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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 14 201 it is the complementary color RGB 40 241 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 14 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 14 201 shade: RGB 220 14 196, RGB 237 32 215, RGB 254 50 234, RGB 255 68 253 and RGB 255 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 14 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 14 201 shade: RGB 215 14 201, RGB 198 0 182, RGB 181 0 163, RGB 164 0 144 and RGB 147 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 14 201 shade: RGB 215 13 201, RGB 215 13 147, RGB 215 13 92, RGB 215 13 38 and RGB 215 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 14 201 shade: RGB 215 13 201, RGB 175 13 215, RGB 120 13 215, RGB 66 13 215 and RGB 13 13 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 14 201 shade matches the following richer shades: RGB 215 13 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 14 201 shade: RGB 215 13 201, RGB 197 32 185, RGB 178 50 169, RGB 160 69 153 and RGB 141 88 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 14 201 shade: RGB 121 13 215, RGB 175 13 215, RGB 215 13 202, RGB 215 13 148 and RGB 215 13 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 14 201 shade: RGB 138 8 129, RGB 176 11 165, RGB 215 13 201, RGB 240 30 225 and RGB 243 68 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 14 201 shade: RGB 215 14 201, RGB 215 67 13 and RGB 13 215 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 14 201 shade: RGB 215 14 201, RGB 202 215 13 and RGB 13 202 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 14 201 shade: RGB 215 14 201, RGB 215 67 13, RGB 13 215 27 and RGB 13 161 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 14 201 shade: RGB 215 14 201, RGB 215 128 13, RGB 13 215 27 and RGB 13 101 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

Complementary color

CMYK 83 / 0 / 78 / 5

HEX #28F136

RGB 40 241 54

HSL 124.18, 0.88%, 0.55%

LAB 83.77, -78.64, 71

 

CMYK 0 / 94 / 11 / 14

HEX #DC0EC4

RGB 220 14 196

HSL 306.99, 0.88%, 0.46%

LAB 51.28, 83.53, -42.21

 

CMYK 0 / 86 / 9 / 7

HEX #ED20D7

RGB 237 32 215

HSL 306.44, 0.85%, 0.53%

LAB 56.03, 86.88, -45.41

 

CMYK 0 / 80 / 8 / 0

HEX #FE32EA

RGB 254 50 234

HSL 305.88, 0.99%, 0.6%

LAB 61.04, 89.25, -48.02

 

CMYK 0 / 73 / 1 / 0

HEX #FF44FD

RGB 255 68 253

HSL 300.64, 1%, 0.63%

LAB 63.74, 87.66, -54.28

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

CMYK 0 / 100 / 8 / 22

HEX #C600B6

RGB 198 0 182

HSL 304.85, 1%, 0.39%

LAB 46.15, 78.95, -42.42

 

CMYK 0 / 100 / 10 / 29

HEX #B500A3

RGB 181 0 163

HSL 305.97, 1%, 0.35%

LAB 41.95, 73.4, -38

 

CMYK 0 / 100 / 12 / 36

HEX #A40090

RGB 164 0 144

HSL 307.32, 1%, 0.32%

LAB 37.67, 67.74, -33.46

 

CMYK 0 / 100 / 15 / 42

HEX #93007D

RGB 147 0 125

HSL 308.98, 1%, 0.29%

LAB 33.32, 61.97, -28.77

 

CMYK 0 / 94 / 7 / 16

HEX #D70DC9

RGB 215 13 201

HSL 304.16, 0.89%, 0.45%

LAB 50.63, 83.42, -46.19

 

CMYK 0 / 94 / 32 / 16

HEX #D70D93

RGB 215 13 147

HSL 320.2, 0.89%, 0.45%

LAB 48.06, 76.84, -18.37

 

CMYK 0 / 94 / 57 / 16

HEX #D70D5C

RGB 215 13 92

HSL 336.53, 0.89%, 0.45%

LAB 46.32, 72.18, 12.82

 

CMYK 0 / 94 / 82 / 16

HEX #D70D26

RGB 215 13 38

HSL 352.57, 0.89%, 0.45%

LAB 45.46, 69.81, 44.24

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 7 / 16

HEX #D70DC9

RGB 215 13 201

HSL 304.16, 0.89%, 0.45%

LAB 50.63, 83.42, -46.19

 

CMYK 19 / 94 / 0 / 16

HEX #AF0DD7

RGB 175 13 215

HSL 288.12, 0.89%, 0.45%

LAB 44.67, 79.25, -64.2

 

CMYK 44 / 94 / 0 / 16

HEX #780DD7

RGB 120 13 215

HSL 271.78, 0.89%, 0.45%

LAB 36.34, 72.55, -78.16

 

CMYK 69 / 94 / 0 / 16

HEX #420DD7

RGB 66 13 215

HSL 255.74, 0.89%, 0.45%

LAB 30.28, 68.62, -88.38

 

CMYK 94 / 94 / 0 / 16

HEX #0D0DD7

RGB 13 13 215

HSL 240, 0.89%, 0.45%

LAB 27.52, 67.21, -93.07

 

