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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 142 208 it is the complementary color RGB 40 113 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 142 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 142 208 shade: RGB 220 142 203, RGB 237 160 222, RGB 254 178 241, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 142 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 142 208 shade: RGB 215 142 208, RGB 198 124 189, RGB 181 106 170, RGB 164 88 151 and RGB 147 70 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 142 208 shade: RGB 215 141 208, RGB 215 141 188, RGB 215 141 168, RGB 215 141 148 and RGB 215 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 142 208 shade: RGB 215 141 208, RGB 202 141 215, RGB 182 141 215, RGB 162 141 215 and RGB 143 141 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 142 208 shade matches the following richer shades: RGB 215 141 208, RGB 227 129 218, RGB 239 117 228 and RGB 252 104 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 142 208 shade: RGB 215 141 208, RGB 202 154 198, RGB 190 166 188, RGB 178 178 178 and RGB 165 191 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 142 208 shade: RGB 182 141 215, RGB 201 141 215, RGB 215 141 209, RGB 215 141 189 and RGB 215 141 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 142 208 shade: RGB 193 80 182, RGB 204 111 195, RGB 215 141 208, RGB 225 172 220 and RGB 236 202 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 142 208 shade: RGB 215 142 208, RGB 215 162 141 and RGB 141 215 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 142 208 shade: RGB 215 142 208, RGB 209 215 141 and RGB 141 209 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 142 208 shade: RGB 215 142 208, RGB 215 162 141, RGB 141 215 147 and RGB 141 194 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 142 208 shade: RGB 215 142 208, RGB 215 184 141, RGB 141 215 147 and RGB 141 172 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

Complementary color

CMYK 65 / 0 / 58 / 56

HEX #28712F

RGB 40 113 47

HSL 125.75, 0.48%, 0.3%

LAB 41.95, -37.31, 29.7

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECB

RGB 220 142 203

HSL 313.08, 0.53%, 0.71%

LAB 68.66, 38.63, -19.24

 

CMYK 0 / 32 / 6 / 7

HEX #EDA0DE

RGB 237 160 222

HSL 311.69, 0.68%, 0.78%

LAB 75.09, 37.91, -19.78

 

CMYK 0 / 30 / 5 / 0

HEX #FEB2F1

RGB 254 178 241

HSL 310.26, 0.97%, 0.85%

LAB 81.44, 37.22, -20.28

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 0 / 37 / 5 / 22

HEX #C67CBD

RGB 198 124 189

HSL 307.3, 0.39%, 0.63%

LAB 61.74, 38.63, -22.16

 

CMYK 0 / 41 / 6 / 29

HEX #B56AAA

RGB 181 106 170

HSL 308.8, 0.34%, 0.56%

LAB 55.11, 39.39, -21.61

 

CMYK 0 / 46 / 8 / 36

HEX #A45897

RGB 164 88 151

HSL 310.26, 0.3%, 0.49%

LAB 48.39, 40.15, -20.96

 

CMYK 0 / 52 / 10 / 42

HEX #934684

RGB 147 70 132

HSL 311.69, 0.35%, 0.43%

LAB 41.61, 40.86, -20.17

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD0

RGB 215 141 208

HSL 305.68, 0.48%, 0.7%

LAB 68.06, 38.42, -22.99

 

CMYK 0 / 34 / 13 / 16

HEX #D78DBC

RGB 215 141 188

HSL 321.89, 0.48%, 0.7%

LAB 67.37, 34.97, -12.87

 

CMYK 0 / 34 / 22 / 16

HEX #D78DA8

RGB 215 141 168

HSL 338.11, 0.48%, 0.7%

LAB 66.77, 31.84, -2.55

 

CMYK 0 / 34 / 31 / 16

HEX #D78D94

RGB 215 141 148

HSL 354.32, 0.48%, 0.7%

LAB 66.24, 29.04, 7.95

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD0

RGB 215 141 208

HSL 305.68, 0.48%, 0.7%

LAB 68.06, 38.42, -22.99

 

CMYK 6 / 34 / 0 / 16

HEX #CA8DD7

RGB 202 141 215

HSL 289.46, 0.48%, 0.7%

LAB 66.91, 35.61, -28.76

 

CMYK 15 / 34 / 0 / 16

HEX #B68DD7

RGB 182 141 215

HSL 273.24, 0.48%, 0.7%

LAB 64.88, 29.4, -32.06

 

CMYK 25 / 34 / 0 / 16

HEX #A28DD7

RGB 162 141 215

HSL 257.03, 0.48%, 0.7%

LAB 63.04, 23.36, -35.06

 

CMYK 33 / 34 / 0 / 16

HEX #8F8DD7

RGB 143 141 215

HSL 241.62, 0.48%, 0.7%

LAB 61.48, 17.89, -37.62

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD0

RGB 215 141 208

HSL 305.68, 0.48%, 0.7%

LAB 68.06, 38.42, -22.99

 

CMYK 0 / 43 / 4 / 11

HEX #E381DA

RGB 227 129 218

HSL 305.51, 0.64%, 0.7%

LAB 67.35, 50.17, -29.52

 

