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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 43 56 it is the complementary color RGB 45 212 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 43 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 43 56 shade: RGB 215 43 51, RGB 232 61 70, RGB 249 79 89, RGB 255 97 108 and RGB 255 115 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 43 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 43 56 shade: RGB 210 43 56, RGB 193 25 37, RGB 176 7 18, RGB 159 0 0 and RGB 142 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 43 56 shade: RGB 211 43 56 and RGB 211 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 43 56 shade: RGB 211 43 56, RGB 211 43 101, RGB 211 43 147, RGB 211 43 192 and RGB 185 43 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 43 56 shade matches the following richer shades: RGB 211 43 56, RGB 232 22 39 and RGB 252 2 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 43 56 shade: RGB 211 43 56, RGB 191 63 73, RGB 170 84 91, RGB 149 105 108 and RGB 129 125 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 43 56 shade: RGB 211 43 147, RGB 211 43 102, RGB 211 43 57, RGB 211 74 43 and RGB 211 119 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 43 56 shade: RGB 143 29 38, RGB 177 36 47, RGB 211 43 56, RGB 218 77 88 and RGB 225 111 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 43 56 shade: RGB 210 43 56, RGB 192 211 43 and RGB 43 124 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 43 56 shade: RGB 210 43 56, RGB 57 211 43 and RGB 43 57 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 43 56 shade: RGB 210 43 56, RGB 192 211 43, RGB 43 211 197 and RGB 62 43 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 43 56 shade: RGB 210 43 56, RGB 141 211 43, RGB 43 211 197 and RGB 113 43 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

Complementary color

CMYK 79 / 0 / 6 / 17

HEX #2DD4C7

RGB 45 212 199

HSL 175.33, 0.66%, 0.5%

LAB 77.14, -43.32, -5.34

 

CMYK 0 / 80 / 76 / 16

HEX #D72B33

RGB 215 43 51

HSL 357.21, 0.68%, 0.51%

LAB 47.51, 64.71, 39.12

 

CMYK 0 / 74 / 70 / 9

HEX #E83D46

RGB 232 61 70

HSL 356.84, 0.79%, 0.57%

LAB 52.88, 65.05, 35.22

 

CMYK 0 / 68 / 64 / 2

HEX #F94F59

RGB 249 79 89

HSL 356.47, 0.93%, 0.64%

LAB 58.46, 64.84, 31.82

 

CMYK 0 / 62 / 58 / 0

HEX #FF616C

RGB 255 97 108

HSL 355.82, 1%, 0.69%

LAB 62.42, 60.78, 26.24

 

CMYK 0 / 55 / 50 / 0

HEX #FF737F

RGB 255 115 127

HSL 354.86, 1%, 0.73%

LAB 65.79, 54.29, 19.96

 

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

CMYK 0 / 87 / 81 / 24

HEX #C11925

RGB 193 25 37

HSL 355.71, 0.77%, 0.43%

LAB 41.48, 62.34, 39.35

 

CMYK 0 / 96 / 90 / 31

HEX #B00712

RGB 176 7 18

HSL 356.09, 0.92%, 0.36%

LAB 36.79, 60.06, 43.74

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 80 / 73 / 17

HEX #D32B38

RGB 211 43 56

HSL 355.36, 0.66%, 0.5%

LAB 46.79, 63.77, 35.22

 

CMYK 0 / 80 / 80 / 17

HEX #D32B2B

RGB 211 43 43

HSL 0, 0.66%, 0.5%

LAB 46.65, 63.31, 42.42

 

CMYK 0 / 80 / 73 / 17

HEX #D32B38

RGB 211 43 56

HSL 355.36, 0.66%, 0.5%

LAB 46.79, 63.77, 35.22

 

CMYK 0 / 80 / 52 / 17

HEX #D32B65

RGB 211 43 101

HSL 339.29, 0.66%, 0.5%

LAB 47.64, 66.39, 8.99

 

CMYK 0 / 80 / 30 / 17

HEX #D32B93

RGB 211 43 147

HSL 322.86, 0.66%, 0.5%

LAB 49.11, 70.76, -16.83

 

CMYK 0 / 80 / 9 / 17

HEX #D32BC0

RGB 211 43 192

HSL 306.79, 0.66%, 0.5%

LAB 51.13, 76.52, -40.23

 

CMYK 12 / 80 / 0 / 17

HEX #B92BD3

RGB 185 43 211

HSL 290.71, 0.66%, 0.5%

LAB 47.94, 74.51, -56.54

 

CMYK 0 / 80 / 73 / 17

HEX #D32B38

RGB 211 43 56

HSL 355.36, 0.66%, 0.5%

LAB 46.79, 63.77, 35.22

 

CMYK 0 / 91 / 83 / 9

HEX #E81627

RGB 232 22 39

HSL 355.14, 0.83%, 0.5%

LAB 49.35, 73.04, 48.58

 

CMYK 0 / 99 / 92 / 1

HEX #FC0215

RGB 252 2 21

HSL 355.44, 0.98%, 0.5%

LAB 52.72, 79.42, 60.9

 

