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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 18 201 it is the complementary color RGB 44 237 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 18 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 18 201 shade: RGB 216 18 196, RGB 233 36 215, RGB 250 54 234, RGB 255 72 253 and RGB 255 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 18 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 194 0 182, RGB 177 0 163, RGB 160 0 144 and RGB 143 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 211 18 149, RGB 211 18 97, RGB 211 18 45 and RGB 211 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 169 18 211, RGB 117 18 211, RGB 65 18 211 and RGB 18 18 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 18 201 shade matches the following richer shades: RGB 211 18 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 192 36 184, RGB 174 55 167, RGB 155 74 151 and RGB 136 92 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 18 201 shade: RGB 117 18 211, RGB 169 18 211, RGB 211 18 201, RGB 211 18 150 and RGB 211 18 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 18 201 shade: RGB 135 11 128, RGB 173 15 164, RGB 211 18 201, RGB 235 34 225 and RGB 239 72 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 211 66 18 and RGB 18 211 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 201 211 18 and RGB 18 201 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 211 66 18, RGB 18 211 27 and RGB 18 162 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 18 201 shade: RGB 211 18 201, RGB 211 124 18, RGB 18 211 27 and RGB 18 105 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

Complementary color

CMYK 81 / 0 / 77 / 7

HEX #2CED36

RGB 44 237 54

HSL 123.11, 0.84%, 0.55%

LAB 82.58, -77.11, 69.86

 

CMYK 0 / 92 / 9 / 15

HEX #D812C4

RGB 216 18 196

HSL 306.06, 0.85%, 0.46%

LAB 50.71, 82.42, -43.17

 

CMYK 0 / 85 / 8 / 9

HEX #E924D7

RGB 233 36 215

HSL 305.48, 0.82%, 0.53%

LAB 55.58, 85.47, -46.17

 

CMYK 0 / 78 / 6 / 2

HEX #FA36EA

RGB 250 54 234

HSL 304.9, 0.95%, 0.6%

LAB 60.7, 87.57, -48.6

 

CMYK 0 / 72 / 1 / 0

HEX #FF48FD

RGB 255 72 253

HSL 300.66, 1%, 0.64%

LAB 64.15, 86.49, -53.63

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 100 / 6 / 24

HEX #C200B6

RGB 194 0 182

HSL 303.71, 1%, 0.38%

LAB 45.42, 78.27, -43.63

 

CMYK 0 / 100 / 8 / 31

HEX #B100A3

RGB 177 0 163

HSL 304.75, 1%, 0.35%

LAB 41.2, 72.69, -39.24

 

CMYK 0 / 100 / 10 / 37

HEX #A00090

RGB 160 0 144

HSL 306, 1%, 0.31%

LAB 36.91, 67.01, -34.72

 

CMYK 0 / 100 / 13 / 44

HEX #8F007D

RGB 143 0 125

HSL 307.55, 1%, 0.28%

LAB 32.53, 61.22, -30.07

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 91 / 29 / 17

HEX #D31295

RGB 211 18 149

HSL 319.27, 0.84%, 0.45%

LAB 47.56, 75.69, -20.4

 

CMYK 0 / 91 / 54 / 17

HEX #D31261

RGB 211 18 97

HSL 335.44, 0.84%, 0.45%

LAB 45.83, 71.01, 8.91

 

CMYK 0 / 91 / 79 / 17

HEX #D3122D

RGB 211 18 45

HSL 351.61, 0.84%, 0.45%

LAB 44.9, 68.41, 39.51

 

CMYK 0 / 91 / 91 / 17

HEX #D31212

RGB 211 18 18

HSL 0, 0.84%, 0.45%

LAB 44.7, 67.83, 52.73

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 20 / 91 / 0 / 17

HEX #A912D3

RGB 169 18 211

HSL 286.94, 0.84%, 0.45%

LAB 43.61, 77.08, -63.66

 

CMYK 45 / 91 / 0 / 17

HEX #7512D3

RGB 117 18 211

HSL 270.78, 0.84%, 0.45%

LAB 35.83, 70.55, -76.71

 

CMYK 69 / 91 / 0 / 17

HEX #4112D3

RGB 65 18 211

HSL 254.61, 0.84%, 0.45%

LAB 30.06, 66.5, -86.44

 

CMYK 91 / 91 / 0 / 17

HEX #1212D3

RGB 18 18 211

HSL 240, 0.84%, 0.45%

LAB 27.48, 64.99, -90.81

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 81 / 4 / 25

HEX #C024B8

RGB 192 36 184

HSL 303.08, 0.68%, 0.45%

LAB 46.88, 73.21, -42.51

 