CMYK 0 / 51 / 5 / 6

HEX #EF75E4

RGB 239 117 228

HSL 305.41, 0.79%, 0.7%

LAB 67.03, 61.17, -35.43

 

CMYK 0 / 59 / 6 / 1

HEX #FC68EE

RGB 252 104 238

HSL 305.68, 0.96%, 0.7%

LAB 67.1, 71.97, -40.73

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD0

RGB 215 141 208

HSL 305.68, 0.48%, 0.7%

LAB 68.06, 38.42, -22.99

 

CMYK 0 / 24 / 2 / 21

HEX #CA9AC6

RGB 202 154 198

HSL 305, 0.31%, 0.7%

LAB 69.29, 25.25, -15.7

 

CMYK 0 / 13 / 1 / 25

HEX #BEA6BC

RGB 190 166 188

HSL 305, 0.16%, 0.7%

LAB 70.77, 12.64, -8.06

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 14 / 0 / 12 / 25

HEX #A5BFA8

RGB 165 191 168

HSL 126.92, 0.17%, 0.7%

LAB 74.88, -13.27, 8.65

 

CMYK 15 / 34 / 0 / 16

HEX #B68DD7

RGB 182 141 215

HSL 273.24, 0.48%, 0.7%

LAB 64.88, 29.4, -32.06

 

CMYK 7 / 34 / 0 / 16

HEX #C98DD7

RGB 201 141 215

HSL 288.65, 0.48%, 0.7%

LAB 66.8, 35.3, -28.93

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD1

RGB 215 141 209

HSL 304.86, 0.48%, 0.7%

LAB 68.09, 38.6, -23.49

 

CMYK 0 / 34 / 12 / 16

HEX #D78DBD

RGB 215 141 189

HSL 321.08, 0.48%, 0.7%

LAB 67.41, 35.14, -13.38

 

CMYK 0 / 34 / 21 / 16

HEX #D78DA9

RGB 215 141 169

HSL 337.3, 0.48%, 0.7%

LAB 66.8, 31.99, -3.07

 

CMYK 0 / 59 / 6 / 24

HEX #C150B6

RGB 193 80 182

HSL 305.84, 0.48%, 0.54%

LAB 52.34, 57.91, -32.72

 

CMYK 0 / 46 / 4 / 20

HEX #CC6FC3

RGB 204 111 195

HSL 305.81, 0.48%, 0.62%

LAB 60.02, 48.38, -28.14

 

CMYK 0 / 34 / 3 / 16

HEX #D78DD0

RGB 215 141 208

HSL 305.68, 0.48%, 0.7%

LAB 68.06, 38.42, -22.99

 

CMYK 0 / 24 / 2 / 12

HEX #E1ACDC

RGB 225 172 220

HSL 305.66, 0.47%, 0.78%

LAB 76.48, 27.21, -16.7

 

CMYK 0 / 14 / 1 / 7

HEX #ECCAE9

RGB 236 202 233

HSL 305.29, 0.47%, 0.86%

LAB 84.97, 17.2, -10.86

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 0 / 25 / 34 / 16

HEX #D7A28D

RGB 215 162 141

HSL 17.03, 0.48%, 0.7%

LAB 71.02, 16.79, 18.55

 

CMYK 34 / 0 / 11 / 16

HEX #8DD7BF

RGB 141 215 191

HSL 160.54, 0.48%, 0.7%

LAB 80.75, -28.24, 4.56

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 3 / 0 / 34 / 16

HEX #D1D78D

RGB 209 215 141

HSL 64.86, 0.48%, 0.7%

LAB 84.01, -13.39, 35.88

 

CMYK 34 / 3 / 0 / 16

HEX #8DD1D7

RGB 141 209 215

HSL 184.86, 0.48%, 0.7%

LAB 79.71, -19.84, -9.79

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 0 / 25 / 34 / 16

HEX #D7A28D

RGB 215 162 141

HSL 17.03, 0.48%, 0.7%

LAB 71.02, 16.79, 18.55

 

CMYK 34 / 0 / 32 / 16

HEX #8DD793

RGB 141 215 147

HSL 124.86, 0.48%, 0.7%

LAB 79.82, -36.63, 26.47

 

CMYK 34 / 10 / 0 / 16

HEX #8DC2D7

RGB 141 194 215

HSL 197.03, 0.48%, 0.7%

LAB 75.55, -12.13, -16.03

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 0 / 14 / 34 / 16

HEX #D7B88D

RGB 215 184 141

HSL 34.86, 0.48%, 0.7%

LAB 76.47, 4.99, 25.98

 

CMYK 34 / 0 / 32 / 16

HEX #8DD793

RGB 141 215 147

HSL 124.86, 0.48%, 0.7%

LAB 79.82, -36.63, 26.47

 

CMYK 34 / 20 / 0 / 16

HEX #8DACD7

RGB 141 172 215

HSL 214.86, 0.48%, 0.7%

LAB 69.52, -0.28, -25.18

 

Description

Color code: RGB 215 142 208 | qconv.com Color code: RGB 215 142 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 142 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 142 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 3 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 3% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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