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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 190 16 it is the complementary color RGB 42 65 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 190 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 190 16 shade: RGB 218 190 11, RGB 235 208 30, RGB 252 226 49, RGB 255 244 68 and RGB 255 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 190 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 196 172 0, RGB 179 154 0, RGB 162 136 0 and RGB 145 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 213 137 16, RGB 213 83 16, RGB 213 30 16 and RGB 213 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 183 213 16, RGB 130 213 16, RGB 76 213 16 and RGB 23 213 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 190 16 shade matches the following richer shades: RGB 213 190 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 194 176 34, RGB 176 161 53, RGB 157 147 71 and RGB 139 133 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 190 16 shade: RGB 213 81 16, RGB 213 134 16, RGB 213 187 16, RGB 187 213 16 and RGB 134 213 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 190 16 shade: RGB 136 121 10, RGB 175 156 13, RGB 213 190 16, RGB 238 214 32 and RGB 241 221 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 16 213 29 and RGB 108 16 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 16 213 187 and RGB 187 16 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 16 213 29, RGB 16 42 213 and RGB 213 16 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 190 16 shade: RGB 213 190 16, RGB 16 213 88, RGB 16 42 213 and RGB 213 16 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

Complementary color

CMYK 82 / 73 / 0 / 6

HEX #2A41EF

RGB 42 65 239

HSL 232.99, 0.86%, 0.55%

LAB 38.73, 53.45, -88.12

 

CMYK 0 / 13 / 95 / 15

HEX #DABE0B

RGB 218 190 11

HSL 51.88, 0.9%, 0.45%

LAB 77.14, -4.97, 77.48

 

CMYK 0 / 11 / 87 / 8

HEX #EBD01E

RGB 235 208 30

HSL 52.1, 0.84%, 0.52%

LAB 83.37, -6.56, 80.04

 

CMYK 0 / 10 / 81 / 1

HEX #FCE231

RGB 252 226 49

HSL 52.32, 0.97%, 0.59%

LAB 89.54, -7.94, 81.35

 

CMYK 0 / 4 / 73 / 0

HEX #FFF444

RGB 255 244 68

HSL 56.47, 1%, 0.63%

LAB 94.47, -14.9, 80.29

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 0 / 12 / 100 / 23

HEX #C4AC00

RGB 196 172 0

HSL 52.65, 1%, 0.38%

LAB 70.34, -5.4, 72.83

 

CMYK 0 / 14 / 100 / 30

HEX #B39A00

RGB 179 154 0

HSL 51.62, 1%, 0.35%

LAB 63.91, -3.47, 67.51

 

CMYK 0 / 16 / 100 / 36

HEX #A28800

RGB 162 136 0

HSL 50.37, 1%, 0.32%

LAB 57.36, -1.47, 62.1

 

CMYK 0 / 19 / 100 / 43

HEX #917600

RGB 145 118 0

HSL 48.83, 1%, 0.28%

LAB 50.66, 0.63, 56.57

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 0 / 36 / 92 / 16

HEX #D58910

RGB 213 137 16

HSL 36.85, 0.86%, 0.45%

LAB 63.4, 21.1, 66.46

 

CMYK 0 / 61 / 92 / 16

HEX #D55310

RGB 213 83 16

HSL 20.41, 0.86%, 0.45%

LAB 52.25, 48.59, 58.59

 

CMYK 0 / 86 / 92 / 16

HEX #D51E10

RGB 213 30 16

HSL 4.26, 0.86%, 0.45%

LAB 45.79, 66.36, 54.37

 

CMYK 0 / 92 / 92 / 16

HEX #D51010

RGB 213 16 16

HSL 0, 0.86%, 0.45%

LAB 45.02, 68.57, 53.89

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 14 / 0 / 92 / 16

HEX #B7D510

RGB 183 213 16

HSL 69.14, 0.86%, 0.45%

LAB 80.57, -31.17, 78.3

 

CMYK 39 / 0 / 92 / 16

HEX #82D510

RGB 130 213 16

HSL 85.28, 0.86%, 0.45%

LAB 77.5, -51.27, 74.56

 

CMYK 64 / 0 / 92 / 16

HEX #4CD510

RGB 76 213 16

HSL 101.73, 0.86%, 0.45%

LAB 75.55, -66.47, 72.16

 

CMYK 89 / 0 / 92 / 16

HEX #17D510

RGB 23 213 16

HSL 117.87, 0.86%, 0.45%

LAB 74.7, -73.88, 71.11

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 0 / 9 / 82 / 24

HEX #C2B022

RGB 194 176 34

HSL 53.25, 0.7%, 0.45%

LAB 71.31, -7.78, 67.69

 

