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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 212 121 it is the complementary color RGB 44 43 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 212 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 212 121 shade: RGB 216 212 116, RGB 233 230 135, RGB 250 248 154, RGB 255 255 173 and RGB 255 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 212 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 212 121 shade: RGB 211 212 121, RGB 194 194 102, RGB 177 176 83, RGB 160 158 64 and RGB 143 140 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 212 121 shade: RGB 210 211 120, RGB 211 187 120, RGB 211 163 120, RGB 211 138 120 and RGB 211 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 212 121 shade: RGB 210 211 120, RGB 185 211 120, RGB 161 211 120, RGB 136 211 120 and RGB 120 211 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 212 121 shade matches the following richer shades: RGB 210 211 120, RGB 224 225 105, RGB 238 240 91 and RGB 252 254 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 212 121 shade: RGB 210 211 120, RGB 196 196 134, RGB 182 182 149, RGB 167 167 163 and RGB 153 153 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 212 121 shade: RGB 211 162 120, RGB 211 186 120, RGB 211 211 120, RGB 186 211 120 and RGB 162 211 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 212 121 shade: RGB 186 187 61, RGB 199 201 89, RGB 210 211 120, RGB 220 221 151 and RGB 230 231 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 212 121 shade: RGB 211 212 121, RGB 120 211 138 and RGB 174 120 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 212 121 shade: RGB 211 212 121, RGB 120 211 211 and RGB 211 120 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 212 121 shade: RGB 211 212 121, RGB 120 211 138, RGB 120 120 211 and RGB 211 120 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 212 121 shade: RGB 211 212 121, RGB 120 211 165, RGB 120 120 211 and RGB 211 120 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

Complementary color

CMYK 67 / 68 / 0 / 47

HEX #2C2B86

RGB 44 43 134

HSL 240.66, 0.51%, 0.35%

LAB 23.62, 30.56, -50.79

 

CMYK 0 / 2 / 46 / 15

HEX #D8D474

RGB 216 212 116

HSL 57.6, 0.56%, 0.65%

LAB 83.41, -11.82, 47.69

 

CMYK 0 / 1 / 42 / 9

HEX #E9E687

RGB 233 230 135

HSL 58.16, 0.69%, 0.72%

LAB 89.7, -12.25, 46.52

 

CMYK 0 / 1 / 38 / 2

HEX #FAF89A

RGB 250 248 154

HSL 58.75, 0.91%, 0.79%

LAB 95.91, -12.61, 45.37

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

CMYK 0 / 0 / 47 / 24

HEX #C2C266

RGB 194 194 102

HSL 60, 0.43%, 0.58%

LAB 76.69, -12.9, 45.92

 

CMYK 0 / 1 / 53 / 31

HEX #B1B053

RGB 177 176 83

HSL 59.36, 0.38%, 0.51%

LAB 70.19, -12.39, 47.07

 

CMYK 0 / 1 / 60 / 37

HEX #A09E40

RGB 160 158 64

HSL 58.75, 0.43%, 0.44%

LAB 63.59, -11.75, 48.12

 

CMYK 0 / 2 / 69 / 44

HEX #8F8C2D

RGB 143 140 45

HSL 58.16, 0.52%, 0.37%

LAB 56.87, -10.95, 48.89

 

CMYK 0 / 0 / 43 / 17

HEX #D2D378

RGB 210 211 120

HSL 60.66, 0.51%, 0.65%

LAB 82.72, -13.32, 44.78

 

CMYK 0 / 11 / 43 / 17

HEX #D3BB78

RGB 211 187 120

HSL 44.18, 0.51%, 0.65%

LAB 76.52, -0.57, 37

 

CMYK 0 / 23 / 43 / 17

HEX #D3A378

RGB 211 163 120

HSL 28.35, 0.51%, 0.65%

LAB 70.45, 12.23, 29.13

 

CMYK 0 / 35 / 43 / 17

HEX #D38A78

RGB 211 138 120

HSL 11.87, 0.51%, 0.65%

LAB 64.47, 25.78, 21.13

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 0 / 43 / 17

HEX #D2D378

RGB 210 211 120

HSL 60.66, 0.51%, 0.65%

LAB 82.72, -13.32, 44.78

 

CMYK 12 / 0 / 43 / 17

HEX #B9D378

RGB 185 211 120

HSL 77.14, 0.51%, 0.65%

LAB 80.88, -23.07, 42.08

 

CMYK 24 / 0 / 43 / 17

HEX #A1D378

RGB 161 211 120

HSL 92.97, 0.51%, 0.65%

LAB 79.34, -31.99, 39.82

 

CMYK 36 / 0 / 43 / 17

HEX #88D378

RGB 136 211 120

HSL 109.45, 0.51%, 0.65%

LAB 77.98, -40.54, 37.81

 

CMYK 43 / 0 / 39 / 17

HEX #78D380

RGB 120 211 128

HSL 125.27, 0.51%, 0.65%

LAB 77.36, -44.27, 32.82

 

CMYK 0 / 0 / 43 / 17

HEX #D2D378

RGB 210 211 120

HSL 60.66, 0.51%, 0.65%

LAB 82.72, -13.32, 44.78

 

CMYK 0 / 0 / 53 / 12

HEX #E0E169

RGB 224 225 105

HSL 60.5, 0.67%, 0.65%

LAB 87.35, -16.03, 57.64

 

