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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 36 228 it is the complementary color RGB 40 219 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 36 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 36 228 shade: RGB 220 36 223, RGB 237 54 242, RGB 254 72 255, RGB 255 90 255 and RGB 255 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 36 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 36 228 shade: RGB 215 36 228, RGB 198 18 209, RGB 181 0 190, RGB 164 0 171 and RGB 147 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 36 228 shade: RGB 215 37 228, RGB 228 37 189, RGB 228 37 138, RGB 228 37 86 and RGB 228 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 36 228 shade: RGB 215 37 228, RGB 163 37 228, RGB 112 37 228, RGB 60 37 228 and RGB 37 37 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 36 228 shade matches the following richer shades: RGB 215 37 228 and RGB 232 17 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 36 228 shade: RGB 215 37 228, RGB 198 56 208, RGB 180 76 188, RGB 163 96 168 and RGB 146 116 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 36 228 shade: RGB 110 37 228, RGB 161 37 228, RGB 212 37 228, RGB 228 37 193 and RGB 228 37 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 36 228 shade: RGB 152 20 162, RGB 187 24 199, RGB 215 37 228, RGB 221 73 232 and RGB 228 110 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 36 228 shade: RGB 215 36 228, RGB 228 59 37 and RGB 37 228 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 36 228 shade: RGB 215 36 228, RGB 228 212 37 and RGB 37 228 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 36 228 shade: RGB 215 36 228, RGB 228 59 37, RGB 53 228 37 and RGB 37 205 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 36 228 shade: RGB 215 36 228, RGB 228 116 37, RGB 53 228 37 and RGB 37 148 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

Complementary color

CMYK 82 / 0 / 88 / 14

HEX #28DB1B

RGB 40 219 27

HSL 115.94, 0.78%, 0.48%

LAB 76.8, -73.73, 71.2

 

CMYK 1 / 84 / 0 / 13

HEX #DC24DF

RGB 220 36 223

HSL 299.04, 0.75%, 0.51%

LAB 53.82, 84.27, -53.65

 

CMYK 2 / 78 / 0 / 5

HEX #ED36F2

RGB 237 54 242

HSL 298.4, 0.88%, 0.58%

LAB 59.02, 86.27, -55.86

 

CMYK 0 / 72 / 0 / 0

HEX #FE48FF

RGB 254 72 255

HSL 299.67, 1%, 0.64%

LAB 64.1, 86.59, -54.82

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

CMYK 5 / 91 / 0 / 18

HEX #C612D1

RGB 198 18 209

HSL 296.54, 0.84%, 0.45%

LAB 48.31, 81.22, -54.68

 

CMYK 5 / 100 / 0 / 25

HEX #B500BE

RGB 181 0 190

HSL 297.16, 1%, 0.37%

LAB 43.57, 77.32, -51.43

 

CMYK 4 / 100 / 0 / 33

HEX #A400AB

RGB 164 0 171

HSL 297.54, 1%, 0.34%

LAB 39.3, 71.69, -47.21

 

CMYK 3 / 100 / 0 / 40

HEX #930098

RGB 147 0 152

HSL 298.03, 1%, 0.3%

LAB 34.94, 65.95, -42.9

 

CMYK 6 / 84 / 0 / 11

HEX #D725E4

RGB 215 37 228

HSL 295.92, 0.78%, 0.52%

LAB 53.35, 83.97, -57.27

 

CMYK 0 / 84 / 17 / 11

HEX #E425BD

RGB 228 37 189

HSL 312.25, 0.78%, 0.52%

LAB 53.48, 80.86, -34.59

 

CMYK 0 / 84 / 39 / 11

HEX #E4258A

RGB 228 37 138

HSL 328.27, 0.78%, 0.52%

LAB 51.44, 75.19, -7.6

 

CMYK 0 / 84 / 62 / 11

HEX #E42556

RGB 228 37 86

HSL 344.61, 0.78%, 0.52%

LAB 50.08, 71.26, 22.04

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 6 / 84 / 0 / 11

HEX #D725E4

RGB 215 37 228

HSL 295.92, 0.78%, 0.52%

LAB 53.35, 83.97, -57.27

 

CMYK 29 / 84 / 0 / 11

HEX #A325E4

RGB 163 37 228

HSL 279.58, 0.78%, 0.52%

LAB 45.24, 75.61, -70.79

 

CMYK 51 / 84 / 0 / 11

HEX #7025E4

RGB 112 37 228

HSL 263.56, 0.78%, 0.52%

LAB 38.5, 69.03, -82.1

 

CMYK 74 / 84 / 0 / 11

HEX #3C25E4

RGB 60 37 228

HSL 247.23, 0.78%, 0.52%

LAB 33.74, 64.68, -90.12

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 6 / 84 / 0 / 11

HEX #D725E4

RGB 215 37 228

HSL 295.92, 0.78%, 0.52%

LAB 53.35, 83.97, -57.27

 

CMYK 6 / 93 / 0 / 3

HEX #E811F7

RGB 232 17 247

HSL 296.09, 0.93%, 0.52%

LAB 56.36, 92.45, -62.96

 

