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Color name
RGB 213 59 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 59 21 it is the complementary color RGB 42 196 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 59 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 59 21 shade: RGB 218 59 16, RGB 235 77 35, RGB 252 95 54, RGB 255 113 73 and RGB 255 131 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 59 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 196 41 2, RGB 179 23 0, RGB 162 5 0 and RGB 145 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 59 21 shade: RGB 213 59 21 and RGB 213 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 213 111 21, RGB 213 162 21, RGB 212 213 21 and RGB 160 213 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 59 21 shade matches the following richer shades: RGB 213 59 21 and RGB 232 47 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 194 70 40, RGB 175 82 59, RGB 156 93 78 and RGB 137 105 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 59 21 shade: RGB 213 21 88, RGB 213 21 37, RGB 213 56 21, RGB 213 107 21 and RGB 213 158 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 59 21 shade: RGB 138 38 13, RGB 175 48 17, RGB 213 59 21, RGB 233 79 41 and RGB 237 110 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 139 213 21 and RGB 21 62 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 21 213 56 and RGB 56 21 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 139 213 21, RGB 21 178 213 and RGB 94 21 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 59 21 shade: RGB 213 59 21, RGB 82 213 21, RGB 21 178 213 and RGB 152 21 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

Complementary color

CMYK 82 / 16 / 0 / 8

HEX #2AC4EA

RGB 42 196 234

HSL 191.88, 0.82%, 0.54%

LAB 73.49, -25.49, -29.74

 

CMYK 0 / 73 / 93 / 15

HEX #DA3B10

RGB 218 59 16

HSL 12.77, 0.86%, 0.46%

LAB 49.58, 59.9, 57.25

 

CMYK 0 / 67 / 85 / 8

HEX #EB4D23

RGB 235 77 35

HSL 12.6, 0.83%, 0.53%

LAB 55.17, 59.05, 55.74

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F36

RGB 252 95 54

HSL 12.42, 0.97%, 0.6%

LAB 60.91, 57.91, 53.45

 

CMYK 0 / 56 / 71 / 0

HEX #FF7149

RGB 255 113 73

HSL 13.19, 1%, 0.64%

LAB 64.6, 51.7, 48.05

 

CMYK 0 / 49 / 64 / 0

HEX #FF835C

RGB 255 131 92

HSL 14.36, 1%, 0.68%

LAB 68.22, 44.07, 42.35

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 79 / 99 / 23

HEX #C42902

RGB 196 41 2

HSL 12.06, 0.98%, 0.39%

LAB 43.25, 58.74, 55.44

 

CMYK 0 / 87 / 100 / 30

HEX #B31700

RGB 179 23 0

HSL 7.71, 1%, 0.35%

LAB 38.19, 58.23, 51.94

 

CMYK 0 / 97 / 100 / 36

HEX #A20500

RGB 162 5 0

HSL 1.85, 1%, 0.32%

LAB 33.54, 56.39, 47.6

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 90 / 90 / 16

HEX #D51515

RGB 213 21 21

HSL 0, 0.82%, 0.46%

LAB 45.27, 67.97, 52.12

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 48 / 90 / 16

HEX #D56F15

RGB 213 111 21

HSL 28.13, 0.82%, 0.46%

LAB 57.63, 34.99, 61.06

 

CMYK 0 / 24 / 90 / 16

HEX #D5A215

RGB 213 162 21

HSL 44.06, 0.82%, 0.46%

LAB 69.5, 7.71, 70.04

 

CMYK 0 / 0 / 90 / 16

HEX #D4D515

RGB 212 213 21

HSL 60.31, 0.82%, 0.46%

LAB 82.72, -19.01, 80.23

 

CMYK 25 / 0 / 90 / 16

HEX #A0D515

RGB 160 213 21

HSL 76.56, 0.82%, 0.46%

LAB 79.11, -40.23, 75.83

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 80 / 99 / 9

HEX #E82F02

RGB 232 47 2

HSL 11.74, 0.98%, 0.46%

LAB 50.91, 67.58, 63

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 64 / 79 / 24

HEX #C24628

RGB 194 70 40

HSL 11.69, 0.66%, 0.46%

LAB 46.98, 48.14, 43.29

 

CMYK 0 / 53 / 66 / 31

HEX #AF523B

RGB 175 82 59

HSL 11.9, 0.5%, 0.46%

LAB 46.26, 36.21, 31.29

 

