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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 118 104 it is the complementary color RGB 43 137 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 118 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 118 104 shade: RGB 217 118 99, RGB 234 136 118, RGB 251 154 137, RGB 255 172 156 and RGB 255 190 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 118 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 118 104 shade: RGB 212 118 104, RGB 195 100 85, RGB 178 82 66, RGB 161 64 47 and RGB 144 46 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 118 104 shade: RGB 212 117 103 and RGB 212 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 118 104 shade: RGB 212 117 103, RGB 212 147 103, RGB 212 176 103, RGB 212 205 103 and RGB 189 212 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 118 104 shade matches the following richer shades: RGB 212 117 103, RGB 228 106 88 and RGB 243 94 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 118 104 shade: RGB 212 117 103, RGB 196 129 119, RGB 181 141 135, RGB 165 152 150 and RGB 149 164 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 118 104 shade: RGB 212 103 149, RGB 212 103 120, RGB 212 116 103, RGB 212 145 103 and RGB 212 174 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 118 104 shade: RGB 182 68 51, RGB 203 88 71, RGB 212 117 103, RGB 221 147 136 and RGB 230 176 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 118 104 shade: RGB 212 118 104, RGB 177 212 103 and RGB 103 134 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 118 104 shade: RGB 212 118 104, RGB 103 212 116 and RGB 116 103 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 118 104 shade: RGB 212 118 104, RGB 177 212 103, RGB 103 199 212 and RGB 138 103 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 118 104 shade: RGB 212 118 104, RGB 145 212 103, RGB 103 199 212 and RGB 170 103 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

Complementary color

CMYK 72 / 9 / 0 / 41

HEX #2B8997

RGB 43 137 151

HSL 187.78, 0.56%, 0.38%

LAB 52.55, -22.15, -15.39

 

CMYK 0 / 46 / 54 / 15

HEX #D97663

RGB 217 118 99

HSL 9.66, 0.61%, 0.62%

LAB 60.44, 36.75, 27.68

 

CMYK 0 / 42 / 50 / 8

HEX #EA8876

RGB 234 136 118

HSL 9.31, 0.73%, 0.69%

LAB 66.83, 35.55, 25.91

 

CMYK 0 / 39 / 45 / 2

HEX #FB9A89

RGB 251 154 137

HSL 8.95, 0.93%, 0.76%

LAB 73.17, 34.44, 24.34

 

CMYK 0 / 33 / 39 / 0

HEX #FFAC9C

RGB 255 172 156

HSL 9.7, 1%, 0.81%

LAB 77.97, 28.56, 20.66

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEAF

RGB 255 190 175

HSL 11.25, 1%, 0.84%

LAB 82.48, 21.39, 16.72

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 0 / 49 / 56 / 24

HEX #C36455

RGB 195 100 85

HSL 8.18, 0.48%, 0.55%

LAB 53.35, 36.51, 25.85

 

CMYK 0 / 54 / 63 / 30

HEX #B25242

RGB 178 82 66

HSL 8.57, 0.46%, 0.48%

LAB 46.83, 37.83, 28.05

 

CMYK 0 / 60 / 71 / 37

HEX #A1402F

RGB 161 64 47

HSL 8.95, 0.55%, 0.41%

LAB 40.33, 39.17, 30.62

 

CMYK 0 / 68 / 81 / 44

HEX #902E1C

RGB 144 46 28

HSL 9.31, 0.67%, 0.34%

LAB 33.91, 40.39, 33.58

 

CMYK 0 / 45 / 51 / 17

HEX #D47567

RGB 212 117 103

HSL 7.71, 0.56%, 0.62%

LAB 59.62, 35.7, 24.21

 

CMYK 0 / 51 / 51 / 17

HEX #D46767

RGB 212 103 103

HSL 0, 0.56%, 0.62%

LAB 56.76, 42.88, 20.39

 

CMYK 0 / 45 / 51 / 17

HEX #D47567

RGB 212 117 103

HSL 7.71, 0.56%, 0.62%

LAB 59.62, 35.7, 24.21

 

CMYK 0 / 31 / 51 / 17

HEX #D49367

RGB 212 147 103

HSL 24.22, 0.56%, 0.62%

LAB 66.4, 19.62, 33.04

 

CMYK 0 / 17 / 51 / 17

HEX #D4B067

RGB 212 176 103

HSL 40.18, 0.56%, 0.62%

LAB 73.56, 4.01, 42

 

CMYK 0 / 3 / 51 / 17

HEX #D4CD67

RGB 212 205 103

HSL 56.15, 0.56%, 0.62%

LAB 81.09, -11.06, 51.05

 

CMYK 11 / 0 / 51 / 17

HEX #BDD467

RGB 189 212 103

HSL 72.66, 0.56%, 0.62%

LAB 81.23, -23.76, 50.77

 

CMYK 0 / 45 / 51 / 17

HEX #D47567

RGB 212 117 103

HSL 7.71, 0.56%, 0.62%

LAB 59.62, 35.7, 24.21

 

CMYK 0 / 54 / 61 / 11

HEX #E46A58

RGB 228 106 88

HSL 7.71, 0.72%, 0.62%

LAB 59.44, 46.09, 32.89

 

