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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 27 122 it is the complementary color RGB 43 228 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 27 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 27 122 shade: RGB 217 27 117, RGB 234 45 136, RGB 251 63 155, RGB 255 81 174 and RGB 255 99 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 27 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 195 9 103, RGB 178 0 84, RGB 161 0 65 and RGB 144 0 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 212 27 72 and RGB 212 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 212 27 172, RGB 202 27 212, RGB 152 27 212 and RGB 102 27 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 27 122 shade matches the following richer shades: RGB 212 27 122 and RGB 231 8 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 192 46 121, RGB 173 66 121, RGB 153 85 120 and RGB 134 105 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 27 122 shade: RGB 202 27 212, RGB 212 27 172, RGB 212 27 122, RGB 212 27 73 and RGB 212 30 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 27 122 shade: RGB 139 18 80, RGB 175 22 101, RGB 212 27 122, RGB 228 52 142 and RGB 233 88 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 212 153 27 and RGB 27 196 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 122 212 27 and RGB 27 122 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 212 153 27, RGB 27 212 116 and RGB 27 86 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 27 122 shade: RGB 212 27 122, RGB 212 209 27, RGB 27 212 116 and RGB 27 30 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

Complementary color

CMYK 81 / 0 / 42 / 11

HEX #2BE485

RGB 43 228 133

HSL 149.19, 0.77%, 0.53%

LAB 80.57, -64.92, 34.1

 

CMYK 0 / 88 / 46 / 15

HEX #D91B75

RGB 217 27 117

HSL 331.58, 0.78%, 0.48%

LAB 48.03, 72.62, -0.13

 

CMYK 0 / 81 / 42 / 8

HEX #EA2D88

RGB 234 45 136

HSL 331.11, 0.82%, 0.55%

LAB 53.11, 74.65, -3.8

 

CMYK 0 / 75 / 38 / 2

HEX #FB3F9B

RGB 251 63 155

HSL 330.64, 0.96%, 0.62%

LAB 58.44, 75.84, -6.81

 

CMYK 0 / 68 / 32 / 0

HEX #FF51AE

RGB 255 81 174

HSL 327.93, 1%, 0.66%

LAB 61.83, 73.01, -12.71

 

CMYK 0 / 61 / 24 / 0

HEX #FF63C1

RGB 255 99 193

HSL 323.85, 1%, 0.69%

LAB 64.99, 68.39, -18.78

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 95 / 47 / 24

HEX #C30967

RGB 195 9 103

HSL 329.68, 0.91%, 0.4%

LAB 42.42, 68.75, -0.16

 

CMYK 0 / 100 / 53 / 30

HEX #B20054

RGB 178 0 84

HSL 331.69, 1%, 0.35%

LAB 38.03, 64.31, 5.12

 

CMYK 0 / 100 / 60 / 37

HEX #A10041

RGB 161 0 65

HSL 335.78, 1%, 0.32%

LAB 33.9, 58.99, 11.16

 

CMYK 0 / 100 / 68 / 44

HEX #90002E

RGB 144 0 46

HSL 340.83, 1%, 0.28%

LAB 29.73, 53.69, 17.54

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 87 / 66 / 17

HEX #D41B48

RGB 212 27 72

HSL 345.41, 0.77%, 0.47%

LAB 45.97, 68.37, 24.64

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 87 / 19 / 17

HEX #D41BAC

RGB 212 27 172

HSL 312.97, 0.77%, 0.47%

LAB 49.2, 77.3, -31.55

 

CMYK 5 / 87 / 0 / 17

HEX #CA1BD4

RGB 202 27 212

HSL 296.76, 0.77%, 0.47%

LAB 49.61, 81.07, -54.28

 

CMYK 28 / 87 / 0 / 17

HEX #981BD4

RGB 152 27 212

HSL 280.54, 0.77%, 0.47%

LAB 41.55, 73.25, -67.71

 

CMYK 52 / 87 / 0 / 17

HEX #661BD4

RGB 102 27 212

HSL 264.32, 0.77%, 0.47%

LAB 34.73, 67.18, -79.17

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 97 / 47 / 9

HEX #E7087A

RGB 231 8 122

HSL 329.33, 0.93%, 0.47%

LAB 50.18, 78.36, 0.28

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 76 / 37 / 25

HEX #C02E79

RGB 192 46 121

HSL 329.18, 0.61%, 0.47%

LAB 45, 62.34, -7.6

 