CMYK 0 / 40 / 50 / 39

HEX #9C5D4E

RGB 156 93 78

HSL 11.54, 0.33%, 0.46%

LAB 46.24, 24.08, 19.59

 

CMYK 0 / 23 / 29 / 46

HEX #896961

RGB 137 105 97

HSL 12, 0.17%, 0.46%

LAB 47.35, 11.55, 9.42

 

CMYK 0 / 90 / 59 / 16

HEX #D51558

RGB 213 21 88

HSL 339.06, 0.82%, 0.46%

LAB 46.16, 70.49, 15.02

 

CMYK 0 / 90 / 83 / 16

HEX #D51525

RGB 213 21 37

HSL 355, 0.82%, 0.46%

LAB 45.38, 68.29, 44.55

 

CMYK 0 / 74 / 90 / 16

HEX #D53815

RGB 213 56 21

HSL 10.94, 0.82%, 0.46%

LAB 48.3, 59.43, 54.25

 

CMYK 0 / 50 / 90 / 16

HEX #D56B15

RGB 213 107 21

HSL 26.88, 0.82%, 0.46%

LAB 56.8, 37.05, 60.44

 

CMYK 0 / 26 / 90 / 16

HEX #D59E15

RGB 213 158 21

HSL 42.81, 0.82%, 0.46%

LAB 68.5, 9.85, 69.28

 

CMYK 0 / 72 / 91 / 46

HEX #8A260D

RGB 138 38 13

HSL 12, 0.83%, 0.3%

LAB 31.39, 41.2, 38.42

 

CMYK 0 / 73 / 90 / 31

HEX #AF3011

RGB 175 48 17

HSL 11.77, 0.82%, 0.38%

LAB 40.03, 50.01, 46.49

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 0 / 66 / 82 / 9

HEX #E94F29

RGB 233 79 41

HSL 11.88, 0.81%, 0.54%

LAB 55.15, 57.74, 52.95

 

CMYK 0 / 54 / 67 / 7

HEX #ED6E4F

RGB 237 110 79

HSL 11.77, 0.81%, 0.62%

LAB 61.41, 46.9, 40.53

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 35 / 0 / 90 / 16

HEX #8BD515

RGB 139 213 21

HSL 83.13, 0.82%, 0.46%

LAB 77.95, -48.04, 74.41

 

CMYK 90 / 71 / 0 / 16

HEX #153ED5

RGB 21 62 213

HSL 227.19, 0.82%, 0.46%

LAB 34.82, 45.27, -79.77

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 90 / 0 / 74 / 16

HEX #15D538

RGB 21 213 56

HSL 130.94, 0.82%, 0.46%

LAB 74.85, -72, 61.53

 

CMYK 74 / 90 / 0 / 16

HEX #3815D5

RGB 56 21 213

HSL 250.94, 0.82%, 0.46%

LAB 29.87, 65.79, -87.94

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 35 / 0 / 90 / 16

HEX #8BD515

RGB 139 213 21

HSL 83.13, 0.82%, 0.46%

LAB 77.95, -48.04, 74.41

 

CMYK 90 / 16 / 0 / 16

HEX #15B2D5

RGB 21 178 213

HSL 190.94, 0.82%, 0.46%

LAB 67.13, -24.68, -28.1

 

CMYK 56 / 90 / 0 / 16

HEX #5E15D5

RGB 94 21 213

HSL 262.81, 0.82%, 0.46%

LAB 33.39, 68.23, -81.98

 

CMYK 0 / 72 / 90 / 16

HEX #D53B15

RGB 213 59 21

HSL 11.88, 0.82%, 0.46%

LAB 48.67, 58.39, 54.52

 

CMYK 62 / 0 / 90 / 16

HEX #52D515

RGB 82 213 21

HSL 100.94, 0.82%, 0.46%

LAB 75.72, -65.02, 71.65

 

CMYK 90 / 16 / 0 / 16

HEX #15B2D5

RGB 21 178 213

HSL 190.94, 0.82%, 0.46%

LAB 67.13, -24.68, -28.1

 

CMYK 29 / 90 / 0 / 16

HEX #9815D5

RGB 152 21 213

HSL 280.94, 0.82%, 0.46%

LAB 41.24, 74.6, -68.79

 

Description

Color code: RGB 213 59 21 | qconv.com Color code: RGB 213 59 21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 59 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 59 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 90 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 90% 16% C M Y K

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