CMYK 0 / 68 / 4 / 32

HEX #AE37A7

RGB 174 55 167

HSL 303.53, 0.52%, 0.45%

LAB 44.97, 60.92, -35.69

 

CMYK 0 / 52 / 3 / 39

HEX #9B4A97

RGB 155 74 151

HSL 302.96, 0.35%, 0.45%

LAB 44.38, 44.65, -27.28

 

CMYK 0 / 32 / 1 / 47

HEX #885C86

RGB 136 92 134

HSL 302.73, 0.19%, 0.45%

LAB 45.1, 25.29, -16.16

 

CMYK 45 / 91 / 0 / 17

HEX #7512D3

RGB 117 18 211

HSL 270.78, 0.84%, 0.45%

LAB 35.83, 70.55, -76.71

 

CMYK 20 / 91 / 0 / 17

HEX #A912D3

RGB 169 18 211

HSL 286.94, 0.84%, 0.45%

LAB 43.61, 77.08, -63.66

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 91 / 29 / 17

HEX #D31296

RGB 211 18 150

HSL 318.96, 0.84%, 0.45%

LAB 47.6, 75.79, -20.94

 

CMYK 0 / 91 / 54 / 17

HEX #D31262

RGB 211 18 98

HSL 335.13, 0.84%, 0.45%

LAB 45.86, 71.08, 8.32

 

CMYK 0 / 92 / 5 / 47

HEX #870B80

RGB 135 11 128

HSL 303.39, 0.85%, 0.29%

LAB 31.69, 58.55, -33.38

 

CMYK 0 / 91 / 5 / 32

HEX #AD0FA4

RGB 173 15 164

HSL 303.42, 0.84%, 0.37%

LAB 41.07, 70.51, -40.1

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 86 / 4 / 8

HEX #EB22E1

RGB 235 34 225

HSL 302.99, 0.83%, 0.53%

LAB 56.33, 87.57, -50.63

 

CMYK 0 / 70 / 4 / 6

HEX #EF48E6

RGB 239 72 230

HSL 303.23, 0.84%, 0.61%

LAB 60.51, 79.65, -46.76

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 69 / 91 / 17

HEX #D34212

RGB 211 66 18

HSL 14.92, 0.84%, 0.45%

LAB 49.24, 55.1, 55.78

 

CMYK 91 / 0 / 32 / 17

HEX #12D38F

RGB 18 211 143

HSL 158.86, 0.84%, 0.45%

LAB 75.26, -58.71, 21.82

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 5 / 0 / 91 / 17

HEX #C9D312

RGB 201 211 18

HSL 63.11, 0.84%, 0.45%

LAB 81.32, -22.72, 79.19

 

CMYK 91 / 5 / 0 / 17

HEX #12C9D3

RGB 18 201 211

HSL 183.11, 0.84%, 0.45%

LAB 73.94, -36.61, -16.63

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 69 / 91 / 17

HEX #D34212

RGB 211 66 18

HSL 14.92, 0.84%, 0.45%

LAB 49.24, 55.1, 55.78

 

CMYK 91 / 0 / 87 / 17

HEX #12D31B

RGB 18 211 27

HSL 122.8, 0.84%, 0.45%

LAB 74.06, -73.3, 68.74

 

CMYK 91 / 23 / 0 / 17

HEX #12A2D3

RGB 18 162 211

HSL 195.23, 0.84%, 0.45%

LAB 62.23, -17.15, -34.58

 

CMYK 0 / 91 / 5 / 17

HEX #D312C9

RGB 211 18 201

HSL 303.11, 0.84%, 0.45%

LAB 50.1, 82.23, -47.09

 

CMYK 0 / 41 / 91 / 17

HEX #D37C12

RGB 211 124 18

HSL 32.95, 0.84%, 0.45%

LAB 60.17, 27.26, 63.56

 

CMYK 91 / 0 / 87 / 17

HEX #12D31B

RGB 18 211 27

HSL 122.8, 0.84%, 0.45%

LAB 74.06, -73.3, 68.74

 

CMYK 91 / 50 / 0 / 17

HEX #1269D3

RGB 18 105 211

HSL 212.95, 0.84%, 0.45%

LAB 45.54, 16.76, -61.08

 

Description

Color code: RGB 211 18 201 | qconv.com Color code: RGB 211 18 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 18 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 18 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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