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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 140 46 it is the complementary color RGB 42 115 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 140 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 140 46 shade: RGB 218 140 41, RGB 235 158 60, RGB 252 176 79, RGB 255 194 98 and RGB 255 212 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 140 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 196 122 27, RGB 179 104 8, RGB 162 86 0 and RGB 145 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 213 95 46, RGB 213 50 46 and RGB 213 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 213 185 46, RGB 196 213 46, RGB 151 213 46 and RGB 106 213 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 140 46 shade matches the following richer shades: RGB 213 140 46, RGB 233 143 26 and RGB 254 145 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 193 138 66, RGB 173 135 86, RGB 153 132 106 and RGB 132 130 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 140 46 shade: RGB 213 49 46, RGB 213 93 46, RGB 213 138 46, RGB 213 183 46 and RGB 199 213 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 140 46 shade: RGB 148 96 29, RGB 182 118 36, RGB 213 140 46, RGB 220 159 80 and RGB 227 178 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 88 213 46 and RGB 71 46 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 46 213 138 and RGB 138 46 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 88 213 46, RGB 46 121 213 and RGB 171 46 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 140 46 shade: RGB 213 140 46, RGB 46 213 54, RGB 46 121 213 and RGB 213 46 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

Complementary color

CMYK 80 / 45 / 0 / 18

HEX #2A73D1

RGB 42 115 209

HSL 213.77, 0.67%, 0.49%

LAB 48.71, 11.35, -54.82

 

CMYK 0 / 36 / 81 / 15

HEX #DA8C29

RGB 218 140 41

HSL 33.56, 0.71%, 0.51%

LAB 64.82, 22.2, 60.83

 

CMYK 0 / 33 / 74 / 8

HEX #EB9E3C

RGB 235 158 60

HSL 33.6, 0.81%, 0.58%

LAB 71.17, 20.48, 60.14

 

CMYK 0 / 30 / 69 / 1

HEX #FCB04F

RGB 252 176 79

HSL 33.64, 0.97%, 0.65%

LAB 77.47, 18.98, 59.05

 

CMYK 0 / 24 / 62 / 0

HEX #FFC262

RGB 255 194 98

HSL 36.69, 1%, 0.69%

LAB 82.23, 11.93, 55.73

 

CMYK 0 / 17 / 54 / 0

HEX #FFD475

RGB 255 212 117

HSL 41.3, 1%, 0.73%

LAB 86.82, 4.01, 52.11

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 38 / 86 / 23

HEX #C47A1B

RGB 196 122 27

HSL 33.73, 0.76%, 0.44%

LAB 57.78, 22.11, 58.44

 

CMYK 0 / 42 / 96 / 30

HEX #B36808

RGB 179 104 8

HSL 33.68, 0.91%, 0.37%

LAB 51.27, 24.24, 57.3

 

CMYK 0 / 47 / 100 / 36

HEX #A25600

RGB 162 86 0

HSL 31.85, 1%, 0.32%

LAB 44.71, 26.65, 53.67

 

CMYK 0 / 53 / 100 / 43

HEX #914400

RGB 145 68 0

HSL 28.14, 1%, 0.28%

LAB 38.12, 29.18, 48.36

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 55 / 78 / 16

HEX #D55F2E

RGB 213 95 46

HSL 17.6, 0.67%, 0.51%

LAB 54.58, 43.69, 48.92

 

CMYK 0 / 77 / 78 / 16

HEX #D5322E

RGB 213 50 46

HSL 1.44, 0.67%, 0.51%

LAB 47.78, 61.97, 42.07

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 13 / 78 / 16

HEX #D5B92E

RGB 213 185 46

HSL 49.94, 0.67%, 0.51%

LAB 75.48, -3.79, 68.51

 

CMYK 8 / 0 / 78 / 16

HEX #C4D52E

RGB 196 213 46

HSL 66.11, 0.67%, 0.51%

LAB 81.58, -25.06, 73.44

 

CMYK 29 / 0 / 78 / 16

HEX #97D52E

RGB 151 213 46

HSL 82.28, 0.67%, 0.51%

LAB 78.67, -42.83, 69.73

 

CMYK 50 / 0 / 78 / 16

HEX #6AD52E

RGB 106 213 46

HSL 98.44, 0.67%, 0.51%

LAB 76.59, -57.78, 67.04

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 39 / 89 / 9

HEX #E98F1A

RGB 233 143 26

HSL 33.91, 0.82%, 0.51%

LAB 67.31, 26.56, 68.26

 