CMYK 0 / 62 / 30 / 32

HEX #AD4279

RGB 173 66 121

HSL 329.16, 0.45%, 0.47%

LAB 44.46, 49.29, -8.74

 

CMYK 0 / 44 / 22 / 40

HEX #995578

RGB 153 85 120

HSL 329.12, 0.29%, 0.47%

LAB 45.12, 32.84, -7.46

 

CMYK 0 / 22 / 10 / 47

HEX #866978

RGB 134 105 120

HSL 328.97, 0.12%, 0.47%

LAB 47.66, 14.18, -3.93

 

CMYK 5 / 87 / 0 / 17

HEX #CA1BD4

RGB 202 27 212

HSL 296.76, 0.77%, 0.47%

LAB 49.61, 81.07, -54.28

 

CMYK 0 / 87 / 19 / 17

HEX #D41BAC

RGB 212 27 172

HSL 312.97, 0.77%, 0.47%

LAB 49.2, 77.3, -31.55

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 87 / 66 / 17

HEX #D41B49

RGB 212 27 73

HSL 345.08, 0.77%, 0.47%

LAB 45.99, 68.42, 24.05

 

CMYK 0 / 86 / 87 / 17

HEX #D41E1B

RGB 212 30 27

HSL 0.97, 0.77%, 0.47%

LAB 45.64, 66.26, 49.68

 

CMYK 0 / 87 / 42 / 45

HEX #8B1250

RGB 139 18 80

HSL 329.26, 0.77%, 0.31%

LAB 30.64, 51.94, -4.03

 

CMYK 0 / 87 / 42 / 31

HEX #AF1665

RGB 175 22 101

HSL 329.02, 0.78%, 0.39%

LAB 38.95, 62.11, -4.48

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 77 / 38 / 11

HEX #E4348E

RGB 228 52 142

HSL 329.32, 0.77%, 0.55%

LAB 52.84, 71.95, -7.91

 

CMYK 0 / 62 / 30 / 9

HEX #E958A3

RGB 233 88 163

HSL 328.97, 0.77%, 0.63%

LAB 58.93, 62.97, -11.07

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 28 / 87 / 17

HEX #D4991B

RGB 212 153 27

HSL 40.86, 0.77%, 0.47%

LAB 67.17, 12.22, 66.83

 

CMYK 87 / 8 / 0 / 17

HEX #1BC4D4

RGB 27 196 212

HSL 185.19, 0.77%, 0.47%

LAB 72.54, -33.52, -19.28

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 42 / 0 / 87 / 17

HEX #7AD41B

RGB 122 212 27

HSL 89.19, 0.77%, 0.47%

LAB 76.86, -53.28, 72.14

 

CMYK 87 / 42 / 0 / 17

HEX #1B7AD4

RGB 27 122 212

HSL 209.19, 0.77%, 0.47%

LAB 50.58, 6.89, -53.55

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 28 / 87 / 17

HEX #D4991B

RGB 212 153 27

HSL 40.86, 0.77%, 0.47%

LAB 67.17, 12.22, 66.83

 

CMYK 87 / 0 / 45 / 17

HEX #1BD474

RGB 27 212 116

HSL 148.86, 0.77%, 0.47%

LAB 75.19, -63.78, 35.63

 

CMYK 87 / 59 / 0 / 17

HEX #1B56D4

RGB 27 86 212

HSL 220.86, 0.77%, 0.47%

LAB 40.64, 29.98, -69.62

 

CMYK 0 / 87 / 42 / 17

HEX #D41B7A

RGB 212 27 122

HSL 329.19, 0.77%, 0.47%

LAB 47.22, 71.89, -4.5

 

CMYK 0 / 1 / 87 / 17

HEX #D4D11B

RGB 212 209 27

HSL 59.03, 0.77%, 0.47%

LAB 81.66, -16.93, 78.41

 

CMYK 87 / 0 / 45 / 17

HEX #1BD474

RGB 27 212 116

HSL 148.86, 0.77%, 0.47%

LAB 75.19, -63.78, 35.63

 

CMYK 87 / 86 / 0 / 17

HEX #1B1ED4

RGB 27 30 212

HSL 239.03, 0.77%, 0.47%

LAB 29.2, 61.47, -88.51

 

Description

Color code: RGB 212 27 122 | qconv.com Color code: RGB 212 27 122 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 27 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 27 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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