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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 31 153 it is the complementary color RGB 43 224 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 31 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 31 153 shade: RGB 217 31 148, RGB 234 49 167, RGB 251 67 186, RGB 255 85 205 and RGB 255 103 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 31 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 195 13 134, RGB 178 0 115, RGB 161 0 96 and RGB 144 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 212 31 105, RGB 212 31 56 and RGB 212 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 212 31 202, RGB 174 31 212, RGB 125 31 212 and RGB 76 31 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 31 153 shade matches the following richer shades: RGB 212 31 153 and RGB 232 12 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 193 51 147, RGB 173 71 140, RGB 153 91 133 and RGB 133 111 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 31 153 shade: RGB 173 31 212, RGB 212 31 203, RGB 212 31 155, RGB 212 31 107 and RGB 212 31 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 31 153 shade: RGB 141 21 102, RGB 177 26 127, RGB 212 31 153, RGB 225 60 171 and RGB 231 96 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 212 125 31 and RGB 31 212 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 155 212 31 and RGB 31 155 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 212 125 31, RGB 31 212 89 and RGB 31 119 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 31 153 shade: RGB 212 31 153, RGB 212 179 31, RGB 31 212 89 and RGB 31 65 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

Complementary color

CMYK 81 / 0 / 54 / 12

HEX #2BE066

RGB 43 224 102

HSL 139.56, 0.74%, 0.52%

LAB 78.92, -68.5, 47.08

 

CMYK 0 / 86 / 32 / 15

HEX #D91F94

RGB 217 31 148

HSL 322.26, 0.75%, 0.49%

LAB 49.34, 74.87, -16.98

 

CMYK 0 / 79 / 29 / 8

HEX #EA31A7

RGB 234 49 167

HSL 321.73, 0.81%, 0.55%

LAB 54.53, 76.84, -20.05

 

CMYK 0 / 73 / 26 / 2

HEX #FB43BA

RGB 251 67 186

HSL 321.2, 0.96%, 0.62%

LAB 59.95, 78, -22.53

 

CMYK 0 / 67 / 20 / 0

HEX #FF55CD

RGB 255 85 205

HSL 317.65, 1%, 0.67%

LAB 63.48, 75.35, -27.88

 

CMYK 0 / 60 / 12 / 0

HEX #FF67E0

RGB 255 103 224

HSL 312.24, 1%, 0.7%

LAB 66.78, 71.02, -33.43

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 93 / 31 / 24

HEX #C30D86

RGB 195 13 134

HSL 320.11, 0.88%, 0.41%

LAB 43.67, 71.29, -17.53

 

CMYK 0 / 100 / 35 / 30

HEX #B20073

RGB 178 0 115

HSL 321.24, 1%, 0.35%

LAB 39.08, 67.04, -13.06

 

CMYK 0 / 100 / 40 / 37

HEX #A10060

RGB 161 0 96

HSL 324.22, 1%, 0.32%

LAB 34.85, 61.49, -7.7

 

CMYK 0 / 100 / 47 / 44

HEX #90004D

RGB 144 0 77

HSL 327.92, 1%, 0.28%

LAB 30.56, 55.89, -2.05

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 85 / 50 / 17

HEX #D41F69

RGB 212 31 105

HSL 335.47, 0.74%, 0.48%

LAB 46.97, 69.73, 5.6

 

CMYK 0 / 85 / 74 / 17

HEX #D41F38

RGB 212 31 56

HSL 351.71, 0.74%, 0.48%

LAB 45.99, 66.89, 34.35

 

CMYK 0 / 85 / 85 / 17

HEX #D41F1F

RGB 212 31 31

HSL 0, 0.74%, 0.48%

LAB 45.74, 66.14, 47.86

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 85 / 5 / 17

HEX #D41FCA

RGB 212 31 202

HSL 303.31, 0.74%, 0.48%

LAB 50.97, 80.66, -46.26

 

CMYK 18 / 85 / 0 / 17

HEX #AE1FD4

RGB 174 31 212

HSL 287.4, 0.74%, 0.48%

LAB 45.27, 75.71, -61.52

 

CMYK 41 / 85 / 0 / 17

HEX #7D1FD4

RGB 125 31 212

HSL 271.16, 0.74%, 0.48%

LAB 38.01, 68.66, -73.66

 

CMYK 64 / 85 / 0 / 17

HEX #4C1FD4

RGB 76 31 212

HSL 254.92, 0.74%, 0.48%

LAB 32.41, 63.63, -83.08

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 95 / 31 / 9

HEX #E80CA0

RGB 232 12 160

HSL 319.64, 0.9%, 0.48%

LAB 51.79, 81.74, -20.15

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 59 / 19 / 32

HEX #AD478C

RGB 173 71 140

HSL 319.41, 0.42%, 0.48%

LAB 46.02, 49.66, -17.91

 

