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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 142 124 it is the complementary color RGB 43 113 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 142 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 142 124 shade: RGB 217 142 119, RGB 234 160 138, RGB 251 178 157, RGB 255 196 176 and RGB 255 214 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 142 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 195 124 105, RGB 178 106 86, RGB 161 88 67 and RGB 144 70 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 142 124 shade: RGB 212 142 124 and RGB 212 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 212 166 124, RGB 212 189 124, RGB 211 212 124 and RGB 187 212 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 142 124 shade matches the following richer shades: RGB 212 142 124, RGB 226 133 110, RGB 240 125 96 and RGB 254 117 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 198 150 138, RGB 184 158 152, RGB 170 167 166 and RGB 156 175 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 142 124 shade: RGB 212 124 153, RGB 212 124 129, RGB 212 141 124, RGB 212 165 124 and RGB 212 188 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 142 124 shade: RGB 191 88 62, RGB 202 115 92, RGB 212 142 124, RGB 222 169 155 and RGB 232 195 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 177 212 124 and RGB 124 141 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 124 212 141 and RGB 141 124 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 177 212 124, RGB 124 194 212 and RGB 159 124 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 142 124 shade: RGB 212 142 124, RGB 150 212 124, RGB 124 194 212 and RGB 185 124 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

Complementary color

CMYK 67 / 14 / 0 / 49

HEX #2B7183

RGB 43 113 131

HSL 192.27, 0.51%, 0.34%

LAB 44.18, -15.74, -16.36

 

CMYK 0 / 35 / 45 / 15

HEX #D98E77

RGB 217 142 119

HSL 14.08, 0.56%, 0.66%

LAB 66.08, 25.88, 23.99

 

CMYK 0 / 32 / 41 / 8

HEX #EAA08A

RGB 234 160 138

HSL 13.75, 0.7%, 0.73%

LAB 72.54, 24.9, 22.61

 

CMYK 0 / 29 / 37 / 2

HEX #FBB29D

RGB 251 178 157

HSL 13.4, 0.92%, 0.8%

LAB 78.92, 24.02, 21.35

 

CMYK 0 / 23 / 31 / 0

HEX #FFC4B0

RGB 255 196 176

HSL 15.19, 1%, 0.85%

LAB 83.9, 18.37, 18.17

 

CMYK 0 / 16 / 24 / 0

HEX #FFD6C3

RGB 255 214 195

HSL 19, 1%, 0.88%

LAB 88.59, 11.51, 14.72

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 36 / 46 / 24

HEX #C37C69

RGB 195 124 105

HSL 12.67, 0.43%, 0.59%

LAB 59.01, 25.47, 21.88

 

CMYK 0 / 40 / 52 / 30

HEX #B26A56

RGB 178 106 86

HSL 13.04, 0.37%, 0.52%

LAB 52.34, 26.63, 23.5

 

CMYK 0 / 45 / 58 / 37

HEX #A15843

RGB 161 88 67

HSL 13.4, 0.41%, 0.45%

LAB 45.58, 27.94, 25.35

 

CMYK 0 / 51 / 67 / 44

HEX #904630

RGB 144 70 48

HSL 13.75, 0.5%, 0.38%

LAB 38.77, 29.41, 27.51

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 42 / 42 / 17

HEX #D47C7C

RGB 212 124 124

HSL 0, 0.51%, 0.66%

LAB 61.54, 34.11, 14.87

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 22 / 42 / 17

HEX #D4A67C

RGB 212 166 124

HSL 28.64, 0.51%, 0.66%

LAB 71.37, 11.45, 28.21

 

CMYK 0 / 11 / 42 / 17

HEX #D4BD7C

RGB 212 189 124

HSL 44.32, 0.51%, 0.66%

LAB 77.19, -0.8, 35.81

 

CMYK 0 / 0 / 42 / 17

HEX #D3D47C

RGB 211 212 124

HSL 60.68, 0.51%, 0.66%

LAB 83.12, -13.01, 43.32

 

CMYK 12 / 0 / 42 / 17

HEX #BBD47C

RGB 187 212 124

HSL 77.05, 0.51%, 0.66%

LAB 81.35, -22.34, 40.72

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 41 / 51 / 11

HEX #E2856E

RGB 226 133 110

HSL 11.9, 0.67%, 0.66%

LAB 65.02, 33.33, 27.76

 

CMYK 0 / 48 / 60 / 6

HEX #F07D60

RGB 240 125 96

HSL 12.08, 0.83%, 0.66%

LAB 64.99, 41.69, 35.79

 

