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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 61 171 it is the complementary color RGB 41 194 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 61 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 61 171 shade: RGB 219 61 166, RGB 236 79 185, RGB 253 97 204, RGB 255 115 223 and RGB 255 133 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 61 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 61 171 shade: RGB 214 61 171, RGB 197 43 152, RGB 180 25 133, RGB 163 7 114 and RGB 146 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 61 171 shade: RGB 213 61 171, RGB 213 61 129, RGB 213 61 88 and RGB 213 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 61 171 shade: RGB 213 61 171, RGB 213 61 212, RGB 174 61 213, RGB 133 61 213 and RGB 92 61 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 61 171 shade matches the following richer shades: RGB 213 61 171, RGB 232 42 179 and RGB 251 23 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 61 171 shade: RGB 213 61 171, RGB 194 80 162, RGB 175 99 154, RGB 157 118 146 and RGB 138 137 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 61 171 shade: RGB 173 61 213, RGB 213 61 213, RGB 213 61 173, RGB 213 61 132 and RGB 213 61 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 61 171 shade: RGB 159 33 123, RGB 193 40 150, RGB 213 61 171, RGB 221 95 185 and RGB 228 129 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 61 171 shade: RGB 214 61 171, RGB 213 132 61 and RGB 61 213 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 61 171 shade: RGB 214 61 171, RGB 173 213 61 and RGB 61 173 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 61 171 shade: RGB 214 61 171, RGB 213 132 61, RGB 61 213 102 and RGB 61 142 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 61 171 shade: RGB 214 61 171, RGB 213 178 61, RGB 61 213 102 and RGB 61 97 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

Complementary color

CMYK 79 / 0 / 57 / 24

HEX #29C254

RGB 41 194 84

HSL 136.86, 0.65%, 0.46%

LAB 69.25, -61.37, 43.92

 

CMYK 0 / 72 / 24 / 14

HEX #DB3DA6

RGB 219 61 166

HSL 320.13, 0.69%, 0.55%

LAB 53.11, 69.68, -21.86

 

CMYK 0 / 67 / 22 / 7

HEX #EC4FB9

RGB 236 79 185

HSL 319.49, 0.81%, 0.62%

LAB 58.91, 70.1, -23.76

 

CMYK 0 / 62 / 19 / 1

HEX #FD61CC

RGB 253 97 204

HSL 318.85, 0.98%, 0.69%

LAB 64.8, 70.11, -25.31

 

CMYK 0 / 55 / 13 / 0

HEX #FF73DF

RGB 255 115 223

HSL 313.71, 1%, 0.73%

LAB 68.64, 65.72, -30

 

CMYK 0 / 48 / 5 / 0

HEX #FF85F2

RGB 255 133 242

HSL 306.39, 1%, 0.76%

LAB 72.53, 60.41, -34.46

 

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

CMYK 0 / 78 / 23 / 23

HEX #C52B98

RGB 197 43 152

HSL 317.53, 0.64%, 0.47%

LAB 46.8, 68.07, -23.6

 

CMYK 0 / 86 / 26 / 29

HEX #B41985

RGB 180 25 133

HSL 318.19, 0.76%, 0.4%

LAB 41.36, 66.14, -20.71

 

CMYK 0 / 96 / 30 / 36

HEX #A30772

RGB 163 7 114

HSL 318.85, 0.92%, 0.33%

LAB 36.28, 62.95, -16.98

 

CMYK 0 / 100 / 35 / 43

HEX #92005F

RGB 146 0 95

HSL 320.96, 1%, 0.29%

LAB 31.66, 58.11, -12.17

 

CMYK 0 / 71 / 20 / 16

HEX #D53DAB

RGB 213 61 171

HSL 316.58, 0.64%, 0.54%

LAB 52.31, 68.84, -26.11

 

CMYK 0 / 71 / 39 / 16

HEX #D53D81

RGB 213 61 129

HSL 333.16, 0.64%, 0.54%

LAB 50.77, 63.89, -3.49

 

CMYK 0 / 71 / 59 / 16

HEX #D53D58

RGB 213 61 88

HSL 349.34, 0.64%, 0.54%

LAB 49.72, 60.4, 19.84

 

CMYK 0 / 71 / 71 / 16

HEX #D53D3D

RGB 213 61 61

HSL 0, 0.64%, 0.54%

LAB 49.28, 58.88, 35.29

 

CMYK 0 / 71 / 20 / 16

HEX #D53DAB

RGB 213 61 171

HSL 316.58, 0.64%, 0.54%

LAB 52.31, 68.84, -26.11

 

CMYK 0 / 71 / 0 / 16

HEX #D53DD4

RGB 213 61 212

HSL 300.39, 0.64%, 0.54%

LAB 54.28, 74.85, -46.73

 

CMYK 18 / 71 / 0 / 16

HEX #AE3DD5

RGB 174 61 213

HSL 284.61, 0.64%, 0.54%

LAB 48.44, 66.93, -56.97

 

CMYK 38 / 71 / 0 / 16

HEX #853DD5

RGB 133 61 213

HSL 268.42, 0.64%, 0.54%

LAB 42.96, 59.04, -66.11

 

CMYK 57 / 71 / 0 / 16

HEX #5C3DD5

RGB 92 61 213

HSL 252.24, 0.64%, 0.54%

LAB 38.58, 52.36, -73.44

 

CMYK 0 / 71 / 20 / 16

HEX #D53DAB

RGB 213 61 171

HSL 316.58, 0.64%, 0.54%

LAB 52.31, 68.84, -26.11

 

