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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 241 206 it is the complementary color RGB 45 14 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 241 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 241 206 shade: RGB 215 241 201, RGB 232 255 220 and RGB 249 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 241 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 241 206 shade: RGB 210 241 206, RGB 193 223 187, RGB 176 205 168, RGB 159 187 149 and RGB 142 169 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 241 206 shade: RGB 211 241 207, RGB 220 241 207, RGB 229 241 207, RGB 238 241 207 and RGB 241 234 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 241 206 shade: RGB 211 241 207, RGB 207 241 212, RGB 207 241 221, RGB 207 241 231 and RGB 207 241 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 241 206 shade matches the following richer shades: RGB 211 241 207, RGB 207 246 202 and RGB 203 251 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 241 206 shade: RGB 211 241 207, RGB 215 236 212, RGB 218 231 217, RGB 222 226 222 and RGB 226 221 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 241 206 shade: RGB 229 241 207, RGB 220 241 207, RGB 211 241 207, RGB 207 241 212 and RGB 207 241 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 241 206 shade: RGB 152 223 142, RGB 181 232 175, RGB 211 241 207 and RGB 240 250 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 241 206 shade: RGB 210 241 206, RGB 207 238 241 and RGB 241 207 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 241 206 shade: RGB 210 241 206, RGB 207 211 241 and RGB 241 207 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 241 206 shade: RGB 210 241 206, RGB 207 238 241, RGB 237 207 241 and RGB 241 210 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 241 206 shade: RGB 210 241 206, RGB 207 228 241, RGB 237 207 241 and RGB 241 220 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

Complementary color

CMYK 8 / 71 / 0 / 81

HEX #2D0E31

RGB 45 14 49

HSL 293.14, 0.56%, 0.12%

LAB 9.75, 22.13, -16.16

 

CMYK 11 / 0 / 17 / 5

HEX #D7F1C9

RGB 215 241 201

HSL 99, 0.59%, 0.87%

LAB 92.39, -15.6, 16.5

 

CMYK 9 / 0 / 14 / 0

HEX #E8FFDC

RGB 232 255 220

HSL 99.43, 1%, 0.93%

LAB 97.57, -13.62, 14.21

 

CMYK 2 / 0 / 6 / 0

HEX #F9FFEF

RGB 249 255 239

HSL 82.5, 1%, 0.97%

LAB 99.18, -4.73, 6.94

 

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

CMYK 13 / 0 / 16 / 13

HEX #C1DFBB

RGB 193 223 187

HSL 110, 0.36%, 0.8%

LAB 85.86, -16.53, 14.37

 

CMYK 14 / 0 / 18 / 20

HEX #B0CDA8

RGB 176 205 168

HSL 107.03, 0.27%, 0.73%

LAB 79.45, -16.6, 15.23

 

CMYK 15 / 0 / 20 / 27

HEX #9FBB95

RGB 159 187 149

HSL 104.21, 0.22%, 0.66%

LAB 72.95, -16.69, 16.14

 

CMYK 16 / 0 / 23 / 34

HEX #8EA982

RGB 142 169 130

HSL 101.54, 0.18%, 0.59%

LAB 66.32, -16.78, 17.11

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 9 / 0 / 14 / 5

HEX #DCF1CF

RGB 220 241 207

HSL 97.06, 0.55%, 0.88%

LAB 92.85, -12.91, 14.1

 

CMYK 5 / 0 / 14 / 5

HEX #E5F1CF

RGB 229 241 207

HSL 81.18, 0.55%, 0.88%

LAB 93.48, -9.81, 15.08

 

CMYK 1 / 0 / 14 / 5

HEX #EEF1CF

RGB 238 241 207

HSL 65.29, 0.55%, 0.88%

LAB 94.14, -6.66, 16.1

 

CMYK 0 / 3 / 14 / 5

HEX #F1EACF

RGB 241 234 207

HSL 47.65, 0.55%, 0.88%

LAB 92.6, -2.06, 13.96

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 14 / 0 / 12 / 5

HEX #CFF1D4

RGB 207 241 212

HSL 128.82, 0.55%, 0.88%

LAB 92.1, -16.42, 10.33

 

CMYK 14 / 0 / 8 / 5

HEX #CFF1DD

RGB 207 241 221

HSL 144.71, 0.55%, 0.88%

LAB 92.31, -14.8, 5.95

 

CMYK 14 / 0 / 4 / 5

HEX #CFF1E7

RGB 207 241 231

HSL 162.35, 0.55%, 0.88%

LAB 92.55, -12.92, 1.11

 

CMYK 14 / 0 / 0 / 5

HEX #CFF1F0

RGB 207 241 240

HSL 178.24, 0.55%, 0.88%

LAB 92.78, -11.17, -3.23

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 16 / 0 / 18 / 4

HEX #CFF6CA

RGB 207 246 202

HSL 113.18, 0.71%, 0.88%

LAB 93.21, -20.59, 17.06

 

