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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 81 229 it is the complementary color RGB 44 174 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 81 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 81 229 shade: RGB 216 81 224, RGB 233 99 243, RGB 250 117 255, RGB 255 135 255 and RGB 255 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 81 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 194 63 210, RGB 177 45 191, RGB 160 27 172 and RGB 143 9 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 229 81 207, RGB 229 81 167, RGB 229 81 127 and RGB 229 81 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 171 81 229, RGB 131 81 229, RGB 92 81 229 and RGB 81 81 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 81 229 shade matches the following richer shades: RGB 211 81 229 and RGB 223 65 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 199 98 213, RGB 186 114 196, RGB 174 130 180 and RGB 162 146 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 81 229 shade: RGB 131 81 229, RGB 170 81 229, RGB 209 81 229, RGB 229 81 209 and RGB 229 81 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 81 229 shade: RGB 178 29 198, RGB 202 46 223, RGB 211 81 229, RGB 220 117 234 and RGB 229 153 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 229 91 81 and RGB 81 229 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 229 209 81 and RGB 81 229 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 229 91 81, RGB 101 229 81 and RGB 81 219 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 81 229 shade: RGB 211 81 229, RGB 229 135 81, RGB 101 229 81 and RGB 81 175 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

Complementary color

CMYK 75 / 0 / 85 / 32

HEX #2CAE1A

RGB 44 174 26

HSL 112.7, 0.74%, 0.39%

LAB 62.41, -59.83, 58.76

 

CMYK 4 / 64 / 0 / 12

HEX #D851E0

RGB 216 81 224

HSL 296.64, 0.7%, 0.6%

LAB 57.91, 70.3, -47.74

 

CMYK 4 / 59 / 0 / 5

HEX #E963F3

RGB 233 99 243

HSL 295.83, 0.86%, 0.67%

LAB 63.93, 70.2, -48.66

 

CMYK 2 / 54 / 0 / 0

HEX #FA75FF

RGB 250 117 255

HSL 297.83, 1%, 0.73%

LAB 69.66, 68.65, -46.08

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 8 / 70 / 0 / 18

HEX #C23FD2

RGB 194 63 210

HSL 293.47, 0.62%, 0.54%

LAB 51.47, 69.79, -50.23

 

CMYK 7 / 76 / 0 / 25

HEX #B12DBF

RGB 177 45 191

HSL 294.25, 0.62%, 0.46%

LAB 45.61, 68.98, -48.77

 

CMYK 7 / 84 / 0 / 33

HEX #A01BAC

RGB 160 27 172

HSL 295.03, 0.73%, 0.39%

LAB 39.98, 67.28, -46.76

 

CMYK 7 / 94 / 0 / 40

HEX #8F0999

RGB 143 9 153

HSL 295.83, 0.89%, 0.32%

LAB 34.67, 64.27, -43.98

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 0 / 65 / 10 / 10

HEX #E551CF

RGB 229 81 207

HSL 308.92, 0.74%, 0.61%

LAB 59.02, 70.68, -36.25

 

CMYK 0 / 65 / 27 / 10

HEX #E551A7

RGB 229 81 167

HSL 325.14, 0.74%, 0.61%

LAB 57.4, 65.16, -15.76

 

CMYK 0 / 65 / 45 / 10

HEX #E5517F

RGB 229 81 127

HSL 341.35, 0.74%, 0.61%

LAB 56.16, 60.77, 5.89

 

CMYK 0 / 65 / 62 / 10

HEX #E55158

RGB 229 81 88

HSL 357.16, 0.74%, 0.61%

LAB 55.33, 57.7, 27.71

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 25 / 65 / 0 / 10

HEX #AB51E5

RGB 171 81 229

HSL 276.49, 0.74%, 0.61%

LAB 52.06, 61.14, -60.25

 

CMYK 43 / 65 / 0 / 10

HEX #8351E5

RGB 131 81 229

HSL 260.27, 0.74%, 0.61%

LAB 47.45, 52.91, -67.93

 

CMYK 60 / 65 / 0 / 10

HEX #5C51E5

RGB 92 81 229

HSL 244.46, 0.74%, 0.61%

LAB 43.97, 46.16, -73.75

 

CMYK 65 / 65 / 0 / 10

HEX #5151E5

RGB 81 81 229

HSL 240, 0.74%, 0.61%

LAB 43.2, 44.58, -75.04

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 9 / 73 / 0 / 4

HEX #DF41F5

RGB 223 65 245

HSL 292.67, 0.9%, 0.61%

LAB 58.1, 81.01, -59.14

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 7 / 54 / 0 / 16

HEX #C762D5

RGB 199 98 213

HSL 292.7, 0.58%, 0.61%

LAB 57.73, 56.66, -41.97

 

