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Color name
RGB 213 121 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 121 72 it is the complementary color RGB 42 134 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 121 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 121 72 shade: RGB 218 121 67, RGB 235 139 86, RGB 252 157 105, RGB 255 175 124 and RGB 255 193 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 121 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 196 103 53, RGB 179 85 34, RGB 162 67 15 and RGB 145 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 213 83 72 and RGB 213 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 213 159 72, RGB 213 197 72, RGB 191 213 72 and RGB 153 213 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 121 72 shade matches the following richer shades: RGB 213 121 72, RGB 231 115 53 and RGB 249 110 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 195 126 90, RGB 177 132 108, RGB 159 137 126 and RGB 140 143 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 121 72 shade: RGB 213 72 100, RGB 213 81 72, RGB 213 119 72, RGB 213 156 72 and RGB 213 194 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 121 72 shade: RGB 165 82 37, RGB 199 98 45, RGB 213 121 72, RGB 221 145 105 and RGB 228 170 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 138 213 72 and RGB 72 81 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 72 213 119 and RGB 119 72 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 138 213 72, RGB 72 166 213 and RGB 147 72 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 121 72 shade: RGB 213 121 72, RGB 95 213 72, RGB 72 166 213 and RGB 189 72 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

Complementary color

CMYK 77 / 27 / 0 / 28

HEX #2A86B7

RGB 42 134 183

HSL 200.85, 0.63%, 0.44%

LAB 52.91, -9.74, -33.3

 

CMYK 0 / 44 / 69 / 15

HEX #DA7943

RGB 218 121 67

HSL 21.46, 0.67%, 0.56%

LAB 60.77, 33.4, 45.34

 

CMYK 0 / 41 / 63 / 8

HEX #EB8B56

RGB 235 139 86

HSL 21.34, 0.79%, 0.63%

LAB 67.13, 31.89, 43.53

 

CMYK 0 / 38 / 58 / 1

HEX #FC9D69

RGB 252 157 105

HSL 21.22, 0.96%, 0.7%

LAB 73.43, 30.53, 41.8

 

CMYK 0 / 31 / 51 / 0

HEX #FFAF7C

RGB 255 175 124

HSL 23.36, 1%, 0.74%

LAB 78.1, 23.83, 37.84

 

CMYK 0 / 24 / 44 / 0

HEX #FFC18F

RGB 255 193 143

HSL 26.79, 1%, 0.78%

LAB 82.58, 16.19, 33.76

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 47 / 73 / 23

HEX #C46735

RGB 196 103 53

HSL 20.98, 0.57%, 0.49%

LAB 53.7, 33.28, 43.79

 

CMYK 0 / 53 / 81 / 30

HEX #B35522

RGB 179 85 34

HSL 21.1, 0.68%, 0.42%

LAB 47.23, 35.04, 45.59

 

CMYK 0 / 59 / 91 / 36

HEX #A2430F

RGB 162 67 15

HSL 21.22, 0.83%, 0.35%

LAB 40.78, 36.92, 46.76

 

CMYK 0 / 66 / 100 / 43

HEX #913100

RGB 145 49 0

HSL 20.28, 1%, 0.28%

LAB 34.43, 38.75, 46.31

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 61 / 66 / 16

HEX #D55348

RGB 213 83 72

HSL 4.68, 0.63%, 0.56%

LAB 52.73, 50.51, 33.11

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 25 / 66 / 16

HEX #D59F48

RGB 213 159 72

HSL 37.02, 0.63%, 0.56%

LAB 69.05, 11.23, 51.89

 

CMYK 0 / 8 / 66 / 16

HEX #D5C548

RGB 213 197 72

HSL 53.19, 0.63%, 0.56%

LAB 78.78, -8.77, 62.23

 

CMYK 10 / 0 / 66 / 16

HEX #BFD548

RGB 191 213 72

HSL 69.36, 0.63%, 0.56%

LAB 81.36, -25.84, 64.36

 

CMYK 28 / 0 / 66 / 16

HEX #99D548

RGB 153 213 72

HSL 85.53, 0.63%, 0.56%

LAB 78.94, -40.57, 61.08

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 50 / 77 / 9

HEX #E77335

RGB 231 115 53

HSL 20.9, 0.79%, 0.56%

LAB 61.23, 40.97, 53.15

 

CMYK 0 / 56 / 86 / 2

HEX #F96E23

RGB 249 110 35

HSL 21.03, 0.95%, 0.56%

LAB 62.85, 49.65, 63

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 35 / 54 / 24

HEX #C37E5A

RGB 195 126 90

HSL 20.57, 0.47%, 0.56%

LAB 59.22, 22.95, 30.55

 

