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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 159 204 it is the complementary color RGB 43 96 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 159 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 159 204 shade: RGB 217 159 199, RGB 234 177 218, RGB 251 195 237, RGB 255 213 255 and RGB 255 231 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 159 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 195 141 185, RGB 178 123 166, RGB 161 105 147 and RGB 144 87 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 212 159 190, RGB 212 159 176, RGB 212 159 162 and RGB 212 159 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 206 159 212, RGB 191 159 212, RGB 177 159 212 and RGB 163 159 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 159 204 shade matches the following richer shades: RGB 212 159 204, RGB 223 148 212, RGB 234 137 219 and RGB 245 126 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 201 171 196, RGB 190 182 188, RGB 178 193 181 and RGB 167 204 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 159 204 shade: RGB 192 159 212, RGB 206 159 212, RGB 212 159 204, RGB 212 159 190 and RGB 212 159 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 159 204 shade: RGB 186 103 174, RGB 199 131 189, RGB 212 159 204, RGB 225 188 219 and RGB 237 216 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 212 178 159 and RGB 159 212 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 204 212 159 and RGB 159 204 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 212 178 159, RGB 159 212 167 and RGB 159 193 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 159 204 shade: RGB 212 159 204, RGB 212 193 159, RGB 159 212 167 and RGB 159 178 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

Complementary color

CMYK 55 / 0 / 47 / 62

HEX #2B6033

RGB 43 96 51

HSL 129.06, 0.38%, 0.27%

LAB 36.21, -28.46, 20.43

 

CMYK 0 / 27 / 8 / 15

HEX #D99FC7

RGB 217 159 199

HSL 318.62, 0.43%, 0.74%

LAB 72.01, 27.81, -12.01

 

CMYK 0 / 24 / 7 / 8

HEX #EAB1DA

RGB 234 177 218

HSL 316.84, 0.58%, 0.81%

LAB 78.46, 27.19, -12.56

 

CMYK 0 / 22 / 6 / 2

HEX #FBC3ED

RGB 251 195 237

HSL 315, 0.88%, 0.87%

LAB 84.82, 26.62, -13.08

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 28 / 5 / 24

HEX #C38DB9

RGB 195 141 185

HSL 311.11, 0.31%, 0.66%

LAB 65.09, 27.63, -14.85

 

CMYK 0 / 31 / 7 / 30

HEX #B27BA6

RGB 178 123 166

HSL 313.09, 0.26%, 0.59%

LAB 58.4, 28.32, -14.32

 

CMYK 0 / 35 / 9 / 37

HEX #A16993

RGB 161 105 147

HSL 315, 0.23%, 0.52%

LAB 51.6, 29.07, -13.75

 

CMYK 0 / 40 / 11 / 44

HEX #905780

RGB 144 87 128

HSL 316.84, 0.25%, 0.45%

LAB 44.67, 29.86, -13.1

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 25 / 10 / 17

HEX #D49FBE

RGB 212 159 190

HSL 324.91, 0.38%, 0.73%

LAB 71.22, 24.54, -8.27

 

CMYK 0 / 25 / 17 / 17

HEX #D49FB0

RGB 212 159 176

HSL 340.75, 0.38%, 0.73%

LAB 70.82, 22.24, -1.1

 

CMYK 0 / 25 / 24 / 17

HEX #D49FA2

RGB 212 159 162

HSL 356.6, 0.38%, 0.73%

LAB 70.46, 20.11, 6.13

 

CMYK 0 / 25 / 25 / 17

HEX #D49F9F

RGB 212 159 159

HSL 0, 0.38%, 0.73%

LAB 70.38, 19.67, 7.68

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 3 / 25 / 0 / 17

HEX #CE9FD4

RGB 206 159 212

HSL 293.21, 0.38%, 0.73%

LAB 71.33, 26.49, -20.3

 

CMYK 10 / 25 / 0 / 17

HEX #BF9FD4

RGB 191 159 212

HSL 276.23, 0.38%, 0.73%

LAB 69.91, 21.59, -22.59

 

CMYK 17 / 25 / 0 / 17

HEX #B19FD4

RGB 177 159 212

HSL 260.38, 0.38%, 0.73%

LAB 68.68, 17.1, -24.59

 

CMYK 23 / 25 / 0 / 17

HEX #A39FD4

RGB 163 159 212

HSL 244.53, 0.38%, 0.73%

LAB 67.53, 12.73, -26.45

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 34 / 5 / 13

HEX #DF94D4

RGB 223 148 212

HSL 308.8, 0.54%, 0.73%

LAB 70.61, 37.98, -21.24

 

CMYK 0 / 41 / 6 / 8

HEX #EA89DB

RGB 234 137 219

HSL 309.28, 0.7%, 0.73%

LAB 69.82, 48.4, -26.19

 