CMYK 0 / 82 / 23 / 9

HEX #E82AB3

RGB 232 42 179

HSL 316.74, 0.81%, 0.54%

LAB 54.1, 79.43, -27.76

 

CMYK 0 / 91 / 25 / 2

HEX #FB17BB

RGB 251 23 187

HSL 316.84, 0.97%, 0.54%

LAB 56.79, 87.32, -27.97

 

CMYK 0 / 71 / 20 / 16

HEX #D53DAB

RGB 213 61 171

HSL 316.58, 0.64%, 0.54%

LAB 52.31, 68.84, -26.11

 

CMYK 0 / 59 / 16 / 24

HEX #C250A2

RGB 194 80 162

HSL 316.84, 0.48%, 0.54%

LAB 51.63, 55.02, -22.13

 

CMYK 0 / 43 / 12 / 31

HEX #AF639A

RGB 175 99 154

HSL 316.58, 0.32%, 0.54%

LAB 52.25, 38.39, -16.7

 

CMYK 0 / 25 / 7 / 38

HEX #9D7692

RGB 157 118 146

HSL 316.92, 0.17%, 0.54%

LAB 54.24, 20.03, -9.23

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 19 / 71 / 0 / 16

HEX #AD3DD5

RGB 173 61 213

HSL 284.21, 0.64%, 0.54%

LAB 48.29, 66.73, -57.21

 

CMYK 0 / 71 / 0 / 16

HEX #D53DD5

RGB 213 61 213

HSL 300, 0.64%, 0.54%

LAB 54.33, 75.01, -47.22

 

CMYK 0 / 71 / 19 / 16

HEX #D53DAD

RGB 213 61 173

HSL 315.79, 0.64%, 0.54%

LAB 52.4, 69.11, -27.15

 

CMYK 0 / 71 / 38 / 16

HEX #D53D84

RGB 213 61 132

HSL 331.97, 0.64%, 0.54%

LAB 50.86, 64.2, -5.15

 

CMYK 0 / 71 / 57 / 16

HEX #D53D5B

RGB 213 61 91

HSL 348.16, 0.64%, 0.54%

LAB 49.78, 60.61, 18.11

 

CMYK 0 / 79 / 23 / 38

HEX #9F217B

RGB 159 33 123

HSL 317.14, 0.66%, 0.38%

LAB 37.64, 58.12, -20.59

 

CMYK 0 / 79 / 22 / 24

HEX #C12896

RGB 193 40 150

HSL 316.86, 0.66%, 0.46%

LAB 45.71, 67.7, -24.13

 

CMYK 0 / 71 / 20 / 16

HEX #D53DAB

RGB 213 61 171

HSL 316.58, 0.64%, 0.54%

LAB 52.31, 68.84, -26.11

 

CMYK 0 / 57 / 16 / 13

HEX #DD5FB9

RGB 221 95 185

HSL 317.14, 0.65%, 0.62%

LAB 59.03, 59.44, -23.77

 

CMYK 0 / 43 / 12 / 11

HEX #E481C8

RGB 228 129 200

HSL 316.97, 0.65%, 0.7%

LAB 66.8, 47.47, -20.31

 

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

CMYK 0 / 38 / 71 / 16

HEX #D5843D

RGB 213 132 61

HSL 28.03, 0.64%, 0.54%

LAB 62.5, 25.2, 49.96

 

CMYK 71 / 0 / 9 / 16

HEX #3DD5C1

RGB 61 213 193

HSL 172.11, 0.64%, 0.54%

LAB 77.54, -43.63, -1.51

 

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

CMYK 19 / 0 / 71 / 16

HEX #ADD53D

RGB 173 213 61

HSL 75.79, 0.64%, 0.54%

LAB 80.07, -33.66, 66.72

 

CMYK 71 / 19 / 0 / 16

HEX #3DADD5

RGB 61 173 213

HSL 195.79, 0.64%, 0.54%

LAB 66.28, -18.51, -29.36

 

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

CMYK 0 / 38 / 71 / 16

HEX #D5843D

RGB 213 132 61

HSL 28.03, 0.64%, 0.54%

LAB 62.5, 25.2, 49.96

 

CMYK 71 / 0 / 52 / 16

HEX #3DD566

RGB 61 213 102

HSL 136.18, 0.64%, 0.54%

LAB 75.79, -62.47, 43.34

 

CMYK 71 / 33 / 0 / 16

HEX #3D8ED5

RGB 61 142 213

HSL 208.03, 0.64%, 0.54%

LAB 57.21, -1.28, -43.51

 

CMYK 0 / 71 / 20 / 16

HEX #D63DAB

RGB 214 61 171

HSL 316.86, 0.65%, 0.54%

LAB 52.48, 69.09, -25.84

 

CMYK 0 / 16 / 71 / 16

HEX #D5B23D

RGB 213 178 61

HSL 46.18, 0.64%, 0.54%

LAB 73.76, 0.51, 61.53

 

CMYK 71 / 0 / 52 / 16

HEX #3DD566

RGB 61 213 102

HSL 136.18, 0.64%, 0.54%

LAB 75.79, -62.47, 43.34

 

CMYK 71 / 54 / 0 / 16

HEX #3D61D5

RGB 61 97 213

HSL 225.79, 0.64%, 0.54%

LAB 44.72, 26.5, -63.5

 

Description

Color code: RGB 214 61 171 | qconv.com Color code: RGB 214 61 171 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 61 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 61 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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