CMYK 19 / 0 / 22 / 2

HEX #CBFBC5

RGB 203 251 197

HSL 113.33, 0.87%, 0.88%

LAB 94.19, -25.16, 20.97

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 9 / 0 / 10 / 7

HEX #D7ECD4

RGB 215 236 212

HSL 112.5, 0.39%, 0.88%

LAB 91.32, -11.26, 9.28

 

CMYK 6 / 0 / 6 / 9

HEX #DAE7D9

RGB 218 231 217

HSL 115.71, 0.23%, 0.88%

LAB 90.35, -6.85, 5.31

 

CMYK 2 / 0 / 2 / 11

HEX #DEE2DE

RGB 222 226 222

HSL 120, 0.06%, 0.88%

LAB 89.48, -2.06, 1.47

 

CMYK 0 / 3 / 0 / 11

HEX #E2DDE3

RGB 226 221 227

HSL 290, 0.1%, 0.88%

LAB 88.65, 2.77, -2.34

 

CMYK 5 / 0 / 14 / 5

HEX #E5F1CF

RGB 229 241 207

HSL 81.18, 0.55%, 0.88%

LAB 93.48, -9.81, 15.08

 

CMYK 9 / 0 / 14 / 5

HEX #DCF1CF

RGB 220 241 207

HSL 97.06, 0.55%, 0.88%

LAB 92.85, -12.91, 14.1

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 14 / 0 / 12 / 5

HEX #CFF1D4

RGB 207 241 212

HSL 128.82, 0.55%, 0.88%

LAB 92.1, -16.42, 10.33

 

CMYK 14 / 0 / 8 / 5

HEX #CFF1DD

RGB 207 241 221

HSL 144.71, 0.55%, 0.88%

LAB 92.31, -14.8, 5.95

 

CMYK 32 / 0 / 36 / 13

HEX #98DF8E

RGB 152 223 142

HSL 112.59, 0.56%, 0.72%

LAB 82.6, -37.55, 32.84

 

CMYK 22 / 0 / 25 / 9

HEX #B5E8AF

RGB 181 232 175

HSL 113.68, 0.55%, 0.8%

LAB 87.31, -26.99, 22.53

 

CMYK 12 / 0 / 14 / 5

HEX #D3F1CF

RGB 211 241 207

HSL 112.94, 0.55%, 0.88%

LAB 92.25, -15.96, 13.16

 

CMYK 4 / 0 / 4 / 2

HEX #F0FAEF

RGB 240 250 239

HSL 114.55, 0.52%, 0.96%

LAB 97.28, -5.23, 4.12

 

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

CMYK 14 / 1 / 0 / 5

HEX #CFEEF1

RGB 207 238 241

HSL 185.29, 0.55%, 0.88%

LAB 92.03, -9.45, -4.86

 

CMYK 0 / 14 / 7 / 5

HEX #F1CFE0

RGB 241 207 224

HSL 330, 0.55%, 0.88%

LAB 86.36, 14.68, -3.98

 

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

CMYK 14 / 12 / 0 / 5

HEX #CFD3F1

RGB 207 211 241

HSL 232.94, 0.55%, 0.88%

LAB 85.1, 4.52, -15.16

 

CMYK 0 / 14 / 12 / 5

HEX #F1CFD3

RGB 241 207 211

HSL 352.94, 0.55%, 0.88%

LAB 86.02, 12.53, 2.42

 

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

CMYK 14 / 1 / 0 / 5

HEX #CFEEF1

RGB 207 238 241

HSL 185.29, 0.55%, 0.88%

LAB 92.03, -9.45, -4.86

 

CMYK 2 / 14 / 0 / 5

HEX #EDCFF1

RGB 237 207 241

HSL 292.94, 0.55%, 0.88%

LAB 86.49, 16.35, -12.83

 

CMYK 0 / 13 / 14 / 5

HEX #F1D2CF

RGB 241 210 207

HSL 5.29, 0.55%, 0.88%

LAB 86.65, 10.32, 5.46

 

CMYK 13 / 0 / 15 / 5

HEX #D2F1CE

RGB 210 241 206

HSL 113.14, 0.56%, 0.88%

LAB 92.16, -16.47, 13.55

 

CMYK 14 / 5 / 0 / 5

HEX #CFE4F1

RGB 207 228 241

HSL 202.94, 0.55%, 0.88%

LAB 89.44, -4.35, -8.68

 

CMYK 2 / 14 / 0 / 5

HEX #EDCFF1

RGB 237 207 241

HSL 292.94, 0.55%, 0.88%

LAB 86.49, 16.35, -12.83

 

CMYK 0 / 9 / 14 / 5

HEX #F1DCCF

RGB 241 220 207

HSL 22.94, 0.55%, 0.88%

LAB 89.11, 5.12, 8.99

 

Description

Color code: RGB 210 241 206 | qconv.com Color code: RGB 210 241 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 241 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 241 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 15 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 15% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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