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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 136 140 it is the complementary color RGB 40 119 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 136 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 136 140 shade: RGB 220 136 135, RGB 237 154 154, RGB 254 172 173, RGB 255 190 192 and RGB 255 208 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 136 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 198 118 121, RGB 181 100 102, RGB 164 82 83 and RGB 147 64 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 136 140 shade: RGB 215 136 140 and RGB 215 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 215 136 161, RGB 215 136 183, RGB 215 136 204 and RGB 205 136 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 136 140 shade matches the following richer shades: RGB 215 136 140, RGB 228 123 128, RGB 241 110 117 and RGB 253 98 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 202 149 151, RGB 189 162 163, RGB 177 174 174 and RGB 164 187 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 136 140 shade: RGB 215 136 183, RGB 215 136 162, RGB 215 136 141, RGB 215 152 136 and RGB 215 173 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 136 140 shade: RGB 194 74 80, RGB 205 105 110, RGB 215 136 140, RGB 225 167 170 and RGB 236 198 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 204 215 136 and RGB 136 173 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 141 215 136 and RGB 136 141 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 204 215 136, RGB 136 215 210 and RGB 146 136 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 136 140 shade: RGB 215 136 140, RGB 181 215 136, RGB 136 215 210 and RGB 170 136 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

Complementary color

CMYK 66 / 0 / 3 / 53

HEX #287773

RGB 40 119 115

HSL 176.96, 0.5%, 0.31%

LAB 45.47, -24.55, -4.86

 

CMYK 0 / 38 / 39 / 14

HEX #DC8887

RGB 220 136 135

HSL 0.71, 0.55%, 0.7%

LAB 65.42, 31.99, 14.19

 

CMYK 0 / 35 / 35 / 7

HEX #ED9A9A

RGB 237 154 154

HSL 0, 0.7%, 0.77%

LAB 71.86, 31.06, 12.93

 

CMYK 0 / 32 / 32 / 0

HEX #FEACAD

RGB 254 172 173

HSL 359.27, 0.98%, 0.84%

LAB 78.22, 30.2, 11.79

 

CMYK 0 / 25 / 25 / 0

HEX #FFBEC0

RGB 255 190 192

HSL 358.15, 1%, 0.87%

LAB 82.86, 23.63, 8.16

 

CMYK 0 / 18 / 17 / 0

HEX #FFD0D3

RGB 255 208 211

HSL 356.17, 1%, 0.91%

LAB 87.52, 16.96, 4.76

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 40 / 39 / 22

HEX #C67679

RGB 198 118 121

HSL 357.75, 0.41%, 0.62%

LAB 58.36, 31.67, 11.88

 

CMYK 0 / 45 / 44 / 29

HEX #B56466

RGB 181 100 102

HSL 358.52, 0.35%, 0.55%

LAB 51.72, 32.72, 13.37

 

CMYK 0 / 50 / 49 / 36

HEX #A45253

RGB 164 82 83

HSL 359.27, 0.33%, 0.48%

LAB 45.01, 33.85, 15.13

 

CMYK 0 / 56 / 56 / 42

HEX #934040

RGB 147 64 64

HSL 0, 0.39%, 0.41%

LAB 38.27, 35.02, 17.26

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 37 / 37 / 16

HEX #D78888

RGB 215 136 136

HSL 0, 0.5%, 0.69%

LAB 64.83, 30.22, 12.71

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 37 / 25 / 16

HEX #D788A1

RGB 215 136 161

HSL 341.01, 0.5%, 0.69%

LAB 65.46, 33.5, -0.52

 

CMYK 0 / 37 / 15 / 16

HEX #D788B7

RGB 215 136 183

HSL 324.3, 0.5%, 0.69%

LAB 66.12, 36.83, -11.95

 

CMYK 0 / 37 / 5 / 16

HEX #D788CC

RGB 215 136 204

HSL 308.35, 0.5%, 0.69%

LAB 66.84, 40.37, -22.63

 

CMYK 5 / 37 / 0 / 16

HEX #CD88D7

RGB 205 136 215

HSL 292.41, 0.5%, 0.69%

LAB 66.13, 39.25, -29.94

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 46 / 44 / 11

HEX #E47B80

RGB 228 123 128

HSL 357.14, 0.66%, 0.69%

LAB 63.52, 40.99, 15.67

 

CMYK 0 / 54 / 51 / 5

HEX #F16E75

RGB 241 110 117

HSL 356.79, 0.82%, 0.69%

LAB 62.62, 50.99, 20.99

 

