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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 172 210 it is the complementary color RGB 40 83 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 172 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 172 210 shade: RGB 220 172 205, RGB 237 190 224, RGB 254 208 243, RGB 255 226 255 and RGB 255 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 172 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 198 154 191, RGB 181 136 172, RGB 164 118 153 and RGB 147 100 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 215 172 198, RGB 215 172 187, RGB 215 172 175 and RGB 215 172 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 208 172 215, RGB 197 172 215, RGB 185 172 215 and RGB 173 172 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 172 210 shade matches the following richer shades: RGB 215 172 210, RGB 225 162 217, RGB 235 152 225, RGB 244 142 233 and RGB 254 132 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 205 182 202, RGB 195 192 195, RGB 185 202 187 and RGB 175 211 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 172 210 shade: RGB 196 172 215, RGB 208 172 215, RGB 215 172 210, RGB 215 172 199 and RGB 215 172 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 172 210 shade: RGB 188 116 180, RGB 201 144 195, RGB 215 172 210, RGB 228 200 225 and RGB 242 228 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 215 185 172 and RGB 172 215 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 210 215 172 and RGB 172 210 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 215 185 172, RGB 172 215 176 and RGB 172 202 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 172 210 shade: RGB 215 172 210, RGB 215 198 172, RGB 172 215 176 and RGB 172 189 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

Complementary color

CMYK 52 / 0 / 46 / 67

HEX #28532D

RGB 40 83 45

HSL 126.98, 0.35%, 0.24%

LAB 31.41, -24.25, 17.75

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCD

RGB 220 172 205

HSL 318.75, 0.41%, 0.77%

LAB 75.53, 22.85, -10.01

 

CMYK 0 / 20 / 5 / 7

HEX #EDBEE0

RGB 237 190 224

HSL 316.6, 0.57%, 0.84%

LAB 81.95, 22.31, -10.54

 

CMYK 0 / 18 / 4 / 0

HEX #FED0F3

RGB 254 208 243

HSL 314.35, 0.96%, 0.91%

LAB 88.28, 21.82, -11.06

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 22 / 4 / 22

HEX #C69ABF

RGB 198 154 191

HSL 309.55, 0.28%, 0.69%

LAB 68.66, 22.59, -12.79

 

CMYK 0 / 25 / 5 / 29

HEX #B588AC

RGB 181 136 172

HSL 312, 0.23%, 0.62%

LAB 62.01, 23.19, -12.28

 

CMYK 0 / 28 / 7 / 36

HEX #A47699

RGB 164 118 153

HSL 314.35, 0.2%, 0.55%

LAB 55.23, 23.85, -11.75

 

CMYK 0 / 32 / 9 / 42

HEX #936486

RGB 147 100 134

HSL 316.6, 0.19%, 0.48%

LAB 48.31, 24.56, -11.17

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 20 / 8 / 16

HEX #D7ACC6

RGB 215 172 198

HSL 323.72, 0.35%, 0.76%

LAB 74.84, 19.9, -7.26

 

CMYK 0 / 20 / 13 / 16

HEX #D7ACBB

RGB 215 172 187

HSL 339.07, 0.35%, 0.76%

LAB 74.53, 18.04, -1.69

 

CMYK 0 / 20 / 19 / 16

HEX #D7ACAF

RGB 215 172 175

HSL 355.81, 0.35%, 0.76%

LAB 74.22, 16.13, 4.43

 

CMYK 0 / 20 / 20 / 16

HEX #D7ACAC

RGB 215 172 172

HSL 0, 0.35%, 0.76%

LAB 74.15, 15.67, 5.96

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 3 / 20 / 0 / 16

HEX #D0ACD7

RGB 208 172 215

HSL 290.23, 0.35%, 0.76%

LAB 74.71, 20.62, -16.81

 

CMYK 8 / 20 / 0 / 16

HEX #C5ACD7

RGB 197 172 215

HSL 274.88, 0.35%, 0.76%

LAB 73.73, 16.99, -18.39

 

CMYK 14 / 20 / 0 / 16

HEX #B9ACD7

RGB 185 172 215

HSL 258.14, 0.35%, 0.76%

LAB 72.71, 13.09, -20.03

 

CMYK 20 / 20 / 0 / 16

HEX #ADACD7

RGB 173 172 215

HSL 241.4, 0.35%, 0.76%

LAB 71.76, 9.27, -21.57

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 28 / 4 / 12

HEX #E1A2D9

RGB 225 162 217

HSL 307.62, 0.51%, 0.76%

LAB 74.1, 32.04, -18.67

 

CMYK 0 / 35 / 4 / 8

HEX #EB98E1

RGB 235 152 225

HSL 307.23, 0.67%, 0.76%

LAB 73.26, 41.99, -24.23

 

CMYK 0 / 42 / 5 / 4

HEX #F48EE9

RGB 244 142 233

HSL 306.47, 0.82%, 0.76%

LAB 72.54, 51.28, -29.62

 

