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Color name
RGB 212 88 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 88 131 it is the complementary color RGB 43 167 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 88 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 88 131 shade: RGB 217 88 126, RGB 234 106 145, RGB 251 124 164, RGB 255 142 183 and RGB 255 160 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 88 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 195 70 112, RGB 178 52 93, RGB 161 34 74 and RGB 144 16 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 212 88 98 and RGB 212 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 212 88 164, RGB 212 88 198, RGB 192 88 212 and RGB 159 88 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 88 131 shade matches the following richer shades: RGB 212 88 131, RGB 229 71 126 and RGB 245 54 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 195 105 136, RGB 178 122 141, RGB 161 139 147 and RGB 144 156 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 88 131 shade: RGB 212 88 197, RGB 212 88 164, RGB 212 88 131, RGB 212 88 99 and RGB 212 111 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 88 131 shade: RGB 173 44 89, RGB 203 55 107, RGB 212 88 131, RGB 220 121 155 and RGB 229 154 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 212 193 88 and RGB 88 181 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 131 212 88 and RGB 88 131 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 212 193 88, RGB 88 212 168 and RGB 88 107 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 88 131 shade: RGB 212 88 131, RGB 193 212 88, RGB 88 212 168 and RGB 107 88 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

Complementary color

CMYK 74 / 0 / 26 / 35

HEX #2BA77C

RGB 43 167 124

HSL 159.19, 0.59%, 0.41%

LAB 61.31, -43.72, 12.8

 

CMYK 0 / 59 / 42 / 15

HEX #D9587E

RGB 217 88 126

HSL 342.33, 0.63%, 0.6%

LAB 55.32, 53.93, 5.01

 

CMYK 0 / 55 / 38 / 8

HEX #EA6A91

RGB 234 106 145

HSL 341.72, 0.75%, 0.67%

LAB 61.52, 53.23, 3.2

 

CMYK 0 / 51 / 35 / 2

HEX #FB7CA4

RGB 251 124 164

HSL 341.1, 0.94%, 0.74%

LAB 67.73, 52.43, 1.66

 

CMYK 0 / 44 / 28 / 0

HEX #FF8EB7

RGB 255 142 183

HSL 338.23, 1%, 0.78%

LAB 72.25, 47.26, -2.32

 

CMYK 0 / 37 / 21 / 0

HEX #FFA0CA

RGB 255 160 202

HSL 333.47, 1%, 0.81%

LAB 76.48, 40.71, -6.56

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 64 / 43 / 24

HEX #C34670

RGB 195 70 112

HSL 339.84, 0.51%, 0.52%

LAB 48.45, 53.38, 3.04

 

CMYK 0 / 71 / 48 / 30

HEX #B2345D

RGB 178 52 93

HSL 340.48, 0.55%, 0.45%

LAB 42.32, 53.55, 5.55

 

CMYK 0 / 79 / 54 / 37

HEX #A1224A

RGB 161 34 74

HSL 341.1, 0.65%, 0.38%

LAB 36.4, 53.11, 8.77

 

CMYK 0 / 89 / 62 / 44

HEX #901037

RGB 144 16 55

HSL 341.72, 0.8%, 0.31%

LAB 30.82, 51.62, 12.98

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 58 / 54 / 17

HEX #D45862

RGB 212 88 98

HSL 355.16, 0.59%, 0.59%

LAB 53.88, 49.68, 19.43

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 58 / 23 / 17

HEX #D458A4

RGB 212 88 164

HSL 323.23, 0.59%, 0.59%

LAB 55.74, 56.97, -16.77

 

CMYK 0 / 58 / 7 / 17

HEX #D458C6

RGB 212 88 198

HSL 306.77, 0.59%, 0.59%

LAB 57.13, 62.08, -34.26

 

CMYK 9 / 58 / 0 / 17

HEX #C058D4

RGB 192 88 212

HSL 290.32, 0.59%, 0.59%

LAB 55.01, 59.37, -45.76

 

CMYK 25 / 58 / 0 / 17

HEX #9F58D4

RGB 159 88 212

HSL 274.35, 0.59%, 0.59%

LAB 50.81, 51.22, -52.7

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 69 / 45 / 10

HEX #E5477E

RGB 229 71 126

HSL 339.11, 0.75%, 0.59%

LAB 54.73, 64.53, 4.42

 

CMYK 0 / 78 / 51 / 4

HEX #F53679

RGB 245 54 121

HSL 338.95, 0.91%, 0.59%

LAB 55.51, 73.87, 8.9

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 46 / 30 / 24

HEX #C36988

RGB 195 105 136

HSL 339.33, 0.43%, 0.59%

LAB 55.57, 39.36, -0.91

 

