / 0 / 91 / 17

HEX #CFD312

RGB 207 211 18

HSL 61.24, 0.84%, 0.45%

LAB 81.78, -20.19, 79.75

 

CMYK 91 / 38 / 0 / 17

HEX #1282D3

RGB 18 130 211

HSL 205.18, 0.84%, 0.45%

LAB 52.73, 1.11, -49.55

 

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

CMYK 75 / 0 / 91 / 17

HEX #35D312

RGB 53 211 18

HSL 109.12, 0.84%, 0.45%

LAB 74.44, -70.01, 70.76

 

CMYK 91 / 75 / 0 / 17

HEX #1235D3

RGB 18 53 211

HSL 229.12, 0.84%, 0.45%

LAB 32.65, 49.75, -82.2

 

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

CMYK 2 / 0 / 91 / 17

HEX #CFD312

RGB 207 211 18

HSL 61.24, 0.84%, 0.45%

LAB 81.78, -20.19, 79.75

 

CMYK 91 / 0 / 17 / 17

HEX #12D3AF

RGB 18 211 175

HSL 168.81, 0.84%, 0.45%

LAB 75.95, -51.14, 5.78

 

CMYK 90 / 91 / 0 / 17

HEX #1512D3

RGB 21 18 211

HSL 240.93, 0.84%, 0.45%

LAB 27.56, 65.03, -90.67

 

CMYK 0 / 91 / 76 / 18

HEX #D21233

RGB 210 18 51

HSL 349.69, 0.84%, 0.45%

LAB 44.76, 68.36, 35.81

 

CMYK 29 / 0 / 91 / 17

HEX #96D312

RGB 150 211 18

HSL 78.96, 0.84%, 0.45%

LAB 77.94, -43.23, 75.08

 

CMYK 91 / 0 / 17 / 17

HEX #12D3AF

RGB 18 211 175

HSL 168.81, 0.84%, 0.45%

LAB 75.95, -51.14, 5.78

 

CMYK 63 / 91 / 0 / 17

HEX #4F12D3

RGB 79 18 211

HSL 258.96, 0.84%, 0.45%

LAB 31.34, 67.33, -84.27

 

Description

Color code: RGB 210 18 51 | qconv.com Color code: RGB 210 18 51 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 18 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 18 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 76 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 76% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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