CMYK 0 / 25 / 39 / 31

HEX #B1846C

RGB 177 132 108

HSL 20.87, 0.31%, 0.56%

LAB 58.91, 14.06, 19.69

 

CMYK 0 / 14 / 21 / 38

HEX #9F897E

RGB 159 137 126

HSL 20, 0.15%, 0.56%

LAB 58.76, 6.48, 8.96

 

CMYK 3 / 1 / 0 / 44

HEX #8C8F90

RGB 140 143 144

HSL 195, 0.02%, 0.56%

LAB 59.19, -0.89, -0.92

 

CMYK 0 / 66 / 53 / 16

HEX #D54864

RGB 213 72 100

HSL 348.09, 0.63%, 0.56%

LAB 51.5, 57.11, 15.02

 

CMYK 0 / 62 / 66 / 16

HEX #D55148

RGB 213 81 72

HSL 3.83, 0.63%, 0.56%

LAB 52.4, 51.39, 32.7

 

CMYK 0 / 44 / 66 / 16

HEX #D57748

RGB 213 119 72

HSL 20, 0.63%, 0.56%

LAB 59.71, 32.73, 41.39

 

CMYK 0 / 27 / 66 / 16

HEX #D59C48

RGB 213 156 72

HSL 35.74, 0.63%, 0.56%

LAB 68.31, 12.85, 51.08

 

CMYK 0 / 9 / 66 / 16

HEX #D5C248

RGB 213 194 72

HSL 51.91, 0.63%, 0.56%

LAB 77.99, -7.23, 61.41

 

CMYK 0 / 50 / 78 / 35

HEX #A55225

RGB 165 82 37

HSL 21.09, 0.63%, 0.4%

LAB 44.47, 31.02, 40.73

 

CMYK 0 / 51 / 77 / 22

HEX #C7622D

RGB 199 98 45

HSL 20.65, 0.63%, 0.48%

LAB 53.02, 36.74, 47.14

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 0 / 34 / 52 / 13

HEX #DD9169

RGB 221 145 105

HSL 20.69, 0.63%, 0.64%

LAB 67.01, 24.53, 32.95

 

CMYK 0 / 25 / 39 / 11

HEX #E4AA8B

RGB 228 170 139

HSL 20.9, 0.62%, 0.72%

LAB 74.26, 17.33, 24.29

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 35 / 0 / 66 / 16

HEX #8AD548

RGB 138 213 72

HSL 91.91, 0.63%, 0.56%

LAB 78.15, -45.9, 60

 

CMYK 66 / 62 / 0 / 16

HEX #4851D5

RGB 72 81 213

HSL 236.17, 0.63%, 0.56%

LAB 41.32, 38.05, -69.01

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 66 / 0 / 44 / 16

HEX #48D577

RGB 72 213 119

HSL 140, 0.63%, 0.56%

LAB 76.25, -57.98, 35.63

 

CMYK 44 / 66 / 0 / 16

HEX #7748D5

RGB 119 72 213

HSL 260, 0.63%, 0.56%

LAB 43.3, 51.08, -65.61

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 35 / 0 / 66 / 16

HEX #8AD548

RGB 138 213 72

HSL 91.91, 0.63%, 0.56%

LAB 78.15, -45.9, 60

 

CMYK 66 / 22 / 0 / 16

HEX #48A6D5

RGB 72 166 213

HSL 200, 0.63%, 0.56%

LAB 64.53, -13.15, -32.04

 

CMYK 31 / 66 / 0 / 16

HEX #9348D5

RGB 147 72 213

HSL 271.91, 0.63%, 0.56%

LAB 46.5, 56.67, -60.28

 

CMYK 0 / 43 / 66 / 16

HEX #D57948

RGB 213 121 72

HSL 20.85, 0.63%, 0.56%

LAB 60.15, 31.68, 41.9

 

CMYK 55 / 0 / 66 / 16

HEX #5FD548

RGB 95 213 72

HSL 110.21, 0.63%, 0.56%

LAB 76.37, -58.91, 57.57

 

CMYK 66 / 22 / 0 / 16

HEX #48A6D5

RGB 72 166 213

HSL 200, 0.63%, 0.56%

LAB 64.53, -13.15, -32.04

 

CMYK 11 / 66 / 0 / 16

HEX #BD48D5

RGB 189 72 213

HSL 289.79, 0.63%, 0.56%

LAB 52.13, 65.8, -50.94

 

Description

Color code: RGB 213 121 72 | qconv.com Color code: RGB 213 121 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 121 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 121 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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