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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 82 129 it is the complementary color RGB 45 173 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 82 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 82 129 shade: RGB 215 82 124, RGB 232 100 143, RGB 249 118 162, RGB 255 136 181 and RGB 255 154 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 82 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 82 129 shade: RGB 210 82 129, RGB 193 64 110, RGB 176 46 91, RGB 159 28 72 and RGB 142 10 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 82 129 shade: RGB 210 80 128, RGB 210 80 93 and RGB 210 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 82 129 shade: RGB 210 80 128, RGB 210 80 163, RGB 210 80 197, RGB 187 80 210 and RGB 152 80 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 82 129 shade matches the following richer shades: RGB 210 80 128, RGB 227 62 123 and RGB 245 45 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 82 129 shade: RGB 210 80 128, RGB 192 98 132, RGB 174 116 137, RGB 156 133 142 and RGB 139 151 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 82 129 shade: RGB 210 80 199, RGB 210 80 164, RGB 210 80 130, RGB 210 80 95 and RGB 210 100 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 82 129 shade: RGB 165 42 87, RGB 198 51 105, RGB 210 80 128, RGB 218 113 152 and RGB 226 146 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 82 129 shade: RGB 210 82 129, RGB 210 186 80 and RGB 80 182 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 82 129 shade: RGB 210 82 129, RGB 130 210 80 and RGB 80 130 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 82 129 shade: RGB 210 82 129, RGB 210 186 80, RGB 80 210 160 and RGB 80 104 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 82 129 shade: RGB 210 82 129, RGB 194 210 80, RGB 80 210 160 and RGB 95 80 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

Complementary color

CMYK 74 / 0 / 27 / 32

HEX #2DAD7E

RGB 45 173 126

HSL 157.97, 0.59%, 0.43%

LAB 63.3, -45.46, 14.49

 

CMYK 0 / 62 / 42 / 16

HEX #D7527C

RGB 215 82 124

HSL 341.05, 0.62%, 0.58%

LAB 53.96, 55.73, 4.2

 

CMYK 0 / 57 / 38 / 9

HEX #E8648F

RGB 232 100 143

HSL 340.45, 0.74%, 0.65%

LAB 60.12, 55.13, 2.28

 

CMYK 0 / 53 / 35 / 2

HEX #F976A2

RGB 249 118 162

HSL 339.85, 0.92%, 0.72%

LAB 66.29, 54.4, 0.67

 

CMYK 0 / 47 / 29 / 0

HEX #FF88B5

RGB 255 136 181

HSL 337.31, 1%, 0.77%

LAB 71.01, 49.98, -3.02

 

CMYK 0 / 40 / 22 / 0

HEX #FF9AC8

RGB 255 154 200

HSL 332.67, 1%, 0.8%

LAB 75.17, 43.51, -7.41

 

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

CMYK 0 / 67 / 43 / 24

HEX #C1406E

RGB 193 64 110

HSL 338.6, 0.51%, 0.5%

LAB 47.14, 55.04, 2.33

 

CMYK 0 / 74 / 48 / 31

HEX #B02E5B

RGB 176 46 91

HSL 339.23, 0.59%, 0.44%

LAB 41.12, 54.96, 5.03

 

CMYK 0 / 82 / 55 / 38

HEX #9F1C48

RGB 159 28 72

HSL 339.85, 0.7%, 0.37%

LAB 35.34, 54.11, 8.52

 

CMYK 0 / 93 / 63 / 44

HEX #8E0A35

RGB 142 10 53

HSL 340.45, 0.87%, 0.3%

LAB 29.97, 52.02, 13.1

 

CMYK 0 / 62 / 39 / 18

HEX #D25080

RGB 210 80 128

HSL 337.85, 0.59%, 0.57%

LAB 52.95, 55.45, 0.25

 

CMYK 0 / 62 / 56 / 18

HEX #D2505D

RGB 210 80 93

HSL 354, 0.59%, 0.57%

LAB 52.1, 52.22, 19.93

 

CMYK 0 / 62 / 62 / 18

HEX #D25050

RGB 210 80 80

HSL 0, 0.59%, 0.57%

LAB 51.86, 51.29, 27.29

 

CMYK 0 / 62 / 39 / 18

HEX #D25080

RGB 210 80 128

HSL 337.85, 0.59%, 0.57%

LAB 52.95, 55.45, 0.25

 

CMYK 0 / 62 / 22 / 18

HEX #D250A3

RGB 210 80 163

HSL 321.69, 0.59%, 0.57%

LAB 54.12, 59.74, -18.69

 

CMYK 0 / 62 / 6 / 18

HEX #D250C5

RGB 210 80 197

HSL 306, 0.59%, 0.57%

LAB 55.55, 64.79, -36.17

 

CMYK 11 / 62 / 0 / 18

HEX #BB50D2

RGB 187 80 210

HSL 289.38, 0.59%, 0.57%

LAB 52.9, 61.38, -48.02

 

CMYK 28 / 62 / 0 / 18

HEX #9850D2

RGB 152 80 210

HSL 273.23, 0.59%, 0.57%

LAB 48.34, 53.16, -55.56

 

CMYK 0 / 62 / 39 / 18

HEX #D25080

RGB 210 80 128

HSL 337.85, 0.59%, 0.57%

LAB 52.95, 55.45, 0.25

 

CMYK 0 / 73 / 46 / 11

HEX #E33E7B

RGB 227 62 123

HSL 337.82, 0.75%, 0.57%

LAB 53.17, 66.84, 3.93

 

