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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 188 224 it is the complementary color RGB 41 67 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 188 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 188 224 shade: RGB 219 188 219, RGB 236 206 238, RGB 253 224 255 and RGB 255 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 188 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 197 170 205, RGB 180 152 186, RGB 163 134 167 and RGB 146 116 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 224 188 224, RGB 224 188 215, RGB 224 188 205 and RGB 224 188 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 204 188 224, RGB 195 188 224 and RGB 188 188 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 188 224 shade matches the following richer shades: RGB 214 188 224, RGB 217 180 232, RGB 221 172 240 and RGB 224 165 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 211 196 216, RGB 207 204 208, RGB 204 212 200 and RGB 200 219 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 188 224 shade: RGB 195 188 224, RGB 204 188 224, RGB 214 188 224, RGB 223 188 224 and RGB 224 188 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 188 224 shade: RGB 180 132 198, RGB 197 160 211, RGB 214 188 224, RGB 231 216 237 and RGB 248 245 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 224 188 191 and RGB 188 224 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 224 214 188 and RGB 188 224 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 224 188 191, RGB 198 224 188 and RGB 188 224 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 188 224 shade: RGB 214 188 224, RGB 224 196 188, RGB 198 224 188 and RGB 188 216 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

Complementary color

CMYK 39 / 0 / 54 / 74

HEX #29431F

RGB 41 67 31

HSL 103.33, 0.37%, 0.19%

LAB 25.52, -18.03, 18.69

 

CMYK 0 / 14 / 0 / 14

HEX #DBBCDB

RGB 219 188 219

HSL 300, 0.3%, 0.8%

LAB 79.69, 16.4, -11.4

 

CMYK 1 / 13 / 0 / 7

HEX #ECCEEE

RGB 236 206 238

HSL 296.25, 0.48%, 0.87%

LAB 86.08, 15.99, -11.86

 

CMYK 1 / 12 / 0 / 0

HEX #FDE0FF

RGB 253 224 255

HSL 296.13, 1%, 0.94%

LAB 92.32, 15.25, -11.36

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 4 / 17 / 0 / 20

HEX #C5AACD

RGB 197 170 205

HSL 286.29, 0.26%, 0.74%

LAB 72.91, 16.1, -14.15

 

CMYK 3 / 18 / 0 / 27

HEX #B498BA

RGB 180 152 186

HSL 289.41, 0.2%, 0.66%

LAB 66.29, 16.56, -13.74

 

CMYK 2 / 20 / 0 / 35

HEX #A386A7

RGB 163 134 167

HSL 292.73, 0.16%, 0.59%

LAB 59.55, 17.06, -13.31

 

CMYK 1 / 22 / 0 / 42

HEX #927494

RGB 146 116 148

HSL 296.25, 0.13%, 0.52%

LAB 52.66, 17.61, -12.88

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 16 / 0 / 12

HEX #E0BCE0

RGB 224 188 224

HSL 300, 0.37%, 0.81%

LAB 80.29, 19.01, -13.15

 

CMYK 0 / 16 / 4 / 12

HEX #E0BCD7

RGB 224 188 215

HSL 315, 0.37%, 0.81%

LAB 80.02, 17.38, -8.71

 

CMYK 0 / 16 / 8 / 12

HEX #E0BCCD

RGB 224 188 205

HSL 331.67, 0.37%, 0.81%

LAB 79.74, 15.63, -3.73

 

CMYK 0 / 16 / 13 / 12

HEX #E0BCC3

RGB 224 188 195

HSL 348.33, 0.37%, 0.81%

LAB 79.47, 13.97, 1.28

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 9 / 16 / 0 / 12

HEX #CCBCE0

RGB 204 188 224

HSL 266.67, 0.37%, 0.81%

LAB 78.57, 12.38, -15.91

 

CMYK 13 / 16 / 0 / 12

HEX #C3BCE0

RGB 195 188 224

HSL 251.67, 0.37%, 0.81%

LAB 77.85, 9.46, -17.07

 

CMYK 16 / 16 / 0 / 12

HEX #BCBCE0

RGB 188 188 224

HSL 240, 0.37%, 0.81%

LAB 77.3, 7.23, -17.94

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 6 / 22 / 0 / 9

HEX #D9B4E8

RGB 217 180 232

HSL 282.69, 0.53%, 0.81%

LAB 78, 22.53, -20.97

 

CMYK 8 / 28 / 0 / 6

HEX #DDACF0

RGB 221 172 240

HSL 283.24, 0.69%, 0.81%

LAB 76.78, 29.71, -27.13

 