CMYK 0 / 61 / 70 / 5

HEX #F35E48

RGB 243 94 72

HSL 7.72, 0.88%, 0.62%

LAB 59.46, 55.99, 42.27

 

CMYK 0 / 45 / 51 / 17

HEX #D47567

RGB 212 117 103

HSL 7.71, 0.56%, 0.62%

LAB 59.62, 35.7, 24.21

 

CMYK 0 / 34 / 39 / 23

HEX #C48177

RGB 196 129 119

HSL 7.79, 0.39%, 0.62%

LAB 60.58, 24.67, 16.08

 

CMYK 0 / 22 / 25 / 29

HEX #B58D87

RGB 181 141 135

HSL 7.83, 0.24%, 0.62%

LAB 62.19, 14.24, 9.01

 

CMYK 0 / 8 / 9 / 35

HEX #A59896

RGB 165 152 150

HSL 8, 0.08%, 0.62%

LAB 63.88, 4.42, 2.77

 

CMYK 10 / 1 / 0 / 35

HEX #95A4A6

RGB 149 164 166

HSL 187.06, 0.09%, 0.62%

LAB 66.29, -4.85, -2.85

 

CMYK 0 / 51 / 30 / 17

HEX #D46795

RGB 212 103 149

HSL 334.68, 0.56%, 0.62%

LAB 57.91, 47.9, -4.78

 

CMYK 0 / 51 / 43 / 17

HEX #D46778

RGB 212 103 120

HSL 350.64, 0.56%, 0.62%

LAB 57.13, 44.51, 11.01

 

CMYK 0 / 45 / 51 / 17

HEX #D47467

RGB 212 116 103

HSL 7.16, 0.56%, 0.62%

LAB 59.4, 36.23, 23.93

 

CMYK 0 / 32 / 51 / 17

HEX #D49167

RGB 212 145 103

HSL 23.12, 0.56%, 0.62%

LAB 65.93, 20.71, 32.43

 

CMYK 0 / 18 / 51 / 17

HEX #D4AE67

RGB 212 174 103

HSL 39.08, 0.56%, 0.62%

LAB 73.06, 5.07, 41.38

 

CMYK 0 / 63 / 72 / 29

HEX #B64433

RGB 182 68 51

HSL 7.79, 0.56%, 0.46%

LAB 44.69, 45.21, 34.28

 

CMYK 0 / 57 / 65 / 20

HEX #CB5847

RGB 203 88 71

HSL 7.73, 0.56%, 0.54%

LAB 51.98, 44.56, 32.4

 

CMYK 0 / 45 / 51 / 17

HEX #D47567

RGB 212 117 103

HSL 7.71, 0.56%, 0.62%

LAB 59.62, 35.7, 24.21

 

CMYK 0 / 33 / 38 / 13

HEX #DD9388

RGB 221 147 136

HSL 7.76, 0.56%, 0.7%

LAB 68.03, 26.61, 17.29

 

CMYK 0 / 23 / 27 / 10

HEX #E6B0A8

RGB 230 176 168

HSL 7.74, 0.55%, 0.78%

LAB 76.5, 18.53, 11.7

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 17 / 0 / 51 / 17

HEX #B1D467

RGB 177 212 103

HSL 79.27, 0.56%, 0.62%

LAB 80.41, -28.42, 49.6

 

CMYK 51 / 37 / 0 / 17

HEX #6786D4

RGB 103 134 212

HSL 222.94, 0.56%, 0.62%

LAB 56.77, 10.92, -43.52

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 51 / 0 / 45 / 17

HEX #67D474

RGB 103 212 116

HSL 127.16, 0.56%, 0.62%

LAB 76.82, -51.2, 38.04

 

CMYK 45 / 51 / 0 / 17

HEX #7467D4

RGB 116 103 212

HSL 247.16, 0.56%, 0.62%

LAB 49.7, 32.57, -54.72

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 17 / 0 / 51 / 17

HEX #B1D467

RGB 177 212 103

HSL 79.27, 0.56%, 0.62%

LAB 80.41, -28.42, 49.6

 

CMYK 51 / 6 / 0 / 17

HEX #67C7D4

RGB 103 199 212

HSL 187.16, 0.56%, 0.62%

LAB 75.13, -24.78, -15.21

 

CMYK 35 / 51 / 0 / 17

HEX #8A67D4

RGB 138 103 212

HSL 259.27, 0.56%, 0.62%

LAB 51.68, 37.85, -51.45

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 32 / 0 / 51 / 17

HEX #91D467

RGB 145 212 103

HSL 96.88, 0.56%, 0.62%

LAB 78.51, -40.11, 46.88

 

CMYK 51 / 6 / 0 / 17

HEX #67C7D4

RGB 103 199 212

HSL 187.16, 0.56%, 0.62%

LAB 75.13, -24.78, -15.21

 

CMYK 20 / 51 / 0 / 17

HEX #AA67D4

RGB 170 103 212

HSL 276.88, 0.56%, 0.62%

LAB 55.07, 46.18, -45.84

 

Description

Color code: RGB 212 118 104 | qconv.com Color code: RGB 212 118 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 118 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 118 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 51 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 51% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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