CMYK 0 / 82 / 52 / 4

HEX #F52D76

RGB 245 45 118

HSL 338.1, 0.91%, 0.57%

LAB 54.66, 75.88, 9.48

 

CMYK 0 / 62 / 39 / 18

HEX #D25080

RGB 210 80 128

HSL 337.85, 0.59%, 0.57%

LAB 52.95, 55.45, 0.25

 

CMYK 0 / 49 / 31 / 25

HEX #C06284

RGB 192 98 132

HSL 338.3, 0.43%, 0.57%

LAB 53.61, 41.42, -1.47

 

CMYK 0 / 33 / 21 / 32

HEX #AE7489

RGB 174 116 137

HSL 338.28, 0.26%, 0.57%

LAB 55.38, 25.89, -2.09

 

CMYK 0 / 15 / 9 / 39

HEX #9C858E

RGB 156 133 142

HSL 336.52, 0.1%, 0.57%

LAB 57.84, 10.32, -1.58

 

CMYK 8 / 0 / 3 / 41

HEX #8B9793

RGB 139 151 147

HSL 160, 0.05%, 0.57%

LAB 61.42, -5.1, 0.62

 

CMYK 0 / 62 / 5 / 18

HEX #D250C7

RGB 210 80 199

HSL 305.08, 0.59%, 0.57%

LAB 55.65, 65.11, -37.17

 

CMYK 0 / 62 / 22 / 18

HEX #D250A4

RGB 210 80 164

HSL 321.23, 0.59%, 0.57%

LAB 54.15, 59.87, -19.22

 

CMYK 0 / 62 / 38 / 18

HEX #D25082

RGB 210 80 130

HSL 336.92, 0.59%, 0.57%

LAB 53, 55.67, -0.85

 

CMYK 0 / 62 / 55 / 18

HEX #D2505F

RGB 210 80 95

HSL 353.08, 0.59%, 0.57%

LAB 52.14, 52.37, 18.8

 

CMYK 0 / 52 / 62 / 18

HEX #D26450

RGB 210 100 80

HSL 9.23, 0.59%, 0.57%

LAB 55.48, 41.85, 31.85

 

CMYK 0 / 75 / 47 / 35

HEX #A52A57

RGB 165 42 87

HSL 338.05, 0.59%, 0.41%

LAB 38.45, 52.77, 3.46

 

CMYK 0 / 74 / 47 / 22

HEX #C63369

RGB 198 51 105

HSL 337.96, 0.59%, 0.49%

LAB 46.17, 60.81, 4.1

 

CMYK 0 / 62 / 39 / 18

HEX #D25080

RGB 210 80 128

HSL 337.85, 0.59%, 0.57%

LAB 52.95, 55.45, 0.25

 

CMYK 0 / 48 / 30 / 15

HEX #DA7198

RGB 218 113 152

HSL 337.71, 0.59%, 0.65%

LAB 60.77, 45.32, -2.21

 

CMYK 0 / 35 / 23 / 11

HEX #E292AF

RGB 226 146 175

HSL 338.25, 0.58%, 0.73%

LAB 69.34, 34.1, -2.54

 

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

CMYK 0 / 11 / 62 / 18

HEX #D2BA50

RGB 210 186 80

HSL 48.92, 0.59%, 0.57%

LAB 75.7, -3.87, 55.45

 

CMYK 62 / 13 / 0 / 18

HEX #50B6D2

RGB 80 182 210

HSL 192.92, 0.59%, 0.57%

LAB 69.34, -21.2, -22.97

 

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

CMYK 38 / 0 / 62 / 18

HEX #82D250

RGB 130 210 80

HSL 96.92, 0.59%, 0.57%

LAB 76.93, -46.68, 55.27

 

CMYK 62 / 38 / 0 / 18

HEX #5082D2

RGB 80 130 210

HSL 216.92, 0.59%, 0.57%

LAB 54.37, 7.92, -46.27

 

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

CMYK 0 / 11 / 62 / 18

HEX #D2BA50

RGB 210 186 80

HSL 48.92, 0.59%, 0.57%

LAB 75.7, -3.87, 55.45

 

CMYK 62 / 0 / 24 / 18

HEX #50D2A0

RGB 80 210 160

HSL 156.92, 0.59%, 0.57%

LAB 76.28, -47.39, 14.38

 

CMYK 62 / 50 / 0 / 18

HEX #5068D2

RGB 80 104 210

HSL 228.92, 0.59%, 0.57%

LAB 47.31, 23.96, -57.55

 

CMYK 0 / 61 / 39 / 18

HEX #D25281

RGB 210 82 129

HSL 337.97, 0.59%, 0.57%

LAB 53.3, 54.69, 0.17

 

CMYK 8 / 0 / 62 / 18

HEX #C2D250

RGB 194 210 80

HSL 67.38, 0.59%, 0.57%

LAB 80.82, -22.65, 60.63

 

CMYK 62 / 0 / 24 / 18

HEX #50D2A0

RGB 80 210 160

HSL 156.92, 0.59%, 0.57%

LAB 76.28, -47.39, 14.38

 

CMYK 55 / 62 / 0 / 18

HEX #5F50D2

RGB 95 80 210

HSL 246.92, 0.59%, 0.57%

LAB 42.5, 41.34, -65.3

 

Description

Color code: RGB 210 82 129 | qconv.com Color code: RGB 210 82 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 82 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 82 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 39 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 39% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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