CMYK 0 / 80 / 73 / 17

HEX #D32B38

RGB 211 43 56

HSL 355.36, 0.66%, 0.5%

LAB 46.79, 63.77, 35.22

 

CMYK 0 / 67 / 62 / 25

HEX #BF3F49

RGB 191 63 73

HSL 355.31, 0.5%, 0.5%

LAB 45.79, 51.73, 23.01

 

CMYK 0 / 51 / 46 / 33

HEX #AA545B

RGB 170 84 91

HSL 355.12, 0.34%, 0.5%

LAB 46.5, 35.89, 12.47

 

CMYK 0 / 30 / 28 / 42

HEX #95696C

RGB 149 105 108

HSL 355.91, 0.17%, 0.5%

LAB 48.98, 18.08, 5.36

 

CMYK 0 / 3 / 2 / 49

HEX #817D7E

RGB 129 125 126

HSL 345, 0.02%, 0.5%

LAB 52.77, 1.71, -0.01

 

CMYK 0 / 80 / 30 / 17

HEX #D32B93

RGB 211 43 147

HSL 322.86, 0.66%, 0.5%

LAB 49.11, 70.76, -16.83

 

CMYK 0 / 80 / 52 / 17

HEX #D32B66

RGB 211 43 102

HSL 338.93, 0.66%, 0.5%

LAB 47.67, 66.47, 8.41

 

CMYK 0 / 80 / 73 / 17

HEX #D32B39

RGB 211 43 57

HSL 355, 0.66%, 0.5%

LAB 46.81, 63.81, 34.65

 

CMYK 0 / 65 / 80 / 17

HEX #D34A2B

RGB 211 74 43

HSL 11.07, 0.66%, 0.5%

LAB 50.59, 52.43, 46.34

 

CMYK 0 / 44 / 80 / 17

HEX #D3772B

RGB 211 119 43

HSL 27.14, 0.66%, 0.5%

LAB 59.17, 30.55, 54.57

 

CMYK 0 / 80 / 73 / 44

HEX #8F1D26

RGB 143 29 38

HSL 355.26, 0.66%, 0.34%

LAB 31.48, 46.98, 24.88

 

CMYK 0 / 80 / 73 / 31

HEX #B1242F

RGB 177 36 47

HSL 355.32, 0.66%, 0.42%

LAB 39.27, 55.55, 30.15

 

CMYK 0 / 80 / 73 / 17

HEX #D32B38

RGB 211 43 56

HSL 355.36, 0.66%, 0.5%

LAB 46.79, 63.77, 35.22

 

CMYK 0 / 65 / 60 / 15

HEX #DA4D58

RGB 218 77 88

HSL 355.32, 0.66%, 0.58%

LAB 52.86, 55.78, 24.15

 

CMYK 0 / 51 / 47 / 12

HEX #E16F78

RGB 225 111 120

HSL 355.26, 0.66%, 0.66%

LAB 60.54, 45.15, 16.05

 

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

CMYK 9 / 0 / 80 / 17

HEX #C0D32B

RGB 192 211 43

HSL 66.79, 0.66%, 0.5%

LAB 80.72, -25.86, 73.39

 

CMYK 80 / 41 / 0 / 17

HEX #2B7CD3

RGB 43 124 211

HSL 211.07, 0.66%, 0.5%

LAB 51.42, 6.61, -51.61

 

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

CMYK 73 / 0 / 80 / 17

HEX #39D32B

RGB 57 211 43

HSL 115, 0.66%, 0.5%

LAB 74.59, -68.35, 65.54

 

CMYK 80 / 73 / 0 / 17

HEX #2B39D3

RGB 43 57 211

HSL 235, 0.66%, 0.5%

LAB 34.28, 48.7, -79.48

 

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

CMYK 9 / 0 / 80 / 17

HEX #C0D32B

RGB 192 211 43

HSL 66.79, 0.66%, 0.5%

LAB 80.72, -25.86, 73.39

 

CMYK 80 / 0 / 7 / 17

HEX #2BD3C5

RGB 43 211 197

HSL 175, 0.66%, 0.5%

LAB 76.76, -43.61, -4.84

 

CMYK 71 / 80 / 0 / 17

HEX #3E2BD3

RGB 62 43 211

HSL 246.79, 0.66%, 0.5%

LAB 32.82, 57.39, -81.86

 

CMYK 0 / 80 / 73 / 18

HEX #D22B38

RGB 210 43 56

HSL 355.33, 0.66%, 0.5%

LAB 46.6, 63.49, 34.95

 

CMYK 33 / 0 / 80 / 17

HEX #8DD32B

RGB 141 211 43

HSL 85, 0.66%, 0.5%

LAB 77.53, -45.76, 69.33

 

CMYK 80 / 0 / 7 / 17

HEX #2BD3C5

RGB 43 211 197

HSL 175, 0.66%, 0.5%

LAB 76.76, -43.61, -4.84

 

CMYK 46 / 80 / 0 / 17

HEX #712BD3

RGB 113 43 211

HSL 265, 0.66%, 0.5%

LAB 37.74, 62.92, -73.58

 

Description

Color code: RGB 210 43 56 | qconv.com Color code: RGB 210 43 56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 43 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 43 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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