CMYK 9 / 33 / 0 / 3

HEX #E0A5F7

RGB 224 165 247

HSL 283.17, 0.84%, 0.81%

LAB 75.74, 35.8, -32.48

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 2 / 9 / 0 / 15

HEX #D3C4D8

RGB 211 196 216

HSL 285, 0.2%, 0.81%

LAB 80.9, 8.86, -8.07

 

CMYK 0 / 2 / 0 / 18

HEX #CFCCD0

RGB 207 204 208

HSL 285, 0.04%, 0.81%

LAB 82.38, 1.76, -1.63

 

CMYK 4 / 0 / 6 / 17

HEX #CCD4C8

RGB 204 212 200

HSL 100, 0.12%, 0.81%

LAB 84.01, -4.89, 4.98

 

CMYK 9 / 0 / 12 / 14

HEX #C8DBC1

RGB 200 219 193

HSL 103.85, 0.27%, 0.81%

LAB 85.4, -11.08, 10.63

 

CMYK 13 / 16 / 0 / 12

HEX #C3BCE0

RGB 195 188 224

HSL 251.67, 0.37%, 0.81%

LAB 77.85, 9.46, -17.07

 

CMYK 9 / 16 / 0 / 12

HEX #CCBCE0

RGB 204 188 224

HSL 266.67, 0.37%, 0.81%

LAB 78.57, 12.38, -15.91

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 16 / 0 / 12

HEX #DFBCE0

RGB 223 188 224

HSL 298.33, 0.37%, 0.81%

LAB 80.2, 18.67, -13.3

 

CMYK 0 / 16 / 4 / 12

HEX #E0BCD7

RGB 224 188 215

HSL 315, 0.37%, 0.81%

LAB 80.02, 17.38, -8.71

 

CMYK 9 / 33 / 0 / 22

HEX #B484C6

RGB 180 132 198

HSL 283.64, 0.37%, 0.65%

LAB 61.9, 30.19, -27.17

 

CMYK 7 / 24 / 0 / 17

HEX #C5A0D3

RGB 197 160 211

HSL 283.53, 0.37%, 0.73%

LAB 70.67, 22.78, -20.83

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 3 / 9 / 0 / 7

HEX #E7D8ED

RGB 231 216 237

HSL 282.86, 0.37%, 0.89%

LAB 88.07, 8.88, -8.42

 

CMYK 1 / 2 / 0 / 2

HEX #F8F5FA

RGB 248 245 250

HSL 276, 0.33%, 0.97%

LAB 96.89, 1.88, -2.05

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 16 / 15 / 12

HEX #E0BCBF

RGB 224 188 191

HSL 355, 0.37%, 0.81%

LAB 79.37, 13.33, 3.29

 

CMYK 16 / 0 / 11 / 12

HEX #BCE0C7

RGB 188 224 199

HSL 138.33, 0.37%, 0.81%

LAB 86.07, -16.58, 8.32

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 4 / 16 / 12

HEX #E0D6BC

RGB 224 214 188

HSL 43.33, 0.37%, 0.81%

LAB 85.79, -0.82, 14.08

 

CMYK 16 / 0 / 4 / 12

HEX #BCE0D6

RGB 188 224 214

HSL 163.33, 0.37%, 0.81%

LAB 86.43, -13.72, 0.95

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 16 / 15 / 12

HEX #E0BCBF

RGB 224 188 191

HSL 355, 0.37%, 0.81%

LAB 79.37, 13.33, 3.29

 

CMYK 12 / 0 / 16 / 12

HEX #C6E0BC

RGB 198 224 188

HSL 103.33, 0.37%, 0.81%

LAB 86.48, -15.14, 14.77

 

CMYK 16 / 0 / 1 / 12

HEX #BCE0DD

RGB 188 224 221

HSL 175, 0.37%, 0.81%

LAB 86.61, -12.33, -2.48

 

CMYK 4 / 16 / 0 / 12

HEX #D6BCE0

RGB 214 188 224

HSL 283.33, 0.37%, 0.81%

LAB 79.41, 15.68, -14.56

 

CMYK 0 / 13 / 16 / 12

HEX #E0C4BC

RGB 224 196 188

HSL 13.33, 0.37%, 0.81%

LAB 81.27, 8.6, 7.64

 

CMYK 12 / 0 / 16 / 12

HEX #C6E0BC

RGB 198 224 188

HSL 103.33, 0.37%, 0.81%

LAB 86.48, -15.14, 14.77

 

CMYK 16 / 4 / 0 / 12

HEX #BCD8E0

RGB 188 216 224

HSL 193.33, 0.37%, 0.81%

LAB 84.58, -7.61, -7.06

 

Description

Color code: RGB 214 188 224 | qconv.com Color code: RGB 214 188 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 188 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 188 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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