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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 71 45 it is the complementary color RGB 42 184 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 71 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 71 45 shade: RGB 218 71 40, RGB 235 89 59, RGB 252 107 78, RGB 255 125 97 and RGB 255 143 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 71 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 71 45 shade: RGB 213 71 45, RGB 196 53 26, RGB 179 35 7, RGB 162 17 0 and RGB 145 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 71 45 shade: RGB 213 72 46 and RGB 213 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 71 45 shade: RGB 213 72 46, RGB 213 117 46, RGB 213 162 46, RGB 213 207 46 and RGB 174 213 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 71 45 shade matches the following richer shades: RGB 213 72 46, RGB 233 58 26 and RGB 254 44 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 71 45 shade: RGB 213 72 46, RGB 193 86 66, RGB 173 100 86, RGB 153 114 106 and RGB 132 128 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 71 45 shade: RGB 213 46 110, RGB 213 46 65, RGB 213 71 46, RGB 213 116 46 and RGB 213 160 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 71 45 shade: RGB 148 47 29, RGB 182 58 36, RGB 213 72 46, RGB 220 102 80 and RGB 227 132 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 71 45 shade: RGB 213 71 45, RGB 155 213 46 and RGB 46 88 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 71 45 shade: RGB 213 71 45, RGB 46 213 71 and RGB 71 46 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 71 45 shade: RGB 213 71 45, RGB 155 213 46, RGB 46 188 213 and RGB 104 46 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 71 45 shade: RGB 213 71 45, RGB 104 213 46, RGB 46 188 213 and RGB 155 46 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

Complementary color

CMYK 80 / 12 / 0 / 18

HEX #2AB8D2

RGB 42 184 210

HSL 189.29, 0.67%, 0.49%

LAB 69.06, -27.23, -23.47

 

CMYK 0 / 67 / 82 / 15

HEX #DA4728

RGB 218 71 40

HSL 10.45, 0.71%, 0.51%

LAB 51.34, 55.93, 48.96

 

CMYK 0 / 62 / 75 / 8

HEX #EB593B

RGB 235 89 59

HSL 10.23, 0.81%, 0.58%

LAB 57.19, 54.85, 46.26

 

CMYK 0 / 58 / 69 / 1

HEX #FC6B4E

RGB 252 107 78

HSL 10, 0.97%, 0.65%

LAB 63.14, 53.62, 43.67

 

CMYK 0 / 51 / 62 / 0

HEX #FF7D61

RGB 255 125 97

HSL 10.63, 1%, 0.69%

LAB 67.12, 47.31, 38.35

 

CMYK 0 / 44 / 55 / 0

HEX #FF8F74

RGB 255 143 116

HSL 11.65, 1%, 0.73%

LAB 70.99, 39.73, 32.96

 

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

CMYK 0 / 73 / 87 / 23

HEX #C4351A

RGB 196 53 26

HSL 9.53, 0.77%, 0.44%

LAB 44.74, 55.2, 48.1

 

CMYK 0 / 80 / 96 / 30

HEX #B32307

RGB 179 35 7

HSL 9.77, 0.92%, 0.36%

LAB 39.24, 55.41, 49.86

 

CMYK 0 / 90 / 100 / 36

HEX #A21100

RGB 162 17 0

HSL 6.3, 1%, 0.32%

LAB 34.15, 54.63, 47.96

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 66 / 78 / 16

HEX #D5482E

RGB 213 72 46

HSL 9.34, 0.67%, 0.51%

LAB 50.66, 54.05, 45.01

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 66 / 78 / 16

HEX #D5482E

RGB 213 72 46

HSL 9.34, 0.67%, 0.51%

LAB 50.66, 54.05, 45.01

 

CMYK 0 / 45 / 78 / 16

HEX #D5752E

RGB 213 117 46

HSL 25.51, 0.67%, 0.51%

LAB 59.04, 32.53, 53.26

 

CMYK 0 / 24 / 78 / 16

HEX #D5A22E

RGB 213 162 46

HSL 41.68, 0.67%, 0.51%

LAB 69.6, 8.38, 63.17

 

CMYK 0 / 3 / 78 / 16

HEX #D5CF2E

RGB 213 207 46

HSL 57.84, 0.67%, 0.51%

LAB 81.27, -15, 73.68

 

CMYK 18 / 0 / 78 / 16

HEX #AED52E

RGB 174 213 46

HSL 74.01, 0.67%, 0.51%

LAB 80.06, -33.98, 71.51

 

CMYK 0 / 66 / 78 / 16

HEX #D5482E

RGB 213 72 46

HSL 9.34, 0.67%, 0.51%

LAB 50.66, 54.05, 45.01

 

CMYK 0 / 75 / 89 / 9

HEX #E93A1A

RGB 233 58 26

HSL 9.28, 0.82%, 0.51%

LAB 52.31, 64.96, 56.98

 

CMYK 0 / 83 / 98 / 0

HEX #FE2C05

RGB 254 44 5

HSL 9.4, 0.99%, 0.51%

LAB 54.95, 74.41, 66.59

 