CMYK 5 / 42 / 0 / 23

HEX #BA72C4

RGB 186 114 196

HSL 292.68, 0.41%, 0.61%

LAB 58.47, 41.54, -31.29

 

CMYK 3 / 28 / 0 / 29

HEX #AE82B4

RGB 174 130 180

HSL 292.8, 0.25%, 0.61%

LAB 60.12, 25.69, -19.75

 

CMYK 1 / 11 / 0 / 36

HEX #A292A4

RGB 162 146 164

HSL 293.33, 0.09%, 0.61%

LAB 62.44, 9.3, -7.29

 

CMYK 43 / 65 / 0 / 10

HEX #8351E5

RGB 131 81 229

HSL 260.27, 0.74%, 0.61%

LAB 47.45, 52.91, -67.93

 

CMYK 26 / 65 / 0 / 10

HEX #AA51E5

RGB 170 81 229

HSL 276.08, 0.74%, 0.61%

LAB 51.94, 60.93, -60.46

 

CMYK 9 / 65 / 0 / 10

HEX #D151E5

RGB 209 81 229

HSL 291.89, 0.74%, 0.61%

LAB 57.17, 69.58, -51.79

 

CMYK 0 / 65 / 9 / 10

HEX #E551D1

RGB 229 81 209

HSL 308.11, 0.74%, 0.61%

LAB 59.11, 70.98, -37.24

 

CMYK 0 / 65 / 26 / 10

HEX #E551AA

RGB 229 81 170

HSL 323.92, 0.74%, 0.61%

LAB 57.51, 65.54, -17.34

 

CMYK 10 / 85 / 0 / 22

HEX #B21DC6

RGB 178 29 198

HSL 292.9, 0.74%, 0.45%

LAB 44.83, 74.38, -54.09

 

CMYK 9 / 79 / 0 / 13

HEX #CA2EDF

RGB 202 46 223

HSL 292.88, 0.73%, 0.53%

LAB 51.65, 78.83, -57.28

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 6 / 50 / 0 / 8

HEX #DC75EA

RGB 220 117 234

HSL 292.82, 0.74%, 0.69%

LAB 64.87, 57.01, -42.32

 

CMYK 4 / 36 / 0 / 6

HEX #E599EF

RGB 229 153 239

HSL 293.02, 0.73%, 0.77%

LAB 73.33, 42.15, -31.82

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 0 / 60 / 65 / 10

HEX #E55B51

RGB 229 91 81

HSL 4.05, 0.74%, 0.61%

LAB 56.82, 52.99, 33.6

 

CMYK 65 / 0 / 34 / 10

HEX #51E596

RGB 81 229 150

HSL 147.97, 0.74%, 0.61%

LAB 81.83, -56.88, 27.27

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 0 / 9 / 65 / 10

HEX #E5D151

RGB 229 209 81

HSL 51.89, 0.74%, 0.61%

LAB 83.36, -7.64, 63.77

 

CMYK 65 / 0 / 9 / 10

HEX #51E5D1

RGB 81 229 209

HSL 171.89, 0.74%, 0.61%

LAB 83.12, -43.64, -1.8

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 0 / 60 / 65 / 10

HEX #E55B51

RGB 229 91 81

HSL 4.05, 0.74%, 0.61%

LAB 56.82, 52.99, 33.6

 

CMYK 56 / 0 / 65 / 10

HEX #65E551

RGB 101 229 81

HSL 111.89, 0.74%, 0.61%

LAB 81.51, -62.36, 59.56

 

CMYK 65 / 4 / 0 / 10

HEX #51DBE5

RGB 81 219 229

HSL 184.05, 0.74%, 0.61%

LAB 80.78, -33.7, -15.9

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 0 / 41 / 65 / 10

HEX #E58751

RGB 229 135 81

HSL 21.89, 0.74%, 0.61%

LAB 65.42, 31.28, 43.91

 

CMYK 56 / 0 / 65 / 10

HEX #65E551

RGB 101 229 81

HSL 111.89, 0.74%, 0.61%

LAB 81.51, -62.36, 59.56

 

CMYK 65 / 24 / 0 / 10

HEX #51AFE5

RGB 81 175 229

HSL 201.89, 0.74%, 0.61%

LAB 68.07, -11.42, -35.33

 

Description

Color code: RGB 211 81 229 | qconv.com Color code: RGB 211 81 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 81 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 81 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 65 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 65% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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