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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 174 65 it is the complementary color RGB 41 81 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 174 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 174 65 shade: RGB 219 174 60, RGB 236 192 79, RGB 253 210 98, RGB 255 228 117 and RGB 255 246 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 174 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 197 156 46, RGB 180 138 27, RGB 163 120 8 and RGB 146 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 214 134 65, RGB 214 94 65 and RGB 214 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 214 214 65, RGB 174 214 65, RGB 134 214 65 and RGB 93 214 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 174 65 shade matches the following richer shades: RGB 214 174 65, RGB 233 183 47 and RGB 251 191 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 196 166 84, RGB 177 157 102, RGB 159 148 121 and RGB 140 140 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 174 65 shade: RGB 214 93 65, RGB 214 132 65, RGB 214 172 65, RGB 214 212 65 and RGB 177 214 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 174 65 shade: RGB 163 128 34, RGB 197 155 41, RGB 214 174 65, RGB 222 189 99 and RGB 229 203 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 78 214 65 and RGB 112 65 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 65 214 172 and RGB 172 65 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 78 214 65, RGB 65 107 214 and RGB 202 65 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 174 65 shade: RGB 214 174 65, RGB 65 214 97, RGB 65 107 214 and RGB 214 65 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

Complementary color

CMYK 78 / 57 / 0 / 25

HEX #2951BE

RGB 41 81 190

HSL 223.89, 0.65%, 0.45%

LAB 37.97, 25.96, -61.21

 

CMYK 0 / 21 / 73 / 14

HEX #DBAE3C

RGB 219 174 60

HSL 43.02, 0.69%, 0.55%

LAB 73.32, 5.16, 61.69

 

CMYK 0 / 19 / 67 / 7

HEX #ECC04F

RGB 236 192 79

HSL 43.18, 0.81%, 0.62%

LAB 79.67, 3.92, 60.89

 

CMYK 0 / 17 / 61 / 1

HEX #FDD262

RGB 253 210 98

HSL 43.35, 0.97%, 0.69%

LAB 85.94, 2.85, 59.85

 

CMYK 0 / 11 / 54 / 0

HEX #FFE475

RGB 255 228 117

HSL 48.26, 1%, 0.73%

LAB 90.79, -4.12, 56.81

 

CMYK 0 / 4 / 47 / 0

HEX #FFF688

RGB 255 246 136

HSL 55.46, 1%, 0.77%

LAB 95.56, -11.46, 53.64

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 21 / 77 / 23

HEX #C59C2E

RGB 197 156 46

HSL 43.71, 0.62%, 0.48%

LAB 66.4, 4.59, 59.59

 

CMYK 0 / 23 / 85 / 29

HEX #B48A1B

RGB 180 138 27

HSL 43.53, 0.74%, 0.41%

LAB 59.85, 6.17, 59.39

 

CMYK 0 / 26 / 95 / 36

HEX #A37808

RGB 163 120 8

HSL 43.35, 0.91%, 0.34%

LAB 53.21, 8.05, 57.76

 

CMYK 0 / 30 / 100 / 43

HEX #926600

RGB 146 102 0

HSL 41.92, 1%, 0.29%

LAB 46.46, 10.28, 53.73

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 37 / 70 / 16

HEX #D68641

RGB 214 134 65

HSL 27.79, 0.65%, 0.55%

LAB 63.12, 24.75, 48.76

 

CMYK 0 / 56 / 70 / 16

HEX #D65E41

RGB 214 94 65

HSL 11.68, 0.65%, 0.55%

LAB 54.74, 45.38, 39.42

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 0 / 70 / 16

HEX #D6D641

RGB 214 214 65

HSL 60, 0.65%, 0.55%

LAB 83.32, -17.26, 69.49

 

CMYK 19 / 0 / 70 / 16

HEX #AED641

RGB 174 214 65

HSL 76.11, 0.65%, 0.55%

LAB 80.45, -33.5, 65.68

 

CMYK 37 / 0 / 70 / 16

HEX #86D641

RGB 134 214 65

HSL 92.21, 0.65%, 0.55%

LAB 78.19, -48.2, 62.68

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 21 / 80 / 9

HEX #E9B72F

RGB 233 183 47

HSL 43.87, 0.81%, 0.55%

LAB 76.92, 5.93, 70.21

 