CMYK 0 / 61 / 58 / 1

HEX #FD6269

RGB 253 98 105

HSL 357.29, 0.97%, 0.69%

LAB 62.2, 59.5, 27.6

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 26 / 25 / 21

HEX #CA9597

RGB 202 149 151

HSL 357.74, 0.33%, 0.69%

LAB 66.74, 20.21, 6.78

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A3

RGB 189 162 163

HSL 357.78, 0.17%, 0.69%

LAB 68.97, 10.05, 3.14

 

CMYK 0 / 2 / 2 / 31

HEX #B1AEAE

RGB 177 174 174

HSL 0, 0.02%, 0.69%

LAB 71.33, 1.07, 0.37

 

CMYK 12 / 0 / 1 / 27

HEX #A4BBBA

RGB 164 187 186

HSL 177.39, 0.14%, 0.69%

LAB 74.18, -8.02, -2.16

 

CMYK 0 / 37 / 15 / 16

HEX #D788B7

RGB 215 136 183

HSL 324.3, 0.5%, 0.69%

LAB 66.12, 36.83, -11.95

 

CMYK 0 / 37 / 25 / 16

HEX #D788A2

RGB 215 136 162

HSL 340.25, 0.5%, 0.69%

LAB 65.49, 33.64, -1.04

 

CMYK 0 / 37 / 34 / 16

HEX #D7888D

RGB 215 136 141

HSL 356.2, 0.5%, 0.69%

LAB 64.95, 30.83, 10.05

 

CMYK 0 / 29 / 37 / 16

HEX #D79888

RGB 215 152 136

HSL 12.15, 0.5%, 0.69%

LAB 68.52, 21.59, 17.85

 

CMYK 0 / 20 / 37 / 16

HEX #D7AD88

RGB 215 173 136

HSL 28.1, 0.5%, 0.69%

LAB 73.62, 10.25, 24.82

 

CMYK 0 / 62 / 59 / 24

HEX #C24A50

RGB 194 74 80

HSL 357, 0.5%, 0.53%

LAB 48.19, 48.49, 22.03

 

CMYK 0 / 49 / 46 / 20

HEX #CD696E

RGB 205 105 110

HSL 357, 0.5%, 0.61%

LAB 56.3, 39.96, 15.53

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 0 / 26 / 24 / 12

HEX #E1A7AA

RGB 225 167 170

HSL 356.9, 0.49%, 0.77%

LAB 73.9, 21.77, 6.84

 

CMYK 0 / 16 / 15 / 7

HEX #ECC6C8

RGB 236 198 200

HSL 356.84, 0.5%, 0.85%

LAB 83.12, 13.75, 4.02

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 5 / 0 / 37 / 16

HEX #CCD788

RGB 204 215 136

HSL 68.35, 0.5%, 0.69%

LAB 83.56, -15.91, 37.76

 

CMYK 37 / 20 / 0 / 16

HEX #88ADD7

RGB 136 173 215

HSL 211.9, 0.5%, 0.69%

LAB 69.49, -2.22, -25.26

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 34 / 0 / 37 / 16

HEX #8DD788

RGB 141 215 136

HSL 116.2, 0.5%, 0.69%

LAB 79.64, -38.38, 31.9

 

CMYK 37 / 34 / 0 / 16

HEX #888DD7

RGB 136 141 215

HSL 236.2, 0.5%, 0.69%

LAB 60.95, 15.95, -38.48

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 5 / 0 / 37 / 16

HEX #CCD788

RGB 204 215 136

HSL 68.35, 0.5%, 0.69%

LAB 83.56, -15.91, 37.76

 

CMYK 37 / 0 / 2 / 16

HEX #88D7D2

RGB 136 215 210

HSL 176.2, 0.5%, 0.69%

LAB 81.01, -25.33, -5.22

 

CMYK 32 / 37 / 0 / 16

HEX #9288D7

RGB 146 136 215

HSL 247.59, 0.5%, 0.69%

LAB 60.45, 21.63, -39.21

 

CMYK 0 / 37 / 35 / 16

HEX #D7888C

RGB 215 136 140

HSL 356.96, 0.5%, 0.69%

LAB 64.92, 30.71, 10.59

 

CMYK 16 / 0 / 37 / 16

HEX #B5D788

RGB 181 215 136

HSL 85.82, 0.5%, 0.69%

LAB 81.95, -24.57, 35.36

 

CMYK 37 / 0 / 2 / 16

HEX #88D7D2

RGB 136 215 210

HSL 176.2, 0.5%, 0.69%

LAB 81.01, -25.33, -5.22

 

CMYK 21 / 37 / 0 / 16

HEX #AA88D7

RGB 170 136 215

HSL 265.82, 0.5%, 0.69%

LAB 62.56, 28.58, -35.76

 

Description

Color code: RGB 215 136 140 | qconv.com Color code: RGB 215 136 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 136 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 136 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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