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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 52 232 it is the complementary color RGB 42 203 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 52 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 52 232 shade: RGB 218 52 227, RGB 235 70 246, RGB 252 88 255, RGB 255 106 255 and RGB 255 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 52 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 52 232 shade: RGB 213 52 232, RGB 196 34 213, RGB 179 16 194, RGB 162 0 175 and RGB 145 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 52 232 shade: RGB 213 53 232, RGB 232 53 203, RGB 232 53 154, RGB 232 53 106 and RGB 232 53 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 52 232 shade: RGB 213 53 232, RGB 165 53 232, RGB 116 53 232, RGB 68 53 232 and RGB 53 53 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 52 232 shade matches the following richer shades: RGB 213 53 232 and RGB 227 34 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 52 232 shade: RGB 213 53 232, RGB 199 71 214, RGB 184 89 196, RGB 170 107 178 and RGB 156 125 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 52 232 shade: RGB 115 53 232, RGB 163 53 232, RGB 211 53 232, RGB 232 53 205 and RGB 232 53 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 52 232 shade: RGB 165 20 182, RGB 199 24 219, RGB 213 53 232, RGB 221 90 236 and RGB 228 127 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 52 232 shade: RGB 213 52 232, RGB 232 68 53 and RGB 53 232 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 52 232 shade: RGB 213 52 232, RGB 232 211 53 and RGB 53 232 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 52 232 shade: RGB 213 52 232, RGB 232 68 53, RGB 73 232 53 and RGB 53 217 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 52 232 shade: RGB 213 52 232, RGB 232 121 53, RGB 73 232 53 and RGB 53 163 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

Complementary color

CMYK 79 / 0 / 89 / 20

HEX #2ACB17

RGB 42 203 23

HSL 113.67, 0.8%, 0.44%

LAB 71.74, -69.02, 67.58

 

CMYK 4 / 77 / 0 / 11

HEX #DA34E3

RGB 218 52 227

HSL 296.91, 0.76%, 0.55%

LAB 54.98, 80.87, -54.08

 

CMYK 4 / 72 / 0 / 4

HEX #EB46F6

RGB 235 70 246

HSL 296.25, 0.91%, 0.62%

LAB 60.51, 81.97, -55.73

 

CMYK 1 / 65 / 0 / 0

HEX #FC58FF

RGB 252 88 255

HSL 298.92, 1%, 0.67%

LAB 65.67, 80.88, -52.36

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

CMYK 8 / 84 / 0 / 16

HEX #C422D5

RGB 196 34 213

HSL 294.3, 0.72%, 0.48%

LAB 49.11, 78.91, -55.71

 

CMYK 8 / 92 / 0 / 24

HEX #B310C2

RGB 179 16 194

HSL 294.94, 0.85%, 0.41%

LAB 44.02, 76.02, -53.06

 

CMYK 7 / 100 / 0 / 31

HEX #A200AF

RGB 162 0 175

HSL 295.54, 1%, 0.34%

LAB 39.2, 72, -49.77

 

CMYK 7 / 100 / 0 / 39

HEX #91009C

RGB 145 0 156

HSL 295.77, 1%, 0.31%

LAB 34.84, 66.26, -45.51

 

CMYK 8 / 77 / 0 / 9

HEX #D535E8

RGB 213 53 232

HSL 293.63, 0.8%, 0.56%

LAB 54.57, 80.47, -57.59

 

CMYK 0 / 77 / 13 / 9

HEX #E835CB

RGB 232 53 203

HSL 309.72, 0.8%, 0.56%

LAB 56.1, 79.87, -38.5

 

CMYK 0 / 77 / 34 / 9

HEX #E8359A

RGB 232 53 154

HSL 326.15, 0.8%, 0.56%

LAB 54.06, 73.89, -13.13

 

CMYK 0 / 77 / 54 / 9

HEX #E8356A

RGB 232 53 106

HSL 342.23, 0.8%, 0.56%

LAB 52.67, 69.61, 13.56

 

CMYK 0 / 77 / 75 / 9

HEX #E83539

RGB 232 53 57

HSL 358.66, 0.8%, 0.56%

LAB 51.83, 66.98, 41.4

 

CMYK 8 / 77 / 0 / 9

HEX #D535E8

RGB 213 53 232

HSL 293.63, 0.8%, 0.56%

LAB 54.57, 80.47, -57.59

 

CMYK 29 / 77 / 0 / 9

HEX #A535E8

RGB 165 53 232

HSL 277.54, 0.8%, 0.56%

LAB 47.46, 71.96, -69.43

 

CMYK 50 / 77 / 0 / 9

HEX #7435E8

RGB 116 53 232

HSL 261.12, 0.8%, 0.56%

LAB 41.35, 64.56, -79.66

 

CMYK 71 / 77 / 0 / 9

HEX #4435E8

RGB 68 53 232

HSL 245.03, 0.8%, 0.56%

LAB 37.12, 59.36, -86.79

 

CMYK 77 / 77 / 0 / 9

HEX #3535E8

RGB 53 53 232

HSL 240, 0.8%, 0.56%

LAB 36.23, 58.26, -88.28

 

CMYK 8 / 77 / 0 / 9

HEX #D535E8

RGB 213 53 232

HSL 293.63, 0.8%, 0.56%

LAB 54.57, 80.47, -57.59

 