CMYK 0 / 9 / 70 / 31

HEX #B0A135

RGB 176 161 53

HSL 52.68, 0.54%, 0.45%

LAB 65.73, -7.04, 55.54

 

CMYK 0 / 6 / 55 / 38

HEX #9D9347

RGB 157 147 71

HSL 53.02, 0.38%, 0.45%

LAB 60.33, -6.63, 41.01

 

CMYK 0 / 4 / 35 / 45

HEX #8B855A

RGB 139 133 90

HSL 52.65, 0.21%, 0.45%

LAB 55.07, -4.66, 24.03

 

CMYK 0 / 62 / 92 / 16

HEX #D55110

RGB 213 81 16

HSL 19.8, 0.86%, 0.45%

LAB 51.91, 49.49, 58.36

 

CMYK 0 / 37 / 92 / 16

HEX #D58610

RGB 213 134 16

HSL 35.94, 0.86%, 0.45%

LAB 62.7, 22.72, 65.95

 

CMYK 0 / 12 / 92 / 16

HEX #D5BB10

RGB 213 187 16

HSL 52.08, 0.86%, 0.45%

LAB 75.9, -5.54, 75.74

 

CMYK 12 / 0 / 92 / 16

HEX #BBD510

RGB 187 213 16

HSL 67.92, 0.86%, 0.45%

LAB 80.84, -29.53, 78.63

 

CMYK 37 / 0 / 92 / 16

HEX #86D510

RGB 134 213 16

HSL 84.06, 0.86%, 0.45%

LAB 77.69, -49.9, 74.8

 

CMYK 0 / 11 / 93 / 47

HEX #88790A

RGB 136 121 10

HSL 52.86, 0.86%, 0.29%

LAB 50.61, -5.13, 54.15

 

CMYK 0 / 11 / 93 / 31

HEX #AF9C0D

RGB 175 156 13

HSL 52.96, 0.86%, 0.37%

LAB 64.1, -6.18, 65.66

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 0 / 10 / 87 / 7

HEX #EED620

RGB 238 214 32

HSL 53.01, 0.86%, 0.53%

LAB 85.19, -8.27, 81.2

 

CMYK 0 / 8 / 71 / 5

HEX #F1DD46

RGB 241 221 70

HSL 52.98, 0.86%, 0.61%

LAB 87.41, -9.26, 72.46

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 92 / 0 / 86 / 16

HEX #10D51D

RGB 16 213 29

HSL 123.96, 0.86%, 0.45%

LAB 74.69, -73.87, 68.89

 

CMYK 49 / 92 / 0 / 16

HEX #6C10D5

RGB 108 16 213

HSL 268.02, 0.86%, 0.45%

LAB 34.73, 70.49, -79.72

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 92 / 0 / 12 / 16

HEX #10D5BB

RGB 16 213 187

HSL 172.08, 0.86%, 0.45%

LAB 76.85, -48.88, 0.64

 

CMYK 12 / 92 / 0 / 16

HEX #BB10D5

RGB 187 16 213

HSL 292.08, 0.86%, 0.45%

LAB 46.63, 80.35, -59.78

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 92 / 0 / 86 / 16

HEX #10D51D

RGB 16 213 29

HSL 123.96, 0.86%, 0.45%

LAB 74.69, -73.87, 68.89

 

CMYK 92 / 80 / 0 / 16

HEX #102AD5

RGB 16 42 213

HSL 232.08, 0.86%, 0.45%

LAB 30.81, 56.2, -86.42

 

CMYK 0 / 92 / 6 / 16

HEX #D510C8

RGB 213 16 200

HSL 303.96, 0.86%, 0.45%

LAB 50.32, 82.65, -46.13

 

CMYK 0 / 11 / 92 / 16

HEX #D5BE10

RGB 213 190 16

HSL 52.99, 0.86%, 0.45%

LAB 76.69, -7.09, 76.33

 

CMYK 92 / 0 / 59 / 16

HEX #10D558

RGB 16 213 88

HSL 141.93, 0.86%, 0.45%

LAB 75.08, -68.97, 48.88

 

CMYK 92 / 80 / 0 / 16

HEX #102AD5

RGB 16 42 213

HSL 232.08, 0.86%, 0.45%

LAB 30.81, 56.2, -86.42

 

CMYK 0 / 92 / 34 / 16

HEX #D5108D

RGB 213 16 141

HSL 321.93, 0.86%, 0.45%

LAB 47.55, 75.49, -15.56

 

Description

Color code: RGB 213 190 16 | qconv.com Color code: RGB 213 190 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 190 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 190 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 92 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 92% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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