CMYK 0 / 94 / 7 / 16

HEX #D70DC9

RGB 215 13 201

HSL 304.16, 0.89%, 0.45%

LAB 50.63, 83.42, -46.19

 

CMYK 0 / 94 / 7 / 16

HEX #D70DC9

RGB 215 13 201

HSL 304.16, 0.89%, 0.45%

LAB 50.63, 83.42, -46.19

 

CMYK 0 / 84 / 6 / 23

HEX #C520B9

RGB 197 32 185

HSL 304.36, 0.72%, 0.45%

LAB 47.5, 75.2, -42.05

 

CMYK 0 / 72 / 5 / 30

HEX #B232A9

RGB 178 50 169

HSL 304.22, 0.56%, 0.45%

LAB 45.1, 63.96, -36.64

 

CMYK 0 / 57 / 4 / 37

HEX #A04599

RGB 160 69 153

HSL 304.62, 0.4%, 0.45%

LAB 44.28, 48.92, -28.58

 

CMYK 0 / 38 / 3 / 45

HEX #8D5889

RGB 141 88 137

HSL 304.53, 0.23%, 0.45%

LAB 44.87, 29.93, -18.26

 

CMYK 44 / 94 / 0 / 16

HEX #790DD7

RGB 121 13 215

HSL 272.08, 0.89%, 0.45%

LAB 36.48, 72.65, -77.93

 

CMYK 19 / 94 / 0 / 16

HEX #AF0DD7

RGB 175 13 215

HSL 288.12, 0.89%, 0.45%

LAB 44.67, 79.25, -64.2

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 0 / 94 / 31 / 16

HEX #D70D94

RGB 215 13 148

HSL 319.9, 0.89%, 0.45%

LAB 48.1, 76.94, -18.91

 

CMYK 0 / 94 / 56 / 16

HEX #D70D5E

RGB 215 13 94

HSL 335.94, 0.89%, 0.45%

LAB 46.37, 72.31, 11.65

 

CMYK 0 / 94 / 7 / 46

HEX #8A0881

RGB 138 8 129

HSL 304.15, 0.89%, 0.29%

LAB 32.17, 59.71, -33.2

 

CMYK 0 / 94 / 6 / 31

HEX #B00BA5

RGB 176 11 165

HSL 304, 0.88%, 0.37%

LAB 41.51, 71.68, -39.96

 

CMYK 0 / 94 / 7 / 16

HEX #D70DC9

RGB 215 13 201

HSL 304.16, 0.89%, 0.45%

LAB 50.63, 83.42, -46.19

 

CMYK 0 / 88 / 6 / 6

HEX #F01EE1

RGB 240 30 225

HSL 304.29, 0.88%, 0.53%

LAB 56.97, 89.08, -49.56

 

CMYK 0 / 72 / 5 / 5

HEX #F344E6

RGB 243 68 230

HSL 304.46, 0.88%, 0.61%

LAB 60.7, 81.77, -46.44

 

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

CMYK 0 / 69 / 94 / 16

HEX #D7430D

RGB 215 67 13

HSL 16.04, 0.89%, 0.45%

LAB 50.09, 55.97, 58.15

 

CMYK 94 / 0 / 31 / 16

HEX #0DD794

RGB 13 215 148

HSL 160.1, 0.89%, 0.45%

LAB 76.57, -59.3, 20.98

 

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

CMYK 6 / 0 / 94 / 16

HEX #CAD70D

RGB 202 215 13

HSL 63.86, 0.89%, 0.45%

LAB 82.48, -24.3, 80.71

 

CMYK 94 / 6 / 0 / 16

HEX #0DCAD7

RGB 13 202 215

HSL 183.86, 0.89%, 0.45%

LAB 74.34, -36.02, -18.19

 

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

CMYK 0 / 69 / 94 / 16

HEX #D7430D

RGB 215 67 13

HSL 16.04, 0.89%, 0.45%

LAB 50.09, 55.97, 58.15

 

CMYK 94 / 0 / 87 / 16

HEX #0DD71B

RGB 13 215 27

HSL 124.16, 0.89%, 0.45%

LAB 75.31, -74.64, 69.82

 

CMYK 94 / 25 / 0 / 16

HEX #0DA1D7

RGB 13 161 215

HSL 196.04, 0.89%, 0.45%

LAB 62.07, -15.39, -37.06

 

CMYK 0 / 93 / 7 / 16

HEX #D70EC9

RGB 215 14 201

HSL 304.18, 0.88%, 0.45%

LAB 50.66, 83.33, -46.14

 

CMYK 0 / 40 / 94 / 16

HEX #D7800D

RGB 215 128 13

HSL 34.16, 0.89%, 0.45%

LAB 61.58, 26.75, 65.83

 

CMYK 94 / 0 / 87 / 16

HEX #0DD71B

RGB 13 215 27

HSL 124.16, 0.89%, 0.45%

LAB 75.31, -74.64, 69.82

 

CMYK 94 / 53 / 0 / 16

HEX #0D65D7

RGB 13 101 215

HSL 213.86, 0.89%, 0.45%

LAB 44.66, 20.72, -64.8

 

Description

Color code: RGB 215 14 201 | qconv.com Color code: RGB 215 14 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 14 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 14 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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