CMYK 0 / 66 / 78 / 16

HEX #D5482E

RGB 213 72 46

HSL 9.34, 0.67%, 0.51%

LAB 50.66, 54.05, 45.01

 

CMYK 0 / 55 / 66 / 24

HEX #C15642

RGB 193 86 66

HSL 9.45, 0.51%, 0.51%

LAB 49.96, 41.52, 32.42

 

CMYK 0 / 42 / 50 / 32

HEX #AD6456

RGB 173 100 86

HSL 9.66, 0.35%, 0.51%

LAB 50.3, 27.91, 20.68

 

CMYK 0 / 25 / 31 / 40

HEX #99726A

RGB 153 114 106

HSL 10.21, 0.19%, 0.51%

LAB 51.66, 14.2, 10.42

 

CMYK 0 / 3 / 4 / 48

HEX #84807F

RGB 132 128 127

HSL 12, 0.02%, 0.51%

LAB 53.9, 1.31, 1.07

 

CMYK 0 / 78 / 48 / 16

HEX #D52E6E

RGB 213 46 110

HSL 337.01, 0.67%, 0.51%

LAB 48.54, 66.83, 4.8

 

CMYK 0 / 78 / 69 / 16

HEX #D52E41

RGB 213 46 65

HSL 353.17, 0.67%, 0.51%

LAB 47.6, 63.9, 30.96

 

CMYK 0 / 67 / 78 / 16

HEX #D5472E

RGB 213 71 46

HSL 8.98, 0.67%, 0.51%

LAB 50.51, 54.45, 44.86

 

CMYK 0 / 46 / 78 / 16

HEX #D5742E

RGB 213 116 46

HSL 25.15, 0.67%, 0.51%

LAB 58.82, 33.06, 53.05

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 0 / 68 / 80 / 42

HEX #942F1D

RGB 148 47 29

HSL 9.08, 0.67%, 0.35%

LAB 34.84, 41.43, 34.2

 

CMYK 0 / 68 / 80 / 29

HEX #B63A24

RGB 182 58 36

HSL 9.04, 0.67%, 0.43%

LAB 42.91, 48.93, 40.61

 

CMYK 0 / 66 / 78 / 16

HEX #D5482E

RGB 213 72 46

HSL 9.34, 0.67%, 0.51%

LAB 50.66, 54.05, 45.01

 

CMYK 0 / 54 / 64 / 14

HEX #DC6650

RGB 220 102 80

HSL 9.43, 0.67%, 0.59%

LAB 57.36, 44.58, 34.51

 

CMYK 0 / 42 / 49 / 11

HEX #E38473

RGB 227 132 115

HSL 9.11, 0.67%, 0.67%

LAB 65.02, 34.69, 25.01

 

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

CMYK 27 / 0 / 78 / 16

HEX #9BD52E

RGB 155 213 46

HSL 80.84, 0.67%, 0.51%

LAB 78.9, -41.34, 70.02

 

CMYK 78 / 59 / 0 / 16

HEX #2E58D5

RGB 46 88 213

HSL 224.91, 0.67%, 0.51%

LAB 41.79, 30.54, -68.3

 

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

CMYK 78 / 0 / 67 / 16

HEX #2ED547

RGB 46 213 71

HSL 128.98, 0.67%, 0.51%

LAB 75.22, -68.36, 56.39

 

CMYK 67 / 78 / 0 / 16

HEX #472ED5

RGB 71 46 213

HSL 248.98, 0.67%, 0.51%

LAB 34.19, 57.36, -80.74

 

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

CMYK 27 / 0 / 78 / 16

HEX #9BD52E

RGB 155 213 46

HSL 80.84, 0.67%, 0.51%

LAB 78.9, -41.34, 70.02

 

CMYK 78 / 12 / 0 / 16

HEX #2EBCD5

RGB 46 188 213

HSL 188.98, 0.67%, 0.51%

LAB 70.42, -27.89, -23.03

 

CMYK 51 / 78 / 0 / 16

HEX #682ED5

RGB 104 46 213

HSL 260.84, 0.67%, 0.51%

LAB 37.3, 61.04, -75.49

 

CMYK 0 / 67 / 79 / 16

HEX #D5472D

RGB 213 71 45

HSL 9.29, 0.67%, 0.51%

LAB 50.5, 54.42, 45.36

 

CMYK 51 / 0 / 78 / 16

HEX #68D52E

RGB 104 213 46

HSL 99.16, 0.67%, 0.51%

LAB 76.51, -58.35, 66.94

 

CMYK 78 / 12 / 0 / 16

HEX #2EBCD5

RGB 46 188 213

HSL 188.98, 0.67%, 0.51%

LAB 70.42, -27.89, -23.03

 

CMYK 27 / 78 / 0 / 16

HEX #9B2ED5

RGB 155 46 213

HSL 279.16, 0.67%, 0.51%

LAB 43.84, 68.74, -64.54

 

Description

Color code: RGB 213 71 45 | qconv.com Color code: RGB 213 71 45 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 71 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 71 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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