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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 150 217 it is the complementary color RGB 41 105 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 150 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 150 217 shade: RGB 219 150 212, RGB 236 168 231, RGB 253 186 250, RGB 255 204 255 and RGB 255 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 150 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 197 132 198, RGB 180 114 179, RGB 163 96 160 and RGB 146 78 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 217 150 202, RGB 217 150 183, RGB 217 150 165 and RGB 217 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 196 150 217, RGB 177 150 217, RGB 159 150 217 and RGB 150 150 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 150 217 shade matches the following richer shades: RGB 214 150 217, RGB 224 138 228, RGB 235 126 240 and RGB 245 115 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 203 161 205, RGB 193 173 194, RGB 182 184 182 and RGB 172 196 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 150 217 shade: RGB 178 150 217, RGB 195 150 217, RGB 213 150 217, RGB 217 150 202 and RGB 217 150 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 150 217 shade: RGB 190 89 195, RGB 202 119 206, RGB 214 150 217, RGB 225 180 228 and RGB 237 210 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 217 160 150 and RGB 150 217 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 217 213 150 and RGB 150 217 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 217 160 150, RGB 153 217 150 and RGB 150 207 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 150 217 shade: RGB 214 150 217, RGB 217 180 150, RGB 153 217 150 and RGB 150 186 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

Complementary color

CMYK 61 / 0 / 64 / 59

HEX #296926

RGB 41 105 38

HSL 117.31, 0.47%, 0.28%

LAB 39.1, -34.96, 30.99

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D4

RGB 219 150 212

HSL 306.09, 0.49%, 0.72%

LAB 70.61, 35.62, -21.27

 

CMYK 0 / 29 / 2 / 7

HEX #ECA8E7

RGB 236 168 231

HSL 304.41, 0.64%, 0.79%

LAB 77.05, 34.93, -21.72

 

CMYK 0 / 26 / 1 / 1

HEX #FDBAFA

RGB 253 186 250

HSL 302.69, 0.94%, 0.86%

LAB 83.39, 34.29, -22.14

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 1 / 33 / 0 / 22

HEX #C584C6

RGB 197 132 198

HSL 299.09, 0.37%, 0.65%

LAB 63.71, 35.64, -24.23

 

CMYK 0 / 37 / 1 / 29

HEX #B472B3

RGB 180 114 179

HSL 300.91, 0.31%, 0.58%

LAB 57.07, 36.39, -23.8

 

CMYK 0 / 41 / 2 / 36

HEX #A360A0

RGB 163 96 160

HSL 302.69, 0.27%, 0.51%

LAB 50.32, 37.16, -23.32

 

CMYK 0 / 47 / 3 / 43

HEX #924E8D

RGB 146 78 141

HSL 304.41, 0.3%, 0.44%

LAB 43.48, 37.93, -22.75

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 0 / 31 / 7 / 15

HEX #D996CA

RGB 217 150 202

HSL 313.43, 0.47%, 0.72%

LAB 70.06, 33.19, -16.6

 

CMYK 0 / 31 / 16 / 15

HEX #D996B7

RGB 217 150 183

HSL 330.45, 0.47%, 0.72%

LAB 69.46, 30.01, -6.94

 

CMYK 0 / 31 / 24 / 15

HEX #D996A5

RGB 217 150 165

HSL 346.57, 0.47%, 0.72%

LAB 68.95, 27.27, 2.36

 

CMYK 0 / 31 / 31 / 15

HEX #D99696

RGB 217 150 150

HSL 0, 0.47%, 0.72%

LAB 68.58, 25.2, 10.19

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 10 / 31 / 0 / 15

HEX #C496D9

RGB 196 150 217

HSL 281.19, 0.47%, 0.72%

LAB 68.43, 29.2, -27.58

 

CMYK 18 / 31 / 0 / 15

HEX #B196D9

RGB 177 150 217

HSL 264.18, 0.47%, 0.72%

LAB 66.65, 23.26, -30.47

 

CMYK 27 / 31 / 0 / 15

HEX #9F96D9

RGB 159 150 217

HSL 248.06, 0.47%, 0.72%

LAB 65.12, 17.83, -32.97

 

CMYK 31 / 31 / 0 / 15

HEX #9696D9

RGB 150 150 217

HSL 240, 0.47%, 0.72%

LAB 64.41, 15.2, -34.12

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 2 / 39 / 0 / 11

HEX #E08AE4

RGB 224 138 228

HSL 297.33, 0.63%, 0.72%

LAB 69.2, 46.44, -32.21

 

CMYK 2 / 48 / 0 / 6

HEX #EB7EF0

RGB 235 126 240

HSL 297.37, 0.79%, 0.72%

LAB 68.66, 57.84, -39.56

 

