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Color name
RGB 215 96 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 96 104 it is the complementary color RGB 40 159 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 96 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 96 104 shade: RGB 220 96 99, RGB 237 114 118, RGB 254 132 137, RGB 255 150 156 and RGB 255 168 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 96 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 96 104 shade: RGB 215 96 104, RGB 198 78 85, RGB 181 60 66, RGB 164 42 47 and RGB 147 24 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 96 104 shade: RGB 215 95 103 and RGB 215 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 96 104 shade: RGB 215 95 103, RGB 215 95 136, RGB 215 95 168, RGB 215 95 200 and RGB 197 95 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 96 104 shade matches the following richer shades: RGB 215 95 103, RGB 231 79 89 and RGB 247 63 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 96 104 shade: RGB 215 95 103, RGB 199 111 117, RGB 183 128 131, RGB 166 144 145 and RGB 150 160 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 96 104 shade: RGB 215 95 169, RGB 215 95 137, RGB 215 95 105, RGB 215 117 95 and RGB 215 149 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 96 104 shade: RGB 182 45 54, RGB 206 62 72, RGB 215 95 103, RGB 223 128 135 and RGB 231 161 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 96 104 shade: RGB 215 96 104, RGB 201 215 95 and RGB 95 153 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 96 104 shade: RGB 215 96 104, RGB 105 215 95 and RGB 95 105 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 96 104 shade: RGB 215 96 104, RGB 201 215 95, RGB 95 215 205 and RGB 109 95 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 96 104 shade: RGB 215 96 104, RGB 165 215 95, RGB 95 215 205 and RGB 145 95 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

Complementary color

CMYK 75 / 0 / 5 / 38

HEX #289F97

RGB 40 159 151

HSL 175.97, 0.6%, 0.39%

LAB 59.42, -33.45, -5.11

 

CMYK 0 / 56 / 55 / 14

HEX #DC6063

RGB 220 96 99

HSL 358.55, 0.64%, 0.62%

LAB 56.57, 48.81, 22.67

 

CMYK 0 / 52 / 50 / 7

HEX #ED7276

RGB 237 114 118

HSL 358.05, 0.77%, 0.69%

LAB 62.8, 47.76, 20.57

 

CMYK 0 / 48 / 46 / 0

HEX #FE8489

RGB 254 132 137

HSL 357.54, 0.98%, 0.76%

LAB 69.03, 46.7, 18.75

 

CMYK 0 / 41 / 39 / 0

HEX #FF969C

RGB 255 150 156

HSL 356.57, 1%, 0.79%

LAB 73.2, 39.96, 14.02

 

CMYK 0 / 34 / 31 / 0

HEX #FFA8AF

RGB 255 168 175

HSL 355.17, 1%, 0.83%

LAB 77.5, 32.91, 9.68

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 0 / 61 / 57 / 22

HEX #C64E55

RGB 198 78 85

HSL 356.5, 0.51%, 0.54%

LAB 49.63, 48.42, 21.06

 

CMYK 0 / 67 / 64 / 29

HEX #B53C42

RGB 181 60 66

HSL 357.02, 0.5%, 0.47%

LAB 43.43, 49.21, 23.87

 

CMYK 0 / 74 / 71 / 36

HEX #A42A2F

RGB 164 42 47

HSL 357.54, 0.59%, 0.4%

LAB 37.4, 49.61, 27.32

 

CMYK 0 / 84 / 81 / 42

HEX #93181C

RGB 147 24 28

HSL 358.05, 0.72%, 0.34%

LAB 31.67, 49.26, 31.47

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 56 / 37 / 16

HEX #D75F88

RGB 215 95 136

HSL 339.5, 0.6%, 0.61%

LAB 56.5, 51.15, 0.79

 

CMYK 0 / 56 / 22 / 16

HEX #D75FA8

RGB 215 95 168

HSL 323.5, 0.6%, 0.61%

LAB 57.52, 55.24, -16.36

 

CMYK 0 / 56 / 7 / 16

HEX #D75FC8

RGB 215 95 200

HSL 307.5, 0.6%, 0.61%

LAB 58.79, 60.1, -32.78

 

CMYK 8 / 56 / 0 / 16

HEX #C55FD7

RGB 197 95 215

HSL 291, 0.6%, 0.61%

LAB 57.04, 57.94, -44.21

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 66 / 61 / 9

HEX #E74F59

RGB 231 79 89

HSL 356.05, 0.76%, 0.61%

LAB 55.38, 59.21, 27.26

 