CMYK 0 / 31 / 21 / 30

HEX #B27A8D

RGB 178 122 141

HSL 339.64, 0.27%, 0.59%

LAB 57.37, 24.65, -1.42

 

CMYK 0 / 14 / 9 / 37

HEX #A18B93

RGB 161 139 147

HSL 338.18, 0.1%, 0.59%

LAB 60.02, 9.68, -1.2

 

CMYK 8 / 0 / 3 / 39

HEX #909C98

RGB 144 156 152

HSL 160, 0.06%, 0.59%

LAB 63.32, -5.07, 0.62

 

CMYK 0 / 58 / 7 / 17

HEX #D458C5

RGB 212 88 197

HSL 307.26, 0.59%, 0.59%

LAB 57.08, 61.91, -33.76

 

CMYK 0 / 58 / 23 / 17

HEX #D458A4

RGB 212 88 164

HSL 323.23, 0.59%, 0.59%

LAB 55.74, 56.97, -16.77

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 58 / 53 / 17

HEX #D45863

RGB 212 88 99

HSL 354.68, 0.59%, 0.59%

LAB 53.9, 49.76, 18.87

 

CMYK 0 / 48 / 58 / 17

HEX #D46F58

RGB 212 111 88

HSL 11.13, 0.59%, 0.59%

LAB 58.1, 37.59, 30.72

 

CMYK 0 / 75 / 49 / 32

HEX #AD2C59

RGB 173 44 89

HSL 339.07, 0.59%, 0.43%

LAB 40.26, 54.6, 4.98

 

CMYK 0 / 73 / 47 / 20

HEX #CB376B

RGB 203 55 107

HSL 338.92, 0.59%, 0.51%

LAB 47.61, 61.05, 5.06

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 45 / 30 / 14

HEX #DC799B

RGB 220 121 155

HSL 339.39, 0.59%, 0.67%

LAB 62.72, 42.32, -1.03

 

CMYK 0 / 33 / 21 / 10

HEX #E59AB4

RGB 229 154 180

HSL 339.2, 0.59%, 0.75%

LAB 71.6, 31.64, -1.97

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 9 / 58 / 17

HEX #D4C158

RGB 212 193 88

HSL 50.81, 0.59%, 0.59%

LAB 77.78, -6.11, 54.2

 

CMYK 58 / 15 / 0 / 17

HEX #58B5D4

RGB 88 181 212

HSL 195, 0.59%, 0.59%

LAB 69.38, -18.63, -23.98

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 38 / 0 / 58 / 17

HEX #83D458

RGB 131 212 88

HSL 99.19, 0.59%, 0.59%

LAB 77.65, -46.42, 52.6

 

CMYK 58 / 38 / 0 / 17

HEX #5883D4

RGB 88 131 212

HSL 219.19, 0.59%, 0.59%

LAB 55.13, 9.52, -46.16

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 0 / 9 / 58 / 17

HEX #D4C158

RGB 212 193 88

HSL 50.81, 0.59%, 0.59%

LAB 77.78, -6.11, 54.2

 

CMYK 58 / 0 / 21 / 17

HEX #58D4A8

RGB 88 212 168

HSL 158.71, 0.59%, 0.59%

LAB 77.27, -44.91, 11.56

 

CMYK 58 / 50 / 0 / 17

HEX #586BD4

RGB 88 107 212

HSL 230.81, 0.59%, 0.59%

LAB 48.69, 24.23, -56.45

 

CMYK 0 / 58 / 38 / 17

HEX #D45883

RGB 212 88 131

HSL 339.19, 0.59%, 0.59%

LAB 54.67, 52.86, 1.03

 

CMYK 9 / 0 / 58 / 17

HEX #C1D458

RGB 193 212 88

HSL 69.19, 0.59%, 0.59%

LAB 81.36, -23.45, 57.79

 

CMYK 58 / 0 / 21 / 17

HEX #58D4A8

RGB 88 212 168

HSL 158.71, 0.59%, 0.59%

LAB 77.27, -44.91, 11.56

 

CMYK 50 / 58 / 0 / 17

HEX #6B58D4

RGB 107 88 212

HSL 249.19, 0.59%, 0.59%

LAB 45.44, 39.52, -61.63

 

Description

Color code: RGB 212 88 131 | qconv.com Color code: RGB 212 88 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 88 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 88 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 17% C M Y K

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Provide designers and agencies with accurate color values.

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