CMYK 2 / 54 / 0 / 2

HEX #F573FB

RGB 245 115 251

HSL 297.35, 0.94%, 0.72%

LAB 68.49, 67.58, -45.77

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 1 / 21 / 0 / 20

HEX #CBA1CD

RGB 203 161 205

HSL 297.27, 0.31%, 0.72%

LAB 71.28, 23.06, -16.55

 

CMYK 1 / 11 / 0 / 24

HEX #C1ADC2

RGB 193 173 194

HSL 297.14, 0.15%, 0.72%

LAB 72.97, 10.98, -8.06

 

CMYK 1 / 0 / 1 / 28

HEX #B6B8B6

RGB 182 184 182

HSL 120, 0.01%, 0.72%

LAB 74.57, -1.07, 0.76

 

CMYK 12 / 0 / 13 / 23

HEX #ACC4AA

RGB 172 196 170

HSL 115.38, 0.18%, 0.72%

LAB 76.77, -13.06, 10.33

 

CMYK 18 / 31 / 0 / 15

HEX #B296D9

RGB 178 150 217

HSL 265.07, 0.47%, 0.72%

LAB 66.74, 23.57, -30.33

 

CMYK 10 / 31 / 0 / 15

HEX #C396D9

RGB 195 150 217

HSL 280.3, 0.47%, 0.72%

LAB 68.33, 28.88, -27.74

 

CMYK 2 / 31 / 0 / 15

HEX #D596D9

RGB 213 150 217

HSL 296.42, 0.47%, 0.72%

LAB 70.15, 34.61, -24.79

 

CMYK 0 / 31 / 7 / 15

HEX #D996CA

RGB 217 150 202

HSL 313.43, 0.47%, 0.72%

LAB 70.06, 33.19, -16.6

 

CMYK 0 / 31 / 15 / 15

HEX #D996B8

RGB 217 150 184

HSL 329.55, 0.47%, 0.72%

LAB 69.49, 30.17, -7.46

 

CMYK 3 / 54 / 0 / 24

HEX #BE59C3

RGB 190 89 195

HSL 297.17, 0.47%, 0.56%

LAB 54.06, 55.22, -37.57

 

CMYK 2 / 42 / 0 / 19

HEX #CA77CE

RGB 202 119 206

HSL 297.24, 0.47%, 0.64%

LAB 61.83, 45.64, -31.58

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 1 / 21 / 0 / 11

HEX #E1B4E4

RGB 225 180 228

HSL 296.25, 0.47%, 0.8%

LAB 78.61, 24.38, -17.83

 

CMYK 1 / 12 / 0 / 6

HEX #EDD2EF

RGB 237 210 239

HSL 295.86, 0.48%, 0.88%

LAB 87.16, 14.4, -10.78

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 0 / 26 / 31 / 15

HEX #D9A096

RGB 217 160 150

HSL 8.96, 0.47%, 0.72%

LAB 70.94, 19.79, 13.52

 

CMYK 31 / 0 / 14 / 15

HEX #96D9BA

RGB 150 217 186

HSL 152.24, 0.47%, 0.72%

LAB 81.65, -27.62, 8.57

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 0 / 2 / 31 / 15

HEX #D9D596

RGB 217 213 150

HSL 56.42, 0.47%, 0.72%

LAB 84.25, -8.21, 31.71

 

CMYK 31 / 0 / 2 / 15

HEX #96D9D5

RGB 150 217 213

HSL 176.42, 0.47%, 0.72%

LAB 82.33, -21.84, -4.79

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 0 / 26 / 31 / 15

HEX #D9A096

RGB 217 160 150

HSL 8.96, 0.47%, 0.72%

LAB 70.94, 19.79, 13.52

 

CMYK 29 / 0 / 31 / 15

HEX #99D996

RGB 153 217 150

HSL 117.31, 0.47%, 0.72%

LAB 81.07, -33.23, 26.71

 

CMYK 31 / 5 / 0 / 15

HEX #96CFD9

RGB 150 207 217

HSL 188.96, 0.47%, 0.72%

LAB 79.68, -15.87, -10.86

 

CMYK 1 / 31 / 0 / 15

HEX #D696D9

RGB 214 150 217

HSL 297.31, 0.47%, 0.72%

LAB 70.26, 34.93, -24.62

 

CMYK 0 / 17 / 31 / 15

HEX #D9B496

RGB 217 180 150

HSL 26.87, 0.47%, 0.72%

LAB 75.82, 9.03, 20.31

 

CMYK 29 / 0 / 31 / 15

HEX #99D996

RGB 153 217 150

HSL 117.31, 0.47%, 0.72%

LAB 81.07, -33.23, 26.71

 

CMYK 31 / 14 / 0 / 15

HEX #96BAD9

RGB 150 186 217

HSL 207.76, 0.47%, 0.72%

LAB 73.94, -4.85, -19.49

 

Description

Color code: RGB 214 150 217 | qconv.com Color code: RGB 214 150 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 150 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 150 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 31 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 31% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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