CMYK 0 / 74 / 69 / 3

HEX #F73F4C

RGB 247 63 76

HSL 355.76, 0.92%, 0.61%

LAB 55.94, 69.06, 36.09

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 44 / 41 / 22

HEX #C76F75

RGB 199 111 117

HSL 355.91, 0.44%, 0.61%

LAB 56.88, 35.33, 12.14

 

CMYK 0 / 30 / 28 / 28

HEX #B78083

RGB 183 128 131

HSL 356.73, 0.28%, 0.61%

LAB 59.11, 21.7, 6.93

 

CMYK 0 / 13 / 13 / 35

HEX #A69091

RGB 166 144 145

HSL 357.27, 0.11%, 0.61%

LAB 61.74, 8.39, 2.5

 

CMYK 6 / 0 / 1 / 37

HEX #96A09F

RGB 150 160 159

HSL 174, 0.05%, 0.61%

LAB 65.06, -3.75, -0.71

 

CMYK 0 / 56 / 21 / 16

HEX #D75FA9

RGB 215 95 169

HSL 323, 0.6%, 0.61%

LAB 57.56, 55.38, -16.88

 

CMYK 0 / 56 / 36 / 16

HEX #D75F89

RGB 215 95 137

HSL 339, 0.6%, 0.61%

LAB 56.52, 51.27, 0.24

 

CMYK 0 / 56 / 51 / 16

HEX #D75F69

RGB 215 95 105

HSL 355, 0.6%, 0.61%

LAB 55.74, 48.03, 17.92

 

CMYK 0 / 46 / 56 / 16

HEX #D7755F

RGB 215 117 95

HSL 11, 0.6%, 0.61%

LAB 59.89, 36.18, 29.15

 

CMYK 0 / 31 / 56 / 16

HEX #D7955F

RGB 215 149 95

HSL 27, 0.6%, 0.61%

LAB 67.1, 19.09, 38.25

 

CMYK 0 / 75 / 70 / 29

HEX #B62D36

RGB 182 45 54

HSL 356.06, 0.6%, 0.45%

LAB 41.36, 54.55, 28.62

 

CMYK 0 / 70 / 65 / 19

HEX #CE3E48

RGB 206 62 72

HSL 355.83, 0.6%, 0.53%

LAB 48.3, 56.88, 27.36

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 43 / 39 / 13

HEX #DF8087

RGB 223 128 135

HSL 355.58, 0.6%, 0.69%

LAB 64.06, 37.33, 12.34

 

CMYK 0 / 30 / 28 / 9

HEX #E7A1A6

RGB 231 161 166

HSL 355.71, 0.59%, 0.77%

LAB 73.04, 26.65, 7.9

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 7 / 0 / 56 / 16

HEX #C9D75F

RGB 201 215 95

HSL 67, 0.6%, 0.61%

LAB 82.83, -21.15, 56.51

 

CMYK 56 / 29 / 0 / 16

HEX #5F99D7

RGB 95 153 215

HSL 211, 0.6%, 0.61%

LAB 61.76, -0.99, -37.4

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 51 / 0 / 56 / 16

HEX #69D75F

RGB 105 215 95

HSL 115, 0.6%, 0.61%

LAB 77.54, -54.65, 49.02

 

CMYK 56 / 51 / 0 / 16

HEX #5F69D7

RGB 95 105 215

HSL 235, 0.6%, 0.61%

LAB 48.81, 27.8, -57.94

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 7 / 0 / 56 / 16

HEX #C9D75F

RGB 201 215 95

HSL 67, 0.6%, 0.61%

LAB 82.83, -21.15, 56.51

 

CMYK 56 / 0 / 5 / 16

HEX #5FD7CD

RGB 95 215 205

HSL 175, 0.6%, 0.61%

LAB 79.29, -35.94, -5.26

 

CMYK 49 / 56 / 0 / 16

HEX #6D5FD7

RGB 109 95 215

HSL 247, 0.6%, 0.61%

LAB 47.42, 36.69, -60.13

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 23 / 0 / 56 / 16

HEX #A5D75F

RGB 165 215 95

HSL 85, 0.6%, 0.61%

LAB 80.42, -35.11, 53.11

 

CMYK 56 / 0 / 5 / 16

HEX #5FD7CD

RGB 95 215 205

HSL 175, 0.6%, 0.61%

LAB 79.29, -35.94, -5.26

 

CMYK 33 / 56 / 0 / 16

HEX #915FD7

RGB 145 95 215

HSL 265, 0.6%, 0.61%

LAB 50.82, 44.83, -54.49

 

Description

Color code: RGB 215 96 104 | qconv.com Color code: RGB 215 96 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 96 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 96 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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