CMYK 0 / 49 / 7 / 4

HEX #F57EE3

RGB 245 126 227

HSL 309.08, 0.86%, 0.73%

LAB 69.38, 58.44, -31.17

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 15 / 2 / 21

HEX #C9ABC4

RGB 201 171 196

HSL 310, 0.22%, 0.73%

LAB 73.24, 15.21, -8.68

 

CMYK 0 / 4 / 1 / 25

HEX #BEB6BC

RGB 190 182 188

HSL 315, 0.06%, 0.73%

LAB 74.85, 3.92, -2.04

 

CMYK 8 / 0 / 6 / 24

HEX #B2C1B5

RGB 178 193 181

HSL 132, 0.11%, 0.73%

LAB 76.64, -7.42, 4.27

 

CMYK 18 / 0 / 15 / 20

HEX #A7CCAD

RGB 167 204 173

HSL 129.73, 0.27%, 0.73%

LAB 78.71, -18.31, 11.43

 

CMYK 9 / 25 / 0 / 17

HEX #C09FD4

RGB 192 159 212

HSL 277.36, 0.38%, 0.73%

LAB 70, 21.91, -22.44

 

CMYK 3 / 25 / 0 / 17

HEX #CE9FD4

RGB 206 159 212

HSL 293.21, 0.38%, 0.73%

LAB 71.33, 26.49, -20.3

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 25 / 10 / 17

HEX #D49FBE

RGB 212 159 190

HSL 324.91, 0.38%, 0.73%

LAB 71.22, 24.54, -8.27

 

CMYK 0 / 25 / 17 / 17

HEX #D49FB0

RGB 212 159 176

HSL 340.75, 0.38%, 0.73%

LAB 70.82, 22.24, -1.1

 

CMYK 0 / 45 / 6 / 27

HEX #BA67AE

RGB 186 103 174

HSL 308.67, 0.38%, 0.57%

LAB 55.27, 43.28, -23.62

 

CMYK 0 / 34 / 5 / 22

HEX #C783BD

RGB 199 131 189

HSL 308.82, 0.38%, 0.65%

LAB 63.38, 35.18, -19.64

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 16 / 3 / 12

HEX #E1BCDB

RGB 225 188 219

HSL 309.73, 0.38%, 0.81%

LAB 80.23, 18.43, -10.54

 

CMYK 0 / 9 / 1 / 7

HEX #EDD8EA

RGB 237 216 234

HSL 308.57, 0.37%, 0.89%

LAB 88.47, 10.34, -6.19

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 16 / 25 / 17

HEX #D4B29F

RGB 212 178 159

HSL 21.51, 0.38%, 0.73%

LAB 75.04, 9.4, 14.29

 

CMYK 25 / 0 / 6 / 17

HEX #9FD4C7

RGB 159 212 199

HSL 165.28, 0.38%, 0.73%

LAB 81.06, -19.78, 0.86

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 4 / 0 / 25 / 17

HEX #CCD49F

RGB 204 212 159

HSL 69.06, 0.38%, 0.73%

LAB 83.14, -11.42, 25.38

 

CMYK 25 / 4 / 0 / 17

HEX #9FCCD4

RGB 159 204 212

HSL 189.06, 0.38%, 0.73%

LAB 79.22, -12.88, -8.81

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 16 / 25 / 17

HEX #D4B29F

RGB 212 178 159

HSL 21.51, 0.38%, 0.73%

LAB 75.04, 9.4, 14.29

 

CMYK 25 / 0 / 21 / 17

HEX #9FD4A7

RGB 159 212 167

HSL 129.06, 0.38%, 0.73%

LAB 80.32, -26, 16.82

 

CMYK 25 / 9 / 0 / 17

HEX #9FC1D4

RGB 159 193 212

HSL 201.51, 0.38%, 0.73%

LAB 76.23, -7.13, -13.27

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCC

RGB 212 159 204

HSL 309.06, 0.38%, 0.73%

LAB 71.66, 26.99, -15.34

 

CMYK 0 / 9 / 25 / 17

HEX #D4C19F

RGB 212 193 159

HSL 38.49, 0.38%, 0.73%

LAB 78.83, 1.43, 19.58

 

CMYK 25 / 0 / 21 / 17

HEX #9FD4A7

RGB 159 212 167

HSL 129.06, 0.38%, 0.73%

LAB 80.32, -26, 16.82

 

CMYK 25 / 16 / 0 / 17

HEX #9FB2D4

RGB 159 178 212

HSL 218.49, 0.38%, 0.73%

LAB 72.21, 0.95, -19.34

 

Description

Color code: RGB 212 159 204 | qconv.com Color code: RGB 212 159 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 159 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 159 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 4 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 4% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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