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Color name
RGB 214 165 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 165 70 it is the complementary color RGB 41 90 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 165 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 165 70 shade: RGB 219 165 65, RGB 236 183 84, RGB 253 201 103, RGB 255 219 122 and RGB 255 237 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 165 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 197 147 51, RGB 180 129 32, RGB 163 111 13 and RGB 146 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 214 127 70, RGB 214 88 70 and RGB 214 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 214 204 70, RGB 186 214 70, RGB 147 214 70 and RGB 108 214 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 165 70 shade matches the following richer shades: RGB 214 165 70, RGB 232 171 52 and RGB 250 177 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 196 159 89, RGB 178 154 107, RGB 160 148 125 and RGB 141 142 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 165 70 shade: RGB 214 87 70, RGB 214 126 70, RGB 214 164 70, RGB 214 202 70 and RGB 188 214 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 165 70 shade: RGB 166 122 36, RGB 200 147 43, RGB 214 165 70, RGB 222 182 104 and RGB 229 198 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 92 214 70 and RGB 106 70 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 70 214 164 and RGB 164 70 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 92 214 70, RGB 70 121 214 and RGB 193 70 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 165 70 shade: RGB 214 165 70, RGB 70 214 92, RGB 70 121 214 and RGB 214 70 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

Complementary color

CMYK 78 / 51 / 0 / 27

HEX #295AB9

RGB 41 90 185

HSL 219.58, 0.64%, 0.44%

LAB 40.06, 18.13, -54.9

 

CMYK 0 / 25 / 70 / 14

HEX #DBA541

RGB 219 165 65

HSL 38.96, 0.68%, 0.56%

LAB 71.11, 10.19, 57.4

 

CMYK 0 / 22 / 64 / 7

HEX #ECB754

RGB 236 183 84

HSL 39.08, 0.8%, 0.63%

LAB 77.48, 8.92, 56.32

 

CMYK 0 / 21 / 59 / 1

HEX #FDC967

RGB 253 201 103

HSL 39.2, 0.97%, 0.7%

LAB 83.78, 7.82, 55.11

 

CMYK 0 / 14 / 52 / 0

HEX #FFDB7A

RGB 255 219 122

HSL 43.76, 1%, 0.74%

LAB 88.6, 0.84, 51.86

 

CMYK 0 / 7 / 45 / 0

HEX #FFED8D

RGB 255 237 141

HSL 50.53, 1%, 0.78%

LAB 93.34, -6.55, 48.53

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 25 / 74 / 23

HEX #C59333

RGB 197 147 51

HSL 39.45, 0.59%, 0.49%

LAB 64.14, 9.7, 55.46

 

CMYK 0 / 28 / 82 / 29

HEX #B48120

RGB 180 129 32

HSL 39.32, 0.7%, 0.42%

LAB 57.57, 11.31, 55.84

 

CMYK 0 / 32 / 92 / 36

HEX #A36F0D

RGB 163 111 13

HSL 39.2, 0.85%, 0.35%

LAB 50.9, 13.23, 55.05

 

CMYK 0 / 36 / 100 / 43

HEX #925D00

RGB 146 93 0

HSL 38.22, 1%, 0.29%

LAB 44.15, 15.49, 52.2

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 41 / 67 / 16

HEX #D67F46

RGB 214 127 70

HSL 23.75, 0.64%, 0.56%

LAB 61.58, 28.78, 44.6

 

CMYK 0 / 59 / 67 / 16

HEX #D65846

RGB 214 88 70

HSL 7.5, 0.64%, 0.56%

LAB 53.73, 48.47, 35.48

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 5 / 67 / 16

HEX #D6CC46

RGB 214 204 70

HSL 55.83, 0.64%, 0.56%

LAB 80.7, -12.01, 65.02

 

CMYK 13 / 0 / 67 / 16

HEX #BAD646

RGB 186 214 70

HSL 71.67, 0.64%, 0.56%

LAB 81.28, -28.45, 64.92

 

CMYK 31 / 0 / 67 / 16

HEX #93D646

RGB 147 214 70

HSL 87.92, 0.64%, 0.56%

LAB 78.89, -43.32, 61.71

 

CMYK 50 / 0 / 67 / 16

HEX #6CD646

RGB 108 214 70

HSL 104.17, 0.64%, 0.56%

LAB 77.12, -55.94, 59.3

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 26 / 78 / 9

HEX #E8AB34

RGB 232 171 52

HSL 39.67, 0.8%, 0.56%

LAB 73.89, 12, 65.73

 

CMYK 0 / 29 / 86 / 2

HEX #FAB122

RGB 250 177 34

HSL 39.72, 0.96%, 0.56%

LAB 77.21, 15.98, 74.88

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 19 / 55 / 23

HEX #C49F59

RGB 196 159 89

HSL 39.25, 0.48%, 0.56%

LAB 67.47, 5.2, 41.32

 