CMYK 0 / 54 / 68 / 0

HEX #FE7551

RGB 254 117 81

HSL 12.49, 0.99%, 0.66%

LAB 65.27, 49.85, 44.62

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 24 / 30 / 22

HEX #C6968A

RGB 198 150 138

HSL 12, 0.34%, 0.66%

LAB 66.25, 16.31, 13.31

 

CMYK 0 / 14 / 17 / 28

HEX #B89E98

RGB 184 158 152

HSL 11.25, 0.18%, 0.66%

LAB 67.21, 8.58, 6.66

 

CMYK 0 / 2 / 2 / 33

HEX #AAA7A6

RGB 170 167 166

HSL 15, 0.02%, 0.66%

LAB 68.71, 0.89, 0.89

 

CMYK 13 / 3 / 0 / 29

HEX #9CAFB4

RGB 156 175 180

HSL 192.5, 0.14%, 0.66%

LAB 70.19, -5.52, -4.8

 

CMYK 0 / 42 / 28 / 17

HEX #D47C99

RGB 212 124 153

HSL 340.23, 0.51%, 0.66%

LAB 62.26, 37.69, -0.68

 

CMYK 0 / 42 / 39 / 17

HEX #D47C81

RGB 212 124 129

HSL 356.59, 0.51%, 0.66%

LAB 61.65, 34.67, 12.17

 

CMYK 0 / 33 / 42 / 17

HEX #D48D7C

RGB 212 141 124

HSL 11.59, 0.51%, 0.66%

LAB 65.36, 24.99, 20.13

 

CMYK 0 / 22 / 42 / 17

HEX #D4A57C

RGB 212 165 124

HSL 27.95, 0.51%, 0.66%

LAB 71.12, 11.99, 27.88

 

CMYK 0 / 11 / 42 / 17

HEX #D4BC7C

RGB 212 188 124

HSL 43.64, 0.51%, 0.66%

LAB 76.93, -0.27, 35.48

 

CMYK 0 / 54 / 68 / 25

HEX #BF583E

RGB 191 88 62

HSL 12.09, 0.51%, 0.5%

LAB 49.98, 39.52, 34.62

 

CMYK 0 / 43 / 54 / 21

HEX #CA735C

RGB 202 115 92

HSL 12.55, 0.51%, 0.58%

LAB 57.65, 31.91, 27.6

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 0 / 24 / 30 / 13

HEX #DEA99B

RGB 222 169 155

HSL 12.54, 0.5%, 0.74%

LAB 73.72, 17.51, 14.76

 

CMYK 0 / 16 / 20 / 9

HEX #E8C3BA

RGB 232 195 186

HSL 11.74, 0.5%, 0.82%

LAB 81.69, 11.74, 9.41

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 42 / 33 / 0 / 17

HEX #7C8DD4

RGB 124 141 212

HSL 228.41, 0.51%, 0.66%

LAB 59.97, 11.92, -38.4

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 42 / 0 / 33 / 17

HEX #7CD48D

RGB 124 212 141

HSL 131.59, 0.51%, 0.66%

LAB 78.05, -41.41, 27.06

 

CMYK 33 / 42 / 0 / 17

HEX #8D7CD4

RGB 141 124 212

HSL 251.59, 0.51%, 0.66%

LAB 56.91, 26.45, -43.12

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 42 / 8 / 0 / 17

HEX #7CC2D4

RGB 124 194 212

HSL 192.27, 0.51%, 0.66%

LAB 74.59, -17.37, -15.94

 

CMYK 25 / 42 / 0 / 17

HEX #9F7CD4

RGB 159 124 212

HSL 263.86, 0.51%, 0.66%

LAB 58.55, 31.48, -40.43

 

CMYK 0 / 33 / 42 / 17

HEX #D48E7C

RGB 212 142 124

HSL 12.27, 0.51%, 0.66%

LAB 65.59, 24.45, 20.45

 

CMYK 29 / 0 / 42 / 17

HEX #96D47C

RGB 150 212 124

HSL 102.27, 0.51%, 0.66%

LAB 79.06, -35.78, 37.32

 

CMYK 42 / 8 / 0 / 17

HEX #7CC2D4

RGB 124 194 212

HSL 192.27, 0.51%, 0.66%

LAB 74.59, -17.37, -15.94

 

CMYK 13 / 42 / 0 / 17

HEX #B97CD4

RGB 185 124 212

HSL 281.59, 0.51%, 0.66%

LAB 61.21, 39.08, -36.08

 

Description

Color code: RGB 212 142 124 | qconv.com Color code: RGB 212 142 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 142 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 142 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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