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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 130 216 it is the complementary color RGB 42 125 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 130 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 130 216 shade: RGB 218 130 211, RGB 235 148 230, RGB 252 166 249, RGB 255 184 255 and RGB 255 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 130 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 130 216 shade: RGB 213 130 216, RGB 196 112 197, RGB 179 94 178, RGB 162 76 159 and RGB 145 58 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 130 216 shade: RGB 212 130 215, RGB 215 130 195, RGB 215 130 173, RGB 215 130 150 and RGB 215 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 130 216 shade: RGB 212 130 215, RGB 189 130 215, RGB 167 130 215, RGB 144 130 215 and RGB 130 130 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 130 216 shade matches the following richer shades: RGB 212 130 215, RGB 225 117 229 and RGB 237 104 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 130 216 shade: RGB 212 130 215, RGB 200 144 202, RGB 188 157 189, RGB 176 170 176 and RGB 163 183 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 130 216 shade: RGB 166 130 215, RGB 188 130 215, RGB 211 130 215, RGB 215 130 197 and RGB 215 130 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 130 216 shade: RGB 191 68 196, RGB 202 99 205, RGB 212 130 215, RGB 223 162 225 and RGB 234 193 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 130 216 shade: RGB 213 130 216, RGB 215 143 130 and RGB 130 215 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 130 216 shade: RGB 213 130 216, RGB 215 211 130 and RGB 130 215 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 130 216 shade: RGB 213 130 216, RGB 215 143 130, RGB 135 215 130 and RGB 130 203 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 130 216 shade: RGB 213 130 216, RGB 215 169 130, RGB 135 215 130 and RGB 130 177 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

Complementary color

CMYK 66 / 0 / 69 / 51

HEX #2A7D27

RGB 42 125 39

HSL 117.91, 0.52%, 0.32%

LAB 46.05, -42.51, 38.26

 

CMYK 0 / 40 / 3 / 15

HEX #DA82D3

RGB 218 130 211

HSL 304.77, 0.54%, 0.68%

LAB 66.19, 45.69, -27.49

 

CMYK 0 / 37 / 2 / 8

HEX #EB94E6

RGB 235 148 230

HSL 303.45, 0.69%, 0.75%

LAB 72.6, 44.96, -27.98

 

CMYK 0 / 34 / 1 / 1

HEX #FCA6F9

RGB 252 166 249

HSL 302.09, 0.93%, 0.82%

LAB 78.93, 44.24, -28.42

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

CMYK 1 / 43 / 0 / 23

HEX #C470C5

RGB 196 112 197

HSL 299.29, 0.42%, 0.61%

LAB 59.3, 45.81, -30.47

 

CMYK 0 / 47 / 1 / 30

HEX #B35EB2

RGB 179 94 178

HSL 300.71, 0.36%, 0.54%

LAB 52.73, 46.53, -29.94

 

CMYK 0 / 53 / 2 / 36

HEX #A24C9F

RGB 162 76 159

HSL 302.09, 0.36%, 0.47%

LAB 46.11, 47.16, -29.27

 

CMYK 0 / 60 / 3 / 43

HEX #913A8C

RGB 145 58 140

HSL 303.45, 0.43%, 0.4%

LAB 39.48, 47.6, -28.39

 

CMYK 1 / 40 / 0 / 16

HEX #D482D7

RGB 212 130 215

HSL 297.88, 0.52%, 0.68%

LAB 65.65, 44.58, -30.62

 

CMYK 0 / 40 / 9 / 16

HEX #D782C3

RGB 215 130 195

HSL 314.12, 0.52%, 0.68%

LAB 65.24, 41.98, -20.02

 

CMYK 0 / 40 / 20 / 16

HEX #D782AD

RGB 215 130 173

HSL 329.65, 0.52%, 0.68%

LAB 64.51, 38.45, -8.71

 

CMYK 0 / 40 / 30 / 16

HEX #D78296

RGB 215 130 150

HSL 345.88, 0.52%, 0.68%

LAB 63.85, 35.19, 3.38

 

CMYK 0 / 40 / 40 / 16

HEX #D78282

RGB 215 130 130

HSL 0, 0.52%, 0.68%

LAB 63.36, 32.73, 14.05

 

CMYK 1 / 40 / 0 / 16

HEX #D482D7

RGB 212 130 215

HSL 297.88, 0.52%, 0.68%

LAB 65.65, 44.58, -30.62

 

CMYK 12 / 40 / 0 / 16

HEX #BD82D7

RGB 189 130 215

HSL 281.65, 0.52%, 0.68%

LAB 63.09, 37.62, -34.79

 

CMYK 22 / 40 / 0 / 16

HEX #A782D7

RGB 167 130 215

HSL 266.12, 0.52%, 0.68%

LAB 60.86, 31.1, -38.44

 

CMYK 33 / 40 / 0 / 16

HEX #9082D7

RGB 144 130 215

HSL 249.88, 0.52%, 0.68%

LAB 58.79, 24.56, -41.83

 

CMYK 40 / 40 / 0 / 16

HEX #8282D7

RGB 130 130 215

HSL 240, 0.52%, 0.68%

LAB 57.67, 20.8, -43.67

 

CMYK 1 / 40 / 0 / 16

HEX #D482D7

RGB 212 130 215

HSL 297.88, 0.52%, 0.68%

LAB 65.65, 44.58, -30.62

 

CMYK 2 / 49 / 0 / 10

HEX #E175E5

RGB 225 117 229

HSL 297.86, 0.68%, 0.68%

LAB 65.27, 57.47, -38.87

 

