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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 64 64 it is the complementary color RGB 40 191 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 64 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 64 64 shade: RGB 220 64 59, RGB 237 82 78, RGB 254 100 97, RGB 255 118 116 and RGB 255 136 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 64 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 64 64 shade: RGB 215 64 64, RGB 198 46 45, RGB 181 28 26, RGB 164 10 7 and RGB 147 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 64 64 shade: RGB 214 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 64 64 shade: RGB 214 65 65, RGB 214 105 65, RGB 214 146 65, RGB 214 186 65 and RGB 203 214 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 64 64 shade matches the following richer shades: RGB 214 65 65, RGB 233 47 47 and RGB 251 28 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 64 64 shade: RGB 214 65 65, RGB 196 84 84, RGB 177 102 102, RGB 159 121 121 and RGB 140 139 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 64 64 shade: RGB 214 65 145, RGB 214 65 105, RGB 214 65 65, RGB 214 105 65 and RGB 214 145 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 64 64 shade: RGB 163 34 34, RGB 197 41 41, RGB 214 65 65, RGB 222 99 99 and RGB 229 133 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 64 64 shade: RGB 215 64 64, RGB 185 214 65 and RGB 65 125 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 64 64 shade: RGB 215 64 64, RGB 65 214 65 and RGB 65 65 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 64 64 shade: RGB 215 64 64, RGB 185 214 65, RGB 65 214 214 and RGB 95 65 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 64 64 shade: RGB 215 64 64, RGB 140 214 65, RGB 65 214 214 and RGB 140 65 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

Complementary color

CMYK 79 / 0 / 0 / 25

HEX #28BFBF

RGB 40 191 191

HSL 180, 0.65%, 0.45%

LAB 70.51, -36.62, -10.87

 

CMYK 0 / 71 / 73 / 14

HEX #DC403B

RGB 220 64 59

HSL 1.86, 0.7%, 0.55%

LAB 50.92, 59.89, 38.64

 

CMYK 0 / 65 / 67 / 7

HEX #ED524E

RGB 237 82 78

HSL 1.51, 0.82%, 0.62%

LAB 56.67, 59.31, 35.42

 

CMYK 0 / 61 / 62 / 0

HEX #FE6461

RGB 254 100 97

HSL 1.15, 0.99%, 0.69%

LAB 62.55, 58.46, 32.61

 

CMYK 0 / 54 / 55 / 0

HEX #FF7674

RGB 255 118 116

HSL 0.86, 1%, 0.73%

LAB 66.12, 52, 26.6

 

CMYK 0 / 47 / 47 / 0

HEX #FF8887

RGB 255 136 135

HSL 0.5, 1%, 0.76%

LAB 69.91, 44.89, 21.09

 

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

CMYK 0 / 77 / 77 / 22

HEX #C62E2D

RGB 198 46 45

HSL 0.39, 0.63%, 0.48%

LAB 44.45, 58.7, 38.24

 

CMYK 0 / 85 / 86 / 29

HEX #B51C1A

RGB 181 28 26

HSL 0.77, 0.75%, 0.41%

LAB 39.12, 58.1, 42.16

 

CMYK 0 / 94 / 96 / 36

HEX #A40A07

RGB 164 10 7

HSL 1.15, 0.92%, 0.34%

LAB 34.24, 56.36, 45.38

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 51 / 70 / 16

HEX #D66941

RGB 214 105 65

HSL 16.11, 0.65%, 0.55%

LAB 56.86, 39.96, 41.83

 

CMYK 0 / 32 / 70 / 16

HEX #D69241

RGB 214 146 65

HSL 32.62, 0.65%, 0.55%

LAB 65.93, 18.28, 51.79

 

CMYK 0 / 13 / 70 / 16

HEX #D6BA41

RGB 214 186 65

HSL 48.72, 0.65%, 0.55%

LAB 75.94, -3.05, 62.17

 

CMYK 5 / 0 / 70 / 16

HEX #CBD641

RGB 203 214 65

HSL 64.43, 0.65%, 0.55%

LAB 82.47, -21.82, 68.37

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 80 / 80 / 9

HEX #E92F2F

RGB 233 47 47

HSL 0, 0.81%, 0.55%

LAB 51.34, 68.59, 46.38

 