CMYK 0 / 41 / 13 / 40

HEX #995B85

RGB 153 91 133

HSL 319.35, 0.25%, 0.48%

LAB 46.91, 31.66, -12.62

 

CMYK 0 / 17 / 5 / 48

HEX #856F7E

RGB 133 111 126

HSL 319.09, 0.09%, 0.48%

LAB 49.33, 11.4, -5.04

 

CMYK 18 / 85 / 0 / 17

HEX #AD1FD4

RGB 173 31 212

HSL 287.07, 0.74%, 0.48%

LAB 45.11, 75.55, -61.78

 

CMYK 0 / 85 / 4 / 17

HEX #D41FCB

RGB 212 31 203

HSL 302.98, 0.74%, 0.48%

LAB 51.02, 80.8, -46.75

 

CMYK 0 / 85 / 27 / 17

HEX #D41F9B

RGB 212 31 155

HSL 318.9, 0.74%, 0.48%

LAB 48.69, 74.55, -22.25

 

CMYK 0 / 85 / 50 / 17

HEX #D41F6B

RGB 212 31 107

HSL 334.81, 0.74%, 0.48%

LAB 47.03, 69.89, 4.44

 

CMYK 0 / 85 / 73 / 17

HEX #D41F3A

RGB 212 31 58

HSL 351.05, 0.74%, 0.48%

LAB 46.02, 66.97, 33.2

 

CMYK 0 / 85 / 28 / 45

HEX #8D1566

RGB 141 21 102

HSL 319.5, 0.74%, 0.32%

LAB 32.16, 54.24, -16.02

 

CMYK 0 / 85 / 28 / 31

HEX #B11A7F

RGB 177 26 127

HSL 319.87, 0.74%, 0.4%

LAB 40.6, 64.55, -18.23

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 73 / 24 / 12

HEX #E13CAB

RGB 225 60 171

HSL 319.64, 0.73%, 0.56%

LAB 54.22, 72.09, -23.01

 

CMYK 0 / 58 / 19 / 9

HEX #E760BB

RGB 231 96 187

HSL 319.56, 0.74%, 0.64%

LAB 60.73, 62.13, -22.18

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 41 / 85 / 17

HEX #D47D1F

RGB 212 125 31

HSL 31.16, 0.74%, 0.48%

LAB 60.57, 27.41, 60.32

 

CMYK 85 / 0 / 7 / 17

HEX #1FD4C5

RGB 31 212 197

HSL 175.03, 0.74%, 0.48%

LAB 76.93, -44.96, -4.61

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 27 / 0 / 85 / 17

HEX #9BD41F

RGB 155 212 31

HSL 78.9, 0.74%, 0.48%

LAB 78.55, -41.46, 73.44

 

CMYK 85 / 27 / 0 / 17

HEX #1F9BD4

RGB 31 155 212

HSL 198.9, 0.74%, 0.48%

LAB 60.33, -12.22, -38.1

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 41 / 85 / 17

HEX #D47D1F

RGB 212 125 31

HSL 31.16, 0.74%, 0.48%

LAB 60.57, 27.41, 60.32

 

CMYK 85 / 0 / 58 / 17

HEX #1FD459

RGB 31 212 89

HSL 139.23, 0.74%, 0.48%

LAB 74.89, -67.55, 48.23

 

CMYK 85 / 44 / 0 / 17

HEX #1F77D4

RGB 31 119 212

HSL 210.83, 0.74%, 0.48%

LAB 49.78, 9.04, -54.81

 

CMYK 0 / 85 / 28 / 17

HEX #D41F99

RGB 212 31 153

HSL 319.56, 0.74%, 0.48%

LAB 48.61, 74.33, -21.18

 

CMYK 0 / 16 / 85 / 17

HEX #D4B31F

RGB 212 179 31

HSL 49.06, 0.74%, 0.48%

LAB 73.76, -1.54, 71.18

 

CMYK 85 / 0 / 58 / 17

HEX #1FD459

RGB 31 212 89

HSL 139.23, 0.74%, 0.48%

LAB 74.89, -67.55, 48.23

 

CMYK 85 / 69 / 0 / 17

HEX #1F41D4

RGB 31 65 212

HSL 228.73, 0.74%, 0.48%

LAB 35.65, 43.56, -77.82

 

Description

Color code: RGB 212 31 153 | qconv.com Color code: RGB 212 31 153 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 31 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 31 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 28 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 28% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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