CMYK 6 / 84 / 0 / 11

HEX #D725E4

RGB 215 37 228

HSL 295.92, 0.78%, 0.52%

LAB 53.35, 83.97, -57.27

 

CMYK 5 / 73 / 0 / 18

HEX #C638D0

RGB 198 56 208

HSL 296.05, 0.62%, 0.52%

LAB 51.14, 72.67, -49.58

 

CMYK 4 / 60 / 0 / 26

HEX #B44CBC

RGB 180 76 188

HSL 295.71, 0.46%, 0.52%

LAB 50.1, 57.34, -39.86

 

CMYK 3 / 43 / 0 / 34

HEX #A360A8

RGB 163 96 168

HSL 295.83, 0.29%, 0.52%

LAB 50.66, 38.7, -27.49

 

CMYK 1 / 22 / 0 / 42

HEX #927494

RGB 146 116 148

HSL 296.25, 0.13%, 0.52%

LAB 52.66, 17.61, -12.88

 

CMYK 52 / 84 / 0 / 11

HEX #6E25E4

RGB 110 37 228

HSL 262.93, 0.78%, 0.52%

LAB 38.27, 68.81, -82.48

 

CMYK 29 / 84 / 0 / 11

HEX #A125E4

RGB 161 37 228

HSL 278.95, 0.78%, 0.52%

LAB 44.94, 75.32, -71.28

 

CMYK 7 / 84 / 0 / 11

HEX #D425E4

RGB 212 37 228

HSL 294.97, 0.78%, 0.52%

LAB 52.86, 83.46, -58.08

 

CMYK 0 / 84 / 15 / 11

HEX #E425C1

RGB 228 37 193

HSL 310.99, 0.78%, 0.52%

LAB 53.67, 81.38, -36.61

 

CMYK 0 / 84 / 38 / 11

HEX #E4258E

RGB 228 37 142

HSL 327.02, 0.78%, 0.52%

LAB 51.58, 75.57, -9.8

 

CMYK 6 / 88 / 0 / 36

HEX #9814A2

RGB 152 20 162

HSL 295.77, 0.78%, 0.36%

LAB 37.45, 65.6, -44.89

 

CMYK 6 / 88 / 0 / 22

HEX #BB18C7

RGB 187 24 199

HSL 295.89, 0.78%, 0.44%

LAB 46.1, 76.98, -52.56

 

CMYK 6 / 84 / 0 / 11

HEX #D725E4

RGB 215 37 228

HSL 295.92, 0.78%, 0.52%

LAB 53.35, 83.97, -57.27

 

CMYK 5 / 69 / 0 / 9

HEX #DD49E8

RGB 221 73 232

HSL 295.85, 0.78%, 0.6%

LAB 58, 75.76, -52.04

 

CMYK 4 / 54 / 0 / 7

HEX #E46EED

RGB 228 110 237

HSL 295.75, 0.78%, 0.68%

LAB 64.77, 63.02, -44.06

 

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

CMYK 0 / 74 / 84 / 11

HEX #E43B25

RGB 228 59 37

HSL 6.91, 0.78%, 0.52%

LAB 51.56, 63.36, 51.25

 

CMYK 84 / 0 / 41 / 11

HEX #25E487

RGB 37 228 135

HSL 150.79, 0.78%, 0.52%

LAB 80.53, -65.09, 33.03

 

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

CMYK 0 / 7 / 84 / 11

HEX #E4D425

RGB 228 212 37

HSL 54.97, 0.78%, 0.52%

LAB 83.82, -11.4, 78.66

 

CMYK 84 / 0 / 7 / 11

HEX #25E4D4

RGB 37 228 212

HSL 174.97, 0.78%, 0.52%

LAB 82.18, -47.29, -4.85

 

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

CMYK 0 / 74 / 84 / 11

HEX #E43B25

RGB 228 59 37

HSL 6.91, 0.78%, 0.52%

LAB 51.56, 63.36, 51.25

 

CMYK 77 / 0 / 84 / 11

HEX #35E425

RGB 53 228 37

HSL 114.97, 0.78%, 0.52%

LAB 79.83, -74.35, 71.86

 

CMYK 84 / 10 / 0 / 11

HEX #25CDE4

RGB 37 205 228

HSL 187.23, 0.78%, 0.52%

LAB 75.86, -32.19, -22.88

 

CMYK 6 / 84 / 0 / 11

HEX #D724E4

RGB 215 36 228

HSL 295.94, 0.78%, 0.52%

LAB 53.29, 84.17, -57.38

 

CMYK 0 / 49 / 84 / 11

HEX #E47425

RGB 228 116 37

HSL 24.82, 0.78%, 0.52%

LAB 60.89, 38.78, 59.37

 

CMYK 77 / 0 / 84 / 11

HEX #35E425

RGB 53 228 37

HSL 114.97, 0.78%, 0.52%

LAB 79.83, -74.35, 71.86

 

CMYK 84 / 35 / 0 / 11

HEX #2594E4

RGB 37 148 228

HSL 205.13, 0.78%, 0.52%

LAB 59.14, -1.99, -48.88

 

Description

Color code: RGB 215 36 228 | qconv.com Color code: RGB 215 36 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 36 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 36 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 84 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 84% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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