CMYK 0 / 48 / 6 / 0

HEX #FE84F0

RGB 254 132 240

HSL 306.89, 0.98%, 0.76%

LAB 72.14, 60.28, -33.97

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 11 / 1 / 20

HEX #CDB6CA

RGB 205 182 202

HSL 307.83, 0.19%, 0.76%

LAB 76.5, 11.72, -7.09

 

CMYK 0 / 2 / 0 / 24

HEX #C3C0C3

RGB 195 192 195

HSL 300, 0.02%, 0.76%

LAB 78.02, 1.6, -1.14

 

CMYK 8 / 0 / 7 / 21

HEX #B9CABB

RGB 185 202 187

HSL 127.06, 0.14%, 0.76%

LAB 79.7, -8.59, 5.51

 

CMYK 17 / 0 / 15 / 17

HEX #AFD3B3

RGB 175 211 179

HSL 126.67, 0.29%, 0.76%

LAB 81.27, -18.04, 11.94

 

CMYK 9 / 20 / 0 / 16

HEX #C4ACD7

RGB 196 172 215

HSL 273.49, 0.35%, 0.76%

LAB 73.64, 16.66, -18.53

 

CMYK 3 / 20 / 0 / 16

HEX #D0ACD7

RGB 208 172 215

HSL 290.23, 0.35%, 0.76%

LAB 74.71, 20.62, -16.81

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 20 / 7 / 16

HEX #D7ACC7

RGB 215 172 199

HSL 322.33, 0.35%, 0.76%

LAB 74.87, 20.07, -7.76

 

CMYK 0 / 20 / 13 / 16

HEX #D7ACBC

RGB 215 172 188

HSL 337.67, 0.35%, 0.76%

LAB 74.56, 18.21, -2.2

 

CMYK 0 / 38 / 4 / 26

HEX #BC74B4

RGB 188 116 180

HSL 306.67, 0.35%, 0.6%

LAB 58.49, 38.07, -22.11

 

CMYK 0 / 28 / 3 / 21

HEX #C990C3

RGB 201 144 195

HSL 306.32, 0.35%, 0.68%

LAB 66.75, 29.84, -17.87

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 12 / 1 / 11

HEX #E4C8E1

RGB 228 200 225

HSL 306.43, 0.34%, 0.84%

LAB 83.57, 14.13, -8.76

 

CMYK 0 / 6 / 1 / 5

HEX #F2E4F0

RGB 242 228 240

HSL 308.57, 0.35%, 0.92%

LAB 91.98, 6.84, -4.12

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 14 / 20 / 16

HEX #D7B9AC

RGB 215 185 172

HSL 18.14, 0.35%, 0.76%

LAB 77.35, 8.69, 10.55

 

CMYK 20 / 0 / 6 / 16

HEX #ACD7CA

RGB 172 215 202

HSL 161.86, 0.35%, 0.76%

LAB 82.72, -16.64, 1.77

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 2 / 0 / 20 / 16

HEX #D2D7AC

RGB 210 215 172

HSL 66.98, 0.35%, 0.76%

LAB 84.63, -8.85, 20.7

 

CMYK 20 / 2 / 0 / 16

HEX #ACD2D7

RGB 172 210 215

HSL 186.98, 0.35%, 0.76%

LAB 81.71, -11.39, -6.63

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 14 / 20 / 16

HEX #D7B9AC

RGB 215 185 172

HSL 18.14, 0.35%, 0.76%

LAB 77.35, 8.69, 10.55

 

CMYK 20 / 0 / 18 / 16

HEX #ACD7B0

RGB 172 215 176

HSL 125.58, 0.35%, 0.76%

LAB 82.11, -21.57, 14.69

 

CMYK 20 / 6 / 0 / 16

HEX #ACCAD7

RGB 172 202 215

HSL 198.14, 0.35%, 0.76%

LAB 79.57, -7.23, -9.82

 

CMYK 0 / 20 / 2 / 16

HEX #D7ACD2

RGB 215 172 210

HSL 306.98, 0.35%, 0.76%

LAB 75.21, 22.04, -13.27

 

CMYK 0 / 8 / 20 / 16

HEX #D7C6AC

RGB 215 198 172

HSL 36.28, 0.35%, 0.76%

LAB 80.64, 1.8, 15.19

 

CMYK 20 / 0 / 18 / 16

HEX #ACD7B0

RGB 172 215 176

HSL 125.58, 0.35%, 0.76%

LAB 82.11, -21.57, 14.69

 

CMYK 20 / 12 / 0 / 16

HEX #ACBDD7

RGB 172 189 215

HSL 216.28, 0.35%, 0.76%

LAB 76.11, -0.32, -14.98

 

Description

Color code: RGB 215 172 210 | qconv.com Color code: RGB 215 172 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 172 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 172 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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