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Color name
RGB 213 112 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 112 83 it is the complementary color RGB 42 143 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 112 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 112 83 shade: RGB 218 112 78, RGB 235 130 97, RGB 252 148 116, RGB 255 166 135 and RGB 255 184 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 112 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 112 83 shade: RGB 213 112 83, RGB 196 94 64, RGB 179 76 45, RGB 162 58 26 and RGB 145 40 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 112 83 shade: RGB 213 111 82 and RGB 213 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 112 83 shade: RGB 213 111 82, RGB 213 146 82, RGB 213 182 82, RGB 209 213 82 and RGB 173 213 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 112 83 shade matches the following richer shades: RGB 213 111 82, RGB 230 102 65 and RGB 247 92 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 112 83 shade: RGB 213 111 82, RGB 195 121 99, RGB 178 130 117, RGB 161 140 134 and RGB 143 150 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 112 83 shade: RGB 213 82 123, RGB 213 82 89, RGB 213 110 82, RGB 213 145 82 and RGB 213 180 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 112 83 shade: RGB 171 70 41, RGB 204 84 49, RGB 213 111 82, RGB 221 139 115 and RGB 229 166 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 112 83 shade: RGB 213 112 83, RGB 158 213 82 and RGB 82 106 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 112 83 shade: RGB 213 112 83, RGB 82 213 110 and RGB 110 82 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 112 83 shade: RGB 213 112 83, RGB 158 213 82, RGB 82 184 213 and RGB 137 82 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 112 83 shade: RGB 213 112 83, RGB 119 213 82, RGB 82 184 213 and RGB 176 82 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

Complementary color

CMYK 76 / 17 / 0 / 33

HEX #2A8FAC

RGB 42 143 172

HSL 193.38, 0.61%, 0.42%

LAB 55.19, -18.54, -23.46

 

CMYK 0 / 49 / 64 / 15

HEX #DA704E

RGB 218 112 78

HSL 14.57, 0.65%, 0.58%

LAB 59.01, 38.7, 37.55

 

CMYK 0 / 45 / 59 / 8

HEX #EB8261

RGB 235 130 97

HSL 14.35, 0.78%, 0.65%

LAB 65.35, 37.32, 35.55

 

CMYK 0 / 41 / 54 / 1

HEX #FC9474

RGB 252 148 116

HSL 14.12, 0.96%, 0.72%

LAB 71.65, 36.04, 33.74

 

CMYK 0 / 35 / 47 / 0

HEX #FFA687

RGB 255 166 135

HSL 15.5, 1%, 0.76%

LAB 76.24, 29.53, 29.62

 

CMYK 0 / 28 / 40 / 0

HEX #FFB89A

RGB 255 184 154

HSL 17.82, 1%, 0.8%

LAB 80.67, 22.06, 25.42

 

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

CMYK 0 / 52 / 67 / 23

HEX #C45E40

RGB 196 94 64

HSL 13.64, 0.53%, 0.51%

LAB 51.96, 38.53, 36.03

 

CMYK 0 / 58 / 75 / 30

HEX #B34C2D

RGB 179 76 45

HSL 13.88, 0.6%, 0.44%

LAB 45.55, 40.03, 38.42

 

CMYK 0 / 64 / 84 / 36

HEX #A23A1A

RGB 162 58 26

HSL 14.12, 0.72%, 0.37%

LAB 39.21, 41.51, 40.85

 

CMYK 0 / 72 / 95 / 43

HEX #912807

RGB 145 40 7

HSL 14.35, 0.91%, 0.3%

LAB 33.03, 42.74, 42.64

 

CMYK 0 / 48 / 62 / 16

HEX #D56F52

RGB 213 111 82

HSL 13.28, 0.61%, 0.58%

LAB 58.15, 37.54, 34.15

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 48 / 62 / 16

HEX #D56F52

RGB 213 111 82

HSL 13.28, 0.61%, 0.58%

LAB 58.15, 37.54, 34.15

 

CMYK 0 / 31 / 62 / 16

HEX #D59252

RGB 213 146 82

HSL 29.31, 0.61%, 0.58%

LAB 65.99, 18.9, 43.57

 

CMYK 0 / 15 / 62 / 16

HEX #D5B652

RGB 213 182 82

HSL 45.8, 0.61%, 0.58%

LAB 74.96, -0.38, 53.81

 

CMYK 2 / 0 / 62 / 16

HEX #D1D552

RGB 209 213 82

HSL 61.83, 0.61%, 0.58%

LAB 82.78, -17.87, 62.24

 

CMYK 19 / 0 / 62 / 16

HEX #ADD552

RGB 173 213 82

HSL 78.32, 0.61%, 0.58%

LAB 80.23, -32.27, 58.73

 

CMYK 0 / 48 / 62 / 16

HEX #D56F52

RGB 213 111 82

HSL 13.28, 0.61%, 0.58%

LAB 58.15, 37.54, 34.15

 

CMYK 0 / 56 / 72 / 10

HEX #E66641

RGB 230 102 65

HSL 13.45, 0.77%, 0.58%

LAB 58.7, 47.44, 44.56

 

CMYK 0 / 63 / 81 / 3

HEX #F75C2F

RGB 247 92 47

HSL 13.5, 0.93%, 0.58%

LAB 59.56, 57.26, 55.14

 