CMYK 9 / 86 / 0 / 2

HEX #E322FA

RGB 227 34 250

HSL 293.61, 0.96%, 0.56%

LAB 56.46, 89.95, -64.51

 

CMYK 8 / 77 / 0 / 9

HEX #D535E8

RGB 213 53 232

HSL 293.63, 0.8%, 0.56%

LAB 54.57, 80.47, -57.59

 

CMYK 7 / 67 / 0 / 16

HEX #C747D6

RGB 199 71 214

HSL 293.71, 0.64%, 0.56%

LAB 53.5, 68.61, -49.24

 

CMYK 6 / 55 / 0 / 23

HEX #B859C4

RGB 184 89 196

HSL 293.27, 0.48%, 0.56%

LAB 53.3, 53.79, -39.4

 

CMYK 4 / 40 / 0 / 30

HEX #AA6BB2

RGB 170 107 178

HSL 293.24, 0.32%, 0.56%

LAB 54.32, 36.85, -27.57

 

CMYK 2 / 21 / 0 / 38

HEX #9C7D9F

RGB 156 125 159

HSL 294.71, 0.15%, 0.56%

LAB 56.33, 18.16, -13.65

 

CMYK 50 / 77 / 0 / 9

HEX #7335E8

RGB 115 53 232

HSL 260.78, 0.8%, 0.56%

LAB 41.24, 64.43, -79.84

 

CMYK 30 / 77 / 0 / 9

HEX #A335E8

RGB 163 53 232

HSL 276.87, 0.8%, 0.56%

LAB 47.18, 71.62, -69.89

 

CMYK 9 / 77 / 0 / 9

HEX #D335E8

RGB 211 53 232

HSL 292.96, 0.8%, 0.56%

LAB 54.26, 80.1, -58.11

 

CMYK 0 / 77 / 12 / 9

HEX #E835CD

RGB 232 53 205

HSL 309.05, 0.8%, 0.56%

LAB 56.2, 80.14, -39.5

 

CMYK 0 / 77 / 32 / 9

HEX #E8359D

RGB 232 53 157

HSL 325.14, 0.8%, 0.56%

LAB 54.17, 74.21, -14.74

 

CMYK 9 / 89 / 0 / 29

HEX #A514B6

RGB 165 20 182

HSL 293.7, 0.8%, 0.4%

LAB 41.02, 71.18, -50.96

 

CMYK 9 / 89 / 0 / 14

HEX #C718DB

RGB 199 24 219

HSL 293.85, 0.8%, 0.48%

LAB 49.39, 82.14, -58.67

 

CMYK 8 / 77 / 0 / 9

HEX #D535E8

RGB 213 53 232

HSL 293.63, 0.8%, 0.56%

LAB 54.57, 80.47, -57.59

 

CMYK 6 / 62 / 0 / 7

HEX #DD5AEC

RGB 221 90 236

HSL 293.84, 0.79%, 0.64%

LAB 60.55, 69.9, -50.23

 

CMYK 5 / 47 / 0 / 6

HEX #E47FF0

RGB 228 127 240

HSL 293.63, 0.79%, 0.72%

LAB 67.99, 55.4, -40.66

 

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

CMYK 0 / 71 / 77 / 9

HEX #E84435

RGB 232 68 53

HSL 5.03, 0.8%, 0.56%

LAB 53.54, 61.97, 45.39

 

CMYK 77 / 0 / 40 / 9

HEX #35E88B

RGB 53 232 139

HSL 148.83, 0.8%, 0.56%

LAB 82.02, -64.17, 33.01

 

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

CMYK 0 / 9 / 77 / 9

HEX #E8D335

RGB 232 211 53

HSL 52.96, 0.8%, 0.56%

LAB 83.97, -8.71, 74.62

 

CMYK 77 / 0 / 9 / 9

HEX #35E8D3

RGB 53 232 211

HSL 172.96, 0.8%, 0.56%

LAB 83.53, -47.94, -2.31

 

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

CMYK 0 / 71 / 77 / 9

HEX #E84435

RGB 232 68 53

HSL 5.03, 0.8%, 0.56%

LAB 53.54, 61.97, 45.39

 

CMYK 69 / 0 / 77 / 9

HEX #49E835

RGB 73 232 53

HSL 113.3, 0.8%, 0.56%

LAB 81.5, -71.55, 69.3

 

CMYK 77 / 6 / 0 / 9

HEX #35D9E8

RGB 53 217 232

HSL 185.03, 0.8%, 0.56%

LAB 79.73, -35.32, -19.13

 

CMYK 8 / 78 / 0 / 9

HEX #D534E8

RGB 213 52 232

HSL 293.67, 0.8%, 0.56%

LAB 54.48, 80.75, -57.74

 

CMYK 0 / 48 / 77 / 9

HEX #E87935

RGB 232 121 53

HSL 22.79, 0.8%, 0.56%

LAB 62.58, 38.34, 54.53

 

CMYK 69 / 0 / 77 / 9

HEX #49E835

RGB 73 232 53

HSL 113.3, 0.8%, 0.56%

LAB 81.5, -71.55, 69.3

 

CMYK 77 / 30 / 0 / 9

HEX #35A3E8

RGB 53 163 232

HSL 203.13, 0.8%, 0.56%

LAB 63.98, -7.63, -43.42

 

Description

Color code: RGB 213 52 232 | qconv.com Color code: RGB 213 52 232 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 52 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 52 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 78 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 78% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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