CMYK 0 / 24 / 89 / 2

HEX #FBBF1C

RGB 251 191 28

HSL 43.86, 0.97%, 0.55%

LAB 80.66, 8.98, 78.97

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 15 / 57 / 23

HEX #C4A654

RGB 196 166 84

HSL 43.93, 0.49%, 0.55%

LAB 69.22, 1.03, 45.89

 

CMYK 0 / 11 / 42 / 31

HEX #B19D66

RGB 177 157 102

HSL 44, 0.32%, 0.55%

LAB 65.29, -0.46, 31.43

 

CMYK 0 / 7 / 24 / 38

HEX #9F9479

RGB 159 148 121

HSL 42.63, 0.17%, 0.55%

LAB 61.59, -0.43, 15.77

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 57 / 70 / 16

HEX #D65D41

RGB 214 93 65

HSL 11.28, 0.65%, 0.55%

LAB 54.56, 45.86, 39.21

 

CMYK 0 / 38 / 70 / 16

HEX #D68441

RGB 214 132 65

HSL 26.98, 0.65%, 0.55%

LAB 62.66, 25.83, 48.26

 

CMYK 0 / 20 / 70 / 16

HEX #D6AC41

RGB 214 172 65

HSL 43.09, 0.65%, 0.55%

LAB 72.35, 4.32, 58.51

 

CMYK 0 / 1 / 70 / 16

HEX #D6D441

RGB 214 212 65

HSL 59.19, 0.65%, 0.55%

LAB 82.79, -16.27, 68.97

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 0 / 21 / 79 / 36

HEX #A38022

RGB 163 128 34

HSL 43.72, 0.65%, 0.39%

LAB 55.42, 4.23, 52.49

 

CMYK 0 / 21 / 79 / 23

HEX #C59B29

RGB 197 155 41

HSL 43.85, 0.66%, 0.47%

LAB 66.12, 4.94, 61.11

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 0 / 15 / 55 / 13

HEX #DEBD63

RGB 222 189 99

HSL 43.9, 0.65%, 0.63%

LAB 77.77, 0.98, 49.26

 

CMYK 0 / 11 / 42 / 10

HEX #E5CB85

RGB 229 203 133

HSL 43.75, 0.65%, 0.71%

LAB 82.41, -0.33, 38.21

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 64 / 0 / 70 / 16

HEX #4ED641

RGB 78 214 65

HSL 114.77, 0.65%, 0.55%

LAB 76.13, -63.84, 59.89

 

CMYK 48 / 70 / 0 / 16

HEX #7041D6

RGB 112 65 214

HSL 258.93, 0.65%, 0.55%

LAB 41.34, 53.7, -69.41

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 70 / 0 / 20 / 16

HEX #41D6AC

RGB 65 214 172

HSL 163.09, 0.65%, 0.55%

LAB 77.4, -48.78, 9.53

 

CMYK 20 / 70 / 0 / 16

HEX #AC41D6

RGB 172 65 214

HSL 283.09, 0.65%, 0.55%

LAB 48.77, 65.15, -57.03

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 64 / 0 / 70 / 16

HEX #4ED641

RGB 78 214 65

HSL 114.77, 0.65%, 0.55%

LAB 76.13, -63.84, 59.89

 

CMYK 70 / 50 / 0 / 16

HEX #416BD6

RGB 65 107 214

HSL 223.09, 0.65%, 0.55%

LAB 47.62, 21.07, -59.38

 

CMYK 6 / 70 / 0 / 16

HEX #CA41D6

RGB 202 65 214

HSL 295.17, 0.65%, 0.55%

LAB 53.16, 71.48, -49.75

 

CMYK 0 / 19 / 70 / 16

HEX #D6AE41

RGB 214 174 65

HSL 43.89, 0.65%, 0.55%

LAB 72.86, 3.25, 59.03

 

CMYK 70 / 0 / 55 / 16

HEX #41D661

RGB 65 214 97

HSL 132.89, 0.65%, 0.55%

LAB 76.12, -62.85, 46.13

 

CMYK 70 / 50 / 0 / 16

HEX #416BD6

RGB 65 107 214

HSL 223.09, 0.65%, 0.55%

LAB 47.62, 21.07, -59.38

 

CMYK 0 / 70 / 15 / 16

HEX #D641B6

RGB 214 65 182

HSL 312.89, 0.65%, 0.55%

LAB 53.44, 69.23, -30.77

 

Description

Color code: RGB 214 174 65 | qconv.com Color code: RGB 214 174 65 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 174 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 174 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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