CMYK 0 / 48 / 62 / 16

HEX #D56F52

RGB 213 111 82

HSL 13.28, 0.61%, 0.58%

LAB 58.15, 37.54, 34.15

 

CMYK 0 / 38 / 49 / 24

HEX #C37963

RGB 195 121 99

HSL 13.75, 0.44%, 0.58%

LAB 58.21, 26.51, 24.21

 

CMYK 0 / 27 / 34 / 30

HEX #B28275

RGB 178 130 117

HSL 12.79, 0.28%, 0.58%

LAB 58.71, 16.71, 14.31

 

CMYK 0 / 13 / 17 / 37

HEX #A18C86

RGB 161 140 134

HSL 13.33, 0.13%, 0.58%

LAB 59.94, 6.87, 6.1

 

CMYK 5 / 1 / 0 / 41

HEX #8F9697

RGB 143 150 151

HSL 187.5, 0.04%, 0.58%

LAB 61.56, -2.32, -1.41

 

CMYK 0 / 62 / 42 / 16

HEX #D5527B

RGB 213 82 123

HSL 341.22, 0.61%, 0.58%

LAB 53.61, 55, 4.25

 

CMYK 0 / 62 / 58 / 16

HEX #D55259

RGB 213 82 89

HSL 356.79, 0.61%, 0.58%

LAB 52.84, 52.05, 23.38

 

CMYK 0 / 48 / 62 / 16

HEX #D56E52

RGB 213 110 82

HSL 12.82, 0.61%, 0.58%

LAB 57.95, 38.06, 33.89

 

CMYK 0 / 32 / 62 / 16

HEX #D59152

RGB 213 145 82

HSL 28.85, 0.61%, 0.58%

LAB 65.75, 19.44, 43.29

 

CMYK 0 / 15 / 62 / 16

HEX #D5B452

RGB 213 180 82

HSL 44.89, 0.61%, 0.58%

LAB 74.44, 0.68, 53.23

 

CMYK 0 / 59 / 76 / 33

HEX #AB4629

RGB 171 70 41

HSL 13.38, 0.61%, 0.42%

LAB 43.06, 39.74, 37.5

 

CMYK 0 / 59 / 76 / 20

HEX #CC5431

RGB 204 84 49

HSL 13.55, 0.61%, 0.5%

LAB 51.15, 45.71, 43.49

 

CMYK 0 / 48 / 62 / 16

HEX #D56F52

RGB 213 111 82

HSL 13.28, 0.61%, 0.58%

LAB 58.15, 37.54, 34.15

 

CMYK 0 / 37 / 48 / 13

HEX #DD8B73

RGB 221 139 115

HSL 13.58, 0.61%, 0.66%

LAB 65.81, 28.66, 25.92

 

CMYK 0 / 28 / 35 / 10

HEX #E5A694

RGB 229 166 148

HSL 13.33, 0.61%, 0.74%

LAB 73.59, 20.92, 18.51

 

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

CMYK 26 / 0 / 62 / 16

HEX #9ED552

RGB 158 213 82

HSL 85.19, 0.61%, 0.58%

LAB 79.31, -37.95, 57.46

 

CMYK 62 / 50 / 0 / 16

HEX #526AD5

RGB 82 106 213

HSL 229.01, 0.61%, 0.58%

LAB 48.14, 24.08, -57.92

 

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

CMYK 62 / 0 / 48 / 16

HEX #52D56E

RGB 82 213 110

HSL 132.82, 0.61%, 0.58%

LAB 76.38, -57.42, 40.31

 

CMYK 48 / 62 / 0 / 16

HEX #6E52D5

RGB 110 82 213

HSL 252.82, 0.61%, 0.58%

LAB 44.45, 43.88, -63.79

 

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

CMYK 26 / 0 / 62 / 16

HEX #9ED552

RGB 158 213 82

HSL 85.19, 0.61%, 0.58%

LAB 79.31, -37.95, 57.46

 

CMYK 62 / 14 / 0 / 16

HEX #52B8D5

RGB 82 184 213

HSL 193.28, 0.61%, 0.58%

LAB 70.09, -20.98, -23.46

 

CMYK 36 / 62 / 0 / 16

HEX #8952D5

RGB 137 82 213

HSL 265.19, 0.61%, 0.58%

LAB 47.18, 49.5, -59.24

 

CMYK 0 / 47 / 61 / 16

HEX #D57053

RGB 213 112 83

HSL 13.38, 0.61%, 0.58%

LAB 58.38, 37.1, 33.87

 

CMYK 44 / 0 / 62 / 16

HEX #77D552

RGB 119 213 82

HSL 103.05, 0.61%, 0.58%

LAB 77.35, -51.23, 54.74

 

CMYK 62 / 14 / 0 / 16

HEX #52B8D5

RGB 82 184 213

HSL 193.28, 0.61%, 0.58%

LAB 70.09, -20.98, -23.46

 

CMYK 17 / 62 / 0 / 16

HEX #B052D5

RGB 176 82 213

HSL 283.05, 0.61%, 0.58%

LAB 51.91, 58.44, -51.38

 

Description

Color code: RGB 213 112 83 | qconv.com Color code: RGB 213 112 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 112 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 112 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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