CMYK 2 / 57 / 0 / 5

HEX #ED68F2

RGB 237 104 242

HSL 297.83, 0.84%, 0.68%

LAB 65.21, 68.87, -46.05

 

CMYK 1 / 40 / 0 / 16

HEX #D482D7

RGB 212 130 215

HSL 297.88, 0.52%, 0.68%

LAB 65.65, 44.58, -30.62

 

CMYK 1 / 29 / 0 / 21

HEX #C890CA

RGB 200 144 202

HSL 297.93, 0.35%, 0.68%

LAB 66.89, 30.82, -21.57

 

CMYK 1 / 17 / 0 / 26

HEX #BC9DBD

RGB 188 157 189

HSL 298.13, 0.2%, 0.68%

LAB 68.37, 17.11, -12.21

 

CMYK 0 / 3 / 0 / 31

HEX #B0AAB0

RGB 176 170 176

HSL 300, 0.04%, 0.68%

LAB 70.26, 3.26, -2.32

 

CMYK 11 / 0 / 11 / 28

HEX #A3B7A3

RGB 163 183 163

HSL 120, 0.12%, 0.68%

LAB 72.43, -10.73, 7.85

 

CMYK 23 / 40 / 0 / 16

HEX #A682D7

RGB 166 130 215

HSL 265.41, 0.52%, 0.68%

LAB 60.76, 30.8, -38.59

 

CMYK 13 / 40 / 0 / 16

HEX #BC82D7

RGB 188 130 215

HSL 280.94, 0.52%, 0.68%

LAB 62.98, 37.32, -34.97

 

CMYK 2 / 40 / 0 / 16

HEX #D382D7

RGB 211 130 215

HSL 297.18, 0.52%, 0.68%

LAB 65.53, 44.28, -30.81

 

CMYK 0 / 40 / 8 / 16

HEX #D782C5

RGB 215 130 197

HSL 312.71, 0.52%, 0.68%

LAB 65.31, 42.32, -21.03

 

CMYK 0 / 40 / 19 / 16

HEX #D782AE

RGB 215 130 174

HSL 328.94, 0.52%, 0.68%

LAB 64.54, 38.6, -9.23

 

CMYK 3 / 65 / 0 / 23

HEX #BF44C4

RGB 191 68 196

HSL 297.66, 0.52%, 0.52%

LAB 50.92, 64.82, -43.1

 

CMYK 1 / 52 / 0 / 20

HEX #CA63CD

RGB 202 99 205

HSL 298.3, 0.51%, 0.6%

LAB 57.93, 55.52, -37.1

 

CMYK 1 / 40 / 0 / 16

HEX #D482D7

RGB 212 130 215

HSL 297.88, 0.52%, 0.68%

LAB 65.65, 44.58, -30.62

 

CMYK 1 / 28 / 0 / 12

HEX #DFA2E1

RGB 223 162 225

HSL 298.1, 0.51%, 0.76%

LAB 74.17, 32.85, -22.95

 

CMYK 0 / 18 / 0 / 8

HEX #EAC1EB

RGB 234 193 235

HSL 298.57, 0.51%, 0.84%

LAB 82.72, 21.68, -15.32

 

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

CMYK 0 / 33 / 40 / 16

HEX #D78F82

RGB 215 143 130

HSL 9.18, 0.52%, 0.68%

LAB 66.29, 25.75, 18.12

 

CMYK 40 / 0 / 18 / 16

HEX #82D7B1

RGB 130 215 177

HSL 153.18, 0.52%, 0.68%

LAB 79.91, -34.26, 10.73

 

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

CMYK 0 / 2 / 40 / 16

HEX #D7D382

RGB 215 211 130

HSL 57.18, 0.52%, 0.68%

LAB 83.26, -10.3, 40.57

 

CMYK 40 / 0 / 2 / 16

HEX #82D7D3

RGB 130 215 211

HSL 177.18, 0.52%, 0.68%

LAB 80.77, -26.64, -6.14

 

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

CMYK 0 / 33 / 40 / 16

HEX #D78F82

RGB 215 143 130

HSL 9.18, 0.52%, 0.68%

LAB 66.29, 25.75, 18.12

 

CMYK 37 / 0 / 40 / 16

HEX #87D782

RGB 135 215 130

HSL 116.47, 0.52%, 0.68%

LAB 79.25, -41.18, 34.39

 

CMYK 40 / 6 / 0 / 16

HEX #82CBD7

RGB 130 203 215

HSL 188.47, 0.52%, 0.68%

LAB 77.5, -19.69, -13.15

 

CMYK 1 / 40 / 0 / 15

HEX #D582D8

RGB 213 130 216

HSL 297.91, 0.52%, 0.68%

LAB 65.8, 45.07, -30.93

 

CMYK 0 / 21 / 40 / 16

HEX #D7A982

RGB 215 169 130

HSL 27.53, 0.52%, 0.68%

LAB 72.52, 11.71, 26.57

 

CMYK 37 / 0 / 40 / 16

HEX #87D782

RGB 135 215 130

HSL 116.47, 0.52%, 0.68%

LAB 79.25, -41.18, 34.39

 

CMYK 40 / 18 / 0 / 16

HEX #82B1D7

RGB 130 177 215

HSL 206.82, 0.52%, 0.68%

LAB 70.24, -6.02, -24.13

 

Description

Color code: RGB 213 130 216 | qconv.com Color code: RGB 213 130 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 130 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 130 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 40 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 40% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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