CMYK 1 / 0 / 62 / 6

HEX #EEF05B

RGB 238 240 91

HSL 60.81, 0.83%, 0.65%

LAB 92.24, -18.7, 69.3

 

CMYK 1 / 0 / 70 / 0

HEX #FCFE4C

RGB 252 254 76

HSL 60.67, 0.99%, 0.65%

LAB 96.86, -20.58, 79.84

 

CMYK 0 / 0 / 43 / 17

HEX #D2D378

RGB 210 211 120

HSL 60.66, 0.51%, 0.65%

LAB 82.72, -13.32, 44.78

 

CMYK 0 / 0 / 32 / 23

HEX #C4C486

RGB 196 196 134

HSL 60, 0.34%, 0.65%

LAB 77.84, -9.62, 31.21

 

CMYK 0 / 0 / 18 / 29

HEX #B6B695

RGB 182 182 149

HSL 60, 0.18%, 0.65%

LAB 73.27, -5.62, 16.84

 

CMYK 0 / 0 / 2 / 35

HEX #A7A7A3

RGB 167 167 163

HSL 60, 0.02%, 0.65%

LAB 68.39, -0.75, 2.06

 

CMYK 14 / 14 / 0 / 31

HEX #9999B1

RGB 153 153 177

HSL 240, 0.13%, 0.65%

LAB 63.94, 4.94, -12.46

 

CMYK 0 / 23 / 43 / 17

HEX #D3A278

RGB 211 162 120

HSL 27.69, 0.51%, 0.65%

LAB 70.21, 12.77, 28.81

 

CMYK 0 / 12 / 43 / 17

HEX #D3BA78

RGB 211 186 120

HSL 43.52, 0.51%, 0.65%

LAB 76.27, -0.05, 36.67

 

CMYK 0 / 0 / 43 / 17

HEX #D3D378

RGB 211 211 120

HSL 60, 0.51%, 0.65%

LAB 82.8, -12.92, 44.9

 

CMYK 12 / 0 / 43 / 17

HEX #BAD378

RGB 186 211 120

HSL 76.48, 0.51%, 0.65%

LAB 80.95, -22.69, 42.19

 

CMYK 23 / 0 / 43 / 17

HEX #A2D378

RGB 162 211 120

HSL 92.31, 0.51%, 0.65%

LAB 79.4, -31.63, 39.91

 

CMYK 1 / 0 / 67 / 27

HEX #BABB3D

RGB 186 187 61

HSL 60.48, 0.51%, 0.49%

LAB 73.75, -15.75, 60.74

 

CMYK 1 / 0 / 56 / 21

HEX #C7C959

RGB 199 201 89

HSL 61.07, 0.51%, 0.57%

LAB 78.83, -15.5, 54.64

 

CMYK 0 / 0 / 43 / 17

HEX #D2D378

RGB 210 211 120

HSL 60.66, 0.51%, 0.65%

LAB 82.72, -13.32, 44.78

 

CMYK 0 / 0 / 32 / 13

HEX #DCDD97

RGB 220 221 151

HSL 60.86, 0.51%, 0.73%

LAB 86.58, -10.99, 34.33

 

CMYK 0 / 0 / 21 / 9

HEX #E6E7B6

RGB 230 231 182

HSL 61.22, 0.51%, 0.81%

LAB 90.48, -8.2, 23.82

 

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

CMYK 43 / 0 / 35 / 17

HEX #78D38A

RGB 120 211 138

HSL 131.87, 0.51%, 0.65%

LAB 77.53, -42.63, 27.89

 

CMYK 18 / 43 / 0 / 17

HEX #AE78D3

RGB 174 120 211

HSL 275.6, 0.51%, 0.65%

LAB 59.1, 37.83, -38.9

 

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

CMYK 43 / 0 / 0 / 17

HEX #78D3D3

RGB 120 211 211

HSL 180, 0.51%, 0.65%

LAB 79.21, -27.13, -8.5

 

CMYK 0 / 43 / 0 / 17

HEX #D378D3

RGB 211 120 211

HSL 300, 0.51%, 0.65%

LAB 63.33, 48.73, -31.98

 

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

CMYK 43 / 0 / 35 / 17

HEX #78D38A

RGB 120 211 138

HSL 131.87, 0.51%, 0.65%

LAB 77.53, -42.63, 27.89

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 0 / 43 / 9 / 17

HEX #D378C1

RGB 211 120 193

HSL 311.87, 0.51%, 0.65%

LAB 62.62, 45.57, -22.94

 

CMYK 0 / 0 / 43 / 17

HEX #D3D479

RGB 211 212 121

HSL 60.66, 0.51%, 0.65%

LAB 83.08, -13.32, 44.75

 

CMYK 43 / 0 / 22 / 17

HEX #78D3A5

RGB 120 211 165

HSL 149.67, 0.51%, 0.65%

LAB 78.05, -37.59, 14.42

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 0 / 43 / 22 / 17

HEX #D378A5

RGB 211 120 165

HSL 330.33, 0.51%, 0.65%

LAB 61.65, 41.14, -8.47

 

Description

Color code: RGB 211 212 121 | qconv.com Color code: RGB 211 212 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 212 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 212 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 43 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 43% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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