CMYK 0 / 89 / 89 / 2

HEX #FB1C1C

RGB 251 28 28

HSL 0, 0.97%, 0.55%

LAB 53.41, 76.78, 58.58

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 42 / 42 / 31

HEX #B16666

RGB 177 102 102

HSL 0, 0.32%, 0.55%

LAB 51.62, 30.09, 13.15

 

CMYK 0 / 24 / 24 / 38

HEX #9F7979

RGB 159 121 121

HSL 0, 0.17%, 0.55%

LAB 54.48, 14.81, 5.73

 

CMYK 0 / 1 / 1 / 45

HEX #8C8B8B

RGB 140 139 139

HSL 0, 0%, 0.55%

LAB 57.95, 0.37, 0.12

 

CMYK 0 / 70 / 32 / 16

HEX #D64191

RGB 214 65 145

HSL 327.79, 0.65%, 0.55%

LAB 51.97, 64.48, -11.25

 

CMYK 0 / 70 / 51 / 16

HEX #D64169

RGB 214 65 105

HSL 343.89, 0.65%, 0.55%

LAB 50.8, 60.52, 11.07

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 51 / 70 / 16

HEX #D66941

RGB 214 105 65

HSL 16.11, 0.65%, 0.55%

LAB 56.86, 39.96, 41.83

 

CMYK 0 / 32 / 70 / 16

HEX #D69141

RGB 214 145 65

HSL 32.21, 0.65%, 0.55%

LAB 65.69, 18.82, 51.53

 

CMYK 0 / 79 / 79 / 36

HEX #A32222

RGB 163 34 34

HSL 0, 0.65%, 0.39%

LAB 36.07, 51.42, 33.56

 

CMYK 0 / 79 / 79 / 23

HEX #C52929

RGB 197 41 41

HSL 0, 0.66%, 0.47%

LAB 43.68, 59.76, 39.61

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 55 / 55 / 13

HEX #DE6363

RGB 222 99 99

HSL 0, 0.65%, 0.63%

LAB 57.42, 48.09, 23.85

 

CMYK 0 / 42 / 42 / 10

HEX #E58585

RGB 229 133 133

HSL 0, 0.65%, 0.71%

LAB 65.85, 36.72, 16.09

 

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

CMYK 14 / 0 / 70 / 16

HEX #B9D641

RGB 185 214 65

HSL 71.68, 0.65%, 0.55%

LAB 81.18, -29.14, 66.66

 

CMYK 70 / 42 / 0 / 16

HEX #417DD6

RGB 65 125 214

HSL 215.84, 0.65%, 0.55%

LAB 52.56, 9.85, -51.45

 

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

CMYK 70 / 0 / 70 / 16

HEX #41D641

RGB 65 214 65

HSL 120, 0.65%, 0.55%

LAB 75.82, -66.37, 59.47

 

CMYK 70 / 70 / 0 / 16

HEX #4141D6

RGB 65 65 214

HSL 240, 0.65%, 0.55%

LAB 37.41, 47.06, -76.02

 

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

CMYK 14 / 0 / 70 / 16

HEX #B9D641

RGB 185 214 65

HSL 71.68, 0.65%, 0.55%

LAB 81.18, -29.14, 66.66

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 56 / 70 / 0 / 16

HEX #5F41D6

RGB 95 65 214

HSL 252.08, 0.65%, 0.55%

LAB 39.7, 50.98, -72.17

 

CMYK 0 / 70 / 70 / 16

HEX #D74040

RGB 215 64 64

HSL 0, 0.65%, 0.55%

LAB 50.08, 58.55, 34.59

 

CMYK 35 / 0 / 70 / 16

HEX #8CD641

RGB 140 214 65

HSL 89.8, 0.65%, 0.55%

LAB 78.49, -46.14, 63.07

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 35 / 70 / 0 / 16

HEX #8C41D6

RGB 140 65 214

HSL 270.2, 0.65%, 0.55%

LAB 44.53, 58.76, -64.08

 

Description

Color code: RGB 215 64 64 | qconv.com Color code: RGB 215 64 64 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 64 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 64 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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