CMYK 0 / 43 / 98 / 0

HEX #FE9105

RGB 254 145 5

HSL 33.73, 0.99%, 0.51%

LAB 70.41, 33.92, 75.35

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 28 / 66 / 24

HEX #C18A42

RGB 193 138 66

HSL 34.02, 0.51%, 0.51%

LAB 61.57, 13.69, 45.87

 

CMYK 0 / 22 / 50 / 32

HEX #AD8756

RGB 173 135 86

HSL 33.79, 0.35%, 0.51%

LAB 58.87, 8.31, 31.77

 

CMYK 0 / 14 / 31 / 40

HEX #99846A

RGB 153 132 106

HSL 33.19, 0.19%, 0.51%

LAB 56.4, 3.91, 17

 

CMYK 0 / 2 / 4 / 48

HEX #84827F

RGB 132 130 127

HSL 36, 0.02%, 0.51%

LAB 54.45, 0.17, 1.88

 

CMYK 0 / 77 / 78 / 16

HEX #D5312E

RGB 213 49 46

HSL 1.08, 0.67%, 0.51%

LAB 47.68, 62.27, 41.96

 

CMYK 0 / 56 / 78 / 16

HEX #D55D2E

RGB 213 93 46

HSL 16.89, 0.67%, 0.51%

LAB 54.21, 44.66, 48.55

 

CMYK 0 / 35 / 78 / 16

HEX #D58A2E

RGB 213 138 46

HSL 33.05, 0.67%, 0.51%

LAB 63.77, 21.32, 57.76

 

CMYK 0 / 14 / 78 / 16

HEX #D5B72E

RGB 213 183 46

HSL 49.22, 0.67%, 0.51%

LAB 74.96, -2.74, 68.04

 

CMYK 7 / 0 / 78 / 16

HEX #C7D52E

RGB 199 213 46

HSL 65.03, 0.67%, 0.51%

LAB 81.8, -23.82, 73.72

 

CMYK 0 / 35 / 80 / 42

HEX #94601D

RGB 148 96 29

HSL 33.78, 0.67%, 0.35%

LAB 45.29, 15.4, 44.38

 

CMYK 0 / 35 / 80 / 29

HEX #B67624

RGB 182 118 36

HSL 33.7, 0.67%, 0.43%

LAB 55.1, 18.47, 52.24

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 0 / 28 / 64 / 14

HEX #DC9F50

RGB 220 159 80

HSL 33.86, 0.67%, 0.59%

LAB 69.89, 14.7, 49.25

 

CMYK 0 / 22 / 49 / 11

HEX #E3B273

RGB 227 178 115

HSL 33.75, 0.67%, 0.67%

LAB 75.71, 10.2, 38.86

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 59 / 0 / 78 / 16

HEX #58D52E

RGB 88 213 46

HSL 104.91, 0.67%, 0.51%

LAB 75.98, -62.56, 66.25

 

CMYK 67 / 78 / 0 / 16

HEX #472ED5

RGB 71 46 213

HSL 248.98, 0.67%, 0.51%

LAB 34.19, 57.36, -80.74

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 78 / 0 / 35 / 16

HEX #2ED58A

RGB 46 213 138

HSL 153.05, 0.67%, 0.51%

LAB 76.07, -58.3, 25.58

 

CMYK 35 / 78 / 0 / 16

HEX #8A2ED5

RGB 138 46 213

HSL 273.05, 0.67%, 0.51%

LAB 41.47, 65.96, -68.5

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 59 / 0 / 78 / 16

HEX #58D52E

RGB 88 213 46

HSL 104.91, 0.67%, 0.51%

LAB 75.98, -62.56, 66.25

 

CMYK 78 / 43 / 0 / 16

HEX #2E79D5

RGB 46 121 213

HSL 213.05, 0.67%, 0.51%

LAB 50.76, 9.52, -53.8

 

CMYK 20 / 78 / 0 / 16

HEX #AB2ED5

RGB 171 46 213

HSL 284.91, 0.67%, 0.51%

LAB 46.2, 71.51, -60.61

 

CMYK 0 / 34 / 78 / 16

HEX #D58C2E

RGB 213 140 46

HSL 33.77, 0.67%, 0.51%

LAB 64.24, 20.24, 58.2

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 78 / 43 / 0 / 16

HEX #2E79D5

RGB 46 121 213

HSL 213.05, 0.67%, 0.51%

LAB 50.76, 9.52, -53.8

 

CMYK 0 / 78 / 4 / 16

HEX #D52ECD

RGB 213 46 205

HSL 302.87, 0.67%, 0.51%

LAB 52.41, 78.07, -45.7

 

Description

Color code: RGB 213 140 46 | qconv.com Color code: RGB 213 140 46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 140 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 140 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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