CMYK 0 / 13 / 40 / 30

HEX #B29A6B

RGB 178 154 107

HSL 39.72, 0.32%, 0.56%

LAB 64.67, 2.15, 27.95

 

CMYK 0 / 7 / 22 / 37

HEX #A0947D

RGB 160 148 125

HSL 39.43, 0.16%, 0.56%

LAB 61.77, 0.57, 13.78

 

CMYK 1 / 1 / 0 / 44

HEX #8D8E8F

RGB 141 142 143

HSL 210, 0.01%, 0.56%

LAB 58.97, -0.17, -0.67

 

CMYK 0 / 59 / 67 / 16

HEX #D65746

RGB 214 87 70

HSL 7.08, 0.64%, 0.56%

LAB 53.55, 48.93, 35.27

 

CMYK 0 / 41 / 67 / 16

HEX #D67E46

RGB 214 126 70

HSL 23.33, 0.64%, 0.56%

LAB 61.36, 29.31, 44.34

 

CMYK 0 / 23 / 67 / 16

HEX #D6A446

RGB 214 164 70

HSL 39.17, 0.64%, 0.56%

LAB 70.38, 8.86, 54.27

 

CMYK 0 / 6 / 67 / 16

HEX #D6CA46

RGB 214 202 70

HSL 55, 0.64%, 0.56%

LAB 80.17, -11, 64.48

 

CMYK 12 / 0 / 67 / 16

HEX #BCD646

RGB 188 214 70

HSL 70.83, 0.64%, 0.56%

LAB 81.42, -27.64, 65.11

 

CMYK 0 / 27 / 78 / 35

HEX #A67A24

RGB 166 122 36

HSL 39.69, 0.64%, 0.4%

LAB 54.19, 9.05, 50.7

 

CMYK 0 / 27 / 79 / 22

HEX #C8932B

RGB 200 147 43

HSL 39.75, 0.65%, 0.48%

LAB 64.42, 10.68, 58.96

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 0 / 18 / 53 / 13

HEX #DEB668

RGB 222 182 104

HSL 39.66, 0.64%, 0.64%

LAB 76.06, 5.06, 44.76

 

CMYK 0 / 14 / 40 / 10

HEX #E5C68A

RGB 229 198 138

HSL 39.56, 0.64%, 0.72%

LAB 81.23, 2.8, 34.11

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 57 / 0 / 67 / 16

HEX #5CD646

RGB 92 214 70

HSL 110.83, 0.64%, 0.56%

LAB 76.56, -60.2, 58.54

 

CMYK 50 / 67 / 0 / 16

HEX #6A46D6

RGB 106 70 214

HSL 255, 0.64%, 0.56%

LAB 41.69, 50.08, -68.87

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 67 / 0 / 23 / 16

HEX #46D6A4

RGB 70 214 164

HSL 159.17, 0.64%, 0.56%

LAB 77.33, -49.88, 13.7

 

CMYK 23 / 67 / 0 / 16

HEX #A446D6

RGB 164 70 214

HSL 279.17, 0.64%, 0.56%

LAB 48.42, 61.38, -57.64

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 57 / 0 / 67 / 16

HEX #5CD646

RGB 92 214 70

HSL 110.83, 0.64%, 0.56%

LAB 76.56, -60.2, 58.54

 

CMYK 67 / 43 / 0 / 16

HEX #4679D6

RGB 70 121 214

HSL 218.75, 0.64%, 0.56%

LAB 51.65, 13.07, -52.9

 

CMYK 10 / 67 / 0 / 16

HEX #C146D6

RGB 193 70 214

HSL 291.25, 0.64%, 0.56%

LAB 52.48, 67.67, -50.92

 

CMYK 0 / 23 / 67 / 16

HEX #D6A546

RGB 214 165 70

HSL 39.58, 0.64%, 0.56%

LAB 70.63, 8.32, 54.54

 

CMYK 67 / 0 / 57 / 16

HEX #46D65C

RGB 70 214 92

HSL 129.17, 0.64%, 0.56%

LAB 76.17, -62.62, 48.53

 

CMYK 67 / 43 / 0 / 16

HEX #4679D6

RGB 70 121 214

HSL 218.75, 0.64%, 0.56%

LAB 51.65, 13.07, -52.9

 

CMYK 0 / 67 / 10 / 16

HEX #D646C1

RGB 214 70 193

HSL 308.75, 0.64%, 0.56%

LAB 54.58, 69.05, -35.35

 

Description

Color code: RGB 214 165 70 | qconv.com Color code: RGB 214 165 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 165 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 165 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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