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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 207 89 it is the complementary color RGB 44 48 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 207 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 207 89 shade: RGB 216 207 84, RGB 233 225 103, RGB 250 243 122, RGB 255 255 141 and RGB 255 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 207 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 194 189 70, RGB 177 171 51, RGB 160 153 32 and RGB 143 135 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 211 174 89, RGB 211 141 89, RGB 211 108 89 and RGB 211 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 182 211 89, RGB 149 211 89, RGB 116 211 89 and RGB 89 211 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 207 89 shade matches the following richer shades: RGB 211 207 89, RGB 228 222 72 and RGB 244 238 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 194 191 106, RGB 177 175 123, RGB 160 159 140 and RGB 143 143 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 207 89 shade: RGB 211 142 89, RGB 211 174 89, RGB 211 207 89, RGB 182 211 89 and RGB 150 211 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 207 89 shade: RGB 172 168 45, RGB 202 197 57, RGB 211 207 89, RGB 219 216 122 and RGB 228 226 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 89 211 110 and RGB 158 89 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 89 211 207 and RGB 207 89 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 89 211 110, RGB 89 93 211 and RGB 211 89 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 207 89 shade: RGB 211 207 89, RGB 89 211 146, RGB 89 93 211 and RGB 211 89 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

Complementary color

CMYK 73 / 71 / 0 / 35

HEX #2C30A6

RGB 44 48 166

HSL 238.03, 0.58%, 0.41%

LAB 27.85, 38.7, -63.51

 

CMYK 0 / 4 / 61 / 15

HEX #D8CF54

RGB 216 207 84

HSL 55.91, 0.63%, 0.59%

LAB 81.76, -11.85, 60.47

 

CMYK 0 / 3 / 56 / 9

HEX #E9E167

RGB 233 225 103

HSL 56.31, 0.75%, 0.66%

LAB 88.04, -12.56, 59.52

 

CMYK 0 / 3 / 51 / 2

HEX #FAF37A

RGB 250 243 122

HSL 56.72, 0.93%, 0.73%

LAB 94.24, -13.16, 58.46

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 0 / 3 / 64 / 24

HEX #C2BD46

RGB 194 189 70

HSL 57.58, 0.5%, 0.52%

LAB 75.02, -12.84, 58.63

 

CMYK 0 / 3 / 71 / 31

HEX #B1AB33

RGB 177 171 51

HSL 57.14, 0.55%, 0.45%

LAB 68.54, -11.95, 59.13

 

CMYK 0 / 4 / 80 / 37

HEX #A09920

RGB 160 153 32

HSL 56.72, 0.67%, 0.38%

LAB 61.96, -10.86, 58.96

 

CMYK 0 / 6 / 91 / 44

HEX #8F870D

RGB 143 135 13

HSL 56.31, 0.83%, 0.31%

LAB 55.27, -9.5, 57.52

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 0 / 18 / 58 / 17

HEX #D3AE59

RGB 211 174 89

HSL 41.8, 0.58%, 0.59%

LAB 72.79, 3.51, 47.99

 

CMYK 0 / 33 / 58 / 17

HEX #D38D59

RGB 211 141 89

HSL 25.57, 0.58%, 0.59%

LAB 64.66, 21.29, 38.3

 

CMYK 0 / 49 / 58 / 17

HEX #D36C59

RGB 211 108 89

HSL 9.34, 0.58%, 0.59%

LAB 57.36, 38.82, 29.18

 

CMYK 0 / 58 / 58 / 17

HEX #D35959

RGB 211 89 89

HSL 0, 0.58%, 0.59%

LAB 53.72, 48.17, 24.47

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 14 / 0 / 58 / 17

HEX #B6D359

RGB 182 211 89

HSL 74.26, 0.58%, 0.59%

LAB 80.32, -27.26, 55.98

 

CMYK 29 / 0 / 58 / 17

HEX #95D359

RGB 149 211 89

HSL 90.49, 0.58%, 0.59%

LAB 78.29, -39.71, 53.12

 

CMYK 45 / 0 / 58 / 17

HEX #74D359

RGB 116 211 89

HSL 106.72, 0.58%, 0.59%

LAB 76.69, -50.62, 50.87

 

CMYK 58 / 0 / 55 / 17

HEX #59D35F

RGB 89 211 95

HSL 122.95, 0.58%, 0.59%

LAB 75.79, -57.17, 46.81

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 0 / 3 / 68 / 11

HEX #E4DE48

RGB 228 222 72

HSL 57.69, 0.74%, 0.59%

LAB 86.61, -15.05, 70.57

 

CMYK 0 / 2 / 77 / 4

HEX #F4EE37

RGB 244 238 55

HSL 58.1, 0.9%, 0.59%

LAB 91.98, -16.99, 81.59

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 0 / 2 / 45 / 24

HEX #C2BF6A

RGB 194 191 106

HSL 57.95, 0.42%, 0.59%

LAB 75.93, -10.98, 43.03

 

CMYK 0 / 1 / 31 / 31

HEX #B1AF7B

RGB 177 175 123

HSL 57.78, 0.26%, 0.59%

LAB 70.48, -7.56, 26.99

 

CMYK 0 / 1 / 13 / 37

HEX #A09F8C

RGB 160 159 140

HSL 57, 0.1%, 0.59%

LAB 65.09, -3.05, 10.05

 

CMYK 9 / 9 / 0 / 38

HEX #8F8F9D

RGB 143 143 157

HSL 240, 0.07%, 0.59%

LAB 59.82, 2.85, -7.39

 

CMYK 0 / 33 / 58 / 17

HEX #D38E59

RGB 211 142 89

HSL 26.07, 0.58%, 0.59%

LAB 64.9, 20.75, 38.59

 

CMYK 0 / 18 / 58 / 17

HEX #D3AE59

RGB 211 174 89

HSL 41.8, 0.58%, 0.59%

LAB 72.79, 3.51, 47.99

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 14 / 0 / 58 / 17

HEX #B6D359

RGB 182 211 89

HSL 74.26, 0.58%, 0.59%

LAB 80.32, -27.26, 55.98

 

CMYK 29 / 0 / 58 / 17

HEX #96D359

RGB 150 211 89

HSL 90, 0.58%, 0.59%

LAB 78.34, -39.35, 53.2

 

CMYK 0 / 2 / 74 / 33

HEX #ACA82D

RGB 172 168 45

HSL 58.11, 0.59%, 0.43%

LAB 67.25, -12.86, 59.92

 

CMYK 0 / 2 / 72 / 21

HEX #CAC539

RGB 202 197 57

HSL 57.93, 0.58%, 0.51%

LAB 77.75, -14.21, 66.59

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 0 / 1 / 44 / 14

HEX #DBD87A

RGB 219 216 122

HSL 58.14, 0.57%, 0.67%

LAB 84.78, -12.06, 46.5

 

CMYK 0 / 1 / 32 / 11

HEX #E4E29B

RGB 228 226 155

HSL 58.36, 0.57%, 0.75%

LAB 88.57, -9.97, 35.03

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 48 / 17

HEX #59D36E

RGB 89 211 110

HSL 130.33, 0.58%, 0.59%

LAB 75.97, -55.13, 39.84

 

CMYK 25 / 58 / 0 / 17

HEX #9E59D3

RGB 158 89 211

HSL 273.93, 0.58%, 0.59%

LAB 50.82, 50.23, -52.12

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 2 / 17

HEX #59D3CF

RGB 89 211 207

HSL 178.03, 0.58%, 0.59%

LAB 78, -34.67, -8.26

 

CMYK 2 / 58 / 0 / 17

HEX #CF59D3

RGB 207 89 211

HSL 298.03, 0.58%, 0.59%

LAB 57.19, 62.53, -41.62

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 48 / 17

HEX #59D36E

RGB 89 211 110

HSL 130.33, 0.58%, 0.59%

LAB 75.97, -55.13, 39.84

 

CMYK 58 / 56 / 0 / 17

HEX #595DD3

RGB 89 93 211

HSL 238.03, 0.58%, 0.59%

LAB 45.16, 32.74, -61.57

 

CMYK 0 / 58 / 10 / 17

HEX #D359BE

RGB 211 89 190

HSL 310.33, 0.58%, 0.59%

LAB 56.79, 60.09, -30.21

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 31 / 17

HEX #59D392

RGB 89 211 146

HSL 148.03, 0.58%, 0.59%

LAB 76.55, -48.92, 22.2

 

CMYK 58 / 56 / 0 / 17

HEX #595DD3

RGB 89 93 211

HSL 238.03, 0.58%, 0.59%

LAB 45.16, 32.74, -61.57

 

CMYK 0 / 58 / 27 / 17

HEX #D3599A

RGB 211 89 154

HSL 328.03, 0.58%, 0.59%

LAB 55.41, 54.87, -11.45

 

Description

Color code: RGB 211 207 89 | qconv.com Color